Introduction
This essay seeks to analyse the use of mise-en-scene in one of the early scenes in the film American Beauty, directed by Sam Mendes. Mise-en-scene, a French term translated as "putting into the scene", refers to properties of a cinematic image that exists independently of camera position, camera movement, and editing.
The story centres on Lester, played by Kevin Spacey, a father who is experiencing a mid-life crisis. Despite employing a traditional Hollywood plot structure that focuses on a problem and a protagonist’s quest in resolving the issue, the film is special. The problem in the film is special as it is Lester’s entire state of life – his unhappiness and dissatisfaction of the way things are in his life.
The film’s theme centres on the definition of happiness, more specifically in the context of the American Dream. The characters of the American Beauty seem to have confused material well-being with happiness. The plot is pushed by the main protagonist, Lester, in trying to find meaning and happiness in his life that was before dictated by the American expectation.
We will be looking at the second scene of the film, which begins when Lester enters Brad’s office to discuss his performance at work. Brad is the company efficiency expert who was recently hired. The scene will be discussed separately based on two different locations. The essay will examine the use of settings, costume and make up, staging, lighting and lastly the use of space and time for each location.
Analysis of mise-en-scene components (Office)
In the first shot at Lester’s side of the office, the overall design is simple and minimalistic. In fact, it is so simple that it appears boring. The grey walls appear dull and depressing, as if it is suggesting that Lester’s work place is similar to his monotonous life that he, as the narrator, lamented on. Moreover, in his background