...English- 10 18 November 2013 Antigone Essay: Theme: Wisdom vs. Power There are a lot of themes in the story of Antigone, but the theme, wisdom vs. power portrays the story the best. The writer Sophocles reminds me of Shakespeare, and includes figurative language just like Shakespeare, but of course isn’t as good as him. This story took place in a city called Thebes, where Creon, Antigone, Haemon, Polynieces, and many more live. Creon is the King of Thebes and this theme is basically based off of him and the way he does things. He has to find a way to choose a ruler, and how he/she should govern Thebes. Creon is a tough ruler because of his loyalty to Thebes, but he will not let his family come over his decisions on what to do with the city. His nephew, Polynieces was a big traitor to Thebes, and hated the fact that his uncle was king and used to disagree on everything Creon had to say. Antigone does not like Creon as a ruler, because she thinks he can’t solve issues the town has. Creon does not care what Antigone has to say about him because he sees her as a threat to his power. In the story Antigone says,” If he cannot rule his own house, how can we expect him to rule Thebes?”(Lines 658-662) The son of Creon, Haemon also disagrees to what his father says. Haemon tries to break this disagreement by bringing up general understandings of how his father runs Thebes. Thebes is not like Athens, it is not a democracy, so it needs the support of the people. Haemon also helps...
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...Surname 3 Student's Name Professor's Name Course Date Antigone vs. Macbeth In attempting to discern the legitimate and analytical issues in the two plays, Antigone and Macbeth, it is important to take into account the two key characters that all actions revolve around (Antigone and Lady Macbeth). In both plays, the characters appear to have comparative destiny and fate intertwined deeply within their societies. (Powell et al. 12). Antigone stands harshly rebuked by the state whose rule she contradicts. Antigone's fierce deviance is fully displayed when she declares that she'll bury Polyneices in total disregard of Creon's law. It is this rebellious act and Antigone's innate loyalty to the memory of her brother that forms the spine of the play. On the other hand, Lady Macbeth stands denounced by the laws of God and man having so eagerly disregarded them for the purpose of affection and enthusiasm towards her husband. The inclination that destiny appears to have in setting up these sorts of plays is portrayed undeniably by Sophocles in his piece of work, as well as Shakespeare in his Macbeth. The authorial intent ( a tragedy in contemporary society) as developed by both plays is similar in context. This is mainly detectable while considering the way both playwrights depict the condition that has befallen a nation. Aristotle, an outstanding scholar, and craftsman described tragedy as a mimic of a movement that is morally right. He further came up with guidelines towards...
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...Hamartia in Oedipus the King According to the Aristotelian characteristics of good tragedy, the tragic character should not fall due to either excessive virtue or excessive wickedness, but due to what Aristotle called hamartia. Hamartia may be interpreted as either a flaw in character or an error in judgement. Oedipus, the tragic character in Sophocles’ Oedipus the King, certainly makes several such mistakes; however, the pervasive pattern of his judgemental errors seems to indicate a basic character flaw that precipitates them. Oedipus’ character flaw is ego. This is made evident in the opening lines of the prologue when he states "Here I am myself--you all know me, the world knows my fame: I am Oedipus." (ll. 7-9) His conceit is the root cause of a number of related problems. Among these are recklessness, disrespect, and stubbornness. Oedipus displays an attitude of recklessness and disrespect throughout the play. When he makes his proclamation and no one confesses to the murder of Laius, Oedipus loses patience immediately and rushes into his curse. Later, he displays a short temper to Tiresias: "You, you scum of the earth . . . out with it, once and for all!," (ll. 381, 383) and "Enough! Such filth from him? Insufferable--what, still alive? Get out--faster, back where you came from--vanish!" (ll. 490-492) If an unwillingness to listen may be considered stubbornness, certainly Oedipus would take advice from no one who would tell him to drop the matter of his...
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