...Assessment Record form and Marking Grid FdA Hospitality/Tourism/Culinary Arts Management Student name: Assessment No: Module Level: Module Tutor: Olivia Hurworth 1 4 Birte Schmitz, Lekha Bharam Module: Assessment Method: Weighting: Date of submission: Hospitality/Tourism/CA Environment Report 60% Refer to AR1 on Moodle Length: 1,500 words Learning outcomes assessed: • Define the Hospitality Industry in terms of size, scope and nature • Evaluate current issues and topics relevant to the industry and apply the frameworks to evaluate the current issues affecting a known Hospitality environment • Make recommendations for companies to gain competitive advantage Skills Mapped: As listed in the course handbook. Feedback Assessment Criteria Weight % Actual % Strength Areas of Improvement Explain factors that affect the Macro environment –Overview of the UK Hospitality/Tourism/Culinary Arts Industry in general and application to the chosen industry. 30% Evaluate the impact of the past, current and future issues on a hospitality/tourism/culinary arts industry of your choice 30% Make suggestions to the industry of your choice in relation to how they shou ld react to the current trends and contemporary issues and gain competitive advantage. 30% Self – please see hand in guidelines for reports, essays and presentations below. 10% Deductions: Late Submission Total mark out of 100% 100% Contents Page 1: Introduction; aims and objectives...
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...SRIMAD BHAGAVAD GEETA – HSS F334 ASSIGNMENT - 1 VIBHUTIES AND THEIR ROLE IN SPIRITUAL PURSUIT OF VARIOUS YOGIS Instructor: Dr.Aruna Lolla Name : Monica Adusumilli Id No :2014A7PS005H Date of Submission:30-October-2015 Introduction Bhagavad-Gita might have been delivered in the setting of a battle field, but illumined minds have found it very relevant in the past, present and future as well. "Here I am present as the Supreme Personality of Godhead. I am the Supreme”, says Krishna in Bhagavad-Gita. Understanding, knowing and experiencing the supreme in total magnitude is beyond the capabilities of humans. In an attempt to advance as a spiritual being, it is essential that we understand the divine opulence. What is a Vibuthi? A Vibuthi might be a person, place or an object in which the divine manifests himself to a greater extent. The opulences (Vibuthies) of the Lord are infinite. Indeed, the Lord alone knows his internal potency and his manifestations are innumerable and countless. Only by the grace of the Supreme Person, origin of all, Lord of all beings, God of gods, Lord of the universe, one can try and understand the opulences of the Lord. Role of Vibhuties in Spiritual Pursuit: Lord SriKrishna in Vibuthi Yoga of Gita elucidates about some of his Vibuthies knowing about which, the supreme absolute can be easily attained. A lot of Yogis have identified...
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...Life is a blog ------------------------------------------------- Poshmaal ghazal : poetic expression of both the pain of loss or separation and the beauty of love in spite of that pain Aah Ko Chaahiye - Mirza Ghalib Aaina mujse meri pehli si surat mange Aaj jaane ki zid na karo - Faiyaz Hashmi Aap ki yaad aatee rahee Aap ko dekh kar, dekhta reh gaya - Aziz Qaizi Aawargi - Mohsin Naqavi Ab ke ham bichhde - Ahmed Faraz Apni dhun mein rehataa huu.N - Nasir Kazmi Aye husn-e-beparwah Aye Mohabbat Tere Anjaam Pe Rona Aaya Baabul Moraa - Baat niklegi - Kafeel Aazer Bhooli bisri chand umeedein - Razi Tirmizi Chamakte chaand ko - Anand Bakshi Chhaa rahii kaalii ghataa - Qalander Baksh Jurrat Chupke chupke raat din - Hasrat Mohani Denevaale mujhe maujo.n kii ravaanii de de - Shadab Lahori Dil dhoondhta hai, phir wahee - Gulzar Dil mein ik lahar sii uThii hai abhii - Nasir Kazmi Duniyaa jise kahate hain - Nida Fazli Duniya kisi ke pyaar mein - Dukhi Prem Nagri Ek purana mausam lauta - Gulzar Faasle aise bhii honge - Adeem Hashmi Gulon mein rang bhare - Faiz Ahmed Faiz Har ek baat pe kahte ho - Mirza Ghalib Hazaaron Khvaahishen - Mirza Ghalib Honton se chhoo lo tum - Indeevar Hoshwaalo.n ko khabar kya - Nida Fazli Humko kiskay gham nay maara - Masroor Anwar Hungama hai kyon barpa - Akbar Allahabadi Itni muddat baad mile ho - Mohsin Naqvi Jab bhii aatii hai terii yaad - Krishan Adeeb Jhoom kay jab rindo nay pila di - Kaif Bhupali Jhukii jhukii si nazar...
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...Tu Hi Tu Tu hi tu har jagah, aaj kal kyun hai Tu hi tu har jagah, aaj kal kyun hai Raaste har dafaa, sirf tera pataa Mujhse pooche bhala kyun hai Naa main apna raha, naa kisi aur ka Aisa mere Khuda kyun hai O.. o.. o.. (repeat x2) Dheeemi dheemi aanch pe jaise Dheere dheere jalta hai dil ye, Beqarari kyun hai ye khumari Kyun hai awaargi kyun hai har mod par Naa main apna raha Naa kisi aur ka Aisa mere Khuda kyun hai O.. o.. o.. Tu hi tu har jagah, aaj kal kyun hai Tu hi tu har jagah, aaj kal kyun hai Raaste har dafaa, sirf tera pataa Mujhse pooche bhala kyun hai.. Huaa nahi pehle kabhi yeh Chuaa nahi dil ko kisi ne Har aarzoo tu hi Chain-o-sukoon tu hi Main toh kahoon Tu hi hai zindagi Naa main apna raha Naa kisi aur ka Aisa mere Khuda kyun hai O.. o.. o.. Tu hi tu har jagah, aaj kal kyun hai Tu hi tu har jagah, aaj kal kyun hai Raaste har dafaa, sirf tera pataa Mujhse pooche bhala kyun hai Naa main apna raha, naa kisi aur ka Aisa mere Khuda kyun hai O.. o.. o.. Hangover Aww.. Jaane kab hothon pe Dil ne rakh di dil ki baatein Samjha nahi yeh dil Isko hum toh rahe samjhaate (x2) Maine dekha tujhe bhula ke Har ek tarqeeb laga ke Har nuskhe ko aazma ke Par dil se kabhi na utre (utre.. utre..) Hangover teri yaadon ka Hangover teri baaton ka Hangover teri yaadon ka Hangover teri baaton ka Jaane kab hothon pe Dil ne rakh di dil ki baatein Samjha nahi yeh dil Isko hum toh rahe samjhate (x2) Maine dekha tujhe bhula ke Har ek tarqeeb laga ke Har nuskhe ko aazma ke Par dil se kabhi...
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...Business Communication Section B: Caselets (40 marks) This section consists of Caselets. Answer all the questions. Each caselet carries 20 marks. Detailed information should form the part of your answer (Word limit 200 to 250 words). Caselet 1 In mid-1984, Kartik, the general manager of Western Exports Ltd, Karachi, Pakistan was striving to implement a management information system. He was facing resistance from; his most senior supervisor Kartik wondered what he could do to overcome this resistance. Western Exports was an exporter of ladies’ cotton cloth garments. It was private company established from, his most senior supervisor Kartik wondered what he could do to overcome this resistance. Over the past 14 years, the exports of the company had grown from Rs. 0.71 million in 1972-73 to Rs. 59.76 million in 1984. Almost 90 percent of the exports went to the USA. It owned no manufacturing facility of any kind. It purchased cotton cloth from six different textile mills and had the cloth dyed and printed. This fabric was then passed on to 138 stitching subcontractors. The company had been expanding the product line over the years, and by 1983 it was exporting about one million garments in over 100 basic designs. The 100 designs were presented in range of fabric types, shades, designs and sizes. When seen in the context that the company got all these things done through subcontractors, the managerial control of the operations became quite challenging. ...
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