...Read the ‘Biography of Ching K’o’ (Jing Ke) and identify one or two incidents that are used/not used in the film, and make an argument as to whether the inclusion/exclusion is desirable, artistically or thematically, (for instance, whether it is a good choice to eliminate the incidents that show the assassin is not a good swordsman). You may also find in the film the incidents that are not in the Biography and comment on the addition in the same aforementioned manner. The movie “Emperor and Assassin” is a movie filmed by the famous director Zhang Yi Mou in the 90s. It portrays the assassin Jing Ke's attempt to kill Ying Zheng, the emperor of Qin as a humanitarian act. In the movie, after Ying Zheng conquers the state of Zhao, he kills all the children in the fear that they might grow up to take revenge on him. This breaks the heart of his wife, Lady Zhao, who was a citizen of Zhao. Seeing the heartbroken Lady Zhao and all the children’s corpses, Jing Ke, who at first refuses to perform the assassination because of his vow to never kill, decides to accept the mission because he does not want to witness any more premature deaths. Although there is no evidence in history suggesting that Jing Ke accepted the mission for a humanitarian cause, the movie seems to interpret it as if he did. Jing Ke’s assassination fails. The imperial doctor Xua Wu Ju strikes him with a medicine bag and injures him, which gives Ying Zheng the chance to strike back and finish him. As an elite...
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...Jenny Smith November 28, 2011 Dr. Min Young Lee English 121 sec 28 The Coming of Age of the Male Characters in About a Boy About a boy is a contemporary novel written by the British author Nick Hornby. It incorporates constructs of post-modern writing by bringing into focus the artists, and styles, and prose of the vernacular. The setting of the novel takes place in London in the mid 1990s. About a boy gives a unique perspective of a coming of age story. It follows the coming of age of two boys of two very different ages; Will Freeman 36 years old and Marcus 12. This novel shows the contrast between consumerism and materialism with real interpersonal connections. Will Freeman made the decision to pursue materialism rather than personal friendships, and to live in self-imposed isolation. Will had the ability to buy “cool” clothes, and sunglasses and sneakers, and so was never at a loss for acquaintances. Marcus, on the other hand, felt isolation due to a lack of materialism. Marcus was an outsider in his school in London since he could not have the best “coolest” clothes, shoes, and haircuts and thus was always the target of bullying. However, as the plot progresses, Marcus and Will undergo transformational experiences together to become more connected to the people around them. The transformational experiences of Fiona’s suicide, falling in love, and Marcus’ arrest all culminate in the maturation of Will and Marcus’ and the genesis of interpersonal connections between...
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...Film Review of ”About a Boy” Cast: Hugh Grant, Rachel Weisz, Toni Collette and Nicholas Hoult Director: Chris and Paul Weitz Novel written by: Nick Hornby Script writer: Peter Hedges, Chris and Paul Weitz Rating: PG-13 Genre: Romance, Comedy and Drama Running time: 105min. Review: The movie is mainly about 36 year old Will Freeman and 12 year old Marcus Brewer. Will is a so called island which means that he wants nothing to do with family related things; all he really wants is relationships without any form of commitment, he therefore goes to a club for single parents called S.P.A.T. There he meets a woman that he likes, but to be with her he makes up that he has a two-year old son named Ted. When he revels that it was a lie to get close to her, she immediately breaks up with him. Will's keeps on courting and the woman (Suzie) takes him to one of the group's picnics where he meets Marcus the son of Suzie's friend, Fiona. At the picnic, Marcus accidentally kills a duck with piece of bread while he is trying to feed it. When a park ranger asks him about it, Will defends Marcus by saying that the bird was already dead. Afterward, when Will and Suzie take Marcus home, they find Fiona, his mother, in the living room, on a pill-overdose trying to commit suicide. Marcus gets uncomfortable with being at home with his mother; therefore he tries to get Will to date her. After only one date this plan fails so Marcus starts following Will around and discovers that Will...
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...Shaquisha Barrow September 26, 2012 Journal #10: The Lone Ranger and Tonto Fistfight in Heaven Intro to Lit 1. I got very confused when I was searching for the original “Lone Ranger and Tonto” because I saw different versions of it and I wasn’t sure which was which. I did however, find the definition of “Tonto”, which means silly or dumb and “Ke-mo sah-bee which means trusty scout. I believe that the narrator was Tonto in society’s eyes. The narrator couldn’t even go into a certain part of town without people calling the police because he looks “suspicious”, or walk in a store to get a few snacks without people being scared of him. I believe that heaven represents America and the “American dream” which, to me, is to have freedom, happiness, and wealth. The narrator along with the other Native Americans on the reservation, symbolizes Tonto, he trusts his girlfriend (The Lone Ranger), to help him better himself and reach the American dream but instead she, along with help from others, knock him down and stop him from reaching his dream. The woman that he loved was supposed to be there to help him and encourage him but instead they always clashed and argued. The narrator said that they never physically fought, but she always knew what to say to hurt him. Based on my experiences, most of the people we attach ourselves to, know how to hurt us the most. I think that society as a whole was a symbol of the Lone Ranger. The narrator just wanted to live his life like a regular American...
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...of my patients. Streams of people are constantly flooding into our hospital, their legs and necks covered in swollen bumps that blacken within hours; goose bumps rise upon their skin as they shiver with exceedingly high fevers, and many are violently throwing up blood. Nurses are madly dashing around from person to person, trying to aid them as much as possible, while our top doctors are desperately racing against time to find some sort of remedy; the hospital is in mass chaos I tell you, mass chaos! I just can’t take it anymore, seeing so many faces that were once smiling and laughing all of twenty-four hours ago to now being masked with such desolate fear and misery. I want to leave this place, just like Dr. Kamish and Dr. Maveroh and about ten more of our staff members that deserted our hospital did. It would be better than hiding in this old closet that I’m in now, which reeks of must and unused cleaning supplies. Although, the stench of dirt and Windex couldn’t possibly smell as bad as the vile odor of the sick and decaying people outside; I don’t want to go out there. I’m petrified. If I go back out there, I could get sick myself, and leave behind my husband and kids. But I can’t stay in here. It’s wrong. I’m going to go out there right now and try to do my best to help the people that have fallen ill during this grave time, the grimmest time of my life. -Sue * * * Dear Journal March 20, 1348 Yesterday at work was one of the most horrifying sights...
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...Hum Hain Rahi Pyar Ke From Wikipedia, the free encyclopedia Hum Hai Rahi Pyar Ke HumHainRahiPyaarKe.jpg DVD cover Directed by Mahesh Bhatt Produced by Tahir Hussain Screenplay by Aamir Khan Robin Bhatt Story by Robin Bhatt Starring Aamir Khan Juhi Chawla Master Sharokh Kunal Khemu Baby Ashrafa Music by Nadeem-Shravan Cinematography Praveen Bhatt Editing by Sanjay Sankla Distributed by T V Films Release date(s) July 23, 1993 Running time 155 min. Country India Language Hindi Hum Hain Rahi Pyar Ke (Hindi: हम हैं राही प्यार के translation: We Are Travelers on the Path of Love) is a 1993 Bollywood film directed by Mahesh Bhatt, produced by Tahir Hussain and with a musical score by Nadeem-Shravan. It stars Aamir Khan and Juhi Chawla. The film is a remake of the Hollywood film Houseboat (1958), starring Cary Grant and Sophia Loren. The film fetched the Filmfare Best Actress Award for Juhi Chawla, and director Mahesh Bhatt won the 1994 National Film Award - Special Jury Award. The film also won the Filmfare Best Film Award. It was generally alleged during the time that the movie was ghost-directed by Aamir Khan because Mahesh Bhatt did not show up at the sets several times.[1] The film was Super hit at the box office. Contents [hide] 1 Synopsis 2 Cast 3 Songs 4 Awards 5 References 6 External links Synopsis[edit source] Rahul Malhotra (Aamir Khan) is the caretaker of a garment company that has a pending order of two lakh shirts to Mr Bijlani. Rahul...
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...My colleague presented a case to me involving a man named “Bob”. The patient “Bob” is an only child that grew up in a religious household. His father was a warm and kind man that worked all the time. Bob only saw his father on the weekends when he was a child due to his father’s work schedule. Bob’s father died about a year ago. Bob’s mother was the disciplinarian and she was very strict. She worked as a janitor initially at his Elementary School and then she became his high school librarian. Bob seems to have a strained relationship with his mother. Bob attended college and studied psychology. He worked as a psych tech for 14 years. Bob seems cooperative at the session and admits to having no medical problems, but drinks occasionally with...
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... Bob, was an extremely wealthy man in his early forties, just won another million dollars from the state lotto. Bob was on a hot streak winning almost every ticket. Bob also like to bet on the horses. Bob has an addiction. One day bob lost, Bob was mad, He lost a lot of money on a sure fire horse.. Bob bet everything on this horse, The horse broke its leg out of the gate, Game over. Bob was broke, he had no money, just his car and nice house. Bob sold his house and his car, he bought a old ugly beater car. He again bet everything on another horse, and he lost again. Bob lives in his car, Bob is now in this fifties and still living in his car, Bob never reached out for help. Would you of helped Bob if he asked? Gambling is very addictive, there should be more publicly known programs, like AA, to help the people who have an addiction. The lotto should be harder to get tickets. More than a million adolescents are already addicted to gambling, starting at a young age (Grey). People with gambling addictions have problems, But it’s their own problems, They need to better manage their money, and not make everyone else feel bad for their mistakes. In stores and gas stations all around the united states there are machines just sitting there, filled with instant scratch off lotto tickets, All you do is put money in and pick the ticket you want. In gas stations where you have to ask the clerk to grab your ticket, have lower sales than the machines, The machines are convenient, you're...
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...is Home? In Joan Didion’s essay “On Going Home” she writes about leading a double life. She feels like one person when she’s with her husband and daughter in Los Angeles, and a completely different person when back “home” surrounded by her childhood family in the Central Valley of California. During this particular trip, she begins to reflect on her life in Los Angeles. Didion contemplates the fact that she often feels uneasy around her husband, just like he feels uneasy being around her family. At a crossroad, she must decide not only who she is, and the life she wants, but also the kind of life she wants for her daughter. Her life in Los Angeles has cleansed her from her youth—one that was dusty and full of useless trinkets. She ponders the time her husband wrote the word “D-U-S-T” on those useless trinkets and she remembers her feelings of sadness and indignation. She says, “We live in dusty houses…filled with mementos quite without value to him” (139-40). The dust-covered trinkets signify what is important to her, or what needs to be addressed in her marriage. Yet, these objects just lay there waiting for someone to see them—for someone to dust them off and care for them—not unlike how Didion wishes her husband would see her and nurture her in their marriage. Didion wonders which of her two homes is normal or if they are both flawed. When she and her husband are with her family, he becomes apprehensive about her behavior, “…because once there I fall into their ways, which...
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...Name: Joel Sanguinetti Title: All About Eve Year: 1950 Director: Joseph L. Mankiewicz Producer: Darryl F. Zanuck Three Performers: Bette Davis, Anne Baxter, George Sanders Costume/Wardrobe: Edith Head, Charles LE Maire, Sam Benson, Josephine Brown, Ann Landers, Merle Williams Hair and Make-up: Ben Nye, Bunny Gardel, Franz Prehoda, Kay Reed, Gene Roemer, Gladys Witten Set and Stage Design: Thomas Little, Walter M. Scott Musical Score Composer: Alfred Newman Cinematographer/Photographer: Milton R. Krasner Screenplay: Joseph L. Mankiewicz Original Novel, Play, or Story: Mary Orr – The Wisdom of Eve Academy Awards (Oscars) Won: 1. Best Actor in a Supporting Role – George Sanders 2. Best Costume Design, Black-and-White – Edith Head & Charles LE Maire 3. Best Director – Joseph L. Mankiewicz 4. Best Picture – 20th Century Fox 5. Best Sound, Recording – 20th Century-Fox Sound Dept. 6. Best Writing, Screenplay – Joseph L. Mankiewicz Joel Sanguinetti Mr. Skillings English 101-B4N December 19, 2011 All About Theatre Theatre has evolved in many ways throughout history. Theatre goes back to the 6th century BCE and develops its origins from Greece. Around 1750, theatre was introduced to New York, and eventually became what we now know as Broadway theatre. All About Eve, directed and written by Joseph L. Mankiewicz, is a movie based on the novel The Wisdom of Eve, written by Mary Orr. All About Eve is a movie about Broadway theatre and the harsh...
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...The Lone Ranger and Tonto Fistfight in Heaven is a novel written by Sherman Alexie. The novel consists of short stories about Native Americans' lives. Sherman Alexie uses symbolism throughout the novel. In The Lone Ranger and Tonto Fistfight in Heaven, women--including Victor's mother, the aunt in "The Fun House," and Norma Many Horses--are symbols of strength. In the novel The Lone Ranger and Tonto Fistfight in Heaven, Victor's mother is one of the women who symbolizes strength. In the chapter "Jimi Hendrix," when Victor's father wrecked his bike, he was in the hospital for two months, and Victor's mother visited him every day until he recovered although she and Victor's father were split up. The narrator, Victor, states that "even though my mother didn't want to be married to him anymore and...
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...of American society gives him doubt that he does not fully identify himself as an American in the city. He further goes to describe the stereotypes of Native Americans when he says, “He knew this dark skin and long, black hair of mine was dangerous. I had potential,” (183). He uses his physical appearance as a means to stereotype himself of what the gas station worker views him as. Victor is not dangerous and has no intention to steal from the gas station, but due to the stereotypes from American society this is the view that the worker assumes. This is a main issue for Victor as he is never accepted into society due to these preconceptions and in turn he has an issue identifying who he is. Furthermore, societies views construct ideas about groups of people and “Separation Anxiety” and “The Lone Ranger and Tonto Fistfight in Heaven” explain that these stereotypes give their identity meaning but also separate the two cultures by these perceptions. Peaches and the other characters in “Separation Anxiety” know who they are because of the society they have grown up in. They still compare their way of life to the white society out of the ghetto. Peaches describes some stereotypes when she says to Trevette, “why you talking that health consciousness shit? that’s white people madness,” (“Separation Anxiety, 62). Peaches uses the view that white people are concerned with their health and as a result she calls out Trevette who is African American and uses it as a negative connotation...
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...In society today children often watch, mirror, and act like their parents. In the collection of short stories entitled The Lone Ranger and Tonto Fistfight in Heaven, Sherman Alexie creates an image of a boy who has the same hopes and beliefs of his parents. Victor, the main character, has a hopeless attitude and a pessimistic outlook on life. These characteristics cannot be more attributed to his own personal decisions rather than any reasons beyond his control. When Victor is younger, he witnesses his parents enter and struggle with the alcoholic cycle of Indians. When Victor’s parents throw a New Years’ Eve party, it gets out of control and alcohol runs rampant. “He kissed his mother’s neck, tasted the salt and whiskey. He kissed his father’s...
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...Major Themes in 'Much Ado About Nothing' Shakespeare’s treatment of love in Much Ado About Nothing differs from his other romantic comedies. Sure, it shares the same stagy plot, which finishes with the lovers finally getting back together, but Shakespeare also mocks the conventions of courtly love which was popular at the time. Although Claudio and Hero’s courtly marriage is central to the plot, their relationship is the least interesting thing in the play. Instead, our attention is drawn to Benedick and Beatrice’s unromantic backbiting – it is this relationship that seems more believable and enduring. By contrasting these two different types of love, Shakespeare manages to poke fun at the conventions of courtly, romantic love. Claudio uses highly contrived language when speaking of love, which is undermined by Benedick and Beatrice’s banter: “Can the world buy such a Jewel?” says Claudio of Hero. “My dear Lady disdain! Are you yet living?” says Benedick of Beatrice. As an audience, we are supposed to share Benedick’s frustration with Claudio’s transparent, pompous rhetoric of love: “He was wont to speak plain and to the purpose, like an honest man and a soldier … His words are a very fantastical banquet, just so many strange dishes.” Deception As the title suggests, there is a lot of fuss over very little in the play – after all, if Claudio wasn’t so impetuous, Don John’s rather weak plan wouldn’t have worked at all! What makes the plot so intricate is the use of deception...
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...“Much Ado About Nothing” are the victims of deception, and because they’ve been deceived is the reason they act in the ways that they do. Even though the central deception is directed against Claudio in an attempt to destroy his relationship with Hero, it is the deception pertaining to Beatrice and Benedick which is the play's main focus. Almost every character in the play at some point has to make interpretations from what he or she sees, has been told or overheard. At the same time, nearly every character in the play at some point plays a part of consciously pretending to be what they are not. (Act I, Scene I) ”Thou wilt be like a lover presently and tire the hearer with a book of words. If thou dost love fair Hero, cherish it, and I will break with her and with her father, and thou shalt have her. Was't not to this end That thou began'st to twist so fine a story?” Here is when Don Pedro tries to put a spin on words making it sound like if Claudio really wants to be with Hero, they should first trick her into believing that Don Pedro is actually Claudio. They go on forward with the idea and as Don Pedro is swooning Hero with his words and charm at the masked ball and Claudio is actually eavesdropping near-by trying to make sure everything is going according to plan. Deception is one of the focal themes throughout the play which grows out of the love game. Deceit is not evil in nature; it can be used for the purpose good or bad outcomes. “In Much Ado About Nothing” the...
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