In “The New Negro,” (1925) by Alain Locke is about three eras of African-American and educated people respond to inquiries raised by Du Bois two decades prior in The Souls of Black Folk (1903). Locke utilizes analogies of development to speak to this New Negro "change" is a basically American wonder of reexamination through transplanting. Locke's fundamental task is one that looks to extend the parameters of what is Negro authority. Locke basically exposes the way Americans recollect the Negro past with a specific end goal to reclassify and migrate what administration is and also why should qualified lead. There is a difference between the old and new Negro, he differentiated the "Old Negro" with the "New Negro" by focusing on African-American