...Select Committee on Art and Manufactures (MET) commented on how British-manufactured goods were lacking in quality. This indeed created the Arts and Crafts movement in 1860, where the movement rejected modernity and industry, mainly towards the output of British Industry. As history reaches the 2nd half of the 19th century, the mission of Arts and Crafts movement did not completely establish but instead it provided more opportunities for new designers and more options on the market for consumers. With great support of the design society one of the many talented designers stood out and influenced the style of that period, it was Charles Rennie Mackintosh. Charles Rennie Mackintosh was born in Glasgow, Scotland, 1868 where the Arts and Crafts movement was happening. The time period where Mackintosh grew up was between the influences of Japan, which significantly influence his style later on. Mackintosh was part of the Scottish School, where a group of artists and designers establish new and strikingly modern style in 1880s. (V&A) They together worked in Glasgow and created decorative schemes for architectures and design. It can be concluded that Mackintosh grew up in an artistic environment and design was his main passion. He has three outstanding designs that were eye opening during the period and beyond, it is the Glasgow School of Art, The Gallery, Willow Tea Rooms and The Hill House. The Glasgow School of Art (1897) was truly Mackintosh’s work of art. He designed every...
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...Outline of Movements in Art ART 101 Art Appreciation Submitted by: Na’Quisha Powell Submitted to: Instructor: Carrie Ann Wills Date: July 22, 2013 I. Baroque (began around 1600-1750) a. The Baroque era began as artistic revolt against the stylization of Mannerist art and as means of implementing the demands of the Counter-Reformation Church, which sought to restore its religious prominence in the western world in the face of the Protestant threat (Duckett, 2011). The Baroque movement began in ital where artists expressed the triumphs of the Catholic Church. b. Artwork significant to the movement * Merisi, M. (1601). “Caravaggio, Conversion of Saint Paul” [oil on canvas 7’ 6” x 5’ 9”]. Cerasi Chapel, Santa Maria del Popolo, Rome. In F. S. Kleiner (Ed.), Gardner’s art through the ages: The Western perspective (14 ed., Vol. II, p. 562). Boston, MA: Wadsworth, Cengage Learning. * Merisi, M. (1603). “Caravaggio, Entombment” [oil on canvas 9’ 10 1/8 x 6’ 7 15/16”]. Pinacoteca, Musei Vaticani, Rome. In F. S. Kleiner (Ed.), Gardner’s art through the ages: The Western perspective (14 ed., Vol. II, p. 562). Boston, MA: Wadsworth, Cengage Learning. II. Impressionism (began around the late 19th century) a. Impressionism, both in content and in style, was an art of industrialized, urbanized Paris, a reaction to the sometimes brutal and chaotic transformation of French life that occurred during the latter half of the 19th century (Kleiner, 2014). b....
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...feminist art movement influence expressionism? Gender equality is an issue that has gradually become a day to day affair in our society; it’s near impossible to avoid seeing it or hearing about it. However, gender equality as an issue is often associated with politics, not art, but as a result of it, feminists began to illustrate the issue through expressionist art forms. Feminist art was used to shock, educate and mock, as well as be used as an outlet for women to tell their story, which, through traditional values, was almost impossible. As a result, the expressionist art form evolved more than anyone could have ever imagined. The amount of new mediums and outlets that were explored and created as a result of feminist art was phenomenal. However, like with any other significant change, there were many critics that wished it hadn’t. aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa Traditionally, men were the dominant gender; the boss, and women were mere selfish pleasures used to sexually gratify a man. She must also cook for him, clean for him, bear his children and just simply act as the man’s object. These values carried over into the art world, where, female artists were virtually unheard of, they were only art works; objects of the male gaze. When women appeared in art, the majority were only half dressed or nude, as well as being placed in a vulnerable position; waiting for the man do dominate her. It was as the snowball effect started of feminist movements and feminist...
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...Andy Warhol is an American artist who led the pop art movement that was prevalent in the 1960s. He is known for his paintings of ordinary everyday objects like a Campbell’s Soup Can. Andy is famous for his artwork, but little know about the films he made which did not appeal to the mainstream population. In addition to films he was also a writer. To say that he was he not obsessed with fame and fortune would be an understatement. He was well known to all celebrities in New York for three decades. He had also previously been on famous magazines like the Vogue and Glamour for his drawings of shoes. I choose to write about Andy Warhol because his artwork has a simplicity to it that I appreciate since it is mostly over everyday objects that...
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...Art Movement The art of Jacques Louis David embodies the style known as Neoclassicism, which flourished in France during the late eighteenth and early nineteenth century. David championed a style of rigorous contours, sculpted forms, and polished surfaces; history paintings, such as his Lictors Returning to Brutus the Bodies of His Sons (Musée du Louvre, Paris) of 1789, were intended as moral exemplars. He painted in the service of royalty, radical revolutionaries, and an emperor; although his political allegiances shifted, he remained faithful to the tenets of Neoclassicism, which he transmitted to a generation of students, including Anne-Louis Girodet-Trioson, François Gérard, Baron Antoine Jean Gros, and Jean Auguste Dominique Ingres. In the late 1790s, a group of David's students, known as the Primitifs (Primitives) or Barbus (Bearded Ones), rejected the values of Davidian classicism in favor of an art whose linear purity and simplicity recalled archaic Greek vase painting as well as early Renaissance art. These challenges to the primacy of David's Neoclassical style set the stage for a radical redefinition of history painting around 1800 in France. Before the Revolution, David's major history paintings, though often invoked in relation to contemporary events, drew upon subjects from ancient history (2009.423) and distant civilizations (Death of Socrates, 31.45); his approach was in keeping with that...
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...c Rococo vs. Neoclassical Art Karina Smith Western Governors University November 25, 2013 Rococo vs. Neoclassical Art Periods Over the years, works of art have developed and varied greatly across genres and time periods. From the cave paintings of the Paleolithic era to the abstract expressionism and Pop Art of the 21st century, we have seen styles of art evolve and develop. These styles and periods of art sometimes reflect past artists and styles and other times introduce an era of completely new art genres and styles. Two different art periods that succeeded each other is rococo and neoclassicism. Rococo is a style of art that began in the early to mid-18th century and was closely followed by the neoclassical art movement. Rococo art originated in France in the early 18th century and was itself an evolution of the earlier style of baroque art. Rococo art emphasized elaborate, detailed, and ornamental elements in sculpture and architecture, and more realistic representations in paintings. Coming off the era of baroque art, which was very much influenced by religion and endorsed by the Catholic Church, rococo art thrived in a time where secularism was becoming a more dominant theme in social attitudes. This Age of Enlightenment saw a shift toward loosened morals and a light-heartedness in the social climate that was, in turn, reflected in the art of that time period. Some characteristics of Rococo art is light, airy colors and delicate, curling themes. In fact, the...
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...Realism is a 20th century art movement which took a diverse approach to representing the figure, yet has being ongoing from around the 18th century. It depicted what was happening in a contemporary way, an attempt to define what was real with no bias or personal preference from the artist. Only portraying what they saw. The movement originated in france in the 1850’s after the 1848 revolution. These Realists positioned themselves against Romanticism, a genre dominating French literature and artwork in the late 18th and early 19th centuries. Seeking to be undistorted by personal bias, Realism believed in the ideology of objective reality and revolted against the exaggerated emotionalism of the Romantic movement. Truth and accuracy became the goals of many Realists. Many paintings depicted people at work, underscoring the changes wrought by the Industrial and Commercial Revolutions. The popularity of such 'realistic' works grew with the introduction of photography, a new visual source that created a desire for people to produce representations which look “objectively real.” Thereafter this new approach to representing the figure grew and new forms such as American realism and social realism where introduced to the art world. Therefore in view of this i will be looking at the American realist Edward Hopper and the realist painter Lucian Freud. Both these artists where at the forefront of modern art and both took different approaches to representing...
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...They were denied the right to express themselves in Spanish language (Brunswick and Rutgers, 1983). The Chicano, therefore, responded to this oppression by forming a movement known as ‘The Chicano Movement,' that fought for their rights of expression and embracing their culture. Today, the Chicanos have formulated folk songs and poems that praise the Chicano culture. There are also revolutionary art forms that have spread all over the United States. The aim of the art forms is to struggle for the Chicano people and ensure that their culture was respected like just any other...
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...classical film nothing should be ambiguous. Topic: The Art Film formal attributes Date: 13 January 2015 2. classicism (make people easy to understand ) modernism (ironic, b½ ) „a artistic movement, thing belong to M is futurism, so it is an umbrella term; M was characterized by a stridently self-aware artistic practice and a corresponding break with two other artistic movements: realism and Romanticism (definition of M) realism: we can only trust what we can see and hear, things that actually exist. according to Gustave Courbet: the essence of realism is the negation of the ideal. Agenda: 1) The Relationship between Art Cinema and Modernism 2) Distinguishing Art Cinema from Avant-Garde Cinema 3) Defining the Art Film as a Mode of Film Practice The Relationship between Art Cinema and Modernism • Just as classical cinema shares attributes with a broader body of artistic works that are representative of classicism, art cinema can be understood as an example of modernism. • While art cinema is a film-specific term, modernism is a general term describing broad tendencies within art practice that encompasses many movements that prevailed in the first half of the romanticism: in the contrast of realism; intimacy spirituality, color, twentieth century. aspiration towards the infinite, expressed by every means available to the art • Historically, modernism constituted a break with two nineteenth century art movements: realism and romanticism. • Modernism questions art’s capacity...
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...Art Movements: Impressionism and Post-Impressionism On the morning of April 25, 1874, 10 days subsequent to the Anonymous Society of painters, sculptors and engravers first collective exhibit, Mr. Louis Leroy, an art critic employed by the French newspaper Le Charvari, unwittingly supplied the moniker for one of the most momentous movements in art history. Figure 1: Impression Sunrise by Claude Monet (1872) Entitled The Impressionists, Leroy's opinion on the group's presentation, which was strictly an attempt to denigrate Monet's Impression Sunrise, instantaneously spawned much ridicule from the salons, colleagues and industry patrons, yet the assortment of artists, including Monet, Renoir, Pissarro, Degas, Manet, Sisley and Cezanne, ironically were quite fond of the term and implemented it to describe their artistic vision. When Classicism invaded Europe in the 16th and 17th centuries to usher in the Age of Enlightenment its form dominated societal culture until the rise of "The Rejects" as the Impressionists were referred to. Classicism was based upon strict form and a structured focal point. Impressionism rebelled every established convention of all previous art forms. Its focus was based on freedom or a release from prior constraints and depicted what was actually seen versus the most ascetically pleasing vision. While Classicism strictly adhered to lines, contours and muted colors, Impressionism was much more akin to coloring outside the lines, so to speak. The Impressionists...
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...Michelle Do Visual Art – Graphic Design Written Task (Tertiary) Teacher – Richard Baldwin Graphic Design Essay (T) Graphic Design during the 20th century has been influenced by four artistic, some also being cultural and philosophical, movements called Futurism, Dada, Surrealism and Modernism. These movements have played a large role in shaping the graphic design industry by bringing different meanings into the art as well as inspiring many artworks today. Out of the four movements, Futurism and Surrealism really stood out to me, and the two designers who were influenced by these movements are Fortunato Depero and A.M. Cassandre. Fortunato Depero (1892 – 1960) was an Italian graphic designer and he was inspired by the Futurism movement. Futurism was an artistic and social movement originated in Italy and it emphasized speed, technology and objects such as cars, planes and the industrial city. Since Fortunato was young, he was introduced and taught to develop different art techniques. He discovered a futurist paper called “Lacerba” in 1913 and was greatly inspired by it, this led to his approach to futurism. His career began as a fine artist, then developed into commercial art and later on in life he became the most successful graphic designer. His works include costume designs for stage productions, different advertising illustrations and as well as artworks he created to promote futurism and himself. He was also known for his cover designs for magazines such as...
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...The most prominent way that the Black Arts Movement reflected the socio-political shift from Civil Rights to Black Power is from its shift from the plea of the written word to an ignition of action through its aesthetics.The Black Arts Movement aesthetic became a statement against social-political injustices. Unlike the earlier eras, the ethics and the aesthetics of the art worked in unison to incite a response and participation from its audience. Amiri Baraka writes in "The Revolutionary Theatre" about the abilities of the theater that "even the language must show what the facts are in this conscious epic, what's happening. We will talk about the world, and the preciseness with which we are able to summon the world will be our art. Art is...
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...Surrealism and Pop Art Jeremy Shipe Western Governors University Surrealism and Pop Art Dictionary.com defines Surrealism as a style of art and literature developed principally in the 20th century, stressing the subconscious or non-rational significance of imagery arrived at by automatism or the exploitation of chance effects, unexpected juxtapositions, etc. Further, the origin of the word is from the French (from sur- "beyond" + réalisme "realism"). This art period began in the 1920s in Europe and really culminated as a continuation of the Dada movement. Both periods relied heavily on irrational imagery and pushed the boundaries of what was thought to be art. The Surrealism movement was officially launched in 1924, after André Breton wrote “Le Manifeste du Surréalisme” and inspired writers and artists to develop art from the unconscious mind or without thought. Coming out of World War I, many European artists were disgusted by the violent images of the war and seemed to find solace within the images of their dreams. Sigmund Freud’s “The Ego and The Id”, was first published in 1923 and the Surrealist latched on to the thought of a struggle between the conscious and the unconscious. Surrealists have a style that leads for interpretation of each work very much to the audience. With psychedelic images and many items that just don’t belong; the artists often gave no reason for why they created their works other than how they envisioned the piece. Surrealism’s influence...
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...Running Head: DADAISM AND POP ART 1 IWT Task 1; Dadaism and Pop Art Angela Costa Western Governor’s University IWT Task 1; Dadaism and Pop Art Artistic interpretations have changed and molded tremendously throughout history. Many historical artists found art as an outlet for what was happening currently in their time periods. Dadaism began in Switzerland in 1916 as a response to World War I. Influenced by the earlier Cubism, this style of art ranged from paintings, sculptures, poetry, and photography. Dadaism is well known for the way it ridiculed materialistic and nationalistic attitudes. They were un-conventionalist in every manor. The Dada artists opposed and resented the social classes who thought that they could control the working class. Dadaists were disgusted by the nationalism that fed into World War 1 and were against any form of group leadership or dictatorship. They were upset that the modern European society would allow war to happen and this is how they knew to protest the idea of war. And if war was to happen then any traditions in any facet where thrown out the window, including art. They believed the art at this time had no meaning and if they were to continue to create art, they would make non-art to show that they did not agree with the current dramas. Dadaist tried to separate themselves from society norms in every which way they could. Even the explanation of how they got the name “Dada”...
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...Art and Culture Paper Bryce Barbee ART/125 March 14, 2016 Jamie Welch Art and Culture Paper This paper will contain information about the Feminist Art Movement and how their art work help then towards the goal of women have equal rights as to men. This will also include the ethnic minorities and how their influence affected the art works. There will be a Section of this paper that will take about the influence of art and how it affected the culture of 20th century. Then this paper will so contain information about how the culture of 20th century influences the arts of the 20th century. Feminist Art Movement Well the Feminist Art Movement started in 1969 because there was a group of women artists in revolution (WAR). This group decided to split off from the Art Workers’ Coalition (AWC) the reason the split from the AWC because it was Male-dominated. This group would not help the women artists. Then in 1971 the women artists had started to strike out of the Corcoran Biennial in Washington D.C. because they had excluded the women artists. The women artists started to protest against gallery owners because they would not show off their work here. Judy Chicago is the first woman that acted on and to help the Feminist Art movement. Her role was the most prominent and the earliest activists in the movement because she had established the feminist art program for women to paint freely without having the rejections from the outside world. The place of the program...
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