...Aside from the physical problems Saint Augustine can influence common people from, he also can relate with the question and the doubting God. In Confessions Book Seven, III Augustine says: But I asked further: “Who made me? Was it not my God, who is not only Good but Goodness itself? What root reason is there for my willing evil and failing to will good, which would make it just for me to be punished? Who was it that set and ingrafted in me this root of bitterness, since I was wholly made by my most loving God? Asking questions such as these, questions that are high level of understanding but still common enough for most people to ask, make Saint Augustine incredibly easy to connect to. People that have something or someone to connect to are...
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...discussions in Augustine's Confessions lies a treasure of theological truths and propositions. Indeed, in Augustine's monumental and crowning work, he fuses both personal anecdotes and rational paradigms to formulate masterful theological doctrines, which have vastly influenced the Christian church for well over a millennium. Thus, for Augustine, a solid philosophical framework forms the basis of theology, which individual experience thence enhances and augments. Augustine's discussion of the Holy Spirit throughout the Confessions clearly demonstrates this intricate interplay. Any analysis of the Holy Spirit in Augustine's works cannot be complete without first embarking on...
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...Name: Course: Tutor: Date: Influence of “The Aeneid” and “Confessions” in Dante's Poem Dante in his poem “"The Inferno" talks of his journey to hell and back. He narrates it in the form of an autobiography. The poem does, however, indicate a strong influence from Maro's "The Aeneid" and Augustine's the "Confessions." The influence from the two in the “Inferno” range from the themes, concepts, literature devices and the language styles used. Maro Virgil, the author of the poem “The Aeneid” was a controversial figure in most Christian texts at the time. His influence in the “Inferno” is clear because Dante uses the name for the leader in the poem. Virgil is an influence in the poem rather than just a fiction figure or character. Dante does not borrow directly from the Aeneid, but expresses his own ideas in different twist. A major difference in the texts is that while Dante uses the underworld to denote hell, Virgil extends the physical world, as we know it. Dante feels that the pagan Virgil is contradicting in his ways, and Dante’s hell is an extension of Virgil’s underworld. Virgil influenced the way Dante denotes hell in specific circles or steps. While Virgil had only three; Tartarus, Elysium and Lugentes Campi, Dante had nine; Limbo, Gluttony, Lust, Greed, Anger, Heresy, Violence, Fraud and Treachery. Apparently, it is also clear that the concept of underworld is yet another influence Dante received from Maro’s “The Aeneid” (Maro 930-939). Throughout the “Inferno”...
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...Throughout the Christian biblical texts the theme of divine and human language constantly emerges. The way in which these two languages differ gives great insight into the moral characteristics of both the mortal beings as well the characteristics of the divinities. The way the divinities speak both contrasts and compares to the way the mortals use their language. Although in all of the texts the divinities use speech to create bounds while the mortals are simply unable to do anything but comply. There does come a point where these two methods of divine and human speech come together to share striking similarities. This can be seen in the biblical books of Genesis, Gospel According to John, and the book Confessions by Saint Augustine. The...
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...The Confessions of Saint Augustine St. Augustine main conflict was accepting God in his life. He struggle to acknowledge that God has possessed him. His father was a pagan, but his mother was such a devoted Christian woman; she dedicated her life to pray for the conversion of her son. St. Augustine was a teacher and during his youth days he encounters conflicts with Christian morality. He questioned himself many time “who am I” and “who are men?” he was a sinner and lived a very disorderly life. For example, as a child he was not baptized, he was not initiated in the Christian formation and he became afraid to sin after receiving the sacrament. This kept enriching his Manichean beliefs, he was “seduced and he seduced others, deceived and deceiving by various desires” and his doubts about encountering the truth kept increasing. He was too proud, too full of vanities, he had affairs with many women, and even had a son, but he realizes that his vision that happiness cannot be found in worldly pleasures but in the search for truth beyond the material world. “My heart was made dark by sorrow, and whatever I looked upon was death” he refers to the death of his closes friend whom he had perverted, and whose death he felt and wept bitterly. He became very desperate, confused and mad because he...
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...Augustine Dealing with Death “A Friend’s Death” in the book “Confessions,” written in Hippo in 397, pretty clearly identifies what this portion of the text encompasses. The excerpt begins with Augustine’s recurrence of confusion with God; watching his friend suffer so intensely makes him wonder why God doesn’t divinely intervene to end his misery. This leads to a reflection on his recent dark days and more ambiguity with God’s presence. While unconscious, Augustine’s friend receives a baptism that Augustine is sure he would not have preferred if mentally present. With this in mind, Augustine pokes fun of it when his friend comes to, which is seen as repulsively unforgiveable, and threatens to end their friendship. Not long afterwards, the friend passes, which leaves no time for reconciliation for the two. This leads Augustine descending into a deep depression where constantly reminders of his loss lie and ultimately his only relief is found through weeping. Although this time period was extremely devastating to Augustine in the moment, do you think the reborn St. Augustine looks back on this memory as more of a weight off of his shoulders than a devastating loss while writing the selection? In the beginning sentences of the selection, Augustine goes into detail about the diminishing condition of his ailing friend. He goes into depth when describing his friend’s pain, stating that he was “convulsed with fever, lying insensible in a lethal sweat and given up for lost”...
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...Natural Effects on a Boy Jean-Jacques Rousseau’s Confessions has the entire life of its author’s experiences, virtues, and detailed imperfections. Rousseau’s Confessions is one of the first notable autobiographies and has influenced many forms of narratives. It inaugurated modern day autobiography and inspired a narrative technic used in many great novels. Rousseau wrote this autobiography in order to tell the world about himself and express the nature of man. He did not want to be known by how people thought of him, but rather be able to tell people exactly what happened in his life and let them be the judge. Rousseau begins Confessions by stating, “this is the only portrait of a man, painted exactly according to nature and in all of its truth, that exists and will probably ever exist” (57). He included embarrassing experiences and personal thoughts from throughout his life to show every possible virtue of his life. He portrays what every boy encounters from mischievous trickery to entering sexual adulthood. The events that change his life and himself become a consistent theme while he describes his childhood, sexual cravings, and natural thoughts of a boy’s life. One of the most common subjects in Rousseau autobiography is the story of his childhood and the nature of a boy. Rousseau’s mother passed away during his birth, which strained the relation between him and his father. When they tried to speak of her the conversation would end with tears because his father saw Rousseau’s...
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...did not do. Many individuals tend to make false confessions because they feel pressured into doing so. This pressure sometimes comes from themselves, the police officers, and how susceptible the individuals are to suggestibility. The interrogation process, age, and other vulnerabilities among adolescents is what makes individuals confess to something they did not do. This has been evident in many cases in the United States, and other studies that have tired to prove this...
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...evidence be disclosed in an interview with a suspect? An experiment with mock-suspects” (2009) by Steven Sellars and Mark R. Kebbell, is a review of different experiments done by others regarding the strength of evidence and timing of disclosure of the evidence to suspects of crimes. This paper is important because it provides useful knowledge for police to have when interviewing suspects and trying to get confessions. According to different researchers referenced in this article the consensus is that if you have strong evidence against suspects it leads to a higher rate of confession. However there seems to be more controversy in the studies of when the evidence should be disclosed to suspects. Some say it should be very early on in the interview. Others say it can be dangerous to disclose evidence early if your goal is a confession because the suspect will become defensive and go into denial mode and stay there. The initial moments of the interview shapes the relationship between the interviewer and suspect and might be better used to develop trust, which could lead to later confession. Another reason against early disclosure is if the police present their story first the suspect can shape their story in order to protect themselves. The authors who do favour early evidence disclosure still believe it...
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...“Literary Analysis of First Confession by: Frank O’Connor” Frank O’ Connor’s “First Confession” is a fastidious short story about fear of eternal punishment for childhood sins. This is a story of a misunderstood young boy who feels disdain and disgust towards his grandmother’s looks and old ways. He also feels anger toward his relatives because they sided with his grandmother. He blames his grandmother for his childhood sins. From trying to lash his sister with a bread knife, not eating the food prepared by her grandmother, kicking his grandmother on the shin, to the extent of planning to kill his grandmother. These childhood sins have to be confessed to a priest because of Jackie’s fear of damnation and eternal punishment. His sister accompanies him to the church on his first confession. After the confession, the priest gave Jackie a very light and absurd punishment of three Hail Mary’s and to suck a bullseyes, which his sister finds ironic. An analysis of “First Confession” reveals a boy’s first confession as a fundamental experience of becoming a better individual. Frank O’Connor is careful with his words as to not fear the character but empathize with him. The story “First Confession” is written in first person point of view which assists in O’Connor’s depiction of the characters confession. "I decided that, between one thing and another, I must have broken the whole ten commandments, all on account of that old woman, and so far as I could see, so long as she remained in...
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...sees as her sister’s false confessions of love, the honest and youngest sister, Cordelia, chooses a path of sincerity to not profess her love for her father. Outraged, the king then banishes Cordelia and divides the land between Goneril and Regan. This decision comes to haunt Lear, when the two sisters take away his title and drive him mad. Cordelia’s honesty, loyalty and maturity are traits that separate her from her sisters and contrast their untruthful, unfaithful and insecure nature. To begin, Cordelia and her sisters are very different in the sense that Cordelia is honest and her sisters are untruthful. Cordelia portrays a very honest character and her integrity is evident from the beginning of the play and it is carried through all the way to the end. “Unhappy that I am, I cannot heave my heart into my mouth. I love your majesty according to my bond, no more nor less.” (I. ii. 91- 93) This line is delivered after Cordelia is once again asked by Lear to confess her love to him after she already she has nothing to confess. She is being honest with Lear when she tells him she simply loves him the way a daughter should. Lear was expecting Cordelia to act like her sisters and exaggerate her words to make him feel loved and honored. Sadly, Cordelia is nothing like her sisters and her honesty outrages Lear, who disowns her and banishes her from his kingdom. On the opposite hand of this situation are Goneril and Regan. Their exaggerated confessions of love place them on the opposite...
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...The Sacrament of Reconciliation is one of the many parts of the catholic culture. Before you can enter confession you must first go through Baptism and Conformation. The Catholic Church does this so you are mature enough to know right from wrong. Before you ask for confession you must know what a sin is and why it is wrong. Overall before you confess you must have an understanding of the Catholic Church and their teachings. The Sacrament of Reconciliation takes places in the church where you and your priest talk about the sins you have committed. After you have confessed your sins, the priest will ask you to repent by saying prays. The Sacrament of Reconciliation allows you to interact with God through the priest and gives Catholics the option for a fresh start. There are three elements of the Sacrament of Reconciliation, Conversion, Confession and Celebration. Yet the most important the most important thing is once we are forgiven we must pass that along and forgive others who have done us wrong. Our faith our rules. There are many different cultures in the world today, each culture has different views and traditions. Within every culture there typically are stages to becoming an adult. Some stages are more extreme than others. Regardless, everyone will experience trials and tribulations before being recognized as an adult. These stages are often called rites of passage. Nancy Bonvillian and Brain Schwimmer define rites of passage as “Rituals that mark culturally significant...
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...The Help: Character, Dignity and Self-Respect Rachael L. Tuminski PHI2000 Character, Dignity and Self-respect Paper Capella University February, 2015 Abstract: This paper will examine the parallels and give examples of the teachings of Aristotle, Epictetus and St. Augustine, using the motion picture The Help directed by Tate Taylor. Introduction What gives human beings their character, dignity and self-respect? What makes up them up in humans? Aristotle, St. Augustine, and Epictetus all attempted to answer this very question examining human nature very closely. Aristotle took on the subject of character; Epictetus took on the topic of dignity and St. Augustine the topic of self-respect. In the movie The Help directed by Tate Taylor each of these reasoning’s can be addressed in detail and example. Aristotle and Character Aristotle approached the subject of the virtuous character like this; the soul is in two halves one being the rational and the other being the non-rational. His definition is best discussed in Nicomachean Ethics II.7: “Excellence [of character], then, is a state concerned with choice, lying in a mean relative to us, this being determined by reason and in the way in which the man of practical wisdom would determine it. Now it is a mean between two vices, that which depends on excess and that which depends on defect.” (1106b36–1107a3) An example of this in The Help is in the character of Skeeter Phelan; in the movie Skeeter has come back home...
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...Augustine’s Conversion to Christianity Augustine's confessions give a very vivid account of a life that was full of temptations and obstacles. Even as a young child, he faced tough decisions (whether to learn in school or play). And, when Augustine was punished for these actions, he would pray; yet he felt his prayers were not heard. This I believe caused a little doubt about God (Christianity) in his young mind. Even though his mother tried with great effort to introduce him to Christianity, he sought out his own course of spiritual enlightenment. Augustine's struggle with commitment to Christ can be largely attributed to his love of fleshly desires (women). He mentions on several occasions about the desire he had to be with women. Yet he understood to fully convert to Christianity, he had to let go of these lustful desires. There were two events that led to Augustine's conversion. The first event is when Continence embraced him in a loving manner and encouraged him to "Cast yourself upon him and be not afraid." "He will receive you and heal you." This gesture pricked Augustine's heart. For he knew that his heart and soul needed healing. The second event occurred when he was crying bitterly and heard the voice of a child telling him to "Take and Read." He realized that there were no children around; and so he attributed this voice that he heard to something divine. Once he retrieved his book of scripture, he opened it and read (Romans 13:13) which gave him confirmation...
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...I sit there and talk for ten minutes or so. I feel really happy that there is someone I could talk to and was listening to me that time. I couldn’t talk it out with my friends and even my family. Maybe I just wanted someone with a kind heart that would listen to me through the end of the story. As I got the absolution from the priest and it all ended well. It feels like I am flying through the clouds and that thing that was holding onto me was suddenly gone. I was happy to hear what he said to me that time. He said that “You could always come here and I would welcome you, anytime”. I was so moved that my tears started falling and couldn’t hold it off, anymore. I was really happy and blessed that day. Confession is a very intimate experience because individual confessions are made private. There's an old saying, "God hates the sin, not the sinner." Just as a loving mother disapproves of those destructive behaviours which harm her child, so God condemns our sins. So while it's true that when you sin you turn away from God, it does not follow that God...
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