...Schindler’s List Essay Oskar Schindler would never have been anyone’s ideal savior, especially for the Jewish community. He was an open member of the Nazi party, a womanizer, a gambler, an alcoholic, and an extremely money hungry man, but insight of all of this he was successfully able to rescue over twelve hundred Jewish men and women from death. Schindler was a very tall and handsome man. Needless to say, he was adored by all the young women he met eyes with. However, Schindler fell for a beautiful young girl named Emily. After only six weeks of courtship, they were married. Sadly, after only a few months of marriage, Schindler began to heavily abuse alcohol. He also had several affairs resulting in two children out of wedlock. In 1929, during the Great Depression, the Schindler family business went bankrupt. At this time, Schindler’s father left his mother, and she died soon after. Finding himself jobless, Schindler sought work in nearby Poland as a machinery salesman. The saving of the first Schindler Jews began in 1939, when he came to Krakow in the wake of the German invasion. In Krakow, he took over two previously Jewish owned companies that dealt with the manufacture and sales of kitchenware products. In one of the businesses, however, Schindler was merely a trustee. Looking more for his own power, he opened up a small enamel shop right outside of Krakow near the Jewish ghetto. Here, he employed mostly Jewish workers. This in turn saved them from being...
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... African American Stereotypes in Movies Introduction There once was a time when everyone expected the black man to be the first actor to die in every movie that possessed a black man in its cast. However, over time the assumption of the black man being the first to die has changed. Currently in the year 2012, there are progressively more movies in which black men portray leading roles. This change in black men as leading characters in movies is a welcome change. In the past, supporting or backup roles were considered the best role a black man could achieve. In this paper, the researcher will conduct information by means of content analysis. Content analysis is the most commonly used methodology because of its ability to measure human behavior, assuming that the verbal behavior is a form of behavior. This study will examine specific media products and define these products by determining smaller elements that complement these products. This document will address a wide view of concerns regarding the African American culture, and will provide assumptions on how this issue can be addressed in the future. The stereotype of African Americans in movies today, is the topic of this research paper. Why do African Americans face stereotypes in the media? Why do black actors and actresses have difficulty obtaining roles that are not stereotypical black roles? Why do African Americans accept stereotypical roles? When will African American roles stop having negative...
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...qwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmrtyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmrtyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmrtyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmrtyuiopasdfghjklzxcvbnmqwer...
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...ID 201035872 Sholay Sholay is the Hindi action-adventure film that was shot by Ramesh Sippy. It is considered as the best example of the Hindi masala movie. Masala movie is a mix of several movie genres, which usually include tragedy, comedy, adventure and action. The plot of the film is about Thakur Baldev Singh, former police officer (played by Sanjeev Kumar) trying to capture the main antagonist of the movie Gabbar Singh, a gang leader (played by Amjad Khan) by hiring two thieves, who are also the main protagonists of the movie Veru (played by Dharmendra) and Jai (played by Amitabh Bachchan). Although this movie is considered as the highest box-office grossing Hindi movie up to this time, I personally did not enjoy this movie. In this essay, I will present a brief plot of the movie and then reflect my view towards this movie. In my reflection, I will examine the genres used, analyze some ideas that were presented in this movie and express the terend of masala movies in the 1970s. The film starts with Thakur Baldev Singh ordering to his fellow police officer to find two thieves Veru and Jai. When the fellow police officer questions the need for those two thieves, the movie presents to us a flashback of Thakur, when he was convoying those two detainees by a train, when bandits attack it. However, they fail to seize the train due to help Thakur receives from two thieves. After that they are found by Thakur and asked to capture Gabbar Singh, a local bandit, for a payment...
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...Weiner 1 Jacob Weiner Daniel McClure California Culture October 1, 2014 California Sunshine and Noir California, the Golden State, where the sun is always shining, the waves are always crashing, and dreams are coming true. Right? Well, not exactly. It hasn’t always been sunshine and smiles for the great state of California. The state has gone through a variety of stages both economically, and politically. Throughout these phases, there have been a fair amount of themes that have helped build the foundation of California culture. Of course, there is the notion that anyone can move to California and strike it rich. This dream that is still very alive today has contributed in the past and present with massive booms in immigration into California. This popular conception is warm and welcoming, but it does not tell the entire story of California. When looking into the past and understanding how this state came to be, there is a dark and iniquitous aura that suggests that California isn’t really that enchanting, glamorous place that it is made out to be. The California Dream all started in 1848 when discovery of gold sparked a rapid movement known as the California Gold Rush. Word quickly spread when John Marshall first made his discovery in the American River. As Albert L. Hurtado explains in his paper, “Sex, Gender, Culture, and a Great Event: The California Gold Rush, ‘It is impossible to give more than rough estimates for the number of hopeful people who poured into California...
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...Garry Jefferson hated his stay-at-home job. Day in and day out, he read and re-read essays written by illiterates hoping to scrape up a grade in his Psychology class. Fortunately, he never saw the acne pocked faces of the students he graded, and he could only imagine the facial horrors that roamed Blue River Community College’s halls. Blue River was a small town in central Colorado, inhabited by filthy rich old folk, and their grandchildren. The streets were clean, but the buildings that flanked the pavement were as dirty as could be. Inside the stone monoliths existed drug operations, brothels, cult gatherings, you name it. When the sun set is when the roles reversed, the filth being purged from their halls by police, and their hired mercenaries....
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...FTVS 598: TAKE HOME FINAL ESSAY. By Vivek Nipani 1. In Ridley Scott’s Alien (1979) what qualities does Ellen Ripley (Sigourney Weaver) project or possess that make her seem so tough? How or where does her femininity figure in her toughness? According to Sherrie A. Inness in “Lady Killers, Tough Enough?” what are two ways that Hollywood cinema undermines and punishes tough or powerful women? How is this twice demonstrated in Elizabeth (Shekhar Kapur,1998)? And how does Elizabeth I (Cate Blanchett) re-assess her gender to secure lasting power? Finally, in what way can she be considered according to Inness’s formulation, “pseudo-tough?” It is interesting to note that women in Hollywood are not considered tough even when they play characters that can break and haunt a male protagonist in the film. Sherrie A. Inness in her chapter, “Women warriors and wonder women in popular culture,” mentions that, all women in Hollywood are not as tough as they seem. They repeatedly show the tough and masculine killer nature is nothing but all women or feminine underneath. They are made and designed to be desirable by men, even if they are found in the middle of an intense battle, they show no signs of breaking a sweat, with their beautiful hair flowing in high speed shots and are lithe stylistically to make them look like an Amazon warrior with a ton of sexuality. I found this analogy true and very interesting as we were shown the clip from the Ridley Scot film, Alien...
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...In the movie V for Vendetta, ‘V’ is a man who escaped an unfair captivity by the government as an experimental study. He vows himself to revenge and kill those responsible. He also becomes a rebel leader, fighting a violent terrorist crusade against dictatorship in Britain, set in the future and ruled by Norsefire, a fascist political party in a totalitarian government. The woman Evey, a protagonist in the film, is victim of an attempted rape by the secret police, when she knowingly breaks the law by leaving her house after curfew. The policemen used their status to create fear by threatening her in order to be respected and obeyed. In the opening scene, Lewis Prothero a TV host, announces that their successful country works through ‘Strength and Unity’, which is why immigrants, Muslims, homosexuals, diseases and terrorists all had to go, based on a ‘better’ judgment of their government’s religion, which in this movie is some sort of Christianity. ‘Strength through Unity, Unity through Faith’. The movie shows how government can manipulate its people, from fear to hope, Chancellor Adam Sutler was elected after a bioterrorist attack occurred which killed many. A cure for the virus getting discovered shortly after his election shows it was a plot engineered by Norsefire to gain power. The film makes plenty of political points and affronts the American government of today by making certain references about the war on terrorism and quoting the film “People should not fear their government...
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...Garry Jefferson hated his stay-at-home job. Day in and day out, he read and re-read essays written by illiterates hoping to scrape up a grade in his Psychology class. Fortunately, he never saw the acne pocked faces of the students he graded, and he could only imagine the facial horrors that roamed Blue River Community College’s halls. Blue River was a small town in central Colorado, inhabited by filthy rich old folk, and their grandchildren. The streets were clean, but the buildings that flanked the pavement were as dirty as could be. Inside the stone monoliths existed drug operations, brothels, cult gatherings, you name it. When the sun set is when the roles reversed, the filth being purged from their halls by police, and their hired mercenaries....
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......... pp. 8 The film as history............................................... pp. 10 An autonomous language........................ pp. 10 Critical reception......................................pp. 14 The cinema: a mass spectacle.................. pp. 15 Bibliography......................................................... pp. 17 Introduction In this essay I am going to talk about history in The Birth of a Nation by David Wark Griffith. By “history” I mean: the historical filmic context of the film, which was released in 1915. I am going to show how history is represented in the film. We can see some facts that may have been changed in some aspects in order to guide our minds to what the director want us to think. We also find, as a method to support this, the introduction of fictional characters in some much known historical events of the United States. To end with, I am going to explain why this film is so important, including the technical improvements that are represented here. D. W. Griffith David Walk Griffith was born in Oldham County, Kentucky, on 22nd January, 1875. Griffith attempted to become a writer but only managed to have one of his plays performed. In 1907 Griffith moved to Hollywood and tried to sell a script to a movie producer, Edwin S....
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...Copyright © 2005 Stuart Fischoff. All rights reserved. 1 Media Psychology: A Personal Essay in Definition and Purview by Stuart Fischoff, Ph.D. Introduction The subject matter of media psychology is a mother lode of material that psychology has actively mined for decades, but only within the last ten to fifteen years has the enterprise emerged as a distinct and explicit subdivision of psychology. Media psychology found its inspirational roots more than 90 years ago within the discipline of social psychology and in the early work of social psychologist Hugo Münsterberg concerning the psychology and the psychological impact of film. Published in 1916 under the title, The Photoplay: A Psychological Study, it was the first empirical study of an audience reacting to a film. Münsterberg also provided such a keen analysis of a screenplay's (then called a photoplay) grammar of visual construction and nascent cinematic conventions and their psychological impact on the audience, that his incisive words still echo today in numerous film school lecture halls and classroom seminars. And there was psychologist L.L. Thurstone, arguably the Father of Attitude Scale Construction and Measurement (a signature area of theory and research in social psychology), who developed scales for the measurement of attitudes toward movies for the famous and notoriously politicized Payne Fund Research in 1928. This study’s practically avowed purpose was to indict (not investigate) the medium of film...
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...Nicole Kalgren Mrs. Candler Labor management (20919) Fall semester 2013 Norma Rae . Norma Rae Norma Rae is based on life story of Crystal Sutton and her connection with Ruben Warshovsky and the organization of the textile workers at the J.P. Stevens Company in Roanoke Rapids, North Carolina (Labor Films). The movie was a realistic depiction of the sad, immoral, and domineering working conditions that existed in the looming life of mass production workers, and one woman’s struggle to overcome and progress the labor relation problems at a textile mill during the 1970's. The textile workers were unsatisfied with many aspects of their capitalistic working environment. They fought to form a union so that they could change the unwelcome characteristics to better meet their needs. Political, environmental, and cultural processes all played a part in the workers struggle to form an effective union. Norma Rae, a loom operator in the weaving room is an outspoken individual and is very out spoken about her poor working conditions such as excessive noise, long hours with short breaks, physical stress from standing for long periods and abnormally high temperatures in the work areas. Added to all this is managements apathy for the working conditions, as seen when her mother looses her hearing temporarily with little or no sentiment from the company doctor, who knows this is a common problem for the workers. With this setting, the film progresses through most of the stages for...
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...be beautiful is to simply not be Black. Universally deemed ugly by almost everyone she encounters, central protagonist Pecola Breedlove yearns to live up to the standard of beauty, to be White, by attain blue eyes. Through the use of racism, the standard of innate Beauty of the White and innate Ugly of the Black is reinforced, questioned, affirmed and dispelled. Although no Whites appear in the book, each character presented heavily feels within their presence. While impossible to change the color of their skin, many characters seek to emulate the White way. The blue-eyed Shirley Temple is idolized and revered as beautiful by many characters, especially Frieda MacTeer and Pecola. White baby dolls are precious treasures, given to little Black girls, with their mothers passing on the idea that these Blonde-blued dolls are the closest to beauty their daughters can get. Property, while rare for the Blacks to own, was the adults mean of attaining society’s standards, with the Black women keeping their owns as tidy and neat and white as possible. In their pursuit of beauty, racism ran as heavy undertone through many of the characters, while some presented this with an outward hatred or disdain for white people, others turned their hatred to themselves or those they deemed lesser-than. Light-skinned Blacks and Mulattos (those of mixed Black and White blood, with predominate white features) held themselves to a higher than darker and full Blacks. A step closer to...
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...The Difference Between Art and Entertainment by Jeff Goins | 99 Comments Art, they say, is in the eye of the beholder. Which is a nice way of saying it’s whatever you want it to be. But I don’t believe that. Photo credit: Mark Heard (Creative Commons) Although I don’t have an objective perspective (nobody does), and mine is but one opinion, I believe there is such a thing as good and bad art. Maybe that’s asking too much, for us to label art “good” or “bad,” or maybe that feels too restrictive. That’s fine, I suppose; I don’t want to impose my artistic standards on someone else, nor would I appreciate having it the other way around. But what is not okay is calling something “art” when it’s not — when it is, in fact, something else. Art versus entertainment My friend Stephen pointed out recently, quoting Makoto Fujimura I think, that the difference between art and entertainment is subtle, but important: Entertainment gives you a predictable pleasure… Art leads to transformation. If that’s true, then we may have a problem, because what a lot of people call “art” isn’t changing us. At best, it’s entertaining us, dulling our senses and inebriating us to the realities of the world. Which is not the point. Art is supposed to transform: * It surprises. * It wounds. * It changes. Entertainment makes us feel good. It doesn’t surprise us; it meets our expectations. And that’s why we like entertainment: it coddles us. But the problem with entertainment is it leaves...
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...effect of magazine cover on society Although the forming of a culture is complex, media have an important impact on culture, especially in a society which its culture is in conflict or being shaped. “The media have the power to engage and entertain, to create and destroy, to open spaces and to close them” (Grossberg et al, 2006:28). During the period of 1920s to 1930s, while the United States was focusing on forming its own American culture, there was a series of sharp culture conflicts between new and old, fashionable and traditional, western and eastern in old China. The Young Companion and TIME, two famous magazines, both had a significant impact on their target society. To discuss the impact on media and how it shapes a society, this essay is going to analyse the cover of both magazines. It is necessary to give a short introduction of TIME and The Young Companion before study. The Young Companion was a large comprehensive picture magazine in the period of Republic of China. It was established by Liande Wu in Shanghai, 1926. The propose of the publication was “popularize the education, develop the culture” (Liande Wu，1928), aiming to be the mentor of readers. TIME was established by Henry .R. Luce and Briton Haddon in March, 1923. Nowadays, it is published by Warner in New York, voicing opinions about the international issues and reporting the international event. In addition, the aim is to help the people who are busy understanding the big affairs in the world in general...
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