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How Was Music During the Harlem Renaissance

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The Harlem Renaissance was a cultural movement that spanned the 1920s. At the time, it was known as the "New Negro Movement", named after the 1925 anthology by Alain Locke. Though it was centered in the Harlem neighborhood of New York City, many French-speaking black writers from African and Caribbean colonies who lived in Paris were also influenced by the Harlem Renaissance.[1][2][3][4]

The Harlem Renaissance is unofficially recognized to have spanned from about 1919 until the early or mid-1930s. Many of its ideas lived on much longer. The zenith of this "flowering of Negro literature", as James Weldon Johnson preferred to call the Harlem Renaissance, was placed between 1924 (the year that Opportunity: A Journal of Negro Life hosted a party for black writers where many white publishers were in attendance) and 1929 (the year of the stock market crash and the beginning of the Great Depression).

Contents [hide] 1 Background to Harlem
2 Development of African-American community in Harlem 2.1 An explosion of culture in Harlem

3 Music
4 Characteristics and themes
5 Influence of the Harlem Renaissance 5.1 A new black Identity
5.2 Criticism of the movement

6 Notable figures and their works 6.1 Novels
6.2 Short story collections
6.3 Drama
6.4 Poetry
6.5 Leading intellectuals
6.6 Visual artists
6.7 Popular entertainment
6.8 Musicians and composers

7 See also
8 References
9 External links
10 Bibliography

Background to Harlem [edit]

Until the end of the Civil War, the majority of African Americans had been enslaved and lived in the South. After the end of slavery, the emancipated African Americans began to strive for civic participation, political equality and economic and cultural self-determination. Soon after the end of the Civil War the Ku Klux Klan Act of 1871 gave rise to speeches by African American Congressmen addressing this

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