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A Monetary Story

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Submitted By luzma
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A Monetary Story During the 1930’s, several critics looked to literature in regards to economic and social stand points. The relationships between the proletariat and bourgeoisie classes based on the writings of Karl Marx are the main focus point of Marxist critics because of the study of social injustices. The literature approaches that Marxists have used to report socio-economical interests are based mainly in themes of money and power from the wealthy class instead of the socialist consciousness and justice from the working classes. Marxist criticism’s focal point is on the content and themes of literature rather than its form. However, this type of criticism is not exclusive to literature. Films and media also can be analyzed in regards to Marxist critique because we can observe the relations within social classes. Pretty Woman, a film by Gary Marshall uses its plot to demonstrate a relationship between the working and wealthy classes in the modern United States. This paper will argue that besides the clear message at the beginning of the film that “it’s all about the money” and the conflicts between social classes shown throughout the story, which reveals that our society is fragmented, there are characters, regardless of their social strata, who are contributing to reunite society as a whole by dismissing the battle for power between classes and ratifying the statement that it is not about the money. At first glance, Pretty Woman might be considered a typical Cinderella story, when a poor girl meets a prince charming who is going to save her from a dreadful destiny. Vivian Ward depicts a poor prostitute, which seemly represents the working class people. She has found a way of living by working on Hollywood Boulevard. While she is selling herself to people capable to pay for her services, Vivian runs into the prince charming of her dreams, Edward Lewis, a

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