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All Quiet on the Western Front

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All Quiet on the Western Front

Like the cover of a book, we often judge a movie based on its opening scene. If it is too dull or bland, we immediately lose interest in the film and can often have difficulty regaining the focus needed to enjoy the remainder of the movie. For films that deal with such emotional and controversial ideas, such as war, it is important for the film director to create a powerful and captivating opening sequence. Lewis Milestone was faced with these problems while he was directing the 1930’s film, All Quiet on the Western Front. Through his strong sound, filming and editing techniques, along with inspiration from Sergei Eisenstein, Milestone was able to draw in the audience right from the beginning of the film. Like most films during that time period, All Quiet on the Western Front begins with a dramatic orchestral performance as the credits are shown on the screen. The use of snare drum and brass instruments give the piece a very patriotic and wartime feel. The audience does not need to recognize whether the piece is German or American, they all just feel the same sense of urgency to act upon their patriotic duties and go to war. As the march reaches its climax and falls to a close, the preface of the novel is shown as a slide on the screen. These words are used to show both the reader and the audience that this war, World War I, should not be glorified. It is a reminder that war devastates and destroys all. As the opening scene truly begins to start, the stage is set with a man and a woman cleaning what appears to be their home. The man then opens up the doors, where the parade of young soldiers heading off to war can be seen in the background. As the doors open wider, the camera zooms in, and fills up the doorway space. The scene becomes a full screen shot of the young men in uniform, marching off down the street, with crowds of

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