...characters as they respond to the inconvenient narratives that fate imposes on them. Movie adaptations of these monumental fictions often fail because they become mere exercises in interior decoration". Highly acclaimed dystopian novels are constantly being adapted into movies. Fans of these novels are excited that they will finally get to see their favorite dystopian worlds brought to life, but then they are disappointed when the films do not adhere to the books. It is understandable when the film varies slightly from the original novel, because directors are not expected to fit a three hundred to five hundred page story into a two hour film. However, when a book is converted into a movie, the filmmakers neglect to include essential parts of the novel in the film. Elements such as character development, narration, and point of view are lost in translation. The underlying themes in dystopian novels are lost when adapted to the big screen, because filmmakers are more concerned with the entertainment value, such as the romance and action, more than the message and actual story the novel originally presents. A major problem that filmmakers face when adapting a novel is the limit that the camera has to present literary points of view. The point of view— or narration— in the novel can offer insight into a characters mind as well as a characters thoughts and actions that a movie can not. “ This [voice-over narration] is not a natural cinematic quality, and it...
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...can also be the winner.” | * Theme, Characterization * Lighting, Audio, Setting, Editing | Thesis: The film version of the multi-award winning novel, Moneyball, is a strong adaptation of the story. The director, Bennett Miller, has succeeded in matching author Michael Lewis’ style by using a great sense of lighting, audio, characterisation, setting and editing to help capture the theme; underdogs can be winners in the right circumstances. Just like the book, the movie symbolized hope, unfairness and to never give up. List of 10 Passages: 1. ISU Novel Passage: " There was the bias toward what people saw with their own eyes, or thought they had seen... There was a lot you couldn't see when you watched a baseball game.” (Lewis 19) Elements of Fiction: Setting, Characterization and Conflict between what baseball managers see in baseball players. Film Adaptation: Billy and Paul (his name is Peter in the movie) are in the garage of the Cleveland Indians baseball team and they are both wearing a suit, and there are cars in the background. (Time: 0:20:39) Film Techniques: - Medium-Bright lighting to show enthusiasm - Over-the-shoulder shots - Inspirational music in the background to show inspiration of what Paul (Peter) is saying Analysis/Connection to Thesis: This passage and movie scene relates to the thesis because the thesis is about how underdogs are winner and this passage shows inspiration in Paul’s voice from the lighting and the background audio as...
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...appearance. Awkward, a size six (practically obese in her line of work), and at the bottom of the corporate food chain, she is less than thrilled to be put into this position. However, she keeps her goal in mind, and this encourages her to put on a happy face as she absorbs the torment she receives from her colleagues. Outside of the office, Andrea lives with her boyfriend. The stress of Andrea (Andy)’s job takes its toll on their relationship, and it eventually breaks under the weight. The story concludes in both the film and the novel with Andy quitting her personal assistant job to fulfill her dream of writing. Director David Frankel and screenwriter Aline Brosh McKenna attempt the complexity of the story in the film adaptation, released in 2006. The film differs greatly from the novel, although the general...
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...Film Film adaptation is transferring the written work, such as novel, short story comic books and etc., into a film as a whole. The most common form being used to make a film adaptation is the novel. According to George, “between 1994 and 2013, 58% of the top grossing films in the world were adaptations. (Bluestone, George)” According to Linda Cahir, there are three types of adaptations. The first one is “literal”, “which reproduces the plot and all its attending details as closely as possible to the letter of the book. (Linda, Cahir, p16) The second one is traditional, which maintains the overall traits of the book (its plots, settings, and stylistic convention) but revamps particular details in those particular ways that the filmmakers see as necessary and fitting. The third one is radical, which reshapes the book in extreme and revolutionary ways both as a means of interpreting the literature and of making the film a more fully independent work. (Linda Cahir, p17) Traditional adaptation and radical adaptation are considered to be the top two types of film adaptations to discuss since traditional adaptation and radical adaptation are mostly seen in films. In order to examine the effectiveness of both traditional adaptation and radical adaptation in films, Pride and Prejudice (both novel and film), Heart of Darkness (novella) and the film adaptation of this novella Apocalypse Now are going to be discussed here. According to Linda Cahir, “Traditional adaptation maintains the...
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...Legend Hababam Sınıfı Name a movie that is watched and known and adored by the all of the citizens in its country. Name a movie that has music so good that makes your heart beat faster. Name a movie whose audience reactions are the same even after being watched for thirty years. There can only be one answer: “Hababam Sınıfı”. It was firstly an idea, then a collection of short stories, then a book, then a script, then a play and then a series of movie. It never lost its freshness nor its humor after all these years. But why Hababam Sınıfı, and not other books or movies? Why did it become a well-known movie which has never been forgotten? Was it the actors whom the audiences loved to watch or the idea of it? Or was it just the events that took place in the story? For this project I searched about the book of poetry Sınıf, the author Rıfat Ilgaz’s life, how the book Hababam Sınıfı was created, why it was made into plays and movies, and why it has continued to be popular among Turkish audiences. Are you ready to learn a great deal about this legendary book and the movie? Because you are going to find out that you didn’t know even the half of it. As a teacher, Rıfat Ilgaz gives voice to his love for children, and his belief in humanity in his two books about school; Sınıf and Hababam Sınıfı. However, before telling how the book Hababam Sınıfı was created, I would like to explain why and how Rıfat Ilgaz had a hard time publishing his book of poetry Sınıf. To start...
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...Lisa Lyons Professor Amy Green Writing about Literature COM1102 10 October 2015 "A ROSE FOR EMILY" Visual vs. Reading William Faulkner's "A Rose for Emily" is a short gothic horror story that has also been adapted into a short film. Both story and film have been largely debated, with a plethora of opinions. Faulkner’s lack of normal chronology and situation-triggered memories generates a story that has many interpretations among its readers, but surprises everyone at the end. When asked about the title of his story, Faulkner said," [The title] was an allegorical title; the meaning was, here was a woman who had had a tragedy, an irrevocable tragedy and nothing could be done about it, and I pitied her and this was a salute . . . to a woman you would hand a rose." (Faulkner, William 1966 ;) He gave a humble explanation, for such a complex story. The film portrays the story straight forward, and leaves nothing left to the imagination. Death and transformation are the main theme in Faulkner’s short story, being a sign of the crumbling of the Old South after their military defeat by the North, as Emily’s suggested necrophilia echoes the desire to hang on to the past and its traditions. Through flashbacks and foreshadowing, Faulkner addresses the struggle of traditional versus progress in the city of Jefferson. The south being a region bound by history and tradition, class and social influence, Emily represents, to...
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...small studios with small budgets and often do not get recognized. All of these different aspects will be visited throughout this paper. First off, it is clear that many of these films share similar aspects and it could possibly be the leading reason as to why these movies are successful. Out of the top 25 list, the only movies that did not include animation or an extensive amount of special effects were Titanic and Passion of the Christ (I am not positive about the latter because I have never seen it, but after watching multiple trailers it seems that it has minimal to no special effects). So that means that twenty-three of the highest grossing movies of all time are “altered”. And by this I mean that many elements were added after the movie was actually filmed (ex. In transformers the robots have to be edited in after that particular film is shot). This does not really apply to the...
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...of more than 65 million books. The novel's protagonist Holden Caulfield has become an icon for teenage rebellion. The novel was included on Time's 2005 list of the 100 best English-language novels written since 1923, and it was named by Modern Library and its readers as one of the 100 best English-language novels of the 20th century. In 2003, it was listed at number 15 on the BBC's survey The Big Read. The novel also deals with complex issues of identity, belonging, connection, and alienation. Plot summary Holden begins his story at Pencey Prep, an exclusive private school in Agerstown, Pennsylvania, on the Saturday afternoon of the traditional football game with rival school Saxon Hall. Holden misses the game. As manager of the fencing team, he loses their equipment on a New York City subway train that morning, resulting in the cancellation of a match. He goes to the home of his History teacher named Mr. Spencer. Holden has been expelled and is not to return after Christmas break, which begins the following Wednesday. Spencer is a well-meaning but long-winded middle-aged man. To Holden's annoyance, Spencer reads aloud Holden's History paper, in which Holden wrote a note to Spencer so that his teacher would not feel bad about failing him in the subject. Holden returns to his dorm, which is quiet because most of the students are still at the football game. Wearing the new red hunting cap he bought while in New York City, he begins re-reading a book, but his reverie is temporary...
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...various elements of other brands to spread awareness of littering. This ad also follows the 40-40-20 rule. 2. Oreo Oreo puts out a really simple advertisement that incorporates the perceived taste of consuming an Oreo. The advertisement uses light color tones and a central positioning to highlight the role of milk in Oreo and how it is a part of the process of consuming or eating an Oreo biscuit. It manages to creatively invoke the taste of Oreo. This ad also follows the 40-40-20 rule. 3. Sebo Museu Do Livro Movies always manage to miss the important bits out. The advertisement aims to address every avid book lover who gets a little tense when a movie adaptation is made of one of their favourite books. Characters, plots and environments are often tampered with - and this brilliant print ad from Brazilian advertising agency RockerHeads perfectly captured this sense of dread with their tagline: 'A big part of the story is lost when it becomes a movie'. This ad also follows the 40-40-20 rule. 4. Whiskas Whiskas manages to use humor while reflecting the nutritional value of its product in this print advertisement. Feeding your cats instincts shows how the product provides the cat with the nourishment...
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...Twilight (series) |Twilight | |[pic] | |Complete set of the four books | |of the Twilight series and the spin-off novella, The Short Second Life of Bree| |Tanner. | |Twilight | |New Moon | |Eclipse | |Breaking Dawn | |Author |Stephenie Meyer | |Country |United States | |Language |English | |Genre |Romance, fantasy, young-adult fiction | |Publisher |Little, Brown and Company | |Published |2005–2008 | |Media type |Print | Twilight is a series of four vampire-themed fantasy romance novels by American author Stephenie Meyer. It charts a period in the life of Isabella "Bella" Swan, a teenage girl...
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...Media Bibliography 1. The perfect scary movie. TV Documentary. Visual Voodoo, [29TH September 2014] 2. Exploring the media, 3. IMDB URL: http://www.imdb.com/title/tt0080761/?ref_=nv_sr_2 [29TH September 2014] 4. IMDB URL: http://www.imdb.com/title/tt0103919/?ref_=nv_sr_1 [29TH September 2014] 5. IMDB URL: http://www.imdb.com/title/tt0087800/?ref_=fn_al_tt_1 [29TH September 2014] 6. Stephen Price ed. The horror film [29TH September 2014] 7. Michelle Le Blanc and Colin Odell, Horror films [29th September 2014] 8. RetroSlashers: http://retroslashers.net/friday-the-13th-1980-review/ [2nd October 2014 Analysis of genre in horror films looking at 3 films In this essay, I will be doing research on horror films, but looking at a specific part under ‘approaching the media’, which is genre and looking at three objectives to complete this: * How genre is represented * How the genre concept works in Teen Slasher films * The key genre conventions used in films. The three films that would help me conduct this research and meet my aims are Candyman, Friday the 13th and a nightmare on Elm Street. By looking at these films, I would be able to see whether all the elements that come under genre is applied e.g. iconography, setting etc. The creation of horror films was done to make people scared and frightened but also tap into our hidden fears. This could be done by looking at the most common thing that scare people. For example, The fly, David...
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...fusion of folk performances, celebrating 100 years of cinema in India, workshop from many renowned speakers and literates -talking about the blend of culture, Classical music and much more. BLF gave the opportunity to mingle with the finest minds of India from inspirational master like Gulzar, Prasoon Joshi to hearth throbbing Farhan Akthar. The Festival endeavors to become an annual flagship event in the Indian and international literary circuit and would provide an ideal platform for urban young thinkers, writers, authors and lovers of literature to meet, discuss and exchange thoughts and views thereby enlarge the scope of literature. DAY-1 A new track this year is one commemorating 100 years of Indian cinema with a discussion on the adaptation of biographies to bio-pics. This track features actor Farhan Akhtar, director Rakeysh Omprakash Mehra and lyricist-writer Prasoon Joshi. Film critics such as Baradwaj Rangan, M.K. Raghavendra and Bhawana Somaaya also participated. Like last year, this time too a section of panel discussions are focussed on Kannada literature, with a “special focus” on oral literary languages of Karnataka including Beary, Tulu, Kodava and Konkani. An entire track is devoted to Mathoor and its success with...
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...than normal. The beginning of the book details the plans of the trips architect, Dr Ferguson, and contains what is essentially a justification of the idea including details of how the balloon would work, including the mathematics for its much vaunted ‘ascensional force’, and it is from this first section that true scientific fiction draws its origin. The book also functions in part as a history of the exploration of Africa. Verne gives detailed descriptions of the extent of the various expeditions into Africa, including who they were made by, where they reached, and various ways in which the explorers died, usually in an unpleasant manner at the hands of either angry natives or nasty diseases. These tales serve to place the story in history in a believable fashion, and also to remind the reader that the outcome of the journey is far from certain, lending the tribulations the adventurers undergo an air of genuine danger. The characters in the balloon are all different enough to give a sense of reality and engagement to the novel and make it stand apart from a merely didatic text with a plot thrown in. The Doctor is initially annoying and preachy. Kennedy the ‘sportsman’ appears to be a bloodthirsty and cynical character, whilst Joe the manservant is as toady and lickspittle as can be. However, over the course of the book, the group meshes together wonderfully, each performing their various roles with aplomb and honour. By the end of the book the set of characters that initially...
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...Brandon Online Abstract The research included within this paper is several online articles, periodicals, and related books to mass-media control and its psychological adaptation in an individual’s mind. I also performed a media and mind control case study. I used my family for the subjects; my older sister who is a Licensed Practical Nurse (L.P.N.) and my mother who is a widow, an evangelist, and retired home nurse, for the control group, and my nephews who are fraternal twins, age thirteen for the experimental group. My observations were to observe both groups for a week during different intervals of media exposure. My nephews, the experimental group, were observed during and after watching television, using the computer, and listening to music. They were then observed when these forms of media were limited. My mother and sister, the control group, were observed during the limited periods of their television usage and listening to non-secular music. I believe there is direct correlation between adults and children who watch and listen to obsessive amounts of television, movies, news, and popular music and aggressive behavior, stress, dispositions, and sleep and eating habits. The case study observations supported this theory. Keywords: mass media, mass-media control, aggressive behavior, perceptions, adverse misconceptions, psychological adaptation, media nationalism, suggestive media, groupthink nationalism Mass Media Control Mass media can influence opinions...
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...Present THE STONING OF SORAYA M. Directed by CYRUS NOWRASTEH Starring SHOHREH AGHDASHLOO MOZHAN MARNÒ and JIM CAVIEZEL Written by BETSY GIFFEN NOWRASTEH & CYRUS NOWRASTEH Based on the book “The Stoning of Soraya M.” by FREIDOUNE SAHEBJAM Rated R for a disturbing sequence of cruel and brutal violence, and brief strong language 114 Minutes NY PUBLICITY: Lina Plath/Clare Anne Darragh Frank PR 99 John St., #225 New York, NY 10038 Tel: 646-861-0843 Lina@frankpublicity.com ClareAnne@frankpublicity.com LA PUBLICITY: Fredell Pogodin/Bradley Jones Fredell Pogodin & Associates 7223 Beverly Blvd., Suite 202 Los Angeles, CA 90036 Tel: 323-931-7300 pr@fredellpogodin.com ROADSIDE ATTRACTIONS: Veronica Bufalini/Meghann Burns Roadside Attractions 7920 Sunset Blvd. #402 Los Angeles, CA 90046 Tel: 323-882-8490 VeronicaB@roadsideattractions.com MeghannB@roadsideattractions.com For publicity materials, please visit: www.roadsideattractionspublicity.com Official Website: www.thestoning.com THE STONING OF SORAYA M. ABOUT THE FILM In a world of secrecy, corruption and injustice, a single courageous voice can tell a true story that changes everything. This is what lies at the heart of the emotionally charged experience of THE STONING OF SORAYA M. Based on an incredible true story, this powerful tale of a village’s persecution of an innocent woman becomes both a daring act of witness and a compelling parable about mob rule. Who will join forces with the plot against her, who will...
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