Free Essay

Gender & Communication Disney Princesses

In:

Submitted By mwoodrow
Words 2481
Pages 10
Megan Woodrow
December 10, 2012
Human Symbolic Activity
Final Paper
Gender and Communication: Disney Princesses Evolve Over Time Women have been around since the beginning of time, and have been stereotyped towards having “weaker natures and bodies” and “silly and emotional desires”. The women in the classic Walt Disney films are no exception to this criticism. But there is a saving grace. As women in real life have changed over time, our counterparts in fantasy film animation have also changed. The classic Walt Disney Princesses have therefore evolved through, and with, the media. After thinking back on what made Disney such a huge hit and major part of all of our lives, one answer came to mind: The Disney Princesses. Walt Disney and the Disney Company started out with young and beautiful Snow White, and then eventually moving onto the long line of famous Disney heroines such as Cinderella, Aurora, Belle, Ariel, Jasmine, Mulan, and many more to recent date. There have been so many princesses (and other strong heroines) added to the Disney list, but has anyone ever thought of how these princesses have changed over time, or how they have evolved due to how women in real life are represented in the media today?
Before I go into any more on the Princesses themselves, I first need to explain what events and stereotypes have made the basis for the Disney Princesses of the past, and even the for the women of the past, due to how the media and others have portrayed them. According to girlsinc.com, “women have more opportunities and face different challenges” today than they were able to in the past. Cuiriosity.com also states that, “Throughout history, men have been tasked with providing for the family. In our earliest days as a species with a plan for the day, that meant hunting and bringing home meat for sustenance, while in recent times it's meant earning a paycheck and bringing home the bacon. Women, on the other hand, took care of children and housekeeping.” Women’s roles in the past were only a few duties, basically taking care of the housework and the family. As time has moved on, however, women have had the chance to grow and expand on their opportunities. As women fought for their rights and freedom, their counterparts on T.V. and in the movies have also developed and progressed with the current times. Women represented in and through the media were able to evolve as characters and do more than just look pretty or cook meals. Women are now able to work and fight and believe in what they want, and the Disney Princesses are no exception. Just like women in the real world have changed and evolved, the Princesses have changed and adapted right along with them.
There are four Princesses that I wish to talk about, who best show the arc of the role of women evolving and adapting with society through the Walt Disney Franchise. The four women are: Aurora from Disney’s Sleeping Beauty, Mulan from Disney’s Mulan, Giselle from Disney’s Enchanted, and Merida from Disney/PIXAR’s Brave. These four women each have specific characteristics that deem them suitable for the time period that their respective movie was made. And as each newer movie was made, each Princess was able to evolve and change due to how the acceptability of women has changed in certain social and domestic situations. And by the time the latest Disney Princess movie was made, our Princess doesn’t resemble the stereotypical “Disney Princess” in any way with her newfound attitude towards marriage, love, and royal duties and life as a princess.
To start off this in-depth look, we will look at Princess Aurora from Disney’s Sleeping Beauty. Aurora’s story is pretty simple: she has a curse put upon as a child and she is kept away from people for the first sixteen years of her life, so that the curse doesn’t come to fruition. The curse comes true anyway, and in the end, her kingdom is saved by her Prince and the three fairies that watch over her. Sleeping Beauty was made in 1959 and during this time, according to enotes.com, “Housekeeping and raising a family were considered ideal female roles during the 1950s”. After research was done to see how well approved and strong the main character was in Sleeping Beauty, I was shocked to find out that our main Princess has been pushed out of the limelight and the whole article featured the three fairies instead, on fanpop.com. The site stated, “People tend to judge the movie by its 'main' character, but as we actually see and learn more of them, I think Flora, Fauna and Merryweather are a better place to start when looking at the movie's attitude towards female characters.” The Disney Princess is the main character of the story, but she receives the least amount of screen time for a main character in the movie and as the article goes on, it tells of how Aurora doesn’t really adapt or grow. She is a static character that looks beautiful, but has no opinion or character of her own. She has no strength to show, and she cannot help the plot progress any further once she is afflicted by the curse. Now, at this point, I would also like to clarify what Aurora symbolizes, and that is the standard “Disney Princess”/damsel-in-distress. When I say “standard ‘Disney Princess’”, this means that she is one of the first Princesses who had her dreams come true by basically doing nothing throughout the story. She just lays there in her bed and looks pretty. Even howstuffworks.com states that Aurora is “two-dimensional”. Aurora belongs in this argument because she represents what the Princesses today and women of today are not. She was one of the starting points of a direction that women would not follow.
The next “Disney Princess” that is going to be examined is Mulan from Disney’s Mulan. Even though she is not technically a “Princess” in the realm of Disney, she is considered in the top 10 list of Disney Princesses. Mulan is the first “Princess” to actually go and fight and take action. According to hubpages.com, “Mulan highlights the feminist discourse of the independent woman”. Mulan’s story is of a young girl impersonating a soldier in place of her father, so he doesn’t have to go to war. Mulan creates a fake identity, trains with the army, battles countless enemies, saves her nation, and is awarded a great honor by the emperor of her land. She does get her man in the end of the movie, but she only gets him because she earned his respect, saved him, and made a difference in his life when it comes to how men view women. When this movie came out in 1998, people were impressed, and little girls were inspired because the “Princess” was finally the true heroine of the story and could stand on equal footing (or even higher) with the men. One of the reasons that Mulan represents a change in the way that women and the Princesses should be perceived and thought of is based on all of the gender roles that were targeted and changed during the movie. According to hubpages.com, “The gender roles (in the movie) are also represented through the clothing items (dress, armor), accessories (comb and fan, sword and helmet) and even the hairstyle (long hair for women and short-tied hair for men).” Mulan has to change her identity and become more “man like” in order to gain more power and respect and she leaves behind her more feminine nature. Before this, none of the other Princesses or women in Disney’s history have changed their appearance or challenged the law. Mulan does both and begins the progression of how women can be represented in the Disney franchise. She is the first to represent a stronger and masculine side of womanhood, while still holding onto bits of her femininity. She is the first example that deviates from the typical dainty woman and she also proves that there can be a balance between characteristics in women and men. They can be both beautiful and strong. Mulan also pushes the notion that women don’t have to sacrifice all of themselves to gain respect, because once she is found out in the army, she is sent back home and she saves the day as a woman. And from there on, everyone in the story starts to see the value in her not just as a soldier, but as a woman.
The next Princess that helps push forward the evolution of Princesses is Princess Giselle from Disney’s Enchanted, which came out in 2007. The basic story of Enchanted is that Giselle is transported from her “fantasy” homeland and into the hustle and bustle of present day New York City. Giselle is in search of her Prince, who also comes to the real world, followed by the Prince’s evil stepmother. As Giselle deals with being in the real world, her delicate and innocent manner show a little too much and her basic ideas of life are based on “happily ever after’s” and “love conquering all”, but soon some of these ideas begin to fade when she starts experiencing life as it truly is: a place where things can be harsh and cruel, but still happy. Later on in the story, she has to step up and defend and rescue the man of her dreams from the evil witch who has been hunting them. This movie shows the evolution of women, not only by having a woman save a man, but by having the movie be in live action rather than animation. This is very critical and can further show that women in Disney have changed from their once demure attitudes and actions to real live heroines. The reason that it is important that the movie is live action rather than animation is because it gives the story and message more believability. A certain part in the story comes to mind to help explain this idea. In the movie, when Giselle picks up a sword in the final act and stands ready to fight the villain for the man that she loves, the villain blatantly states to the man, “I guess that makes you the damsel-in-distress, huh, handsome?” This one line proves how far the Princesses have come. The man is usually never the one in distress, and when Giselle stands to fight, the villain retorts, “Oh my, it’s the brave little Princess coming to the rescue.” The villain actually taunts her by calling her brave, thus indicating the ludicrous idea that Princesses and women can’t be brave and fight for what they believe in or love. When Giselle does conquer the villain in the end, she proves it for all women and Princesses (real and fictitious) that they can be strong and brave.
The last Princess that shows the evolution of how women and Disney Princesses are represented through the media is Merida from Disney/PIXAR’s Brave, which came out in 2012. Merida stands out in particular as an example of how far the Princesses have come due a comment from livejournal.com. The site states, “Merida is the only tomboy to enter the famed Disney princess ecosystem, and the first one who doesn't wind up with a prince at the end of her story”. When the words “Disney Princess” come to mind, one would not think of Merida belonging in that category. She is feisty, slightly ill-mannered, and, as stated before, a tomboy. Through the media of Disney, the women have been given the privilege to see a Princess act like how most girls are in today’s society. Not every girl wants to be the stereotypical Princess, and the Disney Company has seen this, and thus, their creation of Merida represents one main idea: Princesses and women can act how they wish and are not bound to one law or life.
The women of Disney have each adapted in various ways, but Merida seems to be the most adapted to modern day society, even if the society that she lives in isn’t all that modern. Some arguments have come up about her personality, stating that she is just acting like a whiny teenager, but is that really such a bad thing? Is giving her the character flaws and challenges that every day girls go through really a problem? I think not. I believe that giving her these reactions and motivations actually makes the character of Merida more human and more realistic. She has troubles, but they are troubles that a lot of girls and women have to go through in their lifetime. Some the situations that she goes though are the same notions that others go though in real life and those situations are reflected in the media, so why not reflect those same situations in the Disney Princess films?
In conclusion, the natures and actions of Disney’s Princesses have changed through the media and with the media over the years. As understanding and tolerance for women and women’s right came about, women (and Princesses) have been able to develop right along in their roles in the media. I don’t believe that the media itself brought about the change in how the women were represented, but I do think that it brought about the change of when women were starting to be represented as they are today. Women have worked with the media, to show that there are multiple layers to the human woman (and Princess), and by using the media as an outlet, we have been able to express our multi-facet selves.

Bibliography
American Decades Representative. Standard Roles, But Changing. http://www.enotes.com/1950-lifestyles-social-trends-american-decades/womens-roles 2000. Web. December 2, 2012.
Arkoff, Vicki. Ultimate Guide to Disney Princess. http://tlc.howstuffworks.com/family/how-disney-princess-works3.htm 2012. Web. December 3, 2012.
Barksdale, Martha. Gender Gap: How are men and women's roles in society changing? http://curiosity.discovery.com/question/gender-roles-society-changing 2011. Web. December 2, 2012
Fanpop Representative. Strong women in classic Disney: Sleeping Beauty. http://www.fanpop.com/clubs/disney-princess/articles/94826/title/strong-women-classic-disney-sleeping-beauty 2011. Web. December 2, 2012.
Girl’s Incorporated Representative. The role of women in our society has changed. http://www.girlsinc.org/news/archives/role-of-women-society.html 2012. Web. December 2, 2012. de Guadalupe Serrano Diez, Maria. Mulan, a new type of heroine in Disney and China “Disneyfied” through its Gender Roles. http://guadyserrano.hubpages.com/hub/GuadySerranoDisneysMulanReviewMulanANewDisneyHeorineandChineDisneyfiedthroughitsGenderRoles April 2010. Web. December 3, 2012.
Yahoo Movie Critic. Brave Article. http://d-princesses.livejournal.com/1353497.html June 25, 2012. Web. December 4, 2012.

Similar Documents

Premium Essay

Disney Princess Effect on Young Girls and Gender Role Perception

...August 2014 The Disney Princess Effect on Young Girls and Their Gender Role Perception The Disney Corporation has been around since 1937 when it released the first Disney Princess movie, Snow White and the Seven Dwarfs. Since then, millions of young girls have fallen in love with these characters and often see them as role models. From the dresses to the tiaras, the beauty to the fairy tale, Disney Princesses have a direct effect on young girls and their behavior. The media has been a powerful resource through which many young girls develop their identity and come to understand gender roles in society. Research indicates that watching televised gender portrayals has an effect on individuals’ gender based attitudes, beliefs, and behaviors (Mastro & Morawitz 131). These are the attitudes and beliefs that young girls who watch Disney princess films would inherit. Girls enjoy watching these films and see the beautiful characters overcome difficult trials, as well as fall in love with a handsome prince in the end. The overall message is not a realistic one, leaving many girls feeling self conscious and unhappy. The idea that beauty equals good and ugly equals evil can negatively impact the way a girl looks at herself or others. Girls will ultimately learn that what is beautiful is good. Snow White and Cinderella were attractive and charismatic while the witch and two stepsisters were unattractive and vile. And in the end, the princesses lived happily ever after. The...

Words: 2769 - Pages: 12

Premium Essay

The Little Mermaind: Disneyfication

...studio’s popular princesses. Ever since Snow White made her debut in 1937, Disney has cornered the market on princesses. One primary topic that critics have discussed in Disney’s films is the way princesses are portrayed. The roles of the female characters are especially drawing the interest of academic critics. Jack Zipes, author of Breaking the Disney Spell, believes that the Disney princesses have regressed. On the other hand, Libe Zarranz, author of Diswomen Strike Back? The Evolution of Disney’s Femmes in the 1990s, and Rebecca Do Rozario, author of The Princess and the Magic Kingdom: Beyond Nostalgia, The Function of the Disney Princess, believe that the Disney princess has progressed. Another aspect of Disney’s movies that catches the eyes of critics is the moral simplification in the films. They believe that the morals from the original fairy tales are being manipulated and simplified in the Disney films. A. Waller Hastings, author of Moral Simplification in Disney’s The Little Mermaid, and Finn Mortensen, author of The Little Mermaid: Icon and Disneyfication, both agree that Disney’s simplification of morals is giving viewers the wrong depiction of life. Disney’s portrayal of women and simplification of morals are giving viewers the wrong impression of life and women. Many critics call the process of simplification in Disney movies, “Disneyfication.” Disneyfication is especially shown in The Little Mermaid. In Disney’s version of The Little Mermaid, Disney retains elements...

Words: 1238 - Pages: 5

Premium Essay

Feminism in 1990s Princess Movies

...1980s and 1990s, with the third wave of feminism introducing women to take actions to obtain their goals, the Disney Company experienced a renaissance by returning to its most successful genre—fairytales. After the huge success of The Little Mermaid in 1989, the Walt Disney Company released another well known story, Beauty and the Beast, in 1991. With the enormous success of the film, many scholars criticized that these princess films actually promoted an anti-feminist message and were worried that the films would influence the thoughts of young girls and women. However, these films in the late 80s and 90s evolved from previous films. In fact, Linda Woolverton, the first female Disney animation writer, was the script-writer of Beauty and the Beast. The Walt Disney Company always cared about what the fans wanted and thought. By hiring a female script writer, Disney could make audience better understand feminism, especially at the time of third-wave feminism. The 1980s and 1990s movies, especially Beauty and the Beast, convey a feminist message because of the themes of inner beauty, progressive gender roles and freedom of choice. Beauty and the Beast presents the importance of personality and ambition over physical appearance. Some people argued that the message that being pretty is very important in princess movies is anti-feminist. They thought the pretty princesses suggested to young girls that women’s appearances were the most important feature. In previous princess movies...

Words: 1803 - Pages: 8

Premium Essay

Gender Roles in Disney Movies

...Gender Roles in Disney Movies It is undeniable that the company that is leading to many generations in their child age is Disney. Who does not remember Mickey and Minnie Mouse?, Who has not thrown a tear when Snow White was poisoned by the evil witch?, Who did not want to ever be in the place of handsome John Smith or Pocahontas herself to revive their love story?, that tender these films, is not it, for example the Little Mermaid and Sebastian the crab song, who does not remember that song from "under the sea”? Has anybody ever wondered why the dwarves themselves did not do the housework when they came home once Snow White "moved in" with them? Or why an Indian as Pocahontas, falls for a murderer of thousands of his countrymen as was John Smith? Or why witches are always bad? Or why women are always in the background in these films (Hubka, Hovdestad & Tonmyr, 2009)? The world of Disney Princess began in 1937 when Snow White entered the world with the Seven Dwarfs (McRobbie, 2008). Since then it continued to add princesses in this world and the most recent movie was Tangled (Rapunzel) in 2011. In the past years, due to the lack of portraying ethnicity, Disney movie makers were highly criticized by their audience. Therefore, Pocahontas appeared in 1995 and after three years in 1998 came Mulan, which created a racially diverse collection of Disney princesses. After a decade The Princess and the Frog was released in 2009. It is important to understand that Disney plays an important...

Words: 1544 - Pages: 7

Free Essay

Disney Chracters: the Reflect of Women's Place in the Society

...Disney characters : the reflect of women's place in the society Walt Disney, under his real name Walt Elias Disney was born in 1901 in Chicago. He founded in 1923 the famous Walt Disney Company with his brother Roy as the Disney Brothers Studios. After three years, the studios take the name Walt Disney Company. Their first animated film came out in 1937 "Snow White" inspired by a famous children's story by the Brothers Grimm. Thereafter follow many animated films like Cinderella, Mulan, or Rebel. One of the most important question in recent years is : What image Disney returns with respect to the role of women and the role that women play in society in the twenty-first century? In fact, Disney is primarily a media and integrate media stereotypes and habits of society to which they belong in their history or animated movie. Disney is the reflects of the habit of society to which they belong in their history or their short films. Thus heroines like Snow White, Cinderella, Aurora are submitted to wish than others, especially men, have chosen for her. They are docile women who spend their time dreaming. They are always save by men from a evil spell and are submit to the will of men. Instead, the heroines of the late twentieth century are beginning to take their lives and rebel against the male authority . In the twenty-first century heroines are increasingly rebelling and advocate of feminist principles : women are the equals of men. This analysis allows us to see a marked increase...

Words: 3196 - Pages: 13

Free Essay

Hello

...changes were added by Disney to make a more interesting movie, or to forward a sexist agenda. A multitude of sexist messages are present in Disney movies teaching young girls that they are expected to fill a submissive role in society. The fairy tales are symbolic of women’s lives being shaped by male influences. Over time, the sexist message in Disney movies has become less apparent, but it has never disappeared; it is merely buried within a classic fairy tale that the “magic of Disney” has transformed into a sexist lesson. Naturally, these movies must not have a traumatic affect on little girls. Parents are not actually harming their daughters by allowing them to indulge their fairy tale fantasies. Not according to Jack Zipes, leading expert on fairy tales and German professor at the University of Minnesota, the movies have “a type of gender stereotyping . . . that has an adverse effect on children, in contrast to what parents think . . .. Parents think they’re essentially harmless – they are not harmless” (Giroux, “Roared” 103). Maria Tatar, Harvard folklorist, also sees harm in the movies since “[Disney] capitalizes on the worst part of fairytales” placing the focus on the material world and removing the cunning and intelligent roles that the females once played (Healy). However, these messages surly must not be intentional, and they are open to interpretation, right? Not according to Mary Beech, director of franchise management for Disney Consumer Products, who...

Words: 3937 - Pages: 16

Premium Essay

Chapter 4 Managing Marketing Information to Gain Customer Insights

...Part 1: Defining Marketing and the Marketing Process (Chapters 1–2) Part 2: Understanding the Marketplace and Consumers (Chapters 3–6) Part 3: Designing a Customer-Driven Strategy and Mix (Chapters 7–17) Part 4: Extending Marketing (Chapters 18–20) 4 Marketing Information to Gain Managing Customer Insights Chapter Preview In this chapter, we continue our exploration of how marketers gain insights into consumers and the marketplace. We look at how companies develop and manage information about important marketplace elements: customers, competitors, products, and marketing programs. To succeed in today’s marketplace, companies must know how to turn mountains of marketing information into fresh customer insights that will help them deliver greater value to customers. Let’s start with a good story about marketing research and customer insights in action at P&G, one of the world’s largest and most re- spected marketing companies. P&G makes and markets a who’s who list of consumer megabrands, including the likes of Tide, Crest, Bounty, Charmin, Puffs, Pampers, Pringles, Gillette, Dawn, Ivory, Febreze, Swiffer, Olay, Cover Girl, Pantene, Scope, NyQuil, Duracell, and dozens more. The company’s stated purpose is to provide products that “improve the lives of the world’s consumers.” P&G’s brands really do create value for consumers by solving their problems. But to build meaningful relationships with customers, you first have to understand them and how...

Words: 26161 - Pages: 105

Free Essay

Hanoi

...The 2012 The Cathedral & John Connon Alumni Magazine Founders’ Day Brunch 2011 EVENTS Rumble in the Jungle OFF THE SHELF Amish Tripathi and Akash Shah OUT OF THE BOX Dhanya Pilo Contents 9 President’s Message Events Founders’ Day 2011 Rumble in the Jungle Memories and Mayhem School Update Summer School Spotlight Keshav Desiraju Sudha Shah Off the Shelf Amish Tripathi and Akash Shah Out of the Box Vijaya Pastala Dhanya Pilo Nostalgia Reunions First Citizen In Memoriam Mrs. Irene Saldanha Mr. Anthony Dias Class Notes The Quiz 2 5 7 9 10 13 15 17 18 21 22 25 27 29 31 33 36 68 15 13 18 Editorial Team Udita Jhunjhunwala (ICSE 1984) Miel Sahgal (ISC 1989) Shyla Boga Patel (ISC 1969) Mukeeta Jhaveri (ISC 1983) Mitali Anand Kalra (ISC 1989) Business Rohita Chaganlal Doshi (ISC 1975) Editorial support, Design and Printing 22 Kirtana Shetty Minaal Pednekar and Nikunj Parikh Spenta Multimedia This magazine is not for sale and is intended for internal circulation only. Any material from this magazine may not be reproduced in part or whole without written consent. Views and opinions expressed in this magazine are those of the individual authors and not necessarily those of the Publishers. Published by The Cathedral and John Connon Alumni Association, 6, P.T. Marg, Mumbai 400 001 and printed at Spenta Multimedia, Peninsula Spenta, Mathuradas Mill Compound, Lower Parel, Mumbai 400 013. www.spentamultimedia.com 21 36 Special...

Words: 40944 - Pages: 164

Free Essay

English Vinglish

...Copyediting & Proofreading FOR DUMmIES by Suzanne Gilad ‰ Copyediting & Proofreading For Dummies® Published by Wiley Publishing, Inc. 111 River St. Hoboken, NJ 07030-5774 www.wiley.com Copyright © 2007 by Wiley Publishing, Inc., Indianapolis, Indiana Published by Wiley Publishing, Inc., Indianapolis, Indiana Published simultaneously in Canada No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise, except as permitted under Sections 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, 978-750-8400, fax 978-646-8600. Requests to the Publisher for permission should be addressed to the Legal Department, Wiley Publishing, Inc., 10475 Crosspoint Blvd., Indianapolis, IN 46256, 317-572-3447, fax 317-572-4355, or online at http://www.wiley.com/go/permissions. Trademarks: Wiley, the Wiley Publishing logo, For Dummies, the Dummies Man logo, A Reference for the Rest of Us!, The Dummies Way, Dummies Daily, The Fun and Easy Way, Dummies.com, and related trade dress are trademarks or registered trademarks of John Wiley & Sons, Inc., and/or its affiliates in the United States and other countries, and may not be used without written permission. All...

Words: 125743 - Pages: 503

Premium Essay

Rgthtfhyjugkihlololigkydh

...Table of Contents Title Page Copyright Page Dedication Introduction Chapter 1 - Priming Chapter 2 - Confabulation Chapter 3 - Confirmation Bias Chapter 4 - Hindsight Bias Chapter 5 - The Texas Sharpshooter Fallacy Chapter 6 - Procrastination Chapter 7 - Normalcy Bias Chapter 8 - Introspection Chapter 9 - The Availability Heuristic Chapter 10 - The Bystander Effect Chapter 11 - The Dunning-Kruger Effect Chapter 12 - Apophenia Chapter 13 - Brand Loyalty Chapter 14 - The Argument from Authority Chapter 15 - The Argument from Ignorance Chapter 16 - The Straw Man Fallacy Chapter 17 - The Ad Hominem Fallacy Chapter 18 - The Just-World Fallacy Chapter 19 - The Public Goods Game Chapter 20 - The Ultimatum Game Chapter 21 - Subjective Validation Chapter 22 - Cult Indoctrination Chapter 23 - Groupthink Chapter 24 - Supernormal Releasers Chapter 25 - The Affect Heuristic Chapter 26 - Dunbar’s Number Chapter 27 - Selling Out Chapter 28 - Self-Serving Bias Chapter 29 - The Spotlight Effect Chapter 30 - The Third Person Effect Chapter 31 - Catharsis Chapter 32 - The Misinformation Effect Chapter 33 - Conformity Chapter 34 - Extinction Burst Chapter 35 - Social Loafing Chapter 36 - The Illusion of Transparency Chapter 37 - Learned Helplessness Chapter 38 - Embodied Cognition Chapter 39 - The Anchoring Effect Chapter 40 - Attention Chapter 41 - Self-Handicapping Chapter 42 - Self-Fulfilling Prophecies Chapter 43 - The Moment Chapter 44 - Consistency...

Words: 84394 - Pages: 338

Free Essay

The Astrology

...The New Astrology by SUZANNE WHITE Copyright © 1986 Suzanne White. All rights reserved. 2 Dedication book is dedicated to my mother, Elva Louise McMullen Hoskins, who is gone from this world, but who would have been happy to share this page with my courageous kids, April Daisy White and Autumn Lee White; my brothers, George, Peter and John Hoskins; my niece Pamela Potenza; and my loyal friends Kitti Weissberger, Val Paul Pierotti, Stan Albro, Nathaniel Webster, Jean Valère Pignal, Roselyne Viéllard, Michael Armani, Joseph Stoddart, Couquite Hoffenberg, Jean Louis Besson, Mary Lee Castellani, Paula Alba, Marguerite and Paulette Ratier, Ted and Joan Zimmermann, Scott Weiss, Miekle Blossom, Ina Dellera, Gloria Jones, Marina Vann, Richard and Shiela Lukins, Tony Lees-Johnson, Jane Russell, Jerry and Barbara Littlefield, Michele and Mark Princi, Molly Friedrich, Consuelo and Dick Baehr, Linda Grey, Clarissa and Ed Watson, Francine and John Pascal, Johnny Romero, Lawrence Grant, Irma Kurtz, Gene Dye, Phyllis and Dan Elstein, Richard Klein, Irma Pride Home, Sally Helgesen, Sylvie de la Rochefoucauld, Ann Kennerly, David Barclay, John Laupheimer, Yvon Lebihan, Bernard Aubin, Dédé Laqua, Wolfgang Paul, Maria José Desa, Juliette Boisriveaud, Anne Lavaur, and all the others who so dauntlessly stuck by me when I was at my baldest and most afraid. Thanks, of course, to my loving doctors: James Gaston, Richard Cooper, Yves Decroix, Jean-Claude Durand, Michel Soussaline and...

Words: 231422 - Pages: 926