...Dante’s Influences on Modern Works Over the years some literature works have left a legacy throughout human history. Their legacy was built through their influences on the different works of art, sculptures, later pieces of literature, songs, poem, films and sometimes video games. The Inferno part of Dante Alighieri's The Divine Comedy is one such literature work that is also one of the most well-known, well-referenced pieces of work today. It described in great detail Dante's vision of what hell would be like, and in doing so invented many of the tropes associated with Hell. This has led to several film adaptations and— most recently — a video game "adaptation”. References to Dante's Inferno in film can be found as far back as, draws heavily from Dante's Inferno. Se7en is a 1995 American crime film starring Brad Pitt, Morgan Freeman, and many other star-powered actors and actresses. The film is about the hunt of two homicide detectives, Detectives Sommerset and Mills, for a sadistic serial killer who murders in correspondence to one of the Seven Deadly Sins which his victim has committed. The murderer is determined by his desire to punish the world for its ignorance of the Seven Deadly Sins, viewing himself as akin to the Sword of God in handing out punishment of sins. As Detective Sommerset researches the Seven Deadly Sins to better understand the motive of the killer, Detective Mills simply scoffs at his efforts. Throughout the film, the detectives make numerous references...
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...Influence of “The Aeneid” and “Confessions” in Dante's Poem Dante in his poem “"The Inferno" talks of his journey to hell and back. He narrates it in the form of an autobiography. The poem does, however, indicate a strong influence from Maro's "The Aeneid" and Augustine's the "Confessions." The influence from the two in the “Inferno” range from the themes, concepts, literature devices and the language styles used. Maro Virgil, the author of the poem “The Aeneid” was a controversial figure in most Christian texts at the time. His influence in the “Inferno” is clear because Dante uses the name for the leader in the poem. Virgil is an influence in the poem rather than just a fiction figure or character. Dante does not borrow directly from the Aeneid, but expresses his own ideas in different twist. A major difference in the texts is that while Dante uses the underworld to denote hell, Virgil extends the physical world, as we know it. Dante feels that the pagan Virgil is contradicting in his ways, and Dante’s hell is an extension of Virgil’s underworld. Virgil influenced the way Dante denotes hell in specific circles or steps. While Virgil had only three; Tartarus, Elysium and Lugentes Campi, Dante had nine; Limbo, Gluttony, Lust, Greed, Anger, Heresy, Violence, Fraud and Treachery. Apparently, it is also clear that the concept of underworld is yet another influence Dante received from Maro’s “The Aeneid” (Maro 930-939). Throughout the “Inferno”, Dante exhibits a sense of redemption and...
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...“Through me you enter into the city of woes, through me you enter into eternal pain, through me you enter the population of loss…. Abandon all hope who enter here.” One of the world’s greatest poets began a legacy that is still influential today. His writings were so powerful that a lot of today’s poets use his work as an idea base. This writer was Dante Alighieri, the man who wrote the famous epic Inferno. Dante began this story in the early 1300s when he was exiled from his own home town, Florence. With this problem he used it to make stories and symbols to help him better introduce this story. Dante uses a variety of different metaphors that have similar sayings apply to religion that make this epic a major head turner. There have been several views on this epic. It has been seen as a religious eye opener with every step taken throughout this extraordinary journey that Dante begins. The symbolism that Dante uses gives a very clear insight on how he felt...
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...In Homer’s Achilles would be one of the primary Greek Mythology characters to be wordy for Dante’s vison of hell. The difficulty that xxxx would face is assigning Achilles to the right circle of hell, as he is suitable for most if not all. Although Achilles was dubbed a hero and his actions and motivations were acceptable for his time, by the time Dante wrote his works, many of the attributes possessed by Achilles, and ancient heroes alike were deemed sinful. Much of society view was influenced by the Church and by the time of Dante, the European social norms had also shifted, thus making ancient heroes sinners and hell worthy. In the first sentence Homer opens with “Sing, O goddess, the anger of Achilles son of Peleus, that brought countless ills upon the Achaeans” (128). Without going through the rest of Iliad, just based on this statement, Achilles would go to the fifth circle of the hell described by Dante, the circle off hell reserved for those that are charged with anger as a sin. As Vigil describes it to Dante, the residents of this circle are those overcame by anger and the sullen (Alighieri 622). Achilles was a skilled warrior, but many of his decisions were based...
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...Life After Death, What Happens After We Die? Contents Introduction 3 Ideas on Life After Death in Different Religions 4 Perception of Life After Death in Literature: Dante's “Inferno” 6 Life After Death in Art: Rodin's “The Gates of Hell” 8 Conclusion 10 References 11 Introduction The question associated with life after death is associated with people of all races, genders, ages and world religions. It is understandable that people cannot live forever, and death is an inevitable event. But still people are interested what will happen to them after death, and what it means to die. There are great numbers of assumptions on this issue, and people's opinions differ, but still it is difficult to reveal the truth, as nobody knows this for sure. This paper will focus on different assumptions and possible events taking place after people's death. Of course every person thinks about afterlife concept in the current period of time, as it would be really strange not to consider this issue at least once. People should understand and be aware of possible events happened to them after life in order to value the current state of affairs and life in the present period of time. It is necessary to make the right choice and build proper relationships with people surrounding you, as every day is unique, and it would be impossible to return it again. D'Souza (2009) stated that the Bible teaches people “that...
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...There are certain characteristics that make literature so interesting and entertaining, which are the facts that certain works have the capacity to create a trend or a genre, therefore it gives the piece of work a feeling of transcendetality. Two great authors from the Western civilization that take part of a modern literary culture that is characterized for its epic stories and epic characters that follow along the definition of an epic hero. An epic hero is a brave and noble character in an epic poem, admired for great achievements or affected by grand events. Dante’s Aligheri’s Inferno and Homer’s The Odyssey respectively have two characters that fulfill what is like to be recognized as a brave and noble character. Throughout both poems, we can see how each character has unique qualities that make them outstand and set them up as a leader, but at the same time, they have the flaws of any human being. It is clear when a character overcomes the status of any human being and sets the lead as a hero. An important trait of an epic hero is the fact that starts a journey; it may be of a personal matter, such as Dante, or of societal matter, like Odysseus. In The Odyssey, Odysseus is a war hero travelling home after a period of twenty years. In this epic, Odysseus is brought out as a hero with superhuman courage. In most cases, he has been shown fighting with supernatural forces. One characteristic of this journey that is different from Dante is that the hero in this epic fights...
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...Comedy(Commedia) from 1308 to 1320, completing the work the year before he died. The Divine Comedy is one of literature's boldest undertakings, as Dante takes us through Hell (Inferno), Purgatory (Purgatorio), and then reaches Heaven (Paradiso), where he is permitted to partake of the Beatific Vision. Dante's journey serves as an allegory of the progress of the individual soul toward God. While Dante was critical of the Catholic Church as an institution, his writings remained faithful to his schooling by the Dominicans, where he learned the theology of St. Thomas Aquinas (1224-1274). The Divine Comedy signaled the beginning of the Renaissance. The Commedia by Dante had everlasting impact on Italy, for the Tuscan dialect became the literary language of Italy. He died in political exile in Ravenna, Italy in September 1321. The Divine Comedy 1308-1320 INFERNO "Midway in our life's journey, I went astray from the straight road and woke to find myself alone in a dark wood. How shall I say what wood that was! I never saw so drear, so rank, so arduous a wilderness! Its very memory gives a shape to fear. Death could scarce be more bitter than that place! But since it came to good, I will recount all that I found revealed there by God's grace." Inferno, Canto I, lines 1-9 So begins the Inferno. Dante realizes he has wandered from the "True Way" in mid-life, and finds himself in the Valley of Evil. He is rescued by the spirit of Virgil (author of the Aeneid)...
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...The levels of hell in Dante‘s Inferno are classified based on Dante’s own beliefs and opinions, which leave room for others’ views on how each sin should be categorized. He says that the four worst sins are heresy, violence, fraud, and treachery. During the fourteenth century, while Dante Alighieri was writing The Divine Comedy, Christianity created a strong bond between people and the spiritual world, and faithfulness to their religion became a priority. The few who refused to convert to Catholicism were labeled heretics. The heretics wanted the right to freely practice their faith, which the Church defined as evil and a sin, making it one of Dante’s Circles of Hell. This is a prime example of how evil can be interpreted in various ways depending on ones personal experiences or viewpoints. If someone was given a list of the sins and told to classify them in a particular order, the results would vary because every person has a different interpretation of evil. Another example of this ambiguity is the conflict between Thorin Oakenshield and Bilbo Baggins in The Hobbit: Battle of the Five Armies. After Thorin, Bilbo, and the rest of the dwarves arrived at the Lonely Mountain, the gold within made Thorin develop “dragon sickness,” an illness that causes a person to be overcome with greed for gold and treasure. In Thorin’s case, there was nothing he wanted more than “The Arkenstone,” and his growing...
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...ARISTOTLE TRANSFIGURED Dante and the Structure of the Inferno and the Purgatorio by Donald J. Hambrick Submitted in partial fulfillment of the requirements for the degree of Doctor of Phüosophy Dalhousie University Halifax, Nova Scotia August, 1997 Q copyright by Donald J. Harnbrick, 1997 N l*lofational Library Canada Bibliothèque.nationale du Canada Acquisitions and Bibliogaphic Services Acquisitions et seMces bibliographiques 395 Wdingtoci Street OttawaON K 1 A W 395, rua Wellington Ottawa ON K I A O N 4 canada Canada The author has granted a nonexclusive licence allowing the National Library of Canada to reproduce, loan, distribute or sell copies of this thesis in microfonn, paper or electronic formats. L'auteur a accorde une licence non exclusive permettant à la Bibliothèque nationale du Canada de reproduire, prêter' distribuer ou vendre des copies de cette thèse sous la forme de microfiche/nlm, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la proprieté du droit d'auteur q ui protège cette thèse. Ni la thèse ni des extraits substantiels de celle-ci ne doivent être imprimés ou autrement reproduits sans son autorisation. copyright i this thesis. Neither the n thesis nor substantid extracts fkom it may be printed or otherwise reproduced without the author's permission. To Those Who Teach. .. TABLE OF CONTEWS INTRODUCTION...
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...A Portrait of the Artist as a Young Man Context James Joyce was born on February 2, 1882, in the town of Rathgar, near Dublin, Ireland. He was the oldest of ten children born to a well-meaning but financially inept father and a solemn, pious mother. Joyce's parents managed to scrape together enough money to send their talented son to the Clongowes Wood College, a prestigious boarding school, and then to Belvedere College, where Joyce excelled as an actor and writer. Later, he attended University College in Dublin, where he became increasingly committed to language and literature as a champion of Modernism. In 1902, Joyce left the university and moved to Paris, but briefly returned to Ireland in 1903 upon the death of his mother. Shortly after his mother's death, Joyce began work on the story that would later become A Portrait of the Artist as a Young Man. Published in serial form in 1914–1915, A Portrait of the Artist as a Young Mandraws on many details from Joyce's early life. The novel's protagonist, Stephen Dedalus, is in many ways Joyce's fictional double—Joyce had even published stories under the pseudonym "Stephen Daedalus" before writing the novel. Like Joyce himself, Stephen is the son of an impoverished father and a highly devout Catholic mother. Also like Joyce, he attends Clongowes Wood, Belvedere, and University Colleges, struggling with questions of faith and nationality before leaving Ireland to make his...
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...Confessions of an Economic Hit Man By John Perkins Preface Economic hit men (EHMs) are highly paid professionals who cheat countries around the globe out of trillions of dollars. They funnel money from the World Bank, U.S. Agency for International Development, and other foreign “aid” organizations into the coffers of huge corporations and the pockets of a few wealthy families who control the planet's natural resources. Their tools include fraudulent financial reports, rigged elections, payoffs, extortion, sex, and murder. They play a game as old as empire, but one that has taken on new and terrifying dimensions during this time of globalization. I should know; I was an EHM. I wrote that in 1982, as the beginning of a book with the working title Conscience of an Economic Hit Man. The book was dedicated to the presidents of two countries, men who had been my clients, whom I respected and thought of as kindred spirits—Jaime Roldós, president of Ecuador, and Omar Torrijos, president of Panama. Both had just died in fiery crashes. Their deaths were not accidental. They were assassinated because they opposed that fraternity of corporate, government, and banking heads whose goal is global empire. We EHMs failed to bring Roldós and Torrijos around, and the other type of hit men, the CIA-sanctioned jackals who were always right behind us, stepped in. I was persuaded to stop writing that book. I started it four more times during the next twenty years. On each occasion, my decision to...
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...A The 1000 Most Common SAT Words abase (v.) to humiliate, degrade (After being overthrown and abased, the deposed leader offered to bow down to his conqueror.) abate (v.) to reduce, lessen (The rain poured down for a while, then abated.) abdicate (v.) to give up a position, usually one of leadership (When he realized that the revolutionaries would surely win, the king abdicated his throne.) abduct (v.) to kidnap, take by force (The evildoers abducted the fairy princess from her happy home.) aberration (n.) something that differs from the norm (In 1918, the Boston Red Sox won the World Series, but the success turned out to be an aberration, and the Red Sox have not won a World Series since.) abet (v.) to aid, help, encourage (The spy succeeded only because he had a friend on the inside to abet him.) SAT Vocabulary SAT Vocabulary A abhor (v.) to hate, detest (Because he always wound up kicking himself in the head when he tried to play soccer, Oswald began to abhor the sport.) abide 1. (v.) to put up with (Though he did not agree with the decision, Chuck decided to abide by it.) 2. (v.) to remain (Despite the beating they’ve taken from the weather throughout the millennia, the mountains abide.) abject (adj.) wretched, pitiful (After losing all her money, falling into a puddle, and breaking her ankle, Eloise was abject.) abjure (v.) to reject, renounce (To prove his honesty, the President abjured the evil policies of his wicked predecessor.) abnegation (n.)...
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...SAT Vocabulary A abase (v.) to humiliate, degrade (After being overthrown and abased, the deposed leader offered to bow down to his conqueror.) abate (v.) to reduce, lessen (The rain poured down for a while, then abated.) abdicate (v.) to give up a position, usually one of leadership (When he realized that the revolutionaries would surely win, the king abdicated his throne.) abduct (v.) to kidnap, take by force (The evildoers abducted the fairy princess from her happy home.) aberration (n.) something that differs from the norm (In 1918, the Boston Red Sox won the World Series, but the success turned out to be an aberration, and the Red Sox have not won a World Series since.) abet (v.) to aid, help, encourage (The spy succeeded only because he had a friend on the inside to abet him.) SAT Vocabulary A abhor (v.) to hate, detest (Because he always wound up kicking himself in the head when he tried to play soccer, Oswald began to abhor the sport.) abide 1. (v.) to put up with (Though he did not agree with the decision, Chuck decided to abide by it.) 2. (v.) to remain (Despite the beating they’ve taken from the weather throughout the millennia, the mountains abide.) abject (adj.) wretched, pitiful (After losing all her money, falling into a puddle, and breaking her ankle, Eloise was abject.) abjure (v.) to reject, renounce (To prove his honesty, the President abjured the evil policies of his wicked predecessor.) abnegation ...
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...VOLUME EDITOR S. WALLER is an Associate Professor of Philosophy at Montana State University Bozeman. Her areas of research are philosophy of neurology, philosophy of cognitive ethology (especially dolphins, wolves, and coyotes), and philosophy of mind, specifically the parts of the mind we disavow. SERIES EDITOR FRITZ ALLHOFF is an Assistant Professor in the Philosophy Department at Western Michigan University, as well as a Senior Research Fellow at the Australian National University’s Centre for Applied Philosophy and Public Ethics. In addition to editing the Philosophy for Everyone series, Allhoff is the volume editor or co-editor for several titles, including Wine & Philosophy (Wiley-Blackwell, 2007), Whiskey & Philosophy (with Marcus P. Adams, Wiley, 2009), and Food & Philosophy (with Dave Monroe,Wiley-Blackwell, 2007). P H I L O S O P H Y F O R E V E RYO N E Series editor: Fritz Allhoff Not so much a subject matter, philosophy is a way of thinking.Thinking not just about the Big Questions, but about little ones too.This series invites everyone to ponder things they care about, big or small, significant, serious … or just curious. Running & Philosophy: A Marathon for the Mind Edited by Michael W. Austin Wine & Philosophy: A Symposium on Thinking and Drinking Edited by Fritz Allhoff Food & Philosophy: Eat,Think and Be Merry Edited by Fritz Allhoff and Dave Monroe Beer & Philosophy: The Unexamined Beer Isn’t Worth Drinking Edited by Steven D. Hales Whiskey & Philosophy:...
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...&KDXFHU 7URLOXVDQG&UHVVLGD (Troilus and Criseyde) 7UDQVODWHGE\$6.OLQH ã Copyright 2001 A. S. Kline, All Rights Reserved This work may be freely reproduced, stored and transmitted, electronically or otherwise, for any NON-COMMERCIAL purpose. Contents Book I Book II Book III Book IV Book V Troilus’s Love Love Returned The Consummation The Separation The Betrayal Book I 1. Troilus’s double sorrow for to tell, he that was son of Priam King of Troy, and how, in loving, his adventures fell from grief to good, and after out of joy, my purpose is, before I make envoy. Tisiphone, do you help me, so I might pen these sad lines, that weep now as I write. 2. I call on you, goddess who does torment, you cruel Fury, sorrowing ever in pain: help me, who am the sorrowful instrument who (as I can) help lovers to complain. Since it is fitting, and truth I maintain, for a dreary mate a woeful soul to grace, and for a sorrowful tale a sorry face. 3. For I, who the God of Love’s servants serve, not daring to Love, in my inadequateness, pray for success, though death I might deserve, so far am I from his help in darkness. But nevertheless, if this should bring gladness to any lover, and his cause avail, Love take my thanks, and mine be the travail. 4. But you, lovers that bathe in gladness, if any drop of pity is in you, remember all your past heaviness that you have felt, and how others knew the same adversity: and think how...
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