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Juxtaposition In The Joy Luck Club

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In Amy Tan’s 1989 novel The Joy Luck Club, the author utilizes symbols and juxtaposition to show the importance of heritage and their mother-daughter bond in the novel. In the chapter Double Face, Lindo reflects on her circumstances that led her to America and her wish for her daughter to become different from her, along with her relationship and how out of touch she thinks she is with her daughter, but comes to realize that they are both very similar women and that they both have influenced each other more than they have realized.
Tan particularly brings up the women’s noses to use as a symbol of their relationship as mother and daughter. When looking at themselves in the mirror, Lindo recalls a memory of when she broke her nose after arriving

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