...Aasia bibi Case According to a statement (1), Aasia Bibi claims that On June 8, 2009 she was working on a farm with her 3 Muslim co-workers. There a Muslim lady refused to drink water touched by a Christian. This led to a discussion on the religious beliefs of two communities. Following this, a number of hot exchanges took place between her and the Muslim women. After 8 days, Qari Muhammad Salim, a local maulvi, using three Muslim women as witnesses, lodged an FIR against her that she has committed Blasphemy. She was arrested on this basis. Qari Salim, told a CNN reporter that “Her death sentence was one of the happiest moments of his life. Tears of joy poured from my eyes". The opinions of public have been divided on Aasia’s case. Some believes that she has actually committed blasphemy by insulting the Prophet. While some believes that the case was filed under pressure from influential local people, and is based on settling personal scores. (2) Amongst the catalogue of violations to her basic human rights, a matter of grave concern is Aasia Bibi’s lack of access to legal representation. During the initial investigation conducted by SP Muhammad Amin Bokhari, she was deprived of following Basic Human Rights, • She begged for a pardon several times as she did not understand the nature of her offence or what constitutes blasphemy. • At no stage, was her crime explained to her. • She had no access to a lawyer or any form of legal counsel during her long ordeal in jail. •...
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...Bibi sanam janem, anaar-e-sisstanem My love, you are like the sweet pomegranate of Sistan Ba darwazae tajh quran jayee sanam janem Your being borders on the divine, my love Bibi sanam janem, anaar-e-sisstanem Bibi sanam janem, anaar-e-sisstanem My love, you are like the sweet pomegranate of Sistan Ba darwazae tajh quran jayee sanam janem Ba darwazae tajh quran jayee sanam janem Your being borders on the divine, my love Kassi harfe dile maa ra nadaanist What I feel for you, no one is privy to it Bibi sanam janem, anaar-e-sisstanem My love, you are like the sweet pomegranate of Sistan Bahaaie mahafele maa ra nadaanist No one can fathom the depths or value this love Bibi sanam janem, anaar-e-sisstanem My love, you are like the sweet pomegranate of Sistan Ba joz tofaan kassi dar shehr-e-ghurbat The wild storms crashing down on strange, distant cities Bibi sanam janem, anaar-e-sisstanem My love, you are like the sweet pomegranate of Sistan Nishaan-e mahafel-e maa ra nadaanist Only they know the true worth of our love Bibi sanam janem, anaar-e-sisstan Bibi sanam janem, anaar-e-sisstanem Bibi sanam janem, anaar-e-sisstanem My love, you are like the sweet pomegranate of Sistan Ba darwazae tajh quran jayee sanam janem Ba darwazae tajh quran jayee sanam janem Your being borders on the divine, my love Na mekhawahm ke be taabat bebinom Not ever would I want you to be sad Bibi sanam janem, anaar-e-sisstanem My love, you are like...
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...relax and release her inhibitions. Calixta's sexual repression comes as a result of the constraints of her marriage to her husband Bobinôt, as well as the moral constraints society has placed on her. She lives in a time period - the late 19th century - that does not condone suggestive or sexual behavior by women. She does not live life by her terms, instead she lives life according to what society deems appropriate. Calixta is introduced in the setting of her small two-room house sitting by a window, sewing. She is so engrossed in her sewing that she does not notice the approaching storm. Her husband Bobinôt and four-year old son Bibi have gone out, on foot, for food and are at Friedheimer’s store when the storm arrives. They decide to wait out the storm there. Calixta appears to have an apathetic attitude toward Bobinôt and Bibi being out. Chopin illustrates Calixta's seeming indifference in the following passage, “Calixta, at home, felt no uneasiness for their safety. She sat at a side window sewing furiously on a sewing machine. She was greatly occupied and did not notice the approaching storm” (109). When she recognizes a storm is approaching she seems more concerned with securing the house and grabbing Bobinôt’s Sunday clothes from the line outside than she is with Bobinôt and Bibi's safe return. Chopin also suggests that Calixta and Bobinôt do not share a bed intimately. While it was not unusual for a man and a women to have separate beds in this era...
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...Mrs. Sen’s The process of assimilation if very difficult for Mrs. Sen. Unlike the narrator of The Third and Final Continent or even Lilia’s parents, Mrs. Sen finds it impossible to integrate into her new country. Her refusal to learn how to drive is the culmination of her distress. Her frustration is voiced loudly only to Eliot, who is dealing with his own distress. There is a childish, tantrum-like angle to Mrs. Sen’s complaints. She even remarks to Eliot that he is much wise than she was at that age; she never thought for a moment that she would be separated from her family. While the reader sympathizes with her plight, her stubbornness seems greater than it need be. Her husband tries to accommodate her, the policeman does not arrest or fine her for the accident, and the workers at the fishmarket put product on hold for her. In the end, it is Mrs. Sen’s responsibility to make an effort. Unlike Mala in The Third and Final Continent – who was equally distraught about leaving her family – Mrs. Sen does not try to adjust. She is trapped in a cage of her own making. As in Sexy, the main characters have mirror images within the story. Here, Eliot and Mrs. Sen are quite similar. He is trapped in his life as well. The loneliness and distress that Mrs. Sen expresses are familiar emotions. He has front row seats for his mother’s sadness. Unlike Mrs. Sen, Eliot is unable to tell anyone about his plight because, again unlike Mrs. Sen, he is truly powerless. The sympathy one has for Eliot...
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...In chapter 4, though much softer than Bibi, Jamal shows his warrior side by sliding his foot onto the landmine for Bibi so his family wouldn’t get in trouble from the government. Jamal doesn’t want to be a baker, he wants to be a powerful desert warrior. And the reason that Jamal wants to be like his ancestors is because he remembers what his mum told him about her ancestors. “Fierce brave desert warriors, tall and proud in the saddles of their mighty Arab steeds”. Which Jamal, or mostly any kid would wish to be like. Bibi has also obviously been influenced this from a young age, like when she said “You squishy lumps of camel snot, give us our ball back”. She has obviously been told stories about her mother’s ancestors, which it seems as though she has developed her personality from a lot. Having ancestors that are desert warriors has inspired them to be live up to the...
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...unhappiness with her husband. Bobinôt and Bobi, Calixta’s husband and son, are at Friedheimer’s grocery store. Bibi notices clouds starting to build, followed by a threatening roar. They both decide to wait at Friedheimer’s store until the storm is over. Bibi asks and wonders about his mother all alone in the house. Meanwhile, Calixta is at home sewing furiously. She is very occupied and does not notice the storm. She finally looks up and goes outside to gather the clothes. She sees Alcee, an old friend of hers. Alcèe asks Calixta if he can wait with her until the storm is over. They are both in her room, as she starts feeling nervous, Calixta stares out a window as Alcee follows, looking over her shoulder. Lightening strikes a chinaberry tree and frightens Calixta, and he comforts her. Alcee brings her close to him. While she worries over Bibi, Alcee looks at her with passionate eyes and remembers the times he has desired her. He cannot resist her beauty. White neck, red moist lips, and her blue eyes disturb him powerfully. As he kisses her, it reminds him of Assumption. They talk about Assumption how he had kissed her. He looks at desires her body, and he compares the white couch Calixta is laying on to her firm flesh. Alcèe starts pleasing her, and they both give themselves up. The rain is over and the sun comes up. Calixta watches Alcee ride away as he smiles at her. Bobinôt and Bibi arrive. She is relieved to know they are okay. The theme of the story centers on Calixta’s adultery...
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... Soumen Roy ID: 174 Section : B 20th Batch Department of Management University of Dhaka Date of submission : 28th January 2016 Five Entrepreneurs of Bangladesh BiBi Russell BiBi Russell is the founder of "BiBi Production "a world renowned fashion house working with crafts people of Bangladesh. Early age: BiBi was born in Chittagong Bangladesh.She grew up in Dhaka. Education : She studied in kamrunnessa Govt Girls High School and Home economic collage.Later she went to london and earned a graduate degree in fashion from london collage of fashion. BiBi worked as a fashion model with different prestigious organizations and talented people. Professional life: In 1994 BiBi returned to Bangladesh and opened BiBi Production in the year of 1995 a fashion house, fusing indigenous Bengali cultural elements into her line with BiBi production. She first claimed the much cited slogan "Fashion for Development".Then on BiBi has been working with crafts people with a vision to save crafts and revive their dream. AL-HAZ ABDUL GHANI SARDER Starting with a capital of taka 10000 in 1984, a young man of Noapara has become a business tycoon in the southern part of Bangladesh. He started...
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...one is the right type of relationship compared to another. The short story by Kate Chopin “The Storm” explores the idea of a happy ending, with an unfaithful wife. In today’s American society many see this as wrong because of the way we might have been raised, our values, or by what we have seen on television, naturally, this story can seem shocking form its secret adultery. The short story takes place in the south where storms are dangerous and frequent around the 19th century. During this era, the Victorian era, there was a large sexual repression of women, making this story stand out. The Storm begins off by introducing the first three characters, Bibi, a four-year-old son; Bibinôt, the husband; and Calixta, the wife. Bibi seems to be extremely self-aware and smart right off the bat “The leaves were so still that even Bibi thought it was going to rain” (Chopin, p1). Bibinôt, however, seems to be more unaware, but caring, “counter purchased a can of shrimps, of which Calixta was very fond” (p1)....
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... CAP 1. PREZENTAREA GENERALA A INTREPRINDERII. DATE DE IDENTIFICARE A FIRMEI. Numele firmei: SC BIBI TOURING S.R.L. Forma juridica de constituire: S.R.L. Activitatea principala: Activitati ale agentiilor de voiaj si a tur-operatorilor, activitatide asistenta turistica n.c.a.- 6330 Cod unic de inregistrare: RO18362372 din data de 09.021993 Atribut fiscal: R din data de 13.02.1993 Nr de ordine in Registrul Comertului: J29/2249/08.02.1993 Data inregistrarii la Registrul Comertului: 08.02.1993 Data inceperii activitatii: 1993 Sediul agentiei: Ploiesti, PrahovaBlv. Republicii, Nr. 10, Bl. 33, Parter tel: 0244 514768, 590631fax: 0244 4073461. 1. SCURT ISTORIC “BIBI Touring” este agentia de turism nr 1 din Prahova, cu peste 15.000 de turistiactivi. BIBI Touring este reprezentant EUROLINES Romania, membru ANAT si agentacreditat IATA. BIBI Touring are o rata de crestere accentuata si constanta in ultimii 7ani.Firma noastra „BIBI TOURING„ – PLOIESTI are placerea de a va oferi urmatoareleservicii:- Linie de autocar cu plecari zilnice spre Germania si saptamanal spre: Marea Britanie,Belgia, Franta, Olanda, Suedia, Danemarca, Norvegia, Spania, Italia, Austria, Portugalia,Elvetia, Maroc- Inchirieri de autocare, microbuze si autoturisme pentru excursii interne si internationale- Programe turistice interne si international. Echipa Bibi Touring – Ploiesti va sta permanent la dispozitie cu dinamism si profesionalism, principalul sau obiectiv fiind...
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...temporary life on an island in the Pacific Ocean does not sound bad. More education opportunities and a better life are few of many justifications to prove that Jamal's journey was worth it. In chapter 2, The government found out about Jamal's Mum's school, which resulted in its destruction. It was also the family's home. Jamal's mum opened the school secretly because the Taliban prohibited education. The family is told by Mum on page forty-five: ' "It's the school." She says quietly. "The government has found out about our school." ' After hearing this the family flees their home, fearing the terrifying consequences that would have awaited them if they stayed. In Australia, there are many education and job opportunities. On the island, Bibi and a Jamal would get a chance to...
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...Looking at the writing itself, it's clear that there is a fluidity to the prose. The story seamlessly shifts back-and-forth between four different perspectives: we start with Bobinot and Bibi, we then shift to the scene between Calixta and Alcee, and we end on Bobinot and Bibi's return home to Calixta. There is a notable distinction in diction and vocabulary between the narration and Bobinot. Specifically, Bobinot's usage of words like "w'at," "yo'," and "oughta'," and the narrator's usage of phrases like "pathetic resignation" and "the embodiment of serious solicitude." There are also differences in speaking styles between the story's characters. Calixta speaks in a more informal, Cajun dialect, while Alcee a more formal speaking style, almost like the narration. If the writing style affects the impact of these events, Chopin's dramatic devices provide the actual crafting. The story was written from a third-person perspective...
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...MSc Chemistry (Final) Exam 2013 M.SC. CHEMISTRY (FINAL) EXAMINATION 2013 213 MSc Chemistry (Final) Exam 2013 ABBREVIATION M.Sc. Chemistry (Final) SUBJECT ABBREVIATION Environmental Chemistry ------------------------------------------------------------------------------ V Heterocyclic Chemistry --------------------------------------------------------------------------------- VI Oxidation / Reduction ---------------------------------------------------------------------------------- VII Spectral Analysis of Organic Compound -------------------------------------------------------- VIII Advance Organic Chemistry (Practical) -------------------------------------------------------- AOC Environmental Chemistry (Practical) --------------------------------------------------------------- EC Instrumental Methods of Analysis (Practical) -------------------------------------------------- IMA Result Late (Due to Previous Result) --------------------------------------------------- R.L Pre Result Late --------------------------------------------------------------------------------------------- R.L Result Late for UFM ------------------------------------------------------------------------R.L (UFM) 214 MSc Chemistry (Final) Exam 2013 M.Sc Chemistry (Final) Annual Examination 2013 Total Marks = 1200 Roll # 10016 10002 10018 Name Mehar Angiz Komal Arshad Noor Saba Father’s Name Ahmad Gul Arshad Sohail Aurang Zeb Marks 939 928 924 Position FIRST SECOND THIRD Institution / College Govt...
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...Najmah and her brother Nur want to return to Golestan since her uncle or the Taliban were going to take the land. Bibi Nusrat encourages them to stay away from that land because it's dangerous for them to go there and tells them to go to University Town. Bibi Nusrat also tells Najmah to go to New York with her, but Najmah fakes that she is sleeping because she doesn't want to go with her. Nur and Najmah feel like they have no choice, but to go back to the farm that has been there for generations in their family. Najmah and Nur decided not to go back to Golestan where their ancestors' have lived for many years. "'We have no choice but to return to Golestan,' says Nur quietly. 'Uncle or someone else surely will take our land if we don't go back....
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...Characterization in Three Selected Works: A Comparative Essay In most pieces of fictional narrative or poetry characters are what drive the story. Characters reveal information, act out scenes and compel readers to keep turning pages with their ability to make an impression on the reader. Whether this impression is positive or negative well written characters connect the reader with the story in a way that is immersive. This essay will offer comment on how individual characters are presented and described by three different authors (Emily Dickenson, Kate Chopin and Nathaniel Hawthorne), briefly offering explanation of important nuances each character may possess. Where possible direct links will be made between characters and their authors to highlight how the authors reveal themselves through their literature to their audience. The first author to be touched on will be Emily Dickenson starting with her poem “712”. In this six stanza verse Dickenson describes an encounter with Death in which he helps her understand and accept her own passing away. What is unique about this poem is how Death is portrayed. Instead of casting death as a frightening reminder that all life ends, Death is personified as a gentlemen that simply wants to give her a ride that will take her from mortality to immortality. In her poem, Dickenson writes: “Because I could not stop for death/ he kindly stopped for me” (Dickenson 1214: 1-2) asserting that death as a phenomenon is not always untimely but...
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