...John Steinbeck's Of Mice and Men In John Steinbeck's classic novella, Of Mice and Men, one of the predominant themes that govern the story and characters in the book is friendship. One of the ways in which friendship plays a large role is in the area of mercy killing, which affects the main characters as well as the supporting ones. The two major mercy killings that occur in the book are those of Carlson's killing of Candy's old dog, and of George's killing of Lennie. In both of these examples, the killer kills the other out of mercy and love, not for the usual motives of hatred, rage, anger, etc. The killing of Candy's dog is an excellent example of mercy killing in the aforesaid novella. Candy's dog was in terrible condition, and it could barely be said that the ratty old thing was even alive. It stunk like a dozen skunks, was nearly blind, could barely hear, had arthritis that was so bad, the old mutt couldn't sit down, had no quality of life, and probably had urinary and bowel problems, a miserable condition that is almost assured in old dogs. This instance of mercy killing, however, was more driven by peer pressure than the typical case of mercy killing. When someone kills another loved one out of mercy, it is normally done to put the afflicted one out of their misery, torment, anguish, distress, etc. The other ranch hands thought that the dog reeked more than any of its other conditions, which was the only one that they, too, could experience. Candy's dog loved its master...
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...John Steinbeck's Of Mice and Men In John Steinbeck's classic novella, Of Mice and Men, one of the predominant themes that govern the story and characters in the book is friendship. One of the ways in which friendship plays a large role is in the area of mercy killing, which affects the main characters as well as the supporting ones. The two major mercy killings that occur in the book are those of Carlson's killing of Candy's old dog, and of George's killing of Lennie. In both of these examples, the killer kills the other out of mercy and love, not for the usual motives of hatred, rage, anger, etc. The killing of Candy's dog is an excellent example of mercy killing in the aforesaid novella. Candy's dog was in terrible condition, and it could barely be said that the ratty old thing was even alive. It stunk like a dozen skunks, was nearly blind, could barely hear, had arthritis that was so bad, the old mutt couldn't sit down, had no quality of life, and probably had urinary and bowel problems, a miserable condition that is almost assured in old dogs. This instance of mercy killing, however, was more driven by peer pressure than the typical case of mercy killing. When someone kills another loved one out of mercy, it is normally done to put the afflicted one out of their misery, torment, anguish, distress, etc. The other ranch hands thought that the dog reeked more than any of its other conditions, which was the only one that they, too, could experience. Candy's dog loved its master...
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...Of Mice and Men Kiescha Giles Of mice and men is a novel written by author John Steinbeck, published in 1937. It’s about George Milton and lennie small, two displaced workers. Who move from place to place in California in search for new job opportunities during the great depression in United States of America? John Steinbeck's Of Mice and Men is a fable about what it means to be human. Steinbeck's story of George and Lennie's ambition of owning their own ranch, and the obstacles that stand in the way of that ambition, reveal the nature of dreams, dignity, loneliness, and sacrifice. Ultimately, Lennie, the mentally handicapped giant who makes George's dream of owning his own ranch worthwhile, ironically becomes the greatest obstacle to achieving...
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...Guadalupe Dominguez June 3, 2011 Humanities 303 Mrs. Nyhan Of Mice and Men Of Mice and Men by John Steinbeck was a book that told the ultimate demonstration of love George had for Lennie. The first instant that George demonstrated that he cared for Lennie was when he asked Lennie to give him the mouse he had pulled out of the river. When Lennie gave George the mouse he began to cry so George said “Aw, Lennie!” “George put his hand on Lennie’s shoulder” (Of Mice and Men). “I ain’t taking it away just for meanness” (Of Mice and Men). “That mouse ain’t fresh, Lennie; and beside, you’ve broke it petting it” (Of Mice and Men). Here George demonstrated he cared about Lennie’s feelings. He wanted Lennie to understand that he was not taking the mouse from him just because he didn’t want him to have it; it was because it was died and he could get sick. George showed compassion toward Lennie when George places his hand on Lennie’s should as a way to comfort Lennie because the mouse was taken away from him. Another instant when George demonstrated he cared about Lennie was when Lennie got in trouble for the first time in Weed. Lennie said “jus’ wanted to feel that girl’s dress---jus’ wanted to pet it like it was a mouse---Well, how the hell did she know you jus’ wanted to feel her dress?” (Of Mice and Men). Because Lennie grab this girl’s dress and wouldn’t let go he got accused of raping this girl. Since, no one was going to believe Lennie didn’t do anything...
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...American Lit Justification for Mercy Killings The jurors for the trial of Dr. Jack Kevorkian, the physician convicted of second-degree murder for helping 130 terminally-ill patients commit suicide, had to decide whether or not he was justified in assisting the death of these patients. After reading Of Mice and Men, by John Steinbeck, the readers have a chance to take a side on relatively the same issue of whether or not mercy killings are justified. The novel is about Lennie Small, a huge, mentally impaired man, and George Milton, a friend that looks after Lennie, searching for work in California during the Great Depression. Towards the end of the novel, Lennie enrages Curley by accidentally killing his wife, and George is left with the decision of whether or not to kill Lennie himself. George decides to shoot him solely out of love for his friend, but this killing initiates a debate in which the readers can take sides about his righteousness. Some people believe that George is justified in killing Lennie and should have done it, while others would argue that George should not have done it and should be held accountable for murder. In John Steinbeck’s Of Mice and Men, George Milton should have shot Lennie Small because George is his friend and knows what is best for Lennie, and he knows that if Lennie lives, he will suffer. Other people may believe that George should not have shot Lennie and should therefore be punished because Lennie has mental issues and his killing of...
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...to be at least a million people trapped in these institutions. It is a known fact that values and beliefs have altered since the early 20th century and in many ways this is due to historical world events. John Steinbeck recognises that and his book ‘Of Mice and Men’ is a great representation of the values and beliefs of the 1930’s. It was well known that there was a lack in woman rights and importance, people were in a state during this period due to the Great Depression, and people had a lack of understanding towards the mentally disabled. John Steinbeck recognises this and displays it throughout the book therefore making him worthy of running a series on. In his book, the character George shoots his mentally disabled best friend Lennie as he thinks it is what had to be done due to the Sheriff being after Lennie, the lack of understanding people had for Lennie and knowing what would happen to Lennie if he was put in a mental institution. George did what was right according to the morals and beliefs in the 1930’s. During the 1930s, the values of the era were very different to nowadays. There was a lack of equality in gender, race and wealth and what you had very much defined who you were. People with mental problems were seen as freaks and dealt with in a way we see as wrong in today’s society. Women’s roles in society were also very different to now. Women didn’t need to know anything; they just had to be pretty and the perfect image of a wife therefore being a housemaid with...
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...Is it acceptable for people to kill? Is it EVER justified, even if the person committing the crime thinks it is satisfactory? In John Steinbeck’s novella, Of Mice and Men , George Milton is confronted with these questions, which have major consequences, with little time to think of the possible outcomes. Even though George may be able to keep his crime hidden, the law is the law. If a person disobeys it they pay. Ignorance of the law is no excuse and Lennie would have been better off in prison serving out a sentence for the crime he committed. Thus, George should be punished for killing Lennie because he is supposed to take care of Lennie, George wanted to be by himself, and he stole a gun and used it when it was not permitted to him. One of the many reasons the killing should not be justified is because George Milton made a promise to take care of Lennie, and murdering Lennie did not fulfill that promise. In fact, it was the exact opposite. In chapter 2 when George was speaking to the boss about...
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...theme is the central topic a text treats. Themes can be divided into two categories: a work's thematic concept is what readers "think the work is about" and its thematic statement being "what the work says about the subject". The most common contemporary understanding of theme is an idea or concept that is central to a story, which can often be summed in a single word (e.g. love, death, betrayal). Typical examples of themes of this type are conflict between the individual and society; coming of age; humans in conflict with technology; nostalgia; and the dangers of unchecked ambition. A theme may be exemplified by the actions, utterances, or thoughts of a character in a novel. An example of this would be the theme loneliness in John Steinbeck's Of Mice and Men, wherein many of the characters seem to be lonely. It may differ from the thesis—the text's or author's implied worldview. A story may have several themes. Themes often explore historically common or cross-culturally recognizable ideas, such as ethical questions, and are usually implied rather than stated explicitly. An example of this would be whether one should live a seemingly better life, at the price of giving up parts of ones humanity, which is a theme in Aldous Huxley’s Brave New World. Along with plot, character, setting, and style, theme is considered one of the fundamental components of fiction. Mostly people regards themes as thesis or thesis as themes but there is a clear distinction between them which is given...
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...author had quietly disappeared. His book stayed on the bestseller list for thirty weeks, though never above fourth place.' Costing 75?, the Bantam paperback edition appeared in 1964. By 1981, when the same edition went for $2.50, sales still held steady, between twenty and thirty thousand copies per month, about a quarter of a million copies annually. In paperback the novel sold over three million copies between 1953 and 1964, climbed even higher by the 1980s, and continues to attract about as many buyers as it did in 1951. The durabilityof The author appreciates the invitationof Professors Marc Lee Raphaeland Robert A. Gross to present an early version of this essay at the College of William & Mary, and also thanks ProfessorsPaul Boyer and John D. Ibson for their assistance. 1AdamMoss, "Catcher Comes of Age," Esquire, December 1981, p. 57; Jack Salzman, ed., intro. to New Essays on "The Catcher in the Rye" (New York:Cambridge UniversityPress, 1991), pp. 6, 7. 567 568 THE NEW ENGLAND QUARTERLY its appeal is astonishing. The...
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...science, or technology per say, was the enemy of humanism and its avatars as such. The point is not to become a postmodern anti-scientific Luddite. Genomics are changing the world in ways we barely imagine yet and will re-define what it means to be human (a becoming already imagined by science fiction writers, social critics and critical thinkers such as the feminist Donna Haraway with her “Cyborg”). The point is also not to turn “anti-brainiac.” Without a brain we would become vegetative, a vegetal…, i.e. a purely “natural body,” a “zombie.” If we make use of this “computer” allegory which is an analog but not a homologue, and which is used ad nauseam used by psycho-biologists, without a hard-drive there is no software. But is this a reason to say that the software is but the direct emanation/product/reproduction or even representation at a higher level of the hard-drive? Technology and the sciences have and are extending human potential; but they are also re-defining what it is to be human…and this is where the rub is. The point is to re-affirm the value and importance of the humanities (its anti-humanist or post-structuralist component included)...
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...Praise for The Spirit Catches You and You Fall Down “Fadiman describes with extraordinary skill the colliding worlds of Western medicine and Hmong culture.” —The New Yorker “This fine book recounts a poignant tragedy…It has no heroes or villains, but it has an abundance of innocent suffering, and it most certainly does have a moral…[A] sad, excellent book.” —Melvin Konner, The New York Times Book Review “An intriguing, spirit-lifting, extraordinary exploration of two cultures in uneasy coexistence…A wonderful aspect of Fadiman’s book is her even-handed, detailed presentation of these disparate cultures and divergent views—not with cool, dispassionate fairness but rather with a warm, involved interest that sees and embraces both sides of each issue…Superb, informal cultural anthropology—eye-opening, readable, utterly engaging.” —Carole Horn, The Washington Post Book World “This is a book that should be deeply disturbing to anyone who has given so much as a moment’s thought to the state of American medicine. But it is much more…People are presented as [Fadiman] saw them, in their humility and their frailty—and their nobility.” —Sherwin B. Nuland, The New Republic 3/462 “Anne Fadiman’s phenomenal first book, The Spirit Catches You and You Fall Down, brings to life the enduring power of parental love in an impoverished refugee family struggling to protect their seriously ill infant daughter and ancient spiritual traditions from the tyranny of welfare bureaucrats and intolerant...
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...10000 quiz questions and answers www.cartiaz.ro 10000 general knowledge questions and answers 10000 general knowledge questions and answers www.cartiaz.ro No Questions Quiz 1 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 Carl and the Passions changed band name to what How many rings on the Olympic flag What colour is vermilion a shade of King Zog ruled which country What colour is Spock's blood Where in your body is your patella Where can you find London bridge today What spirit is mixed with ginger beer in a Moscow mule Who was the first man in space What would you do with a Yashmak Who betrayed Jesus to the Romans Which animal lays eggs On television what was Flipper Who's band was The Quarrymen Which was the most successful Grand National horse Who starred as the Six Million Dollar Man In the song Waltzing Matilda - What is a Jumbuck Who was Dan Dare's greatest enemy in the Eagle What is Dick Grayson better known as What was given on the fourth day of Christmas What was Skippy ( on TV ) What does a funambulist do What is the name of Dennis the Menace's dog What are bactrians and dromedaries Who played The Fugitive Who was the King of Swing Who was the first man to fly across the channel Who starred as Rocky Balboa In which war was the charge of the Light Brigade Who invented the television Who would use a mashie niblick In the song who killed Cock Robin What do deciduous...
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...critical theory today critical theory today A Us e r - F r i e n d l y G u i d e S E C O N D E D I T I O N L O I S T Y S O N New York London Routledge is an imprint of the Taylor & Francis Group, an informa business Routledge Taylor & Francis Group 270 Madison Avenue New York, NY 10016 Routledge Taylor & Francis Group 2 Park Square Milton Park, Abingdon Oxon OX14 4RN © 2006 by Lois Tyson Routledge is an imprint of Taylor & Francis Group, an Informa business Printed in the United States of America on acid‑free paper 10 9 8 7 6 5 4 3 2 1 International Standard Book Number‑10: 0‑415‑97410‑0 (Softcover) 0‑415‑97409‑7 (Hardcover) International Standard Book Number‑13: 978‑0‑415‑97410‑3 (Softcover) 978‑0‑415‑97409‑7 (Hardcover) No part of this book may be reprinted, reproduced, transmitted, or utilized in any form by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying, microfilming, and recording, or in any information storage or retrieval system, without written permission from the publishers. Trademark Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. Library of Congress Cataloging‑in‑Publication Data Tyson, Lois, 1950‑ Critical theory today : a user‑friendly guide / Lois Tyson.‑‑ 2nd ed. p. cm. Includes bibliographical references and index. ISBN 0‑415‑97409‑7 (hb) ‑‑ ISBN 0‑415‑97410‑0 (pb) 1. Criticism...
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...CONTE NTS Introduction 1 WHY YOU SHOULD VISIT CEMETERIES: Survivorship Bias 2 DOES HARVARD MAKE YOU SMARTER?: Swimmer’s Body Illusion 3 WHY YOU SEE SHAPES IN THE CLOUDS: Clustering Illusion 4 IF 50 MILLION PEOPLE SAY SOMETHING FOOLISH, IT IS STILL FOOLISH: Social Proof 5 WHY YOU SHOULD FORGET THE PAST: Sunk Cost Fallacy 6 DON’T ACCEPT FREE DRINKS: Reciprocity 7 BEWARE THE ‘SPECIAL CASE’: Confirmation Bias (Part 1) 8 MURDER YOUR DARLINGS: Confirmation Bias (Part 2) 9 DON’T BOW TO AUTHORITY: Authority Bias 10 LEAVE YOUR SUPERMODEL FRIENDS AT HOME: Contrast Effect 11 WHY WE PREFER A WRONG MAP TO NO MAP AT ALL: Availability Bias 12 WHY ‘NO PAIN, NO GAIN’ SHOULD SET ALARM BELLS RINGING: The It’llGet-Worse-Before-It-Gets-Better Fallacy 13 EVEN TRUE STORIES ARE FAIRYTALES: Story Bias 14 WHY YOU SHOULD KEEP A DIARY: Hindsight Bias 15 WHY YOU SYSTEMATICALLY OVERESTIMATE YOUR KNOWLEDGE AND ABILITIES: Overconfidence Effect 16 DON’T TAKE NEWS ANCHORS SERIOUSLY: Chauffeur Knowledge 17 YOU CONTROL LESS THAN YOU THINK: Illusion of Control 18 NEVER PAY YOUR LAWYER BY THE HOUR: Incentive Super-Response Tendency 19 THE DUBIOUS EFFICACY OF DOCTORS, CONSULTANTS AND PSYCHOTHERAPISTS: Regression to Mean 20 NEVER JUDGE A DECISION BY ITS OUTCOME: Outcome Bias 21 LESS IS MORE: The Paradox of Choice 22 YOU LIKE ME, YOU REALLY REALLY LIKE ME: Liking Bias 23 DON’T CLING TO THINGS: Endowment Effect 24 THE INEVITABILITY OF UNLIKELY Events: Coincidence 25 THE CALAMITY OF CONFORMITY: Groupthink 26 WHY...
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...Reading the Novel in English 1950–2000 i RTNA01 1 13/6/05, 5:28 PM READING THE NOVEL General Editor: Daniel R. Schwarz The aim of this series is to provide practical introductions to reading the novel in both the British and Irish, and the American traditions. Published Reading the Modern British and Irish Novel 1890–1930 Reading the Novel in English 1950–2000 Daniel R. Schwarz Brian W. Shaffer Forthcoming Reading the Eighteenth-Century Novel Paula R. Backscheider Reading the Nineteenth-Century Novel Harry E. Shaw and Alison Case Reading the American Novel 1780–1865 Shirley Samuels Reading the American Novel 1865–1914 G. R. Thompson Reading the Twentieth-Century American Novel James Phelan ii RTNA01 2 13/6/05, 5:28 PM Reading the Novel in English 1950–2000 Brian W. Shaffer iii RTNA01 3 13/6/05, 5:28 PM © 2006 by Brian W. Shaffer BLACKWELL PUBLISHING 350 Main Street, Malden, MA 02148-5020, USA 9600 Garsington Road, Oxford OX4 2DQ, UK 550 Swanston Street, Carlton, Victoria 3053, Australia The right of Brian W. Shaffer to be identified as the Author of this Work has been asserted in accordance with the UK Copyright, Designs, and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs, and...
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