...think that Hamlet was more tragic in comparison to Agamemnon. The reason being is because in Hamlet Claudius is driven to kill his own brother, King Hamlet, just so he can marry his own sister-in-law. Hamlet is plotting to kill his own uncle and is speaks of his own mother in a hateful manner e:g Within a month, Ere yet the salt of most unrighteous tears Had left the flushing in her gallèd eyes, She married. O most wicked speed, to post With such dexterity to incestuous sheets! A son is talking about her own mother like this and ...isn't an essay you were looking for? GET THAT PERFECT ONE starting from $7.50 per page only! YOUR E-MAIL ORDER NOW at the same time he has lost hope in life. Hamlet claims that he wants to die, if only suicide wasn’t forbidden by God. Oh, that this too, too sullied flesh would melt, Thaw, and resolve itself into a dew, Or that the Everlasting had not fixed His canon ‘gainst self-slaughter! So from the beginning of the play the protagonist is in a pitiful state. This was not the case with the protagonist of Agamemnon. In Hamlet the protagonist was driven to avenge his own father death and in the process ended up killing 4 innocent person. His own love of his live Ophelia, and mom, Queen Gertrude was killed by the poisonous drink which was meant for Hamlet. Ophelia’s father and brother ended up dead. In Agamemnon only two innocent lives were lost, Cassandra and Iphigenia. In my opinion i think Agamemnon deserved his tragic end. He...
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...Narrative A narrative is a sequence of events that a narrator tells in story form. A narrator is a storyteller of any kind, whether the authorial voice in a novel or a friend telling you about last night’s party. Point of View The point of view is the perspective that a narrative takes toward the events it describes. First-person narration: A narrative in which the narrator tells the story from his/her own point of view and refers to him/herself as “I.” The narrator may be an active participant in the story or just an observer. When the point of view represented is specifically the author’s, and not a fictional narrator’s, the story is autobiographical and may be nonfictional (see Common Literary Forms and Genres below). Third-person narration: The narrator remains outside the story and describes the characters in the story using proper names and the third-person pronouns “he,” “she,” “it,” and “they.” • Omniscient narration: The narrator knows all of the actions, feelings, and motivations of all of the characters. For example, the narrator of Leo Tolstoy’s Anna Karenina seems to know everything about all the characters and events in the story. • Limited omniscient narration: The narrator knows the actions, feelings, and motivations of only one or a handful of characters. For example, the narrator of Lewis Carroll’s Alice’s Adventures in Wonderland has full knowledge of only Alice. • Free indirect discourse: The narrator conveys a character’s inner thoughts...
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...Bloom’s Classic Critical Views W i l l ia m Sha k e Sp e a r e Bloom's Classic Critical Views alfred, lord Tennyson Benjamin Franklin The Brontës Charles Dickens edgar allan poe Geoffrey Chaucer George eliot George Gordon, lord Byron henry David Thoreau herman melville Jane austen John Donne and the metaphysical poets John milton Jonathan Swift mark Twain mary Shelley Nathaniel hawthorne Oscar Wilde percy Shelley ralph Waldo emerson robert Browning Samuel Taylor Coleridge Stephen Crane Walt Whitman William Blake William Shakespeare William Wordsworth Bloom’s Classic Critical Views W i l l ia m Sha k e Sp e a r e Edited and with an Introduction by Sterling professor of the humanities Yale University harold Bloom Bloom’s Classic Critical Views: William Shakespeare Copyright © 2010 Infobase Publishing Introduction © 2010 by Harold Bloom All rights reserved. No part of this publication may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For more information contact: Bloom’s Literary Criticism An imprint of Infobase Publishing 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data William Shakespeare / edited and with an introduction by Harold Bloom : Neil Heims, volume editor. p. cm. — (Bloom’s classic critical views) Includes bibliographical references...
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