...Emmanuel J. Crespo Ms. Coleman Honors World Literature April 13, 2016 Killing for Human Life An analysis of the justification for criminality with the argument that it will better humanity in Fyodor Dostoevsky’s Crime and Punishment. Crime towards humanity has never been rightly justified, but it seems as if the crime towards humanity misinterprets the goal of the crime. Criminals would like to believe that their crimes were done for humanity rather than towards humanity. Fyodor Dostoevsky exposes the argument of bettering humanity as a scapegoat for criminality in his novel, Crime and Punishment. The wealthy and those in poverty have had a strong dissonance for hundreds of thousands of years, usually caused by envy and frustration of the poor and the arrogance and lack of empathy of the rich. Raskolnikov, frustrated that he could not finish his studies in law and had to drop out of law school, has grown a type of soft hatred to the pawnbroker, Alyona Ivanovna. Due to her wealth and unfair treatment to the people that pawn items to her, Raskolnikov undoubtedly turns his soft hate into violent thoughts. He envisioned murdering her and taking her money, but the moral side of him always brought a sense of disgust to his own thoughts, and Raskolnikov would not want to go through with the crime. Although he tried to take the idea off his mind, the struggle of him having owe the landlady dues as well as him already behind on payments, Raskolnikov’s thought turned to a plan...
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...culture might not be the same practiced by the Igorots of today. It has made variations by the passing of time, which is also normally happening to many other cultures, but the main core of respect and reverence to ancestors and to those who had just passed is still there. The Igorot culture that I like to share is about our practices and beliefs during the "time of Death". Death is part of the cycle of life. Igorots practice this part of life cycle with a great meaning and importance. Before the advent of Christianity in the Igorotlandia, the Igorots or the people of the Cordilleran region in the Philippines were animist or pagans. Our reverence or the importance of giving honor to our ancestors is a part of our daily activities. We consider our ancestors still to be with us, only that they exist in another world or dimension. Whenever we have some special feasts (e.g., occasions during death, wedding, family gathering, etc.), when we undertake something special (like going somewhere to look for a job or during thanksgiving), we perform some special offer. We call this "Menpalti/ Menkanyaw", an act of butchering and offering animals. During these times we call them in our prayers to join us in spirit. We do this also to ask for help and/or ask for guidance, etc. The prayers are usually performed by an elderly person of the town (called "pangamaen" for a man and "Panginaen" for a woman; however an elderly man has preference to be "the prayer renderer" when we have the choice). By...
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...Proceeding for the School of Visual Arts Eighteenth Annual National Conference on Liberal Arts and the Education of Artists: Art and Story CONTENTS SECTION ONE: Marcel’s Studio Visit with Elstir……………………………………………………….. David Carrier SECTION TWO: Film and Video Narrative Brief Narrative on Film-The Case of John Updike……………………………………. Thomas P. Adler With a Pen of Light …………………………………………………………………… Michael Fink Media and the Message: Does Media Shape or Serve the Story: Visual Storytelling and New Media ……………………………………………………. June Bisantz Evans Visual Literacy: The Language of Cultural Signifiers…………………………………. Tammy Knipp SECTION THREE: Narrative and Fine Art Beyond Illustration: Visual Narrative Strategies in Picasso’s Celestina Prints………… Susan J. Baker and William Novak Narrative, Allegory, and Commentary in Emil Nolde’s Legend: St. Mary of Egypt…… William B. Sieger A Narrative of Belonging: The Art of Beauford Delaney and Glenn Ligon…………… Catherine St. John Art and Narrative Under the Third Reich ……………………………………………… Ashley Labrie 28 15 1 22 25 27 36 43 51 Hopper Stories in an Imaginary Museum……………………………………………. Joseph Stanton SECTION FOUR: Photography and Narrative Black & White: Two Worlds/Two Distinct Stories……………………………………….. Elaine A. King Relinquishing His Own Story: Abandonment and Appropriation in the Edward Weston Narrative………………………………………………………………………….. David Peeler Narrative Stretegies in the Worlds of Jean Le Gac and Sophe Calle…………………….. Stefanie Rentsch...
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