gripped, not by his wife, but by his father-in-law and who, with a passive aggressive attitude, tries to get away with it without ever facing problems. The purpose of the film is, in addition to the aforementioned, to criticize this devious attitude.

Just as the characters of Steve Buscemi and Peter Stormare go hand in hand with violence, I would venture that the same thing happens to the authors when they introduce a cruelty that does not come to mind. I do not mean that there is too much rawness or softening is necessary to avoid hurting sensitivities. What I am referring to is outlets of tone, to unlikely reactions. If we perceive everything within the comic tone that has been raised from the beginning to demonstrate the absurdity of the