Eng 201
September 7, 2012 Analysis of Christian and Pagan Themes in Beowulf The heroic poem, Beowulf, written circa ninth century after the Common Era (C. E.), presents a bloody chronicle of a king’s role in the violence and tumultuous Germanic tribes shortly after the Roman Empire’s expulsion from the low countries of Northwestern Europe. Evolving from oral narrative’s, Beowulf’s origins, while traceable to a general place and time in history, remains obscure, and comes to modern readers through a manuscript written around the year one thousand C. E.. Written in the language of the Anglo-Saxons, Beowulf, namesake for the title, defeats three monsters, Grendel, Grendel’s mother, and finally after many years of ruling his lands, a dragon. While fictional, the author weaves the main plot centering on defeating these vicious adversaries with a mixture of both pagan and Christian customs. Beowulf illustrates numerous biblical references and Christian influences, while simultaneously reflecting a core of Germanic pagan customs. Christianity and its religious elements, alongside, pagan customs and practices, play a fundamental role in the heroic poem, Beowulf’s narrative. Grendel, the monster that terrorizes Hrothgar’s great Hall of the Hart, traces his lineage back to Cain, one of the two sons of Adam and Eve. Cain commits the first murder according to Christian teachings, slaying his brother, Abel (The Holy Bible, Genesis 4-8). Grendel sprang from, “Cain’s clan, whom the Creator had outlawed and condemned as outcasts,” and now marauds the Danish night. (Beowulf 1182). While Grendel is clearly a monster born from Christian legend, the Danish turn to pagan shrines so, “that the killer of souls might come to their aid and save the people” (Beowulf 1183). Calling upon the ancient pagan deities at their temples of worship for salvation from a Christian beast,