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Art Funding

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Submitted By aamnah
Words 993
Pages 4
Aamnah Ahmad | CD-711/2012
Art Politics | Ayesha Omar

Karachi is a melting pot of people with different backgrounds, beliefs, lifestyles and cultures. The incredible variety that one can find in this city is what makes it the most dynamic and interesting, which is exactly the kind of basis that is required for introducing and producing art of all kinds. By making arts and cultural activities an integral part of the fabric of the city, we will not only be able to help this diversity to grow and thrive creatively, but it will also play an instrumental role in strengthening community bonds by involving people and facilitating interactions and collaborations that will allow new and innovative ideas and experiments to develop. Involving the people in various cultural activities and art projects is a noninvasive and efficient way to start to bridge the vast gap that is felt between the different communities that inhabit Karachi and allows everyone’s opinions and thoughts to be heard and projected in a more creative and far interesting manner.
For arts and other cultural activities to become that seamlessly integrated into our daily lives, the funding will also need to come from the people, for the people. As in Brazil’s art funding model, some percentage of the tax payer’s money is allocated by a nonprofit organization to provide the people with access not just to basic necessities but also to art, music and other cultural activities that they can indulge and participate in. The same kind of philosophy would work best for Karachi, in my opinion, because private funding or a government allocated budget does not result in an all-inclusive model being implemented and definitely does not do justice to the diverse city that is Karachi. The “for the people, by the people” model would make everyone feel more included and responsible in some part for where those funds are

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