...Summer Assignment for AA Junior English 2009-10 Welcome to next year’s AA Junior English class! The class is as rigorous as it is enriching, in that it covers more than a thousand years of British literature and culture. During the summer, you must read Seamus Heaney’s translation of Beowulf and complete the assignments listed (including the 25 vocabulary words). Heaney’s translation is available at most bookstores, or you can order his version online (or ask a current AA Junior English student if you can buy his/her used copy). The ISBN is 0393320979. It has a black cover, with a picture of a head and shoulders covered in chain mail. No other version is acceptable! DUE: Monday, August 12, 2009. STEP #1 – Purchase and read the Beowulf version listed above (both Borders at Superstition Springs Mall and Barnes and Noble at ValVista and the 60 know you will need to purchase this book). The text on the right side (the odd numbered pages) is the modern translation. STEP #2 – Complete the Vocabulary assignment (it may actually serve you better to complete the vocabulary assignment prior to reading the text). Make sure the definitions you use match the use of the word in context. You will be responsible for knowing the definitions of these words as they are used in context in the epic. Type each word and its definition in Times New Roman font, size 12. 1. anathema (page 9) 14. whorled (127) 2. lair (11) 15. ensconced (131) 3. wassail (11) 16...
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...literal opinion of the question, thinking that we are human because we are higher on the evolutionary chain; we are physically, emotionally and mentally complex. While others might take a more philosophical position on the matter, like René Descartes who originally spoke the famous phrase: “I think, therefore I am”. A philosopher would value the fact that humans can intelligently communicate their thoughts, and these thoughts can change the very existence of man as a whole through invention and innovation. Religious groups would base their opinion of humans on their faith; we are human simply because we are not God. At times science, philosophy and religion can confuse a person opinion on what it actually means to be human. Maybe the concept of being human is much simpler then some may think. Being human could simply mean that we as a collective race are imperfect. The idea of human imperfection is not easily explained by science, philosophy or religion. They can all sometimes be too complex to understand. Science exemplifies the human race as a species, philosophy praises human race as thinkers and religion looks at the human race as sinners and how we all must be perfect to please God. Even society tells us we must be perfect in the eyes of the world. We as a human race all possess the trait of imperfection thus making us all the common men among one another in society. The concept of the imperfection of the common man is addressed in many different pieces of literature...
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...values defined in ‘Beowulf’ and ‘Sir Gawain and the Green Knight’ ” The cultural values depicted in “Beowulf” and “Sir Gawain and the Green Knight” are those of courage, honor, strength and humility among many others. Now, while exploring the ethos of the cultures in these pieces of literature the reader can deduce that each value means something different. What defines courage (and other values) in “Beowulf” differs from the definition of courage in “Sir Gawain” in many ways including the struggles Beowulf himself faced with Grendel, in “Sir Gawain” with the encounter with the lord’s wife, among other events in both poems. To begin with, in “Beowulf” these values are defined through the heroic code, which was held in the Anglo-Saxon culture in which this poem takes place. Beowulf himself is the definition of a “hero”, exemplifying values such as courage and strength. For example, one challenge that Beowulf held was the battle with Grendel. He shows exceptional strength when he is able to rip of Grendel’s arm which we see in the text itself, "The monster's whole body was in pain; a tremendous wound appeared on his shoulder. Sinews split and the bone-lapping’s burst. Beowulf was granted the glory of winning". The ability to cause so much physical pain to a giant monster shows just how powerful and strong Beowulf is. Strength here is sort of defined as physical power and ability rather than spiritual strength and what not. Courage, for example in Beowulf is also defined in...
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...descriptions, strong use of literary elements (alliteration, assonance, consonance, imagery, etc.), poetry, ballads, and plays. • The only four Anglo-Saxon works include Beowulf, A History of the English Church and People, Anglo-Saxon Chronicle, and The Exeter Book. • Important Medieval works include Chaucer’s The Canterbury Tales, Le Morte D’Arthur, Everyman, Sir Gawain and the Green Knight, and ballads (“Get Up and Bar the Door”, “Sir Patrick Spens”, “Bonny Barbara Allan”). What essential question(s) will be considered? • What are the elements of Anglo-Saxon and Medieval literature? What key...
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...from knights behaving in a certain code of ethics that involve taking oaths and being loyal to their kings and individuals while in combat. While viewing medieval and ancient literature I perceived a couple interesting aspects that are influential with modern society. Honor and leadership are seen today not only from men, but also women. Also, fidelity and women have been The oldest poem in English language literature Beowulf is one of the most symbolic forms of medieval literature to be created. The poem depicts several emotions and characteristics that are still used today in modern society. While Beowulf is still on a conquest to help the good of his family heritage, he faces a dilemma with leadership and honor. He is constantly proving himself throughout the poem to be seen as a superior dominant figure for his people and at the same time, wants to be respected and seen in a heroic light. Although this poem depicts a glimpse of the past, the vast majority of men in modern day society, want to be seen or at least want to take on this role similar to Beowulf. In today’s society, men will go to great lengths to prove themselves worthy of retaining their masculine identity. Whether it is a physical contact with a bigger individual then them, or an intellectual debate, the modern day man has to prove themselves a worthy...
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...demand on the audience member to suspend disbelief is a weakness or strength of the theatrical experience? Would you rather see The Tempest on stage or in film? Why? Answer: In a theatrical play, we feel as if we are a part of it. The physical proximity to the “characters”, requires “suspension of disbelief” in order to continue enjoying the play. “Suspension of disbelief” is a term coined by famed poet Samuel Taylor Coleridge in the year 1817. This term implies to the willingness of the audience or the reader to ignore certain factors, such as supernatural, or limitations of the medium, to really enjoy the piece of art he/she is witnessing (Suspension of Disbelief, 2013). For example, in a magic show audience know that they are being tricked, and the magician is creating an illusion, but they willingly suspend disbelief in order to enjoy the show. In my opinion, the limitation on special effects is a strength of theatrical plays, as it leaves the audience to their imagination, and serves the purpose of transporting the audience to a fantastical world where there occurs an encounter with the live characters of the play. We become so involved in a theatrical play that added demand on suspension of disbelief becomes immaterial. Unlike a film, we feel as if we are participating in a play, and the adrenaline is so high, suspension of disbelief comes almost willingly. I would rather see The Tempest on stage than in film because the Shakespearean plays are especially intended...
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...Hobbit follows the journey of one central hero, Bilbo Baggins, and his company of dwarves as they embark to Erebor to retake the dwarves’ homeland. This epic tale can be analyzed using a mythological, biographical, or historical critic’s point of view. There are also a few themes seen throughout the novel, including greed and the journey. From a mythological standpoint, one could mention the works of literature that Tolkien himself said has influenced his fantasies about the fabled land of Middle-earth: Iceland’s Poetic Edda and Beowulf. Some tales in Norse mythology can also be analyzed to apply to Tolkien’s novel. Based on a biographically and historically opinion, one might talk about the World Wars’ effect on Tolkien and his novels. Another approach that could be taken is one based on the archetypes seen in The Hobbit; the hero, Bilbo Baggins, and the villain, the dragon Smaug. One could connect the archetypes and events of The Hobbit to those of Beowulf. The Hobbit could also be seen as a novel of the genre bildungsroman, which means “coming-of-age” and focuses on the emotional and physical development of the main character. The use of mythological criticism in the analysis of J.R.R Tolkien’s first novel The Hobbit is by far the most popular among renowned literature critics – one of whom was CS Lewis, an author of children’s fantasy novels himself. It is easy to explain the story from a mythological point of view; many ancient texts have themes similar to those of The Hobbit...
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...ENGLISH LITERATURE ITS HISTORY AND ITS SIGNIFICANCE FOR THE LIFE OF THE ENGLISH-SPEAKING WORLD A TEXT-BOOK FOR SCHOOLS BY WILLIAM J. LONG, PH.D. (Heidelberg) TO MY FRIEND C H T IN GRATITUDE FOR HIS CONTINUED HELP IN THE PREPARATION OF THIS BOOK CANTERBURY PILGRIMS From Royal MS., 18 D.ii, in the British Museum PREFACE This book, which presents the whole splendid history of English literature from Anglo-Saxon times to the close of the Victorian Era, has three specific aims. The first is to create or to encourage in every student the desire to read the best books, and to know literature itself rather than what has been written about literature. The second is to interpret literature both personally and historically, that is, to show how a great book generally reflects not only the author's life and thought but also the spirit of the age and the ideals of the nation's history. The third aim is to show, by a study of each successive period, how our literature has steadily developed from its first simple songs and stories to its present complexity in prose and poetry. To carry out these aims we have introduced the following features: (1) A brief, accurate summary of historical events and social conditions in each period, and a consideration of the ideals which stirred the whole nation, as in the days of Elizabeth, before they found expression in literature. (2) A study of the various literary epochs in turn, showing what each gained from...
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...VIII. English Language Arts, Grade 10 A. Composition B. Reading Comprehension Grade 10 English Language Arts Test Test Structure The grade 10 English Language Arts test was presented in the following two parts: ■ the ELA Composition test, which used a writing prompt to assess learning standards from the Massachusetts English Language Arts Curriculum Framework’s Composition strand ■ the ELA Reading Comprehension test, which used multiple-choice and open-response questions (items) to assess learning standards from the English Language Arts Curriculum Framework’s Language and Reading and Literature strands A. Composition The spring 2012 grade 10 English Language Arts (ELA) Composition test and Composition Make-Up test were based on learning standards in the Composition strand of the Massachusetts English Language Arts Curriculum Framework (2001). The learning standards for the Composition strand appear on pages 72–83 of the Framework, which is available on the Department website at www.doe.mass.edu/frameworks/current.html. ELA Composition test results are reported under the reporting categories Composition: Topic Development and Composition: Standard English Conventions. Test Sessions and Content Overview The ELA Composition test included two separate test sessions, administered on the same day with a short break between sessions. During the first session, each student wrote an initial draft of a composition in response to the appropriate writing prompt on the next...
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...Министерство образования и науки Республики Казахстан Кокшетауский государственный университет им. Ш. Уалиханова An Outline of British Literature (from tradition to post modernism) Кокшетау 2011 УДК 802.0 – 5:20 ББК 81:432.1-923 № 39 Рекомендовано к печати кафедрой английского языка и МП КГУ им. Ш. Уалиханова, Ученым Советом филологического факультета КГУ им. Ш. Уалиханова, УМС КГУ им. Ш. Уалиханова. Рецензенты: Баяндина С.Ж. доктор филологических наук, профессор, декан филологического факультета КГУ им. Ш. Уалиханова Батаева Ф.А. кандидат филологических наук, доцент кафедры «Переводческое дело» Кокшетауского университета им. А. Мырзахметова Кожанова К.Т. преподаватель английского языка кафедры гуманитарного цикла ИПК и ПРО Акмолинской области An Outline of British Literature from tradition to post modernism (on specialties 050119 – “Foreign Language: Two Foreign Languages”, 050205 – “Foreign Philology” and 050207 – “Translation”): Учебное пособие / Сост. Немченко Н.Ф. – Кокшетау: Типография КГУ им. Ш. Уалиханова, 2010 – 170 с. ISBN 9965-19-350-9 Пособие представляет собой краткие очерки, характеризующие английскую литературу Великобритании, ее основные направления и тенденции. Все известные направления в литературе иллюстрированы примерами жизни и творчества авторов, вошедших в мировую литературу благодаря...
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...Montgomery, James E. "Ibn Fadlan and the Rusiyyah". Journal of Arabic and Islamic Studies vol. 3 (2000) pp. 1-25. ISSN: 0806-198X. Ibn Faḍlān's account of the caliphal embassy from Baghdad to the King of the Volga Bulghārs in the early fourth/tenth century is one of our principal, textual sources for the history, ethnogenesis and polity formation of a number of tribes and peoples who populated Inner Asia. Of especial significance is his description of a people whom he calls the Rūsiyyah. Attempts to identify this people have been the stuff of controversy for almost two centuries and have largely focused on how this description can be made to contribute to the Normanist Controversy (the principal, but by no means the only, controversy concerns the extent of Viking involvement in the creation of Russia). This article provides a fresh, annotated translation of Ibn Faḍlān's passage and considers a multiplicity of identities for the Rūsiyyah. Ibn Faḍlān’s account of his participation in the deputation sent by the Caliph al-Muqtadir in the year 921 A.D. to the King of the Bulghārs of the Volga, in response to his request for help, has proved to be an invaluable source of information for modern scholars interested in, among other subjects, the birth and formation of the Russian state, in the Viking involvement in northern and eastern Europe, in the Slavs and the Khazars. It has been analyzed and commented upon frequently and forms the substance of many observations on the study...
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...Narrative A narrative is a sequence of events that a narrator tells in story form. A narrator is a storyteller of any kind, whether the authorial voice in a novel or a friend telling you about last night’s party. Point of View The point of view is the perspective that a narrative takes toward the events it describes. First-person narration: A narrative in which the narrator tells the story from his/her own point of view and refers to him/herself as “I.” The narrator may be an active participant in the story or just an observer. When the point of view represented is specifically the author’s, and not a fictional narrator’s, the story is autobiographical and may be nonfictional (see Common Literary Forms and Genres below). Third-person narration: The narrator remains outside the story and describes the characters in the story using proper names and the third-person pronouns “he,” “she,” “it,” and “they.” • Omniscient narration: The narrator knows all of the actions, feelings, and motivations of all of the characters. For example, the narrator of Leo Tolstoy’s Anna Karenina seems to know everything about all the characters and events in the story. • Limited omniscient narration: The narrator knows the actions, feelings, and motivations of only one or a handful of characters. For example, the narrator of Lewis Carroll’s Alice’s Adventures in Wonderland has full knowledge of only Alice. • Free indirect discourse: The narrator conveys a character’s inner thoughts...
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...MEDIEVAL WEAPONS Other Titles in ABC-CLIO’s WEAPONS AND WARFARE SERIES Aircraft Carriers, Paul E. Fontenoy Ancient Weapons, James T. Chambers Artillery, Jeff Kinard Ballistic Missiles, Kev Darling Battleships, Stanley Sandler Cruisers and Battle Cruisers, Eric W. Osborne Destroyers, Eric W. Osborne Helicopters, Stanley S. McGowen Machine Guns, James H. Willbanks Military Aircraft in the Jet Age, Justin D. Murphy Military Aircraft, 1919–1945, Justin D. Murphy Military Aircraft, Origins to 1918, Justin D. Murphy Pistols, Jeff Kinard Rifles, David Westwood Submarines, Paul E. Fontenoy Tanks, Spencer C. Tucker MEDIEVAL WEAPONS AN ILLUSTRATED HISTORY OF THEIR IMPACT Kelly DeVries Robert D. Smith Santa Barbara, California • Denver, Colorado • Oxford, England Copyright 2007 by ABC-CLIO, Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, except for the inclusion of brief quotations in a review, without prior permission in writing from the publishers. Library of Congress Cataloging-in-Publication Data DeVries, Kelly, 1956– Medieval weapons : an illustrated history of their impact / Kelly DeVries and Robert D. Smith. p. cm. — (Weapons and warfare series) Includes bibliographical references and index. ISBN-10: 1-85109-526-8 (hard copy : alk. paper) ISBN-10: 1-85109-531-4...
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...A TEACHER’S GUIDE TO THE SIGNET CLASSIC EDITION OF WILLIAM SHAKESPEARE’S MACBETH LINDA NEAL UNDERWOOD S E R I E S E D I T O R S : W. GEIGER ELLIS, ED.D., ARTHEA J. S. REED, PH.D., UNIVERSITY OF GEORGIA, EMERITUS and UNIVERSITY OF NORTH CAROLINA, RETIRED A Teacher’s Guide to the Signet Classic Edition of William Shakespeare’s Macbeth 2 INTRODUCTION William Shakespeare developed many stories into excellent dramatizations for the Elizabethan stage. Shakespeare knew how to entertain and involve an audience with fast-paced plots, creative imagery, and multi-faceted characters. Macbeth is an action-packed, psychological thriller that has not lost its impact in nearly four hundred years. The politically ambitious character of Macbeth is as timely today as he was to Shakespeare's audience. Mary McCarthy says in her essay about Macbeth, "It is a troubling thought that Macbeth, of all Shakespeare's characters, should seem the most 'modern,' the only one you could transpose into contemporary battle dress or a sport shirt and slacks." (Signet Classic Macbeth) Audiences today quickly become interested in the plot of a blindly ambitious general with a strong-willed wife who must try to cope with the guilt engendered by their murder of an innocent king in order to further their power. The elements of superstition, ghosts, and witchcraft, though more readily a part of everyday life for the Renaissance audience, remain intriguing to modern teenagers. The action-packed...
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...sheer dread of sitting down to compose his stories. To spare you as much hand-wringing as possible, this chapter presents some practical suggestions on how to begin writing your short essay. Although all writers must find the methods that work best for them, you may find some of the following ideas helpful. But no matter how you actually begin putting words on paper, it is absolutely essential to maintain two basic ideas concerning your writing task. Before you write a single sentence, you should always remind yourself that 1. You have some valuable ideas to tell your reader, and 2. More than anything, you want to communicate those ideas to your reader. These reminders may seem obvious to you, but without a solid commitment to your own opinions as well as to your reader, your prose will be lifeless and boring. If you don’t care about your subject, you can’t very well expect anyone else to. Have confidence that your ideas are worthwhile and that your reader genuinely...
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