...because their parents would like them to do it, in fact, it is the parents who is living their life though their child. We see that same pressure in The Shining Mountain. The story takes place in Scotland around the early 1930. In addition, the story also takes place in a secondary world, in fact, it is a fictional universe that can be almost indistinguishable from the real world. The story feels like a fairy tale because they use terms like “Once there was” and the way they refers to the parents. For example, they refers to the parents as “the mother” and “the father”. The story also has some fantasy elements, for instance, when Pangma-La turns into a swan and when she gives her heart away. In true fairy tale fashion, Pangma-La is the receiver and she is getting help from a supernatural fairy tale source, which is the mountain goddess. The mountain goddess could for example be representing the motherhood, which is a more powerful and stronger version of her own weak mother. Maybe the goddess is representing Pangma-La’s inner self. The part of her inner self tells her not bend to her father’s will. The goddess offers Pangma-La if she could lighten her burden, which is a magical term. Each time Pangma-La takes the goddess offer, it feels like she is drifting further away from her father. Then, she feels like her father has governed her life until that moment. Just like in most fairy tale, Pangma-La is improving though out the story and becomes...
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...we will be talking about is a question of identity; who am I, and who are you? We will follow this with describing human contact’s connection with the sanity of mankind. Social life and its influence on our mentality will lead us to the question of the masks of mankind; who is the real personality among the many faces of a single human. We will also discuss the theme of deciding. What crucial decisions have lead to the life we now live, and what could have been, if our stories had taken place just a tiny bit differently. Last but not least we will go into depth with Quinn’s mental disorder and how it is related to the other characters in the novel. Can a single, presumably random incident change the entire course of our lives? We all have one or more events that changed the entire direction of our own personal tales of existence. It can be a moment of clarity, where we realised we had lived our lives wrong the entire time. It could be the moment we bumped into that special someone, and fell in love. Or maybe it was that day when you received a rather odd phone call; let us say that perhaps you got a phone call from someone who looked for a detective? In Paul Auster’s “City of Glass” this is exactly what happened to the main character, Daniel Quinn. In the narrative “City of Glass” we hear the tale of an ordinary author who writes potboilers. Daniel Quinn is a 35 year-old man, who lost his spouse and child five years prior the novel’s timeline. In his youth, likely while he...
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...College Writing 4 December 2014 Disney Princess Films’ Influence Disney princess films often influence young girls into thinking they must conform to princess-like attributes. The films are teaching girls that they should live their lives like the fairy tales. Disney noticed the opinions that some viewers had on their past films and tried to change their old habits with their new films. Jennifer Hartstein, a child psychologist, wrote a book for parents in hopes to rid their daughters of the anxieties they develop when exposed to the consumer goods that are Disney princesses (Teitel online). Disney films are known to teach the younger female generation “everything from ‘only appearances matter’ to ‘don’t expect to rely on yourself; you'll need a prince to rescue you’” (Teitel online). Hartstein brought up the great point about what Disney films are perceived to be teaching. Hartstein believes that the typical princess is not only unreasonably airy, destitute, and vacant, but a threat to the development of girls who worship at their pink, sugary altar (Teitel online). If a young girl becomes obsessed with princess movies like Aladdin, Sleeping Beauty, and Cinderella, she may become determined with maintaining her princess-like beauty and become indifferent in her own freedom; so kind of like a princess, herself (Teitel online). Frozen is often seen as the revolutionary movie that broke the stereotype that some viewers have on Disney princess movies. However, the males in...
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...The Beginnings of Santa Claus The evolution of the figure known as Santa Claus can be traced through religious, mythological, and cultural portrayals all the way back to the fourth century. It is amazing how the legend of Santa Claus has grown and evolved throughout history. And even more exciting how he has became a modern day icon during the Christmas season. What do you think of when you hear the words: strings of lights, carolers, snow, cookies and milk? Most often Christmas right? More often Santa Claus. Every boy and girl has felt the joy of Christmas eve, having family time, putting out treats for Santa, and then tossing and turning unable to sleep growing evermore restless about Santa's arrival. Although most know what Santa does during his sleigh ride, many may not know where his origin began. The jolly man we know has developed through the span of time and has gone through numerous changes. "The original St Nicholas is for the most part a shadowy figure, lost in historical mist and religious myths" (Myers) Despite the fact that the idea of giving gifts developed from Saint Nicholas in the fourth century, the first characters that resemble our modern day Santa developed in the seventeenth century. We acquire these figures from the English and also the Dutch. Although this man in not the same as the modern Santa, it is evident the these are his beginnings. "When the Dutch lost control of New Amsterdam to the English in the seventeenth century, Sinterklaas gradually...
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...Torn Between Two Worlds: Fiction Essay Jody D. Boring November 10, 2013 English 102 Thesis Torn Between Two Worlds There is a similarity of self-conflict in the fictional short stories of “Young Goodman Brown” by Nathaniel Hawthorne, and “The Rocking Horse Winner” by D.H. Lawrence. Both main characters want to be pleasing and accepted in their tumultuous worlds. However, both fall short in finding their place in a dark, cold world. Outline 1) Fictional Short Stories to compare and contrast a. “The Rocking Horse Winner” by D.H. Lawrence b. “Young Goodman Brown” by Nathaniel Hawthorn 2) Main Characters a. Young Goodman Brown b. Paul 3) Nature of Characters (Similarities) c. Confused d. Lost e. Torn between two worlds f. Wanting to do well, but pressure pushes them to give in to temptations and wants. 4) Story Similarities g. Other people’s actions or feeling seem to drive the characters h. Family and other relationships are important i. Both characters seem pulled towards “worldly” forces 5) Story Ending j. Although they both try so hard to succeed and do well, they fail. Torn Between Two Worlds In Nathaniel Hawthorne’s “Young...
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...Design Arguments St. Thomas Aquinas was an important theologian and philosopher whose work on the nature and existence of God and his arguments for a moral code based on the ‘natural law’ God has instilled in the universe have formed the central teachings of the Roman Catholic Church. He sought to bring faith and reason together in order to develop the place of theology in the world. The argument from design finds its origins in Aquinas’ Summa Theologica and is the fifth of his five ways of proving the existence of God. Aquinas’ argument can be explained as follows: “The fifth way is taken from the governance of the world. We see that things which lack knowledge, such as natural bodies, act for an end, and this is evident from their acting always, or nearly always, in the same way, so as to obtain the best result. Hence it is plain that they achieve their end, not fortuitously, but designedly. Now whatever lacks knowledge cannot move towards an end, unless it be directed by some being endowed with knowledge and intelligence; as the arrow is directed by the archer. Therefore some intelligent being exists by whom all natural things are directed to their end; and this being we call God.” Aquinas argued from design qua regularity. He saw the overall order in the world as proof of a designer: ‘this being we call God.’ Aquinas stated that everything works together to achieve order, despite the fact that inanimate objects have no mind or rational powers to achieve...
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...Anime: A little more than a childish indulgence When one thinks of the word “Animation”, the first word that arises within their minds is surely to be cartoons, in which they will conclude that all animation is for children. However if one pries in deeper and manages to see through the eyes of an experienced animator, they would understand that animation is more broad then they originally have believed. Furthermore, the focus of Japanese Animation “Anime”, can be explored in depth to show how its popularity managed to spread throughout the world beyond its origin. Anime in essence, is distinctly unique and easily distinguishable from “Western Cartoons” including the style of art, but most importantly the depth of plot due to the fact that much of Anime is influenced directly by Japanese culture. Death, angst, violence and the complexity of human emotions are frequent in Anime which helped its influences to stretch to adult audiences, broadening their market for all age groups. Some key models and figureheads of Anime include Osamu Tezuka, referred to as “the father of Anime” and Hayao Miyazaki, both of whom greatly helped achieve the success of Anime even outside of Japan. Conventions celebrating Japanese Animation is becoming more common, one of the biggest outside of Japan being Anime Expo in Los Angeles, the largest fan-base convention in North America with forty thousand attendees each year. Despite the variety of criticisms and hardships that...
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...sociological data. This project infuses literary analysis with sociological imagination. Using a random sample of children’s novels published between 1930 and 1980, this article describes both a methodological approach to the analysis of children’s books and the subsequent development of two analytical categories of novels. The first category captures books whose narratives describe and support unequal social arrangements; the second category captures those whose narratives work instead to identify inequality and disrupt it. Building on Griswold’s methodological approach to literary fiction, this project examines how children’s novels describe, challenge, or even subvert systems of inequality. Through a sociological reading of three sampled texts – Tales of a Fourth Grade Nothing, A Wrinkle in Time, and Hitty: Her First Hundred Years – readers learn how these analytical categories work and how the sociology of literature might be enriched by attention to structural forms of inequality within literary fiction. This essay investigates children’s books in order to reinvigorate the discussion and use of novels by sociologists. Keywords: childhood, fiction, gender, literary analysis, literary narrative, power relations, social inequalities, Sociology, Sociology of literature Acknowledgments: I...
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...a new queen is now on. This is where Esther comes into play. Esther was in a Beauty pageant put on by King Xerxes, and the king chose her to be queen. During this time, Mordecai stops an attempt to murder King Xerxes. Recorded in the kings’ book of chronicles is Mordecai’s endeavor, but does not get compensated though. Haman becomes the kings’ viceroy, and Haman is a very selfish individual, always putting himself first. Mordecai refuses to bow down to Haman when all inhabitants of Shushan have to, and this enrages Haman so he issues a decree to execute all Jews, including Mordecai. After all this, Haman then misleads the king into issuing an edict to sentence all Jews. Mordecai tells Esther about the edict, and convinces her to put her life in jeopardy so that she may protect all her people from this. Esther develops a strategy to get the job done. She prepared a fancy banquet for King Xerxes and Haman. The king tells Esther that she may have whatever she wants, and she just says she wants the king and Haman to come to a second banquet with her. One night, King Xerxes could not sleep whatsoever, so he chooses to read his book of chronicles while he was up. When he passes the instant when Mordecai stopped the assassination attempt to the king, he realizes he never rewarded him for it. He then talked to...
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...It was early 1991, and Michael Eisner, chairman and CEO of the Walt Disney Company, was sitting down with Frank Wells, president and chief operating officer, and Gary Wilson, executive vice president and chief financial officer, to discuss Disney's prospects for the new year. These men were still basking in the glow generated by another record revenue- and profit-breaking year in Disney's history. Disney's businesses were performing at an unprecedented level, and confidence was high. The problem facing the trio who had engineered Disney's turnaround was how to maintain Disney's explosive growth rate and its return-on-investment goal of increasing earnings per share by 20 percent over any five-year period to achieve a 20 percent annual return on equity. Paradoxically, the very success of their strategy, which had originated to protect an underperforming Disney from the rampages of corporate raiders and the threat of takeover, was causing the opposite problem: how to maintain the company's explosive growth in a business environment where attractive opportunities for expansion were becoming increasingly scarce. The men were reflecting on how to develop a five-year plan that would cement the strategy that had led to their present enviable situation and make the 1990s the "Disney Decade." This case is intended to be used as a basis for class discussion rather than as an illustration of either effective or ineffective handling of the situation. This case was...
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...Copyright © 2005 Stuart Fischoff. All rights reserved. 1 Media Psychology: A Personal Essay in Definition and Purview by Stuart Fischoff, Ph.D. Introduction The subject matter of media psychology is a mother lode of material that psychology has actively mined for decades, but only within the last ten to fifteen years has the enterprise emerged as a distinct and explicit subdivision of psychology. Media psychology found its inspirational roots more than 90 years ago within the discipline of social psychology and in the early work of social psychologist Hugo Münsterberg concerning the psychology and the psychological impact of film. Published in 1916 under the title, The Photoplay: A Psychological Study, it was the first empirical study of an audience reacting to a film. Münsterberg also provided such a keen analysis of a screenplay's (then called a photoplay) grammar of visual construction and nascent cinematic conventions and their psychological impact on the audience, that his incisive words still echo today in numerous film school lecture halls and classroom seminars. And there was psychologist L.L. Thurstone, arguably the Father of Attitude Scale Construction and Measurement (a signature area of theory and research in social psychology), who developed scales for the measurement of attitudes toward movies for the famous and notoriously politicized Payne Fund Research in 1928. This study’s practically avowed purpose was to indict (not investigate) the medium of film...
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...Ministry of Education of the Republic of Moldova State Pedagogical University “Ion Creangă” Foreign Languages and Literature Faculty English Philology Department DIPLOMA PAPER Figurative Language, Language Shaped by Imagination in Katherine Mansfield’s Short Stories Submitted by: the 4th year student Paşcaneanu Mariana Group 404 Scientific adviser: Tataru Nina Senior Lecturer Chişinău 2012 Contents INTRODUCTION 2 CHAPTER I: SHORT STORY AS A FORM OF FICTION 5 I.1.Common Characteristics of a Short Story as a Form of Fiction. Its Plot and Structure. 5 I.2. Figurative Language. Definition. Function. 9 I.3. Imagery – Language that Appeals to the Senses 11 I.3.1. Simile, Metaphor and Personification. 13 1.3.2. Symbol and Symbolism. 26 I.3.3 Allegory. 30 CHAPTER II: LANGUAGE SHAPED BY IMAGINATION IN K. MANSFIELD’S SHORT STORIES 36 II.1. Figurative Language, Symbolism and Theme in "Her First Ball": 37 II.2. Katherine Mansfield – Techniques and Effects in A Cup of Tea. 41 II.3. Literary Colloquial Style in “Miss Brill” by K. Mansfield. 49 II.3.1. Lexical features—Vague Words and Expressions 49 II.3.2 Syntactical and Morphological Features 52 II.3.3 Phonological Schemes of the Figures of Speech 55 II.4. Simplifying Figurative Language in K.Mansfield’s Short Stories 60 CONCLUSION 64 BIBLIOGRAPHY 66 APPENDIX 70 INTRODUCTION Figurative Language is the use of words that...
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...Inter-Cultural Translatability Of Ring Ashimova Aitolkyn East Asian Cinema, Fall 2015 December 18, 2015 Introduction The effect of 1998's Japanese film Ring can be compared to a big tsunami wave that not only became highest grossing horror film in the country, but also shuddered Taiwanese, Korean, Hong Kong film markets. Following years many publications included it to the numerous symbolic "top 10 most scary films" lists. And when Steven Spielberg bought the rights to make the Hollywood remake it was seen as official evidence that Japanese horror cinema became new trendsetter in this genre and gained cult status in the West. Nowadays with numerous follow-ups within the Ring franchise and triggered a trend of Western remakes "Ring" is viewed as exemplary illustrative Asian horror movie. I will argue that the wide success of the movie is caused not by its deep cultural ties with Japanese cinema and Japanese horror movies in particular, but because on the contrary "Ring" has little to do with its traditional background. Hideo Nakata deliberately cut off all the cultural traces in order to make cinematic language of the movie universal and cosmopolitan thus giving a way for its intercultural translation and to be easily replicated. In order to do it first I will analyze different Japanese merchandizing strategies and study the film as a media product. Second, I will briefly overlook history and main stylistic traits of Japanese horror movie genre. In my general overlook...
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...What is Harry Potter? Harry Potter is a series of seven fantasy novels written by the British author J. K. Rowling. The books chronicle the adventures of a wizard, Harry Potter, and his friends Ronald Weasley and Hermione Granger, all of whom are students at Hogwarts School of Witchcraft and Wizardry. The main story arc concerns Harry's quest to overcome the Dark wizard Lord Voldemort, whose aims are to become immortal, conquer the wizarding world, subjugate non-magical people, and destroy all those who stand in his way, especially Harry Potter. A series of many genres, including fantasy and coming of age (with elements of mystery, thriller, adventure, and romance), it has many cultural meanings and references. According to Rowling, the main theme is death. There are also many other themes in the series, such as prejudice and corruption. Who is Harry Potter? Harry James Potter was a half-blood wizard, the only child and song of James and Lily Potter. He was one of the most famous wizards of modern times. Voldemort attempted to murder him when he was a year and three months old, shortly after murdering Harry’s parents as they tried to protect him. This early, unsuccessful attempt to vanquish harry led to Voldemort’s first defeat and the end of the First Wizarding War. One consequence of Lily’s protection is that her orphaned son had to be raised by her only remaining blood relative, Petunia Dursley, where he was neither welcomed nor nurtured, but would stay alive, at least...
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...According to the Britannica Encyclopedia, an allusion “is an implied or indirect reference to a person, event, or thing or to a part of another text. Allusion is distinguished from such devices as direct quote and imitation or parody. Most allusions are based on the assumption that there is a body of knowledge that is shared by the author and the reader and that therefore the reader will understand the author’s referent.” "allusion". Encyclopædia Britannica. Encyclopædia Britannica Online. Encyclopædia Britannica Inc., 2013. Web. 13 Mar. 2013 <http://www.britannica.com/EBchecked/topic/16658/allusion>. Dark Lady Sonnets 127-154 127 In the old age black was not counted fair, | Or if it were it bore not beauty's name: | But now is black beauty's successive heir, | And beauty slandered with a bastard shame, | For since each hand hath put on nature's power, | Fairing the foul with art's false borrowed face, | Sweet beauty hath no name no holy bower, | But is profaned, if not lives in disgrace. | Therefore my mistress' eyes are raven black, | Her eyes so suited, and they mourners seem, | At such who not born fair no beauty lack, | Slandering creation with a false esteem, | Yet so they mourn becoming of their woe, | That every tongue says beauty should look so. | 128 How oft when thou, my music, music play'st, | Upon that blessed wood whose motion sounds | With thy sweet fingers when thou gently sway'st...
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