...weight loss. :) If there's anything you need, don't hesitate to ask. COPYRIGHT The opinions expressed on health-heaven, are my own. Unless otherwise stated, I do not claim ownership of any of the images used on the blog. If you own rights to any of the images posted and do not wish to see them published on health-heaven, please contact us and we will remove them. Following PHOTOSET (Source: food-gifs, via letsbthin) ▲ food ▲ 07.25.12 ▲ 2599 NOTES ▲ Reblog PHOTO ▲ smoothie recipe ▲ 07.25.12 ▲ 133 NOTES ▲ Reblog ask “H K L !” -collinesjaune K: Favourite TV show. Pretty Little Liars, CSI, The Mentalist, Bones, Criminal Minds, Psych, Dexter, Monk, Sherlock Holmes, Castle, Revenge, The Big Bang Theory, Masterchef Australia & The Next Food Network Star H: Favourite book. I just answered that question, but hey I can have more than one favorite book :D 1Q84 - Haruki Murakami High Fidelity - Nick Hornby The Catcher in the Rye - J.D. Salinger The Beautiful and Damned - F Scott Fitzgerald A clockwork orange - Anthony Burgess The Virgin Suicides - Jefferey Eugenides Sherlock Holmes This Side of Paradise - F. Scott Fitzgerald Stories by Edgar Allan Poe To Kill a Mockingbird - Harper Lee The Sense of an Ending - Julian...
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...In the novel A Clockwork Orange, by Anthony Burgess, there is a change in the narrator’s mentality. In this three-part book one noticed a progression in this young teen as he grows older and his life changes. Part one, Alex is a troubled teen causing ciaos in his town with his goons, known as “Droogs”. They are a menace to society and satisfaction is brought to them by fighting, using drugs, and violating women. Part two differs from part one because one saw Alex incarcerated which causing a violent change to him because he is the first to be tested in a new treatment to change his lawless behaviors. Lastly, in part three a new side of Alex presents itself. He shows emotion unlike anything seen before in the novel. These three parts of the book show this progression in Alex be goes through the stages of...
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...From How to Read Literature Like a Professor Thomas C. Foster Notes by Marti Nelson 1. Every Trip is a Quest (except when it’s not): a. A quester b. A place to go c. A stated reason to go there d. Challenges and trials e. The real reason to go—always self-knowledge 2. Nice to Eat With You: Acts of Communion a. Whenever people eat or drink together, it’s communion b. Not usually religious c. An act of sharing and peace d. A failed meal carries negative connotations 3. Nice to Eat You: Acts of Vampires a. Literal Vampirism: Nasty old man, attractive but evil, violates a young woman, leaves his mark, takes her innocence b. Sexual implications—a trait of 19th century literature to address sex indirectly c. Symbolic Vampirism: selfishness, exploitation, refusal to respect the autonomy of other people, using people to get what we want, placing our desires, particularly ugly ones, above the needs of another. 4. If It’s Square, It’s a Sonnet 5. Now, Where Have I Seen Her Before? a. There is no such thing as a wholly original work of literature—stories grow out of other stories, poems out of other poems. b. There is only one story—of humanity and human nature, endlessly repeated c. “Intertexuality”—recognizing the connections between one story and another deepens our appreciation and experience, brings multiple layers of meaning to the text, which we may not be conscious of. The more consciously...
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...Mass Media Revision Notes The mass media are forms of communication which reach large audiences. They can be split into two groups: Traditional media * TV * Radio * Cinema * Music * Newspapers * Books New media * Internet * Dvd * Digital television * E mail In society today it is very difficult to avoid the mass media. There is a division between the press (newspapers) and broadcasting (TV and radio) The press in the UK Newspapers and magazine which are privately owned and are commercially run for profit They are financed through advertising and sales which means they are in competition with each other Some newspapers reach a national market such as the Guardian and others a local market such as the Yorkshire Evening Post Newspapers can be divided to broad sheets which is considered to be the quality press and the tabloids such as the Sun and the Mirror Broadcasting in Britain This refers to the TV and the radio. In the UK we have public television which is the BBC – this is funded by the TV licence fee. We also have commercial television which aims to make money through advertising. In recent years there has been a move towards the sponsorship of programmes – Cadbury’s and Coronation Street – and now companies can pay to see their products feature in TV programmes, this is called product placement. Technological developments In 1980 there were only three channels – BBC1, BBC2 and ITV – we now have additional terrestrial channels...
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...Those who approve decriminalization (at least to some extent), and those who believe the very idea contradicts the nature of a productive society. I begin with a scenario that transpired in Portugal during the early 1990’s. At this point in time the Portuguese government found themselves trying to solve a problem we here in America are facing today, the issue of drug addition. They found themselves asking, "How can we best limit drug usage and drug addiction?". After a decade of deliberation a government counsel came to the conclusion that decriminalization was the best solution to their nations sweeping drug problem. (Gillespie 2009: Pg. 13). It’s important to note that the motive behind this move was not based on the capitalist ideology of the free market but rather in response to an epidemic. I believe this actually speaks more to their concerted effort to be socially responsible more then any economically based decision ever could. Decades later we now have enough established data to understand the impact the counsel’s decision truly had on society, both economically and socially. The results were astounding and the data showed that Portugal found itself with the lowest rates of marijuana usage in...
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...A Clockwork Orange (UK Version) Anthony Burgess Introduction A Clockwork Orange I first published the novella A Clockwork Orange in 1962, which ought to be far enough in the past for it to be erased from the world's literary memory. It refuses to be erased, however, and for this the film version of the book made by Stanley Kubrick may be held chiefly responsible. I should myself be glad to disown it for various reasons, but this is not permitted. I receive mail from students who try to write theses about it or requests from Japanese dramaturges to turn It into a sort of Noh play. It seems likely to survive, while other works of mine that I value more bite the dust. This is not an unusual experience for an artist. Rachmaninoff used to groan because he was known mainly for a Prelude in C Sharp Minor which he wrote as a boy, while the works of his maturity never got into the programmes. Kids cut their pianistic teeth on a Minuet in G which Beethoven composed only so that he could detest it. I have to go on living with A Clockwork Orange, and this means I have a sort of authorial duty to it. I have a very special duty to it in the United States, and I had better now explain what this duty is. Let me put the situation baldly. A Clockwork Orange has never been published entire in America. The book I wrote is divided into three sections of seven chapters each. Take out your pocket calculator and you will find that these add up to a total of twenty-one chapters. 21 is the symbol...
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...1 The Evolution of Music in Film and its Psychological Impact on Audiences By Stuart Fischoff, Ph.D. “I feel that music on the screen can seek out and intensify the inner thoughts of the characters. It can invest a scene with terror, grandeur, gaiety, or misery. It can propel narrative swiftly forward, or slow it down. It often lifts mere dialogue into the realm of poetry. Finally, it is the communicating link between the screen and the audience, reaching out and enveloping all into one single experience.” Film composer Bernard Herrmann. Why Is There Music in Film? The general feeling about film is that it is singularly a visual experience. It is not. While we certainly experience film through our eyes, we just as surely experience it through our ears. Especially today, particularly with modern home and theater sound systems offering multi-channel sound and high fidelity. Films are generally fantasies. And fantasies by definition defy logic and reality. They conspire with the imagination. Music works upon the unconscious mind. Consequently, music works well with film because it is an ally of illusion. Music plays upon our emotions. It is generally a non-intellectual communication. The listener does not need to know what the music means, only how it makes him feel. Listeners, then, find the musical experience in film one that is less knowing and more feeling. The onscreen action, of course, provides clues and cues as to how the accompanying music does...
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...Go to All About Homonyms | A | | a | very short little insignificant English word | | eh | an interrogative utterance | | | | | acts | things done | | ax | chopping tool | | | | | ad | short for advertisement | | add | short for addition | | | | | adds | performs additions | | ads | more than one advertisement | | adze | axe-like tool | | | | | ade | fruit beverage | | aid | to assist | | aide | an assistant | | | | | aerie | eagle's nest | | airy | breezy | | | | | aero | of aircraft | | arrow | slender, pointed shaft | | | | | affect | to change | | effect | result | | | | | ail | sick | | ale | beer | | | | | | | | air | stuff we breathe | | are | 1/100th of a hectare | | e'er | contraction of "ever" | | ere | eventually | | err | to make a mistake | | heir | one who will inherit | | | | | | aisle | walkway | | I'll | contraction of "I will" | | isle | island | | | | | all | everything | | awl | pointed scriber | | | | | allowed | permitted | | aloud | spoken | | | | | altar | raised center of worship | | alter | to change | | | | | an | a single instance | | Ann | a woman's name | | | | | ant | insect | | aunt | parent's sister | | | | | ante | preliminary bet | | auntie | sister...
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...My Maid Invests in the Stock Market… My Maid Invests in the Stock Market Including: 4 Rules of Making Millions in the Stock Market And Why You Should, Too! Because Everyone Ought to Be Rich Bo sanchez 1 2 My Maid Invests in the Stock Market My Maid Invests in the Stock Market… And Why You Should Too! Because Everyone Ought to Be Rich Bo Sanchez 3 My Maid Invests in the Stock Market And Why You Should, Too! ISBN- 978-971-007-020-6 Copyright © 2010 by Eugenio R. Sanchez, Jr. Requests for information should be addressed to: Shepherd’s Voice Publications, Inc. #60 Chicago St., Cubao, Quezon City, Philippines 1109 P.O. Box 1331, Quezon City Central Post Office 1153 Quezon City Tel. No. (+632) 725-9999; Fax. No. (632) 727-5615 e-mail: sales@shepherdsvoice.com.ph All rights reserved. No part of this publication may be reproduced, except for brief quotations, without the prior permission of the publisher. Cover Design and Layout by Rey de Guzman 4 My Maid Invests in the Stock Market Disclaimer: Investing involves substantial risk. Neither the author, the publisher nor any of their respective affiliates make any guarantee or other promise as to any results that may be obtained from using this book. No reader should make any investment decision without first consulting his or her own personal financial advisor and conducting his or her own research and due diligence, including carefully reviewing the prospectus and other public filings of the issuer. To the maximum extent...
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...Acclaim for Yann Martel's Life of Pi "Life of Pi is not just a readable and engaging novel, it's a finely twisted length of yarn— yarn implying a far-fetched story you can't quite swallow whole, but can't dismiss outright. Life of Pi is in this tradition—a story of uncertain veracity, made credible by the art of the yarn-spinner. Like its noteworthy ancestors, among which I take to be Robinson Crusoe, Gulliver's Travels, the Ancient Mariner, Moby Dick and Pincher Martin, it's a tale of disaster at sea coupled with miraculous survival—a boys' adventure for grownups." —Margaret Atwood, The Sunday Times (London) "A fabulous romp through an imagination by turns ecstatic, cunning, despairing and resilient, this novel is an impressive achievement. . . . Martel displays the clever voice and tremendous storytelling skills of an emerging master." —Publisher's Weekly (starred review) "[Life of Pi] has a buoyant, exotic, insistence reminiscent of Edgar Allen Poe's most Gothic fiction. . . . Oddities abound and the storytelling is first-rate. Yann Martel has written a novel full of grisly reality, outlandish plot, inventive setting and thought-provoking questions about the value and purpose of fiction." —The Edmonton journal "Martel's ceaselessly clever writing . . . [and] artful, occasionally hilarious, internal dialogue . . . make a fine argument for the divinity of good art." —The Gazette "Astounding and beautiful. . . . The book is a pleasure not only for the subtleties of its philosophy...
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...consider works of art based on certain assumptions within that school of theory. The different lenses also allow critics to focus on particular aspects of a work they consider important. For example, if a critic is working with certain Marxist theories, s/he might focus on how the characters in a story interact based on their economic situation. If a critic is working with post-colonial theories, s/he might consider the same story but look at how characters from colonial powers (Britain, France, and even America) treat characters from, say, Africa or the Caribbean. Hopefully, after reading through and working with the resources in this area of the OWL, literary theory will become a little easier to understand and use. Disclaimer Please note that the schools of literary criticism and their explanations included here are by no means the only ways of distinguishing these separate areas of theory. Indeed, many critics use tools from two or more schools in their work. Some would define differently or greatly expand the (very) general statements given here. Our explanations are meant only as starting places for your own investigation into literary theory. We encourage you to use the list of scholars and works provided for each school to further your understanding of these theories. We also recommend the following secondary sources for study of literary theory: * The Critical Tradition: Classical Texts and Contemporary Trends, 1998, edited by David H. Richter * Critical Theory...
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...Yann Martel: Life of Pi life of pi A NOVEL author's note This book was born as I was hungry. Let me explain. In the spring of 1996, my second book, a novel, came out in Canada. It didn't fare well. Reviewers were puzzled, or damned it with faint praise. Then readers ignored it. Despite my best efforts at playing the clown or the trapeze artist, the media circus made no difference. The book did not move. Books lined the shelves of bookstores like kids standing in a row to play baseball or soccer, and mine was the gangly, unathletic kid that no one wanted on their team. It vanished quickly and quietly. The fiasco did not affect me too much. I had already moved on to another story, a novel set in Portugal in 1939. Only I was feeling restless. And I had a little money. So I flew to Bombay. This is not so illogical if you realize three things: that a stint in India will beat the restlessness out of any living creature; that a little money can go a long way there; and that a novel set in Portugal in 1939 may have very little to do with Portugal in 1939. I had been to India before, in the north, for five months. On that first trip I had come to the subcontinent completely unprepared. Actually, I had a preparation of one word. When I told a friend who knew the country well of my travel plans, he said casually, "They speak a funny English in India. They like words like bamboozle." I remembered his words as my plane started its descent towards Delhi, so the word bamboozle ...
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...Strategic Marketing Planning SOUTH WEST ARTS MARKETING APRIL 2002 STRATEGIC MARKETING PLANNING Introduction Strategic Marketing Planning is one of a series of publications produced by South West Arts Marketing for South West Arts and Bristol City Council. The guides are intended as an introduction to arts marketing and as a practical guide for artists and organisations working with very limited resources. Further information and advice on any of the topics covered in this guide or any other issue related to arts marketing, training, audience profiling, research or regional support networks are available from South West Arts Marketing on 0117-927 6936. South West Arts Marketing is an independent agency established to add value to arts marketing activity in the South West by providing strategic services and support to artists and arts organisations wishing to increase and broaden their arts audiences. For further information about the range of support and services available contact: South West Arts Marketing St Nicholas Church St Nicholas Street Bristol BS1 1UE Tel: Fax: e-mail: 0117-927 6936/41 0117-927 6936 info@swam.org.uk South West Arts Marketing is funded by South West Arts, Bristol City Council and Arts Council of England. STRATEGIC MARKETING PLANNING What is Marketing? To be successful, an organisation must constantly try to match its own capabilities to the needs of its customers both current and potential as well as all of its stakeholders. Over the years marketing...
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...SIMPLE SCIENCE EXPERIMENTS HANS JURGEN PRESS 1. Astronomy Image of the Sun Place a pair of binoculars in an open window in the direct path of the sun’s rays. Stand a mirror in front of one eyepiece so that it throws an image of the sun on to the opposite wall of the room. Adjust the mirror until the image is sharp, and darken the room. You would risk damaging your eyes if you looked directly at the sun through binoculars, but you can view the bright disc on the wall as large and clear as in the movies. Clouds and birds passing over can also be distinguished and. if the binoculars are good even sunspots. These are a few hot areas on the glowing sphere, some so big that many terrestrial globes could fit into them. Because of the earth’s rotation, the sun’s image moves quite quickly across the wall. Do not forget to re-align the binoculars from time to time onto the sun. The moon and stars cannot be observed in this way because the light coming from them is too weak. 2. Sun clock Place a flowerpot with a long stick fixed into the hole at the bottom in a spot, which is sunny, all day. The stick’s shadow moves along the rim of the pot as the sun moves. Each hour by the clock mark the position of the shadow on the pot. If the sun is shining, you can read off the time. Because of the rotation of the earth the sun apparently passes over us in a semi-circle. In the morning and evening its shadow strikes the pot superficially, while; it midday, around 12 o’clock...
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...TO GET + direct object = to obtain, to receive, to buy: To obtain Examples • She got her driving license last week. • They got permission to live in Switzerland. To receive Examples • I got a letter from my friend in Nigeria. • He gets $1,000 a year from his father. To buy Examples • She got a new coat from Zappaloni in Rome. • We got a new television for the sitting room. TO GET + place expression = reach, arrive at a place: Examples • We got to London around 6 p.m. • What time will we get there? • When did you get back from New York? TO GET + adjective = to become, show a change of state: Examples • It's getting hotter. • By the time they reached the house they were getting hungry. • I'm getting tired of all this nonsense. • My mother's getting old and needs looking after. • It gets dark very early in the winter. • Don't touch the stove until is gets cool. TO GET + preposition / adverb is used in many phrasal verbs. Here are some of the most common ones: Examples |Phrasal Verb |Meaning | |get at |try to express | |get away with |escape punishment for a crime or bad action | |get by |manage (financially) ...
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