Public art “humanizes” cities. It gives cold cement, brick and metal a new appearance and sometimes texture. Public art makes buildings that jut out of the landscape and walls that separate people into more of a natural, refreshing place while connecting groups of people together in a harmonious way. Making nature and building one in places like that of Fallingwater house in Pennsylvania where Frank Lloyd Wright combined a summer cottage with a waterfall, allowing the water to flow around and under the house. Public art can create a sense of “identity” for a community by its enduring legacy or by the story it represents for people. The way the Eiffel Tower in Paris represents the tenacity of French builders and designers. Or the way the Taj Mahal in India tells the love of one Mughal ruler for his wife. From giant skyscrapers like the Woolworth building in New York to simple houses like the Venturi house in Pennsylvania, art and architecture, nature and industry can combine in unique ways to create awe inspiring works not only to create a sense of identity but to also humanize our all too often cement world. When public art advocate Jack Becker presented examples of public art to the Grand Forks, North Dakota community, he was attempting to show how, “sculptures are examples of communities becoming identifiable by their public art.” In examples like the Gateway Arch in St. Louis, the Eiffel Tower in France, and the Paul Bunyan and Babe the Blue Ox statues in Bemidji, Minnesota, he suggested pubic art can have a powerful impact on bringing groups of people together. Such works of public art provide people with a certain type of continuity making them feel they are part of a greater community. Public art, he argues, also increases civic pride and adds to the rich legacy of that place, while also serving as a reference for others to recognize when they