Free Essay

A Death in the Woods

In:

Submitted By eylls
Words 5227
Pages 21
A Death in the Woods - Sherwood Anderson
She was an old woman and lived on a farm near the town in which I lived. All country and small-town people have seen such old women, but no one knows much about them. Such an old woman comes into town driving an old worn-out horse or she comes afoot carrying a basket. She may own a few hens and have eggs to sell. She brings them in a basket and takes them to a grocer. There she trades them in. She gets some salt pork and some beans. Then she gets a pound or two of sugar and some flour.
Afterwards she goes to the butcher's and asks for some dog-meat. She may spend ten or fifteen cents, but when she does she asks for something. Formerly the butchers gave liver to any one who wanted to carry it away. In our family we were always having it. Once one of my brothers got a whole cow's liver at the slaughter-house near the fairgrounds in our town. We had it until we were sick of it. It never cost a cent. I have hated the thought of it ever since.
The old farm woman got some liver and a soup-bone. She never visited with any one, and as soon as she got what she wanted she lit out for home. It made quite a load for such an old body. No one gave her a lift. People drive right down a road and never notice an old woman like that.
There was such an old woman who used to come into town past our house one Summer and Fall when I was a young boy and was sick with what was called inflammatory rheumatism. She went home later carrying a heavy pack on her back. Two or three large gaunt-looking dogs followed at her heels.
The old woman was nothing special. She was one of the nameless ones that hardly any one knows, but she got into my thoughts. I have just suddenly now, after all these years, remembered her and what happened. It is a story. Her name was Grimes, and she lived with her husband and son in a small unpainted house on the bank of a small creek four miles from town.
The husband and son were a tough lot. Although the son was but twenty-one, he had already served a term in jail. It was whispered about that the woman's husband stole horses and ran them off to some other county. Now and then, when a horse turned up missing, the man had also disappeared. No one ever caught him. Once, when I was loafing at Tom Whitehead's livery-barn, the man came there and sat on the bench in front. Two or three other men were there, but no one spoke to him. He sat for a few minutes and then got up and went away. When he was leaving he turned around and stared at the men. There was a look of defiance in his eyes. "Well, I have tried to be friendly. You don't want to talk to me. It has been so wherever I have gone in this town. If, some day, one of your fine horses turns up missing, well, then what?" He did not say anything actually. "I'd like to bust one of you on the jaw," was about what his eyes said. I remember how the look in his eyes made me shiver.
The old man belonged to a family that had had money once. His name was Jake Grimes. It all comes back clearly now. His father, John Grimes, had owned a sawmill when the country was new, and had made money. Then he got to drinking and running after women. When he died there wasn't much left.
Jake blew in the rest. Pretty soon there wasn't any more lumber to cut and his land was nearly all gone.
He got his wife off a German farmer, for whom he went to work one June day in the wheat harvest. She was a young thing then and scared to death. You see, the farmer was up to something with the girl--she was, I think, a bound girl and his wife had her suspicions. She took it out on the girl when the man wasn't around. Then, when the wife had to go off to town for supplies, the farmer got after her. She told young Jake that nothing really ever happened, but he didn't know whether to believe it or not.
He got her pretty easy himself, the first time he was out with her. He wouldn't have married her if the German farmer hadn't tried to tell him where to get off. He got her to go riding with him in his buggy one night when he was threshing on the place, and then he came for her the next Sunday night.
She managed to get out of the house without her employer's seeing, but when she was getting into the buggy he showed up. It was almost dark, and he just popped up suddenly at the horse's head. He grabbed the horse by the bridle and Jake got out his buggy-whip.
They had it out all right! The German was a tough one. Maybe he didn't care whether his wife knew or not. Jake hit him over the face and shoulders with the buggy-whip, but the horse got to acting up and he had to get out.
Then the two men went for it. The girl didn't see it. The horse started to run away and went nearly a mile down the road before the girl got him stopped. Then she managed to tie him to a tree beside the road. (I wonder how I know all this. It must have stuck in my mind from small-town tales when I was a boy.) Jake found her there after he got through with the German. She was huddled up in the buggy seat, crying, scared to death. She told Jake a lot of stuff, how the German had tried to get her, how he chased her once into the barn, how another time, when they happened to be alone in the house together, he tore her dress open clear down the front. The German, she said, might have got her that time if he hadn't heard his old woman drive in at the gate. She had been off to town for supplies. Well, she would be putting the horse in the barn. The German managed to sneak off to the fields without his wife seeing. He told the girl he would kill her if she told. What could she do? She told a lie about ripping her dress in the barn when she was feeding the stock. I remember now that she was a bound girl and did not know where her father and mother were. Maybe she did not have any father. You know what I mean.
Such bound children were often enough cruelly treated. They were children who had no parents, slaves really. There were very few orphan homes then. They were legally bound into some home. It was a matter of pure luck how it came out.

II
She married Jake and had a son and daughter, but the daughter died.
Then she settled down to feed stock. That was her job. At the German's place she had cooked the food for the German and his wife. The wife was a strong woman with big hips and worked most of the time in the fields with her husband. She fed them and fed the cows in the barn, fed the pigs, the horses and the chickens. Every moment of every day, as a young girl, was spent feeding something.
Then she married Jake Grimes and he had to be fed. She was a slight thing, and when she had been married for three or four years, and after the two children were born, her slender shoulders became stooped.
Jake always had a lot of big dogs around the house, that stood near the unused sawmill near the creek. He was always trading horses when he wasn't stealing something and had a lot of poor bony ones about. Also he kept three or four pigs and a cow. They were all pastured in the few acres left of the Grimes place and Jake did little enough work.
He went into debt for a threshing outfit and ran it for several years, but it did not pay. People did not trust him. They were afraid he would steal the grain at night. He had to go a long way off to get work and it cost too much to get there. In the Winter he hunted and cut a little firewood, to be sold in some nearby town. When the son grew up he was just like the father. They got drunk together. If there wasn't anything to eat in the house when they came home the old man gave his old woman a cut over the head. She had a few chickens of her own and had to kill one of them in a hurry. When they were all killed she wouldn't have any eggs to sell when she went to town, and then what would she do?
She had to scheme all her life about getting things fed, getting the pigs fed so they would grow fat and could be butchered in the Fall. When they were butchered her husband took most of the meat off to town and sold it. If he did not do it first the boy did. They fought sometimes and when they fought the old woman stood aside trembling.
She had got the habit of silence anyway--that was fixed. Sometimes, when she began to look old--she wasn't forty yet--and when the husband and son were both off, trading horses or drinking or hunting or stealing, she went around the house and the barnyard muttering to herself.
How was she going to get everything fed?--that was her problem. The dogs had to be fed. There wasn't enough hay in the barn for the horses and the cow. If she didn't feed the chickens how could they lay eggs? Without eggs to sell how could she get things in town, things she had to have to keep the life of the farm going? Thank heaven, she did not have to feed her husband--in a certain way. That hadn't lasted long after their marriage and after the babies came. Where he went on his long trips she did not know. Sometimes he was gone from home for weeks, and after the boy grew up they went off together.
They left everything at home for her to manage and she had no money. She knew no one. No one ever talked to her in town. When it was Winter she had to gather sticks of wood for her fire, had to try to keep the stock fed with very little grain.
The stock in the barn cried to her hungrily, the dogs followed her about. In the Winter the hens laid few enough eggs. They huddled in the corners of the barn and she kept watching them. If a hen lays an egg in the barn in the Winter and you do not find it, it freezes and breaks.
One day in Winter the old woman went off to town with a few eggs and the dogs followed her. She did not get started until nearly three o'clock and the snow was heavy. She hadn't been feeling very well for several days and so she went muttering along, scantily clad, her shoulders stooped. She had an old grain bag in which she carried her eggs, tucked away down in the bottom. There weren't many of them, but in Winter the price of eggs is up. She would get a little meat in exchange for the eggs, some salt pork, a little sugar, and some coffee perhaps. It might be the butcher would give her a piece of liver.
When she had got to town and was trading in her eggs the dogs lay by the door outside. She did pretty well, got the things she needed, more than she had hoped. Then she went to the butcher and he gave her some liver and some dog-meat.
It was the first time any one had spoken to her in a friendly way for a long time. The butcher was alone in his shop when she came in and was annoyed by the thought of such a sick-looking old woman out on such a day. It was bitter cold and the snow, that had let up during the afternoon, was falling again. The butcher said something about her husband and her son, swore at them, and the old woman stared at him, a look of mild surprise in her eyes as he talked. He said that if either the husband or the son were going to get any of the liver or the heavy bones with scraps of meat hanging to them that he had put into the grain bag, he'd see him starve first.
Starve, eh? Well, things had to be fed. Men had to be fed, and the horses that weren't any good but maybe could be traded off, and the poor thin cow that hadn't given any milk for three months.
Horses, cows, pigs, dogs, men.

III
The old woman had to get back before darkness came if she could. The dogs followed at her heels, sniffing at the heavy grain bag she had fastened on her back. When she got to the edge of town she stopped by a fence and tied the bag on her back with a piece of rope she had carried in her dress-pocket for just that purpose. That was an easier way to carry it. Her arms ached. It was hard when she had to crawl over fences and once she fell over and landed in the snow. The dogs went frisking about. She had to struggle to get to her feet again, but she made it. The point of climbing over the fences was that there was a short cut over a hill and through a woods. She might have gone around by the road, but it was a mile farther that way. She was afraid she couldn't make it. And then, besides, the stock had to be fed. There was a little hay left and a little corn. Perhaps her husband and son would bring some home when they came. They had driven off in the only buggy the Grimes family had, a rickety thing, a rickety horse hitched to the buggy, two other rickety horses led by halters. They were going to trade horses, get a little money if they could. They might come home drunk. It would be well to have something in the house when they came back.
The son had an affair on with a woman at the county seat, fifteen miles away. She was a rough enough woman, a tough one. Once, in the Summer, the son had brought her to the house. Both she and the son had been drinking. Jake Grimes was away and the son and his woman ordered the old woman about like a servant. She didn't mind much; she was used to it. Whatever happened she never said anything. That was her way of getting along. She had managed that way when she was a young girl at the German's and ever since she had married Jake. That time her son brought his woman to the house they stayed all night, sleeping together just as though they were married. It hadn't shocked the old woman, not much. She had got past being shocked early in life.
With the pack on her back she went painfully along across an open field, wading in the deep snow, and got into the woods.
There was a path, but it was hard to follow. Just beyond the top of the hill, where the woods was thickest, there was a small clearing. Had some one once thought of building a house there? The clearing was as large as a building lot in town, large enough for a house and a garden. The path ran along the side of the clearing, and when she got there the old woman sat down to rest at the foot of a tree.
It was a foolish thing to do. When she got herself placed, the pack against the tree's trunk, it was nice, but what about getting up again? She worried about that for a moment and then quietly closed her eyes.
She must have slept for a time. When you are about so cold you can't get any colder. The afternoon grew a little warmer and the snow came thicker than ever. Then after a time the weather cleared. The moon even came out.
There were four Grimes dogs that had followed Mrs. Grimes into town, all tall gaunt fellows. Such men as Jake Grimes and his son always keep just such dogs. They kick and abuse them, but they stay. The Grimes dogs, in order to keep from starving, had to do a lot of foraging for themselves, and they had been at it while the old woman slept with her back to the tree at the side of the clearing. They had been chasing rabbits in the woods and in adjoining fields and in their ranging had picked up three other farm dogs.
After a time all the dogs came back to the clearing. They were excited about something. Such nights, cold and clear and with a moon, do things to dogs. It may be that some old instinct, come down from the time when they were wolves and ranged the woods in packs on Winter nights, comes back into them.
The dogs in the clearing, before the old woman, had caught two or three rabbits and their immediate hunger had been satisfied. They began to play, running in circles in the clearing. Round and round they ran, each dog's nose at the tail of the next dog. In the clearing, under the snow-laden trees and under the wintry moon they made a strange picture, running thus silently, in a circle their running had beaten in the soft snow. The dogs made no sound. They ran around and around in the circle.
It may have been that the old woman saw them doing that before she died. She may have awakened once or twice and looked at the strange sight with dim old eyes.
She wouldn't be very cold now, just drowsy. Life hangs on a long time. Perhaps the old woman was out of her head. She may have dreamed of her girlhood, at the German's, and before that, when she was a child and before her mother lit out and left her.
Her dreams couldn't have been very pleasant. Not many pleasant things had happened to her. Now and then one of the Grimes dogs left the running circle and came to stand before her. The dog thrust his face close to her face. His red tongue was hanging out.
The running of the dogs may have been a kind of death ceremony. It may have been that the primitive instinct of the wolf, having been aroused in the dogs by the night and the running, made them somehow afraid.
"Now we are no longer wolves. We are dogs, the servants of men. Keep alive, man! When man dies we becomes wolves again."
When one of the dogs came to where the old woman sat with her back against the tree and thrust his nose close to her face he seemed satisfied and went back to run with the pack. All the Grimes dogs did it at some time during the evening, before she died. I knew all about it afterward, when I grew to be a man, because once in a woods in Illinois, on another Winter night, I saw a pack of dogs act just like that. The dogs were waiting for me to die as they had waited for the old woman that night when I was a child, but when it happened to me I was a young man and had no intention whatever of dying.
The old woman died softly and quietly. When she was dead and when one of the Grimes dogs had come to her and had found her dead all the dogs stopped running.
They gathered about her.
Well, she was dead now. She had fed the Grimes dogs when she was alive, what about now?
There was the pack on her back, the grain bag containing the piece of salt pork, the liver the butcher had given her, the dog-meat, the soup bones. The butcher in town, having been suddenly overcome with a feeling of pity, had loaded her grain bag heavily. It had been a big haul for the old woman.
It was a big haul for the dogs now.

IV
One of the Grimes dogs sprang suddenly out from among the others and began worrying the pack on the old woman's back. Had the dogs really been wolves that one would have been the leader of the pack. What he did, all the others did.
All of them sank their teeth into the grain bag the old woman had fastened with ropes to her back.
They dragged the old woman's body out into the open clearing. The worn-out dress was quickly torn from her shoulders. When she was found, a day or two later, the dress had been torn from her body clear to the hips, but the dogs had not touched her body. They had got the meat out of the grain bag, that was all. Her body was frozen stiff when it was found, and the shoulders were so narrow and the body so slight that in death it looked like the body of some charming young girl.
Such things happened in towns of the Middle West, on farms near town, when I was a boy. A hunter out after rabbits found the old woman's body and did not touch it. Something, the beaten round path in the little snow-covered clearing, the silence of the place, the place where the dogs had worried the body trying to pull the grain bag away or tear it open--something startled the man and he hurried off to town.
I was in Main street with one of my brothers who was town newsboy and who was taking the afternoon papers to the stores. It was almost night.
The hunter came into a grocery and told his story. Then he went to a hardware-shop and into a drugstore. Men began to gather on the sidewalks. Then they started out along the road to the place in the woods.
My brother should have gone on about his business of distributing papers but he didn't. Every one was going to the woods. The undertaker went and the town marshal. Several men got on a dray and rode out to where the path left the road and went into the woods, but the horses weren't very sharply shod and slid about on the slippery roads. They made no better time than those of us who walked.
The town marshal was a large man whose leg had been injured in the Civil War. He carried a heavy cane and limped rapidly along the road. My brother and I followed at his heels, and as we went other men and boys joined the crowd.
It had grown dark by the time we got to where the old woman had left the road but the moon had come out. The marshal was thinking there might have been a murder. He kept asking the hunter questions. The hunter went along with his gun across his shoulders, a dog following at his heels. It isn't often a rabbit hunter has a chance to be so conspicuous. He was taking full advantage of it, leading the procession with the town marshal. "I didn't see any wounds. She was a beautiful young girl. Her face was buried in the snow. No, I didn't know her." As a matter of fact, the hunter had not looked closely at the body. He had been frightened. She might have been murdered and some one might spring out from behind a tree and murder him. In a woods, in the late afternoon, when the trees are all bare and there is white snow on the ground, when all is silent, something creepy steals over the mind and body. If something strange or uncanny has happened in the neighborhood all you think about is getting away from there as fast as you can.
The crowd of men and boys had got to where the old woman had crossed the field and went, following the marshal and the hunter, up the slight incline and into the woods.
My brother and I were silent. He had his bundle of papers in a bag slung across his shoulder. When he got back to town he would have to go on distributing his papers before he went home to supper. If I went along, as he had no doubt already determined I should, we would both be late. Either mother or our older sister would have to warm our supper.
Well, we would have something to tell. A boy did not get such a chance very often. It was lucky we just happened to go into the grocery when the hunter came in. The hunter was a country fellow. Neither of us had ever seen him before.
Now the crowd of men and boys had got to the clearing. Darkness comes quickly on such Winter nights, but the full moon made everything clear. My brother and I stood near the tree, beneath which the old woman had died.
She did not look old, lying there in that light, frozen and still. One of the men turned her over in the snow and I saw everything. My body trembled with some strange mystical feeling and so did my brother's. It might have been the cold.
Neither of us had ever seen a woman's body before. It may have been the snow, clinging to the frozen flesh, that made it look so white and lovely, so like marble. No woman had come with the party from town; but one of the men, he was the town blacksmith, took off his overcoat and spread it over her. Then he gathered her into his arms and started off to town, all the others following silently. At that time no one knew who she was.

V
I had seen everything, had seen the oval in the snow, like a miniature race-track, where the dogs had run, had seen how the men were mystified, had seen the white bare young-looking shoulders, had heard the whispered comments of the men.
The men were simply mystified. They took the body to the undertaker's, and when the blacksmith, the hunter, the marshal and several others had got inside they closed the door. If father had been there perhaps he could have got in, but we boys couldn't.
I went with my brother to distribute the rest of his papers and when we got home it was my brother who told the story.
I kept silent and went to bed early. It may have been I was not satisfied with the way he told it.
Later, in the town, I must have heard other fragments of the old woman's story. She was recognized the next day and there was an investigation.
The husband and son were found somewhere and brought to town and there was an attempt to connect them with the woman's death, but it did not work. They had perfect enough alibis.
However, the town was against them. They had to get out. Where they went I never heard.
I remember only the picture there in the forest, the men standing about, the naked girlish-looking figure, face down in the snow, the tracks made by the running dogs and the clear cold Winter sky above. White fragments of clouds were drifting across the sky. They went racing across the little open space among the trees.
The scene in the forest had become for me, without my knowing it, the foundation for the real story I am now trying to tell. The fragments, you see, had to be picked up slowly, long afterwards.
Things happened. When I was a young man I worked on the farm of a German. The hired-girl was afraid of her employer. The farmer's wife hated her.
I saw things at that place. Once later, I had a half-uncanny, mystical adventure with dogs in an Illinois forest on a clear, moon-lit Winter night. When I was a schoolboy, and on a Summer day, I went with a boy friend out along a creek some miles from town and came to the house where the old woman had lived. No one had lived in the house since her death. The doors were broken from the hinges; the window lights were all broken. As the boy and I stood in the road outside, two dogs, just roving farm dogs no doubt, came running around the corner of the house. The dogs were tall, gaunt fellows and came down to the fence and glared through at us, standing in the road.
The whole thing, the story of the old woman's death, was to me as I grew older like music heard from far off. The notes had to be picked up slowly one at a time. Something had to be understood.
The woman who died was one destined to feed animal life. Anyway, that is all she ever did. She was feeding animal life before she was born, as a child, as a young woman working on the farm of the German, after she married, when she grew old and when she died. She fed animal life in cows, in chickens, in pigs, in horses, in dogs, in men. Her daughter had died in childhood and with her one son she had no articulate relations. On the night when she died she was hurrying homeward, bearing on her body food for animal life.
She died in the clearing in the woods and even after her death continued feeding animal life.
You see it is likely that, when my brother told the story, that night when we got home and my mother and sister sat listening, I did not think he got the point. He was too young and so was I. A thing so complete has its own beauty.
I shall not try to emphasize the point. I am only explaining why I was dissatisfied then and have been ever since. I speak of that only that you may understand why I have been impelled to try to tell the simple story over again.

Similar Documents

Premium Essay

Death Of Natalie Wood Analysis

...“The Mysterious Death of Natalie Wood” Even though the coroner ruled Wood’s death accidental at first, the investigation was reopened and ruled “undetermined,” causing speculation. Evidence leads researchers to believe that her death was not an accident, but proves that she was killed by her husband, Robert Wagner. This shows that Natalie Wood’s death a murder, Walken was incapable of killing Wood the night of her death, and Wood was indeed murdered by her husband Wagner. Evidence lets us clearly see that Wood’s death was not accidental, but a murder. The original ruling of Wood’s death was declared an accidental drowning, this information was shortly announced after her death on November 29, 1981. Although facts supporting this idea of an accidental drowning are close to none. From a very young age Natalie Wood had been terrified of water up until the night of her death. Some argue that in her state of drunkenness she willingly got into the water although she did not know how to swim. “there is speculation that she fell into the water while attempting to secure the dinghy. However the author believes this is unlikely due to the fact that Natalie Wood has a lifelong fear...

Words: 1568 - Pages: 7

Premium Essay

The Erroneous Narrator: Contextual Analysis of Sherwood Anderson’s Death in the Woods

...The Erroneous Narrator: Contextual Analysis of Sherwood Anderson’s Death in the Woods Because of the standing of most narrators they are considered trustworthy and non bias, though in some situations the narrator of a text is inaccurate and can end up weaving and constructing a story not completely precise. This is the case in the short story, Death in the Woods written by Sherwood Anderson which has a narrator that is not only inaccurate in his narrative but he also at several points makes clear his fallacious events within the story. The narrator starts the story by giving the main character context: her old age, her attire, along with making clear that the protagonist was a nameless woman who spoke to no one. The narrator’s first erroneous statement was the name of the protagonist which he stated directly after claiming the woman was nameless. The next sign of the narrator’s lack of knowledge, leading to a incorrect assumption, is when the narrator explains a scenario in which the protagonist visits the shop of a butcher. Within this description the narrator, at which point was a child living in the same town as the old woman, states the woman was alone with the butcher in the shop, meaning the entire situation is a conjecture with no obvious factual evidence. Both of these points prove that the narrator of the short story is not a reliable source and the story itself is not at all factual though based on what seems to be a true story. Opening the story with the speculation...

Words: 1015 - Pages: 5

Free Essay

Poetry Essay

...Stopping By Woods On A Snowy Evening is a very unique and dark poem written by Robert Frost. The poem initially allows for the writer as well as the readers to appreciate nature, however the poem is more complex as one begins to uncover the dark and mysterious true meaning of the poem. Robert Frost’s poem demonstrates his exhaustion of life and longing for death through the use of figurative language. The poem starts out as the writer begins to enter into the woods and claims that he knows who the woods belong too and the person who owns the woods will not see him stopping by then goes on to say that his horse must think it is queer to be stopping in the woods on the darkest evening of the year. Furthermore, the horse gives his harness bells a shake because it believes there is a mistake that they are in the woods. The writer proclaims that the woods are lovely, dark, and deep but he can’t stay because he has promises back in the villages that he has to keep and miles to go before he can sleep. There can be many interpretations of the poem but one can see that the writer is speaking in a figurative language. The poem is very dark and mysterious and portrays a message of death. The woods are described as lovely, dark, and deep. In this description, the writer admires the woods and portrays them as dark and deep leading the reader to believe that there is something beyond the message of admiring nature. The reader can also gather that the reader prefers death over life simply...

Words: 559 - Pages: 3

Free Essay

Comparative Essay on Robert Frost's Poetry

...the poems “Birches” and “Stopping by Woods on a Snowy Evening” is comfortable in the countryside and portrays an enjoyment of nature on the surface. When these poems are examined more in depth the narrator becomes much more complex, showing that there is a deeper and darker undertone to the pleasant words and cadences of the poems. The narrator has experienced pain and sorrow during his life and finds that his suffering makes the contemplation of death both fascinating and tempting. Also, the narrator has considered the peacefulness of death but has decided to pursue life and the choices that one faces along the path of life. Initially the poems “Birches” and “Stopping by Woods on a Snowy Evening” show the narrator as a simple man of the countryside. “Birches” is set “too far from town to learn baseball” (25). This suggests a place far from town and set deep in the country. “Stopping by Woods on a Snowy Evening” is set in a remote woods, far from any homes. Each location in the settings of the poems is remote and far from city life. This suggests that the narrator is accustomed to the countryside and its way of life and that he most likely enjoys this type of life. The narrator also has an appreciation of nature. This is immediately evident in the fact that each poem is centered on nature and uses the themes of nature to establish the narrator’s points. Each poem involves an interaction with nature, such as a ride in the woods and swinging from birch branches. Beyond...

Words: 1042 - Pages: 5

Premium Essay

Stopping by Woods on a Snowy Evening

...English 112 Feb 11, 2013 "Stopping by Woods on a Snowy Evening". "Stopping by Woods on a Snowy Evening" is a poem written in 1922 by Robert Frost and published in 1923 The poet is masterfully painting photographic picture of the frosted woods in the country area, where frozen lakes and deep powerful forest and the traveler who is on his way home. The unknown rider pauses for a second to observe a frozen beauty of the falling snow and winter woods in the darkening evening. However, despite the attraction of the scene there is imminent danger to stay longer in the frozen woods, and even his "little horse" is resisting his attempt and eager to continue forward to the not mentioned, but definitely existing, nice and warn hugs of civilization, comfort of fire and hot food are waiting for the traveler and his horse. The poet pains spectacular photographic imagery of the poem and possible victory of the Duty and Love over the danger and death. The woods a lovely, dark and deep, But I have promises to keep, And miles to go before I sleep... Everything in this story: the theme, the speaker, and poetic technique is being designed by the poet to wrap a reader around like nice warm blanket that is waiting for him if he completes his journey. However, before the speaker will achieve his destination, he has a miles and miles to go through the cold frozen woods. The Speaker is a Rider on his way home. He lives in the...

Words: 935 - Pages: 4

Premium Essay

Woods on a Snowy Night

...by Woods on a Snowy Evening” An Explication The poem’s author, Robert Frost, was born in San Francisco in 1874.He later moved to the New England area with relatives after his father’s death in 1885. His poetic style is very unique, usually needing very close readings. In “Stopping by Woods on a Snowy Evening” there is no exception. The poem is about a man riding his horse during the night, when he stops to see a wooded area fill up with falling snow. He speaks of somewhere he must be before he sleeps, leaving a reader questioning every aspect of the speaker. The style, language, and actions of the speaker in “Stopping by woods on a Snowy Evening” suggest that he rode away from depression or death, which were held in the woods on that snowy evening. The speaker, in this poem rides his “little horse” (1112) down a path between “woods and a frozen lake” (1112). He stops to stare into a patch of woods that are filling up with falling snow. The speaker mentioned that the woods were “dark and deep” (1112). He seems to be enjoying this scene of nature, but he has a previous obligation to be somewhere before he sleeps. The fourth stanza states “The woods are lovely, dark, and deep, but I have promises to keep, and miles to go before I sleep, and miles to go before I sleep” (1112).Here, the speaker is faced with a dilemma to either keep this “promise” to be somewhere, or stay there in the cold, and gaze into the dark, deep woods which symbolize depression or death. The woods represent...

Words: 935 - Pages: 4

Premium Essay

Stopping by Woods on a Snowy Evening

...From the outline of the poem ‘Stopping By Woods on a Snowy Evening’, it begins with the speaker stopping by a small forest in the evening of deep winter. He savours the lovely view of the forest as he stops with his horse. The silence and tranquility of the wintry landscape captivate the speaker. Although he wishes to stay longer, yet realizing that he has ‘promises to keep’ and some distance to go, so he must move on. The poem comprises four stanzas and each stanza has four lines. The first three stanzas have a-a-b-a rhyming scheme. For example, in the first stanza, the first, second and fourth lines are in rhyme such as ‘know’, ‘though’ and ‘snow’. The exception is the final stanza where all the end of lines rhyme, such as ‘deep’, ‘keep’, ‘sleep’, ‘sleep’ because the last two lines are identical. If we carefully examine its pattern, the third line in each stanza always rhymes with the first line of the next stanza. Hence, this poem is written and arranged systematically by Frost. At first, the speaker is captivated by the scenery he takes in, particularly the woods covered with snow. While he stops, he is wondering whom this woods belong to. From the answering ‘I think I know’, it suggests that the woods is nothing new to him. Then, the speaker affirms that the landowner will not see him stopping there. By talking to himself, this indicates that the speaker is at remote distance from society and he is all alone with his horse. A sense of aloneness fills the mood of the...

Words: 1186 - Pages: 5

Premium Essay

Beauty, Life, Death

...Life and Death Robert Frost’s “Stopping by Woods on A Snowy Evening” is a simple and literal poem that has been interpreted and emphasized in many different ways. Frost tells a simple story that manages to get any reader to think about its scene and how profound this story can actually be. Many different opinions have been expressed as to what the poet was trying to convey in these lines; happiness, life, or maybe even death. The poem was written during the early 20th century, around the 1920s. According to an analysis done on this poem: “...Frost wrote the poem on a hot summer day...” (Gualdoni 2). Quite an interesting piece of information that questions why Frost would use a season opposite to the one he was currently writing through. The poem itself is written in iambic tetrameter so that 4 lines are grouped together in each stanza. There is a visible rhyme scheme and figures of speech that coexist within the piece. The first two lines in a stanza rhyme with each other while the third line stands to temporarily disrupt the balance, only to be followed by a fourth line with a rhyme that will match the previous two. A broad sense of imagery invites the reader to his/her imagination and calmly surrounds them in that cold winter night. In the woods with just his horse, the snow and a frozen lake, is a simple setting the poet used for this piece. The first few lines display a character that is in the middle of nowhere and mentions of an unknown person that the “woods” belong...

Words: 1518 - Pages: 7

Free Essay

Frost, Where the Road Takes Us

...Frost, Where the Road Brings Us #201337029 English 1080 Robert Frost’s “The Road Not Taken” and “Stopping by Woods on a Snowy Evening” both portray similarities in themes of the weight of realities, while taken place in a setting of nature. Each are about experiences in life in “The Road Not Taken” the speaker is youthful, making the decision to last a lifetime metaphorically portrayed by an autumn forest. He must overcome his mentality to succumb from the more beaten path in a road, showing his uniqueness to take the other. “Stopping by Woods on a Snowy Evening” where as Frost uses an older speaker, more grizzled and experienced in life. The speaker also experiencing a choice, seeking a life without struggle in isolation he then reflects upon his responsibility towards the society. In the poem “The Road Not Taken”, the speaker stumbles upon a choice that will effect him forever. The poems talk of the speaker coming to a fork in his path, whereas now he has to choose one way or the other. This intersection in the road is a metaphor to all the decisions we have to make in life, and how easily it could alter with just by starting down a new path. The speaker thinks about his choices and feels that whatever path he takes; he will have to take for good. The speaker feels strongly that he must think really hard upon what path to take, so he doesn’t end up regretting his choice. “And looked down the road as far as I could...

Words: 1006 - Pages: 5

Premium Essay

Death Penalty

...THE DEATH PENALTY Does capital punishment act as a better deterrent to murder than a long prison sentence? The first legal execution of a criminal in America was in 1623 in the Jamestown colony where Daniel Franken was hung for theft. (Frank D.) During the Colonial period, a person could be put to death for a variety of reasons, as opposed to modern times where the crime must consist of willful murder. Hanging remained the primary means of execution until August 6, 1890, when William Kemmler became the first person to be executed by way of the electric chair. Throughout the 20th century additional methods were used, including the gas chamber, firing squad and lethal injection, all of which remain employed today. After centuries of executions, one would think lawmakers would have realized that the death penalty is unequally applied and does not deter crime. All States that employ the death penalty use lethal injection as their primary means. Traditionally, the lethal cocktail has consisted of Sodium Thiopental, to render the condemned unconscious, Pancuronium Bromide to relax the muscles to the point of apparent paralysis, and Potassium Chloride to stop the heart. The manufacturers of these drugs are primarily European companies. Recently, these companies were prohibited by the European Union to export the drugs for lethal injection purposes. This ban has resulted in a mass shortage of the required drugs. Due to the lack of supply...

Words: 1586 - Pages: 7

Premium Essay

American Poetry Interpretation

... nature, and the speech of the countryside in many of his poems. Frost’s poems seem to explain the nature of living of people and seem to be self-explanatory on the surface, but his observations have an edge of skeptics and irony, which the reader discovers upon reading several of his poems. His poems are never as old-fashioned, easy or carefree as they might appear on the surface. Though Frost used the uncomplicated language of the New England countryside, the complicated and darker themes of his poems do not appear on the surface. Nature comes into play in the first live of the poem “The Road Not Taken” when Frost introduces two separate paths in the woods, “Two roads diverged in a yellow wood, / And sorry I could not travel both” (Frost, 1999/1916, line 1-2). He has to make a choice during his journey in the woods regarding, which path he should choose to be same and happy at the end but is not able to decide the right path on which he should travel. The disappointment of the speaker is “[he] could not travel on both [paths]” (Frost, 1999/1916, line 2). He knew that the possibilities of changing his decision later in life were very slim. Finally the speaker made the decision of traveling the road less traveled by and took the other path (Frost, 1999/1916). The speaker would say later in his life that the...

Words: 1463 - Pages: 6

Premium Essay

Thanatos

...Madison Thomer Dr. Mohr Engl 386 M/W 2pm 9 November 2011 Thanatos When students alike tend to think of poetry, they tend to think about it in stereotypical thought lines. Poets are dark and depressed, they write about death. In many cases this is true, but perhaps because death is a major theme in life, and something poets recognize that they cannot escape from. The death pull is as constant as is the struggle to survive. Robert Frost and Emily Dickinson are two such poets who have chose death as their muse for several pieces. I have chosen two poems by each poet that represent death in a new or altered light, from Frost, “Stopping by the Woods on a Snowy Evening”, and “Out, out—˝. From Dickinson I have chosen, “I felt a Funeral, in my Brain” and “Because I Could not Stop for Death”. These poems work to show the reader death, but each in different views as well as working to reveal a new message from the previous. “Out, out—” works at showing the disengagement viewers of death experience. The poem turns objective in the last eight line which helps the reader to see neither they nor the narrator can see something as individual and internal as death shown through the sudden callous narration in lines 32-34, “Little—less—nothing!—and that ended it./No more to build on there. And they, since they/ Were not the one dead, turned to their affairs.” Contrasting this, the preceding twenty-six lines are alive with vivid figurative language, especially in regards to the buzz saw...

Words: 1836 - Pages: 8

Free Essay

Frost's the Wood Pile

...he addresses the basic compound and detriment of human nature, a particular poem entitled, ‘The Wood-Pile’, showcases these themes. A single story is often told by his assorted works; to consciously move away from modernized society in order to find something worth understanding. That what can be sought in nature, away from the roles or responsibilities infringed upon man while immersed in a modern society, are of more depth and personal importance than otherwise found. In ‘The Wood-Pile’, Frost uses visual imagery to explore the themes of nature, death, and limitations, showing that man is responsible for his own constraints. The concept of nature within ‘The Wood-Pile’ takes on a separate reality of the subject’s mind. The speaker is able to both influence and react to the nature within the frozen swamp and understand that nature is a separate yet equal force which is actively syncopated with humans. This concept is demonstrated in lines 32, 33, and 34, where Frost writes, “What held it though on one side was a tree / Still growing, and on one a stake and prop / These latter about to fall.” The visual imagery of the stake close to uselessness can be seen as a reflection of nature’s natural tendency to undo what man has impressed upon it. Man and nature’s unity in coexistence holds a tension that is driven by the back and forth of a psychological need to change. The wood pile bears witness to both its creator and on the other end of the spectrum, the force of nature...

Words: 701 - Pages: 3

Premium Essay

Typology: Gwendolyn Graham And Karla Homolka

...Gwendolyn Graham and Cathy Wood, and finally Karla Homolka. I picked these three cases because I hardly know anything about them and would like to do my own research on them, while in the purpose learning more about them. I strongly feel that all three cases represent different types of typology, and would present on different spicturms of criminal aspects. Threw out this paper I will be looking at their cases, not just listing what they did, but also threw chart mapping be able to decide with the base information on what time of crime it was. After doing so, I will...

Words: 3328 - Pages: 14

Free Essay

Hansel and Gretel

...Wilhelm’s “Hansel and Gretel” is a fantasy about two children, Hansel and Gretel, which are left in the woods to die after their parents leave them. Hansel and Gretel are wandering throughout the woods to find their way back, until they come upon an old little house. This is not an ordinary house, but a house made of bread, a roof made of cake and windows made of sugar. Inside lived an old woman, whom of which pretended to be nice, but little did Hansel and Gretel know she is a wicked witch. This fantasy shows the argument from which Hansel and Gretel are left to die in the woods as a coping strategy. Hansel and Gretel’s parents are very poor. Their father is a woodcutter, and rarely can find food to support his family as this great famine has come to the land. He and his wife lay in bed and his wife says to him, “Early tomorrow morning we will take the two children out into the thickest part of the woods…then leave them by themselves and go off to our work…and we will be rid of them” (53). The stepmother gives the father no peace until he accepts this offer, about to let their children perish in the woods. Hansel, who overhears the conversation between his stepmother and father, goes outside to collect as many pebbles that he could fit in his jacket. When morning comes, the stepmother wakes the children and tells them to get ready to go into the woods to collect wood. Hansel and Gretel know what is bound to happen. The stepmother gives them bread; “Here is something for...

Words: 1366 - Pages: 6