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Brian Epstein

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Name: | Brook Mola | Student No#: | 141639 | Unit Name: | Tertiary Music Studies | Lecturer’s name: | Paul Taylor | Title: | Literature review with annotated bibliography | Assessment No#: | Assessment 1 | Due Date: | Week 6,5pm Friday, 17th October 2014 |

Many people have accredited Brian Epstein for The Beatles worldwide success, yet it seems that he has been overlooked as an inductee into the ‘Rock n Roll Hall of Fame Non-Performer Area’ for over 29 years. This review will focus on 3 major things Epstein did to help the Beatles success which emerge repeatedly throughout the literature reviewed. These are: His absolute belief in the band, his vision for the bands’ image, and the Beatles musicality. This paper will primarily focus on whether Epstein contribution to The Beatles success merits a place in the ‘Rock n Roll Hall of Fame Non-Performer Area’.
According to Spitz (2005) and Riley (2011) there are two different theories about how Epstein was introduced to the music of the Beatles. Epstein himself states that he was first introduced to the Beatles from a customer Raymond Jones when he requested a copy of ‘My Bonnie’ from the NEMS record store that Epstein managed as part of the family business. “I had never [before] given a thought to any of the Liverpool beat groups then up and coming [sic] in the cellar clubs” (Spitz, 2005, p.266).
While Riley (2011) argues that Epstein knew about the Beatles long before he let on. As a prominent record store manager, Epstein regularly advertised in Mersey Beats and was also a columnist in the music driven newspaper. Riley (2011) suggests that “Epstein wanted his Beatlemaniac readers to believe that he didn’t read anything in Mersey Beats except his own ads” (Riley, 2011, p.141).
Regardless of the way Epstein discovered the Beatles, the one thing no one can deny is his immediate attraction to the band and the belief that they would be one of the best. “I was immediately struck by their music, their beat, and their sense of humour on stage. And even afterwards when I met them again I was struck again by their personal charm. And it was there that really it all started” (Lewis, n.d, para 7).
Almost a month after the Beatles had signed a management deal with Epstein, he was becoming rather disappointed in there stage presence, appearance, and there abilty to sequence set of songs during a live show. Spitz states
He insisted on some ground rules. From now on, eating onstage was out; so was smoking and punching one another, cursing, chatting up girls, taking requests, and sleeping. Lateness would no longer be tolerated – In addition to the above, the Beatles were required to post their set lists beforehand and – this provoked heated debate – bow after each number. And not just a casual nod – a big, choreographed bow, which, by a silent count, was delivered smartly and on cue – Later on, he would convince the others of the wisdoms in wearing suits (Spitz, 2005, p.280)
Lewis concurs that “He got the Beatles out of their mid-1950s leather and jeans look and into very stylish early – 1960s mod suits. Without that they would have never got on TV shows in that era (Lewis, n.d, para 11). There was no denying that there new image played a major role in their rise to the top of the industry. Without this vast change, the Beatles career could have been immensely different. The point that many historians miss is that Epstein’s makeover was just from a visual perspective. The Beatles’ sound was their own.
The decision to not interfere with the Beatles music is considered one of the best decisions that Epstein made. According to Liverpool Historian Spencer Leigh, “Epstein biggest triumph was in leaving the Beatle’s music alone” (Riley, 2011, p.153) However, Epstein did influence the Beatles when it came to single releases. During the release of A Hard Day’s Night Epstein pushed to have “Can’t Buy Me Love” released as single instead of “Roll Over Beethoven”. This song went on to reach No.1 in the US. Dolloff states “The very idea of a group writing all of the music and lyrics themselves was unheard of in the early 1960s, but Epstein insisted on it” (Dolloff, 2013, para 11) This directly relates to Epstein’s belief in the Beatles and their sound.
Critics claim that throughout Epstein career as the Beatles manager, he made only one major error. Merchandising was practically non-existent in the early 1960s, and not knowing much about it himself Epstein off-loaded this task to his trusted lawyer. However the lawyer himself was rather inexperienced so the Beatles lost out on a rather large revenue stream for quite a while. Nevertheless one could argue that this issue only exists because of Epsteins’ vast promotion of the Beatles in the first place.
The questions remains, without Brian Epsteins’ influence on the Beatles would they have become as successful as they are today. Though Epstein had never touched to music, the changes that he made to the Beatles added his own personal touch to the group that no other manager has a claim to. Lewis states that “Ultimately he believed in them. His love for them was unconditional, his belief in them unshakable” (Lewis, n.d, para 14). It can be argued that without his absolute belief in the band he would not have pushed as hard as he did to get them a record deal. Also without Epstein foresight to change the Beatles image, they may have been refused TV show appearances limiting their audiences reach. Although none of this is conclusive evidence, we know for a fact that Epsteins’ additions to the group has lead them to be one of the biggest names in the recording industry to date. Gustines agrees that “Brian Epstein accomplished more by the age of 32 than most people do in an entire lifetime” (Gustines, 2014 para 13). Epstein has since been inducted into the ‘Rock n Roll Hall of Fame Non-Performer Area’ at The 2014 Induction Ceremony with esteemed college Andrew Loog Oldham. From the words of Paul McCartney “If anyone was the fifth Beatle, it was Brian” (Brian Epstein Part 1, 2010).

Bibliography

Beatles Bible. n.d. Available at: http://www.beatlesbible.com/people/brian-epstein/. [Accessed 12 October 14].

Brian Epstein: Inducted in 2014 The Rock and Roll Hall of Fame and Museum, 2014. Available at: http://rockhall.com/inductees/brian-epstein/. [Accessed on 17 October 2014]

Brian Epstein: The Beatles’ Real ‘Nowhere Man’ – An Appreciation 2014. Available at: http://www.ibtimes.com/brian-epstein-beatles-real-nowhere-man-appreciation-758815 [Accessed on 13 October 2014]

Blatt. R., Why the Life of the Beatles manager Brian Epstein is the Prefect Parable for Professional Success 2013, Available at: http://www.forbes.com/sites/ruthblatt/2013/11/19/why-the-life-of-beatles-manager-brian-epstein-is-the-perfect-parable-for-professional-success/ [Accessed 13 October 2014]

Dolloff. M., 2013. 3 Ways Brian Epstein made the Beatles Available at: http://wzlx.cbslocal.com/2013/08/27/3-ways-brian-epstein-made-the-beatles/ [Accessed on 14 October 2014]

dorkball00. (2010). Brian Epstein Story 1. [Online Video]. 28 August. Available from: http://www.youtube.com/watch?v=1tHJa6zhDjo. [Accessed: 16 October 2014].

Gustines, G., 2014. 'Nowhere Men and 'The Fifth Beatle: The Brian Epstein Story'. New York Times, 02 January. 6.

Lewis, M., 2014. No Brian Epstein, No Beatles! Available at: http://www.huffingtonpost.com/martin-lewis/no-brian-epstein-no-beatl_1_b_5155998.html. [Accessed 14 October 2014]

Lewis, M., n.d. Brian Epstein. Available at: http://www.brianepstein.com/brian.html. [Accessed 15 October 14]

Riley, T., 2011. The Man, the Myth, the Music - The Definitive Life of Lennon. New York: Hyperion

Sounes, H., 2010. An Intimate Life of Paul McCartney. London: Harper Collins.

Spitz, B., 2005. The Beatles. New York: Time Warner Book Group

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