During the nineteenth century, many restrictions and limitations were place on women in society. Marital roles, social roles, and work roles were very different for women during the nineteenth century than they are today (Hartman, 1999). Henrik Isben’s playwright, “A Doll House”, actively voices women rights many years ago. The marital life Nora Helmer is portrayed throughout the play, conveying subordination, condemnation, sacrifice, and inequality that women felt from men in the roles that they were expected to accept and play in a very conventional society. During the 19th century, men were thought to be superior, while women as inferior beings (Barksdale, 2012).
Nora Helmer
The plays main character, Nora Helmer depicts women behavior during the nineteenth century. In the beginning of the play Nora seems to portray to the image of most women during her time. She is very submissive and obedient to her husband, Torvald. Nora leads a double life in the play as a sheltered wife of an attorney and an independent risk taker, At first, Nora seems happy and affectionately responds to Torvalds’s teasing. However, this is just an act of Nora Helmer that we all later discovered. During the nineteenth century, women could not conduct business affairs and had no control over family finances (Hartman, 1999). Permission to do so was sought from the husband before doing such acts. Nora, “the little featherbrain”, a nickname given by her Torvald was just the opposite of that (Isben, 1879). She defied most of the rules. She ate macaroons and lied about it to her husband. She secretly forged her father’s signature, borrowed money without her husband’s permission, and boasted about it to her friend, Mrs. Linde (Isben, 1879). She was secretly proud of the sacrifice that she had made for her husband. However, Nora perception of her husband was totally out of place. When