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Battle of Algiers

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Battle of Algiers The Battle of Algiers is a film by Italian filmmaker, Gillo Pontecorvo. The film was nominated for three Oscars for Best Writing, Story and Screenplay - Written Directly for the Screen, and Best Director. It won the grand prize at Venice and was given top honors in London during its debut. The Battle of Algiers reveals the questionable effects of Western imperialism and how the legacy of imperialism is tied to the suppression of indigenous resistance. The film is set in the city of Algiers which was the capital of Algiers, during French colonist rule of the 1950s and 1960s. The film depicts how the French colonists were successful in winning the Battle of Algiers in 1957, however, in the end, their tactics cost them the colony of Algeria; three years later, the people overthrew French colonial rule and won their independence. The film is an insightful interpretation of the effect of Western colonialism; as such, it's an important source of reference in the discussion of current events involving the West's intervention in the Middle East. The movie begins with a torture scene in which French paratroopers have just gained information about the freedom fighters. The French know where the leader, Ali Pointe, is hiding and he has thirty seconds to surrender. Much of the film is a flashback from the point of view of Ali Pointe, the leader of the resistance. The way the film came about is surprising in many ways. The movie was subsidized by the Algerian government and written by the real leader of the Algerian National Liberation Front (FLM) while he was in a French prison. The rebel leader, Saadi Yacef interviewed three filmmakers and chose Pontecorvo as his movie director. Yacef stars as the leader of the FLN in the film; he's also the film's producer. This makes for a shockingly realistic portrayal of the bombings and assassinations of policemen, as the events are real-life recreations. Yacef acts out his own arrest by the French paratroopers.
The second protagonist is Ali La Pointe. The character of Ali is played by Brahim Haggiag, not an actor but an illiterate peasant. Only one actor in the film is an actor by profession; Pontecorvo chose non-actors for the Battle of Algiers. The director selected people for their facial features. Ali's intense eyes take center stage. His visage is an accurate portrayal of suffering and deep-seated anger. The antagonist is played by Jean Martin, the only trained actor. He plays Colonel Mathieu, the French military leader. He is a multi-dimensional villain. Mathieu instructs his paratroopers in the finer points of anti-terrorist warfare while schooling French reporters about what they do not want to hear, the truth about war and its costs.

Escalation Dynamics
According to Michelle Maiese, in Destructive Escalation:
When conflicts escalate, more people tend to become involved. Parties begin to make bigger and stronger threats and impose harsher negative sanctions. Violence may start, or if violence has already occurred it may become more severe and/or widespread as the number of participants involved in the conflict increases, and a greater proportion of a state's citizens actively engage in fighting. (Maiese, 2003)
In the film, one can observe a conflict spiral in which conflict increases with an increase in retaliation between two groups. This type of conflict is due to one group's effort to change the status quo. A cycle of violence is set in motion when the Algerians, who seek to throw off the oppressive French occupation, start to attack police officers and soldiers. The French respond by cutting off all supplies and communication to the Casbah, then bombing a residential building. The freedom fighters (FLN) retaliate by bombing public areas filled with civilians; in response, the French take away legal protections from Arabs and bring in a group of highly trained paratroopers who use torture and terrorism to subdue the native community. Furthermore, the cause of escalation is due to many variables:
Past grievances, feelings of injustice, and a high level of frustration may also provoke escalation. Hostility-driven escalation is typically caused by grievances or a sense of injustice, and may ultimately be rooted in events of the distant past. One party feels that it has been treated unfairly by its opponent, and angrily blames its opponent for the suffering it has endured. Deprivation, inequitable treatment, and pain and suffering thereby lead to a desire to punish or injure the other. (Maiese, 2003)
Group dynamics also affect escalation dynamics. It is likely the Algerian resistance grew due to these dynamics. In addition, the unethical tactics (torture for instance) taken by the French military is likely due to the nature of escalation dynamics.
The development of group solidarity, or cohesiveness, can likewise contribute to escalation...With group cohesiveness also comes heightened commitment to the goal and a stronger conviction that is attainable...As conflict escalates, new, more militant leadership often develops. Leaders who fear that they will be replaced by challengers will not want to be seen as weak or submissive. As a result, they will often refuse to admit that any past actions were mistaken and are likely to grow in militancy and become more 'hardline.' (Maiese, 2003)

Intergroup Conflict The source of conflict in the film is persistent and overwhelming oppression. The injustices experienced by Algerians play out in different ways. The occupations available to native Algerians are one example of intergroup conflict. European colonists have proprietary access to the civil system and a strong middle class. In contrast, Arab Algerians are left with manual labor or servant roles which greatly hinder their ability toward economic advancement. Oppression and injustice are evident in the way the city is divided. The Casbah is the home of the Arabs. It is an old walled-in citadel which is marked by poverty and crowded conditions. This is a striking contrast to the European quarter which is composed of modern buildings by the sea. There are luxuriously wide streets, stores, and other attractions. One location is pleasant and inviting, the other is not. The third way in which oppression plays out in intergroup conflict is the way the French behave, their perceptions and mindsets towards the native Arabs. They dehumanize their neighbors by calling them "rats" and "dirty Arabs." The French believe they have brought civilization and property to the city of Algeria. Other forms of oppression are depicted in the film such as torture and the incongruent upholding and suspension of legal rights. The Battle of Algiers is an insightful and stirring account of the Algerian struggle for independence. The film is notable in its use of non-professional actors, the style of direction, and incendiary content. The way the plot escalates contributes to the tension and gives rise to an exciting climax. Persistent oppression and injustice provide a logical backdrop for intergroup conflict. The themes of oppression and terrorism are incredibly relevant which makes this film an instructive real-life cautionary tale of our time.

Bibliography
Briley, R. (2010, October ). Terrorism on Screen: Lessons from The Battle of Algiers. Retrieved
June 27, 2016, from American Historical Association, https://www.historians.org/publications-and-directories/perspectives-on-history/october-2010/terrorism-on-screen-lessons-from-the-battle-of-algiers
Maiese, M. (2003). Destructive escalation. Retrieved June 27, 2016, from
http://www.beyondintractability.org/essay/escalation/

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