...1. The song playing has a male voice. 2. The camera is at eye level. 3. The video is in black and white with the exception of her hair and dress. 4. The woman is dancing. 5. The camera is set in one place and doesn’t move. 6. The woman uses the dress as a prop while dancing. 7. The dress color alternates between yellow and pink. 8. The woman is smiling. 9. The beginning of the dance is repetitive. 10. The camera is unstable and shaky. Ten Implications 2. The camera is at eye level. a. The camera is steady at eye level because there may not have been enough technological advancements to move the camera around. b. The camera at eye level focuses attention on only the woman. c. This also allows the audience to view the full body performance without being easily distracted or losing sight of the woman. d. Because the camera was set at eye-level, it must have been sitting on something to hold it in place. 4. The woman is dancing. e. The woman must have been a part of some kind of performance at a show. f. The woman enjoys dancing and entertaining others. g. The woman was most likely famous. 7. The dress color alternates between yellow and pink. h. The alternating colors were used to show off the dress. i. The technological effects of the alternating colors could have been used to mesmerize the audience. j. The color was used to focus the audiences’ attention on her dress and performance and to prevent people...
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...The role visual style plays in communicating the ideas, themes and issues raised by the film Before to the introduction of ‘auteur theory’ Douglas Sirk directed films that were illustrious for classical Hollywood narrative. However, he used his power as director to step outside of the Mainstream Hollywood narrative and stylistic conventions (Core 1994), using techniques such as mise-en-scene to communicate the ideas, themes and issues raised in his films. All That Heaven Allows directed by Sirk is a perfect example of his clever use of visual style to communicate themes of social status, repression and nature. The film was popular at its release as ‘critics were well aware that Sirk's films attracted a humorous popular reception’ (Philip Core p132) but was critically dismissed as a women’s weeping movie (Nick James, 1994). Told from a women's point of view and post WWII exposure gives a sense of context and what life was like for women of the time. As Carrie quotes from ‘walden’s book’ it becomes evident that mise-en-scene enriches the film and gets an insight into post WW2 life. Carrie is trapped, however it is not just the dialogue of the film that is used to expose her entrapment. Carrie is represented as a prisoner in her own home. The use of the TV double comments on what Carrie is going through. Sirk presents the television as a symbol of repression and defeat, a tiresome life. Sirk uses the television set to explore the theme of Carrie as an onlooker on life and...
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...The Ambiguity of Weeping. Baroque and Mannerist Discourses in Haynes’ Far from Heaven and Sirk’s All That Heaven Allows. Jack Post Abstract Although Douglas Sirk’ All That Heaven Allows (1954) and Todd Haynes’ Far from Heaven (2002) are both characterized as melodramas, they address their spectators differently. The divergent (emotional) reactions towards both films are the effect of different rhetorical strategies: the first can be seen a typical example of baroque discourse and the latter as a specimen of mannerist discourse. The reference to the terms melodrama, mannerism and baroque does not imply that these films are just formal repetitions of historical periods or that they thematically and structurally refer to historical styles, but that they are characterized by opposing discursive strategies which came to the foreground in a specific historical time and constellation. Because these discursive strategies return in other historical periods and socialpolitical circumstances in different guises and with different aims, they can be compared to what Aby Warburg calls Pathosformeln (pathos formula). The expressive forms, gestures and discursive modes of melodrama, baroque and mannerism can thus be understood as transhistorical (gestural) languages of pathos that recur in history. Résumé Bien que All that heaven allows (1954) par Douglas Sirk et Far from heaven (2002) par Todd Haynes se caractérisent nettement comme un mélodrame, les deux films adressent...
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...The Heaven of Animals By: James Dickey The poem “The Heaven of Animals”, by James Dickey, explores the relationships between predator and prey as well as the controversial topic of whether or not animals have souls. The end of the poem also touches on the idea of a circle of life; death being the centre. The structure of the poem as well as Dickey’s use of poetic devices reflects these themes whilst also painting a vivid mental imagine of “the heaven of animals” for the reader. In the first stanza, Dickey introduces the animals with the simple phrase “The soft eyes open.” (Line 1) Throughout the poem, there is no mention of any specific animal, but in the opening line of the poem, Dickey chose to represent animals as a whole rather than individual species. This hints at the idea of everyone being created equally and everyone deserving the chance of a perfect afterlife. The reader is also expected to draw the parallel between the title and the setting of the poem, because within the poem, it is never said that they are in “heaven”. The vivid imagery allows the reader to fully understand the beauty of animal heaven. Dickey is describing this place as a more perfect version of the animal’s habitat on earth. This creates a sense of fulfilment which is carried throughout the entire poem. The next stanza is the one that raises the controversial topic of animals not having souls. Dickey presents the reader with a very clear paradox: if animals do not have souls, then which...
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...Final Strategic Plan: Cupcake Heaven Executive Summary Cupcake Heaven is envisioned to be developed into a small, privately owned local bakery that prides itself in offering a wide variety of gourmet cupcakes which are made with high quality ingredients and unique flavors. Cupcake Heaven is going to ignite the city of Corona in the new concept of being a “cupcake only” bakery, by offering delicious baked goods in an inviting setting. This analysis will examine the mission, vision, and values of the company, and how these components translate and align with the strategic objectives. Additionally, this strategic plan will provide a Strengths, Weaknesses, Opportunities, Threats and Trends (SWOTT) analysis, a balanced scorecard, and a communication plan that will ensure that Cupcake Heaven has the structure to effectively reach an optimal level of operational health. Finally, the analysis will discuss how the company’s culture, ethics, and social responsibility serve as a compass that directs Cupcake Heaven in establishing the company’s guiding principles. Mission Statement Cupcake Heaven believes that the mission statement of a business is a vital part of the strategic management process, and provides a glimpse into the strategy and performance goals of the company (Darbi, 2012). Based on this concept, Cupcake Heaven has developed a mission statement that impacts the behavior and attitudes of our employees and customers. Cupcake Heaven’s mission is “To be dedicated...
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...The Divine Comedy represents the mature Dante’s solution to the poet’s task annunciated in The New Life. Its three canticles (the Inferno, the Purgatorio, and the Paradiso) display a nearly limitless wealth of references to historical particulars of the late Middle Ages and to Dante’s life. Even so, its allegorical form allows these to function as symbols. The Pilgrim’s journey through Hell to Heaven thus becomes an emblem of all human experience and a recognition of life’s circularity. The “Comedy” of its title is, therefore, the situation of life and the accumulation of experience that attends it. Correspondingly, however, chronological placement of the narrative from Good Friday through Easter Sunday, 1300, particularizes the experience even as it implies the death and rebirth that attends a critical stage of any person’s life. The poet tells his readers in the first line of the Inferno that he is midway through life, and indeed Dante would have been thirty-five years of age in 1300. Though he maintains present tense throughout the poem, he is, however, actually writing in the years that follow the events that he describes. This extraordinary method allows the Poet to place what amounts to prophetic utterance in the mouth of the Pilgrim. Dante thus maintains and further develops the thesis of The New Life, that the progress of the Pilgrim corresponds directly to the progress of the Poet. The literal journey that the Pilgrim undertakes toward the Beatific Vision succeeds only...
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...Kingdom of God Dr. Pat Francis Dustin William Hall September 8th 2011 Introduction In a kingdom there are kings and queens, princes and princess's and all kinds of other royalty figures. To the common person access to the royal people and the royal property is not allowed. To capture and take hold that we we're born with royalty in our spiritual bloodline and that the God that sent HIS only begotten son not only wanted us to receive the free gift of salvation but wanted us in his royal family is astonishing. God not only wants us to be blessed but he wants us to accept the benefits of being in the royal family. Kingdom of God I have the ability to be so attractive. The kingdom of God is something that when placed inside of our hearts makes us attractive to those around us. We posses the solutions to the modern day questions. We walk with something that all mankind will react too because God created all in HIS image and are allow subject to HIS creativity entity. With the kingdom of God reigning in our hearts we allow the invisible kingdom to take reign and allow an everlasting kingdom to begin to open up opportunities for us. Opportunities like establishing that which was rightfully the LORDS back to HIM. The world has established it's kingdom and is in pursuit of capturing the sons and daughters of light. When we realize that we have the kingdom of God within us, we can begin to take authority over the kingdoms that threaten God's. The phrase...
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...everything including heaven and hell “creator of heaven and hell”, adherents believe that on judgement day they will either enter heaven or hell depending on their actions throughout their life. Adherents believe that God is the father/creator of all Christian adherents “I believe in God, the father almighty”. Christians believe that Jesus died on the cross for their sin “crucified, died, and was buried”, on the third day after Jesus’ death he rose and ascended into heaven. This displays Christians belief that after death they will enter heaven “the resurrection of the body”. Christians also believe that Jesus will come to earth again however they do not know...
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...Hidden Treasure (Kingdom of Heaven) and The Parable of the Ten Virgins The parable of the Hidden Treasure uses simile to convey how the kingdom of heaven is like treasure hidden in a field. First, the kingdom of heaven is very valuable like treasure. It is by the grace of God that people can go to heaven or know what to do to go to heaven. Secondly, the kingdom of heaven can be said to be hidden in a field because not every one can find it and some people do not even know about it. Whoever finds it should be joyful because it is God's mercy that allows them to see it. However, unlike the man who found it and hid it again, we should share the kingdom, or in other words, the gospel. Finding the kingdom of heaven is finding salvation...
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...make sense in our minds, but really make perfect sense if we apply them to scripture. God allowing any human into heaven ultimately shows his love. Humanity on a day-to-day basis goes against what God commands, and what God expects from us. No one deserves to go to heaven. If we choose to live in sin all of our lives why would God allow us in heaven? People who love the Lord and say no to earthly temptations will experience riches in Heaven, and those who choose to live for pleasure now will feel the wrath of God in Hell. God is sovereign and people forget this, and we must not confuse love with justice. There are three popular views on what happens to the soul when you die. Eternal punishment is the opposite of eternal life. It’s that idea for that eternity one will suffer in the absence of Christ instead of living eternally in his presence. In this view sin will ultimately be punished for those who do not repent. Annihilationism claims that when a person dies they will pass, or ultimately perish out of existence. This theory can be broken down further classifying the soul as naturally mortal, God gives immortality, or all are immortal unless destroyed by God. The third view is universalism, which claims that atonement is not limited and extends to all. Universalists believe that God is incompatible with eternal suffering, and saved souls could not be in Heaven knowing that souls are eternally suffering. The view most consistent with scripture would have to be eternal suffering...
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...Tanika Hall 000-07-7077 Eng. 120-03 Heaven: What did you expect? Heaven is something that every believer looks forward to; It is talked about in every Christian church, and interpreted different by the various denominations. In the extract from Captain Stormfield’s Visit to Heaven by Mark Twain, Captain Stormfield gives his account of his time in heaven. Patricia Glinton-Meicholas also gives an account of heaven in the extract from How to Be a True-True Bahamian. Both extracts discuss their expectations of heaven, using satire to expose people’s vices. The extracts although seemingly similar are very different, both have a different view on what heaven should be given through the eyes of two very different people. Glinton-Meicholas gives a view of heaven through a modern day Bahamian who sees heaven being as much like the United States as possible; whereas, Twain gives a view from the perspective of a captain from San Francisco around the early 1900s. Throughout this essay we will focus primarily on the differences between these two extracts and how they use rhetorical techniques to deliver their underlying critiques. In both the extract of Glinton-Meicholas and Twain, they give accounts of heaven through the use of satire by exposing vices. Satire is a literary device used to utilizes humor to expose moral corruption and human vices. In Twain’s extract, satire is used to make fun of the way people view heaven. Most people see heaven as an “easy street”. A place where everything...
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...death of beautiful woman being the most poetical of all topics is here, nowhere to be found. This proves that Poe, when so inclined, could indeed write about something other than opium induced nightmares and paranoid grieving men who are frightened to death by sarcastic, talkative, ravens. Besides "Israfel", Poe's other poetry, "To Helen", as well as "Annabel Lee" and others, are virtually unrecognizable to the everyday reader as being works by Edgar Allan Poe. His name is usually associated with his tales of horror and the macabre. His one poem, "The Raven", a work which deals with a mans steady decline into madness, is probably his most recognizable piece of poetry. A situation, which I feel is unfortunate, considering that the aforementioned are in most cases the equal to "The Raven." Scholars have bestowed upon Edgar Allan Poe, the mantle of "horror writer" a crown which does him a great injustice considering the great variety of works that he wrote and the passion which drove him during his writing. It is this passion that is evident in "Israfel." The Poem itself draws heavily on Arabian and Oriental literature, subjects which fascinated Poe.(Allen 249) Supernatural elements, which are strong in all of Poe's works and a basic concept of all the Romantics, are represented here, as well as heaven itself. The poem is mystical in nature and a praise of inspiration, which is represented by the angel Israfel, who dwells in heaven and sings so beautifully that the stars themselves...
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...LAnny December 16, 2014 MKBA 101 T/F 9:00 – 10:30 Mr. Fajardo The Lovely Bones ALICE SEBOLD I. Element of Plot EXPOSITION Susie Salmon is just like every young girl. She goes to school, has a best friend, and a boy that she likes. George Harvey, a middle aged man, is her neighbor. George was always quite strange, but Susie and her family didn’t think of it much. He invites her into an underground den. The one he is going to kill her in. But Susie doesn’t know that. Susie thinks that Mr. Harvey is a nice man. She’s wrong. Jack Salmon is consumed with guilt after his daughter’s death, and will do anything to find the killer. Lindsey, Susie’s younger sister, helps him along the way. However, Len Fenerman, the detective, tries to work on the case by himself. Susie watches her family from up above, watching them experience grief, happiness, true love. She watches her friends grow up, become successful, and get married. She watches her first and only kiss, Ray Singh find another girl. Susie also watches George. She watches as he lies to the police, as he leaves town, and watches him as he slips off a mountain, plunging to his death. TIME The Lovely Bones begins on December 6, 1973, with Susie's brutal beating, rape, murder, and dismemberment by her Then novel ends...
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...You will be known as u were known. In heaven. Wife or family covered by the family that is saved. The saved wife can sanctify the husband or the saved husband can sanctify the wife. So that your children can be sanctified. Children who have not yet came to the age of accountability. Vision of this church within 5 years Drawing up 1700square ft family life center fellowship hall etc we want to open it to all people . Open on Saturdays after school IrEyes on additional land and property hutch may make a great youth chapel D What is your favorite color? Red What is the most embarrassing moment in your life? Marrying a couple this guy was marrying this girl. It was outside under a canopy under the park. Divorced a lady named angel . New ladies name was Amy. Pastor mistaking called the lady angel. Pastor preaching. Ask lord to send a breeze. Pastor split pants. At my school I have a lot of friends that are homosexuals will they go to hell. Yes. For they shall leave father and mother and cling to his wife. God can deliver a homosexual. Any type of sin shall not enter into heaven. Homosexual changes Gods word into a lie and it is against nature or natural affection. How would u witness to them? Without them getting offended? Society has lied to them. National organization of women . Women became liberated. Minds sets have Ben changed. Love them and hate what they do. Stand against the sin. If they know that they are accepted that is what they...
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...HEAVEN’S CULTURE As Kingdom Citizens living on Earth, we have Dual Citizenship, or maybe something like an Earth Visa (green card). Scripture says our citizenship is (not will be) in Heaven, present tense, not futuristic! Two realms, coexisting concurrently, rather than sequentially. The predominant view of Earth now and Heaven later, has handicapped our understanding of the ways in which Heaven impacts Earth and us today. Thy Kingdom come, Thy will be done on Earth as it is in Heaven (Matthew 6:10). The realm of Heaven has a Culture, it own culture: language, currency, economy and politics. We need to become familiar with and embrace Heaven’s culture and allow it to influence and shape and help us to establish Heaven’s culture in the Earth. In the Culture of Heaven: * The small gift is made large * The weak are strong * The rejected are chosen * The cast down are lifted up * The broken are made whole * The last are first CHARACTERISTICS OF THE KINGDOM What are the predominant characteristics of God’s Kingdom that set it apart from all the other kingdoms of this world? God clearly shows us the primary characteristics of His Kingdom in His Word. 1) A LIVING KINGDOM – John 10:10b, Luke 17:21 2) A RIGHTEOUS KINGDOM – Romans 14:17, Romans 3:21-22, 1 John 3:7 3) A POWERFUL KINGDOM – Luke 10:1, 8-9, 1 Corinthians 2:4-5 4) A PRECIOUS AND VALUABLE KINGDOM – Matthew 13:44-46, Matthew 6:33 A KINGDOM JESUS WAS WILLING...
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