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Born Into Brothels

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Documentary Film
“Born Into Brothels”
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Academy award winner “Born Into Brothels” (2004) directed by Zana Briski and Ross Kaufmann takes place in Calcutta’s Sonagachi Red Light District in India.

The film starts with a close up shot of a young girl’s face. All throughout the beginning, lots of transitions are used by the editor. The scenes switch back and fourth of the busy street where women line up to sell themselves for money, then the focus is on the children’s face again. The innocence shows in their eyes, but they already know what happens behind closed doors, and they know soon it’s their turn to “join the line”. The scenes are filled with still images of the residents of the Red Light District. The film depicts a hard life for these women and their children. It saddens me deeply that this is the fate of many girls in impoverished countries. Without help many of these precious children will be prostituting themselves soon, because they are forced by their ignorant parents and their poverty.

What a clever way to make this film! To live with them and form a friendship during the filming process, and to help these children to not end up like their mothers did. A lot of b-roll footage and the children’s photos are shown throughout the film. The camera follows the children around in a Cinema verite fashion to capture the action. The footage is shaky but the content of the film is so powerful it doesn’t matter. The film has the feel of a home video. The kids at the beach are carefree and on the way home on the bus, as they dance and sing and they’re so happy. Seems that because the camera always points upward, I assume that it’s hidden as the filmmakers walk on the street.

The filmmakers used all seven elements of digital storytelling to make their story compelling. The point of view of Zana Briski and Ross Kaufmann and their struggle made it personal to the viewers. The dramatic question is asked right from the start, what will happen to these kids? Emotional content is very high, and right away I was attached to the story and the kids. Using her voice Zana Briski narrated throughout the film and with that she made the film very personal. The soundtrack was also very Indian and it fit perfectly in the film. There were no special effects and it had just enough content (Economy). The pacing was at times slow, then fast. I think the filmmakers captured all the seven elements of digital storytelling perfectly.

These children’s chores and responsibilities are so much more than for an American child. From a young age, some of these children know, if only they could get an education, they could become somebody, but if they stay here, they’re doomed. They dutifully carry heavy buckets of water upstairs, and they clean and watch their younger siblings all day. They live a very hard life.

Shanti’s grandmother and mother almost ruin her chance to go to the boarding school because of their silly superstition like “I don’t do anything important on a Thursday”. In many cases ignorant parents hold their children back from a better future, because they don’t know any better, it’s a sad, vicious cycle.

I was so interested in this film and the kids that I had to research as to what happened to them, and I looked up www.kids-with-cameras.org. I’m glad to say that most of the kids got out of the brothels and they’re pursuing their dreams through education. Bravo to the makers of this film, because of what was gained. Because of one person’s actions people’s lives changed forever.

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