...The Red Line, By Charles Higson Analysis In this short story by Charles Higson we are introduced to three characters (four, including Cathy) that have nothing in common whatsoever. They come from different environments, backgrounds and families. However, as the story proceeds we discover how fragile, weak and alike they become when their fears take over their lives. I will therefore do a thorough analysis focusing on fear of the unknown as the main theme. In order to do that, I find it important to do a characterization to gain an insight to the four protagonists’ personalities. Berto, Denise and “the nameless guy” are all sitting in the same cabin in The Tube in London. Berto is visiting London trying to find the love of his life, Cathy, an English girl who has visited Berto in Italy where they have had an affair. To his disappointment he comes to find out that she is in a relationship. She leaves him in the Tube after an argument. He feels very self-conscious about speaking English. He has asked for directions and he hasn’t been able to make himself clear, so the man just laughed at him and it has been very humiliating. Another obstacle for him is his pride. He is on the platform and he is deciding whether he should ask anybody for directions and he keeps making excuses of why he shouldn’t. The old women are deaf, some of the men seem drunk and so on. Nobody is good enough. He is actually ashamed of asking for the cherub’s help. (“Why was he ashamed to ask...
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...the opening sequence, Shaft (Parks, 1971) utilizes non-diegetic underscoring to establish the dominance of John Shaft to the city, but more importantly the dominance of power over all other social constructions. Shaft utilizes non-diegetic underscoring to convey the sense of power and dominance to the main character John Shaft, when explicitly he should not be...
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...represents a girl sacrificing the way she feels about white elephants, so she can have the guy “the American” can continue to love her as he did in the past. The girl “Jig” first introduces the white line of hills as white elephants. Throughout, the whole conversation the couple is drinking alcohol as they talk. The setting of the story and the couple’s conversation takes place at a train station in between Barcelona and Madrid overlooking the Ebro River. Consequently, the white elephant represents an idiom for something valuable of possession but it is not something one would desire. In this case, the white elephant denotes an abortion. The couple sat down and ordered drinks as the girl causally looked off in the sky, above the hills claiming that the hills looked like white elephants. “They were white in the sun and the country was brown and dry” (Hemingway 229), it means that the white hills were prominent against the brown contrast and the shape of elephants in the hills popped out in the sky. “But if I do it, then it will be nice again if I say things are like white elephants, and you’ll like it?” (Hemingway 231), by this comment, the girl hopes to save her relationship with him by following through with the abortion. She feels that, that is what the guy wants from her and by asking him if she follows through with the process, will everything will be back to normal. The girl questioning the guy about their relationship is a symbol of her dependence on him, as she does not want...
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...Luis Hernandez Psychology 2301 Prof. Ray Saenz October 10, 2015 Book Report I. Title/Author Richard Rawlings II. Main Characters Richard Rawlings III. Setting/Time Fort Worth, Texas 1969, 1990 Dallas, Texas 2005 IV. Main Theme How to start up a car business from the ground up. V. Summary The year is 1969 the infamous all-American year in the city of Fort Worth, Texas where Richard Rawlings was born. Blame it on the free-love era, but he was basically the product of too young of a dad and mother. He’s Mother left him at the age of two years old. He’s father ending up quitting high school to support him and his sister. In the 1970’s they moved into their first apartment he describe it with having shag carpet, fishing nets hanging from the ceiling, a bunch of liquor bottles filled with color water. Richard says it was not the best but it was a start and quickly found out that his dad straighten up grew up and put his kids first. He started working all three of them and when I say work, I mean work. His dad was holding down two or even three jobs to pay the bills and put a roof over their heads to live. He says that he would spend all day with his father at his primary job at the grocery store manager because there was nobody to take care of him and sister. The job that he remembers is when he was about seven until he was a teen he would wake up at three or four in the morning every day. His dad would put him in the back the backseat of his car surrounded...
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... 1. Introduction 4 Section A: My Version 2. 1st Chosen Scene: Original Script 5-8 3. 1st Chosen Scene: Shooting Script 9 4. 1st Chosen Scene: Shot List 9-12 5. 1st Chosen Scene: Floor Plan 13 6. 1st Chosen Scene: Chosen Shots Storyboarded 14-15 7. 1st Chosen Scene: Short Analysis of Scene 16 8. 2nd Chosen Scene: Original Script 17-22 9. 2nd Chosen Scene: Shooting Script 23 10. 2nd Chosen Scene: Shot List 23-26 11. 2nd Chosen Scene: Floor Plan 27 12. 2nd Chosen Scene: Storyboard 28-29 13. 2nd Chosen Scene: Short Analysis of Scene 30 Section B: Their Version 14. 1st Chosen Scene: Floor Plan of Actual Shots 32 15. 1st Chosen Scene: Marked Up Script 33-38 16. 1st Chosen Scene: Various Notes on the Filmed Scene 38-39 17. 2nd Chosen Scene: Floor Plan 40 18. 2nd Chosen Scene: Marked Up Script 41-47 19. 2nd Chosen Scene: Various Notes on the Filmed Scene 48 Section C: Comparison 20. Comparison 49-52 Section D: General Analysis of the film 21. Plot Summary 53-54 22. Tag Line 54 23. 'What if...?' Statement 54 24. List of Locations 55-57 25. Character profiles 57-59 26. Subtext 60-61 27. "Moments" 61 28. Director's Style 62 29. Emotions 62-63 30. Conclusion 63 1. Introduction Initially I was going to choose a black comedy called Eulogy [2004; Michael Clancy], but I was unable to find the script anywhere. I then decided...
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...The Catcher In t he Rye Dialogue Journal By Mary Katongole What the Book Says | Character Analysis / Holden | Chapter 1“If you really to hear about it, the first thing you’ll probably want to know…and what a lousy childhood was like, ………but I don’t feel like going into it, if you’ll want to know the truth.” (Salinger 1.) | I can tell this novel is going to be in first person. From what I can tell, the narrator or main character, Holden, isn’t very optimistic about his life. When I first read a couple lines of this paragraph, I thought to myself “this book is going to be terrible” because Holden didn’t really grab my attention like I thought. | Chapter 2 “ Have you yourself communicated with them? ….. And how do you think they’ll take the news? Well …. They’ll be pretty irritated about it; … This is about the fourth school I’ve gone to… “Boy?” I said. I also say “Boy? Quite a lot. Partly because I have a lousy vocabulary and partly because I act quite young for my age sometimes” (Salinger 9.) | At the beginning of this quote, Holden is talking to Mr. Old Spencer. Mr. old Spencer is asking Holden if he told his parents that he got expelled from school. Holden seems to know what his problems in school are, but he doesn’t want to do anything. He likes to make himself seem like a bad boy, but it just makes him look stupid. | Chapter 3“The whole time he roomed next...
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...A**HOLE'S GUIDE DAN I N D A N T E AND KARL MARKS ST. MARTIN'S GRIFFIN N EW Y O R K A**HOLE'S GUIDE THE COMPLETE A**HOLE's GUIDE TO HANDLING CHICKS. C o p y r i g h t © 2 0 0 3 by Dan Indante and Karl Marks. All rights reserved. Printed in the United States of America. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles or reviews. For information, address St. Martin's Press, 175 Fifth Avenue, New York, N.Y. 10010. www.stmartins.com Library of Congress Cataloging-in-Publication Data Indante, Dan. The complete a**hole's guide to handling chicks / Dan Indante and Karl Marks. p . cm. ISBN 0-312-31084-6 1. Man-woman relationships. 2. Interpersonal relations. I. Tide: Complete a**hole's guide to handling chicks. II. Marks, Karl. III. Title. HQ801.M37135 307-dc21 2003 2002045213 10 9 8 CONTENTS Introduction: Chicks, What the Fuck? Fifty Tips on Being a Better Asshole ix xiii 1. From Birth to Beating Off The Birth of an Asshole The Purest Form of Asshole Gimme My Toy, You Bitch! Crossing the Dance Floor How Do I Get Her? The Beginning of the End Roughing Up the Suspect 1 1 1 2 3 4 6 2. High School Welcome Mat Firsts The Back-Seat Boogie Chicks Are the Enemy Watch Your Back—Your Friends Won't 8 8 9 15 16 20 vi C O N T E N T S Pecking Order Your First Pincushion So You're Looking to Get Laid High School Final...
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...Killings Analysis Style and Technique “Killings,” one of Dubus’s best-known and most respected stories, was the basis for the film In the Bedroom (2001). Although the story revolves around passion and violence, Dubus tells the tale in a flat, calm way. The first two acts of violence are dropped into the story unexpectedly and without emotion. The story opens with Frank’s funeral, then moves on to the conversation between Willis and Matt about how Matt wishes he could kill the man who murdered his son, but the reader does not know who killed Frank, how, or why. Next, in a long descriptive paragraph, Richard is introduced. He is first connected to Frank by the flat opening line of the next paragraph: “One night he beat Frank.” Only then does the reader learn about Mary Ann, and Matt’s and Ruth’s differing feelings about her. In a lovely, lyrical scene, Mary Ann joins the Fowlers for a barbeque after a day at the beach. Matt’s love for his son is mixed with a wistful attraction to Mary Ann. She is beautiful, but Matt sees in her eyes a sadness and pain that he and his family have been spared, and he wishes he could help and comfort her. The next paragraph starts with, “Richard Strout shot Frank in front of the children.” Such jarring shifts of mood are used to emphasize how quickly life can turn from sunny to violent and how swiftly the good things in life can be taken away. The story’s point of view is that of the limited omniscient narrator. The reader sees the events through...
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...The Attraction Institute The Attraction Institute http://www.attractioninstitute.com http://www.attractioninstitute.com Seduction Community Sucks v3.0 1 1 PLEASE DISTRIBUTE THIS BOOK FREELY Provided that all content and links are left intact, and that proper attributions are made to the bastards who wrote it. ---------------------------------If you like this book and want to know how to take it to the next level, check out it’s sequel: Endgame How to Attract Women Without Lying (Click here) COPYRIGHT NOTICE All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical. Any unauthorized use, sharing reproduction or distribution of parts herein is strictly prohibited. You may and are encouraged, however, to freely distribute this document as a whole, without any changes or editing, or reprint its content as long as the links are left intact and proper credit and attributions are included. LEGAL NOTICE The author has published this document as a set of personal opinions. While attempts have been made to verify the correctness and reliability of the information provided in this publication, the author and Attraction Institute do not assume any responsibility for errors, omissions, or contradictory information in this document. The author and Attraction Institute are not liable for any losses or damages...
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...Like a Porn Star WITH JENNA JAMESON Don't Try This at Home WITH DAVE NAVARRO THE GAME PENETRATING THE SECRET SOCIETY OF PICKUP ARTISTS Neil Strauss Regan Books An Imprint of Harper Collins Publishers Cover silhouettes are from the following fonts :Darrian's Sexy Silhouettes by © Darrian (http://westwood.fortunecity.com/cerruti/445/), Subeve by © Sub Communications (http://www.subtitude.com),NorpIcons 1 and Norp Icons 2 by © DJ Monkeyboy (http://www.djmonkeyboy.com). "The Randall Knife": Words and Music by Guy Clark © 1983 EMI APRIL MUSIC INC. and GSC MUSIC. All Rights Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved. International Copyright Secured. Used by Permission. In order to protect the identity of some women and members of the community, the names and identifying characteristics of a small number of incidental characters in this book have been changed, and three minor characters are composites. THE GAME COPYRIGHT © 200 5 BY N E I L STRAUSS. All rights reserved. Printed in the United States of America. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles and reviews. For information, address HarperCollins Publishers Inc., 10 East 53rd Street, New York, NY 10022. HarperCollins books may be purchased for educational, business, or sales promotional use. For information please write: Special Markets...
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...P LA T O and a P LAT Y P U S WA L K I N TO A B A R . . . Understanding Philosophy Through Jokes < T H O M A S C AT H C A RT & D A N I E L K L E I N * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * P l at o a n d a P l at y p u s Wa l k i n t o a B a r . . . PLATO and a PLAT Y PUS WA L K I N T O A B A R . . . < Understanding Philosophy Through Jokes Th o m as Cat h c a rt & Dan i e l K l e i n A B R A M S I M AG E , N E W YO R K e d i to r : Ann Treistman d e s i g n e r : Brady McNamara pro d u c t i on m anag e r : Jacquie Poirier Cataloging-in-publication data has been applied for and may be obtained from the Library of Congress. ISBN 13: 978-0-8109-1493-3 ISBN 10: 0-8109-1493-x Text copyright © 2007 Thomas Cathcart and Daniel Klein Illlustration credits: ©The New Yorker Collection 2000/Bruce Eric Kaplan/ cartoonbank.com: pg 18; ©Andy McKay/www.CartoonStock.com: pg 32; ©Mike Baldwin/www.CartoonStock.com: pgs 89, 103; ©The New Yorker Collection 2000/ Matthew Diffee/cartoonbank.com: pg 122; ©The New Yorker Collection 2000/ Leo Cullum/cartoonbank.com: pg 136; ©Merrily Harpur/Punch ltd: 159; ©Andy McKay/www.CartoonStock.com: pg 174. Published in...
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...Plot Overview The first chapter of The Heart Is a Lonely Hunter introduces us to John Singer and Spiros Antonapoulos, two good friends who live together in a town in the Deep South and who are both deaf-mutes. Antonapoulos works in his cousin's fruit store, and Singer works as a silver engraver in a jewelry shop. They spend ten years living together in this way. One day Antonapoulos gets sick, and even after he recovers he is a changed man. He begins stealing and urinating on buildings, and exhibiting other erratic behavior. Finally, Antonapoulos's cousin sends him to a mental asylum, although Singer would rather have Antonapoulos stay with him. After Antonapoulos leaves, Singer moves into a local boarding house in town run by a family named the Kellys. The narrator then introduces us to Biff Brannon, the proprietor of the New York Café, the establishment in town where Singer now eats all his meals. Biff is lounging on the counter watching a new patron named Jake Blount, as the constantly drunk Jake is intriguing. Blount goes over and sits with Singer and begins talking to him as though the two are good friends. Then Singer leaves. Once Jake realizes in his drunken stupor that Singer has left, he goes into an alley and begins beating his head and fists against a brick wall until he is bruised and bloody. The police bring Jake back to the café, and Singer volunteers to let the drunk stay the night with him. The narrative shifts to the perspective of Mick Kelly, the young teenage...
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...Moneyball: The Art of Winning an Unfair Game Michael Lewis For Billy Fitzgerald I can still hear him shouting at me Lately in a wreck of a Californian ship, one of the passengers fastened a belt about him with two hundred pounds of gold in it, with which he was found afterwards at the bottom. Now, as he was sinking-had he the gold? or the gold him? —John Ruskin, Unto This Last Preface I wrote this book because I fell in love with a story. The story concerned a small group of undervalued professional baseball players and executives, many of whom had been rejected as unfit for the big leagues, who had turned themselves into one of the most successful franchises in Major League Baseball. But the idea for the book came well before I had good reason to write it—before I had a story to fall in love with. It began, really, with an innocent question: how did one of the poorest teams in baseball, the Oakland Athletics, win so many games? For more than a decade the people who run professional baseball have argued that the game was ceasing to be an athletic competition and becoming a financial one. The gap between rich and poor in baseball was far greater than in any other professional sport, and widening rapidly. At the opening of the 2002 season, the richest team, the New York Yankees, had a payroll of $126 million while the two poorest teams, the Oakland A's and the Tampa Bay Devil Rays, had payrolls of less than a third of that, about $40 million. A decade before, the highest payroll...
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...AP Psychology, Mr. Kujawa Analysis Writing--Stanford Prison Experiment 13 minutes--www.youtube.com/watch?v=sZwfNs1pqG0 29 minutes--www.youtube.com/watch?v=760lwYmpXbchttp 01. Consider the psychological consequences of stripping, delousing, and shaving the heads of prisoners or members of the military. What transformations take place when people go through this experience? 02. What are the effects of living in an environment with no clocks, no view of the outside world, and minimal sensory stimulation? 03. Compare the reactions of the visitors to the reactions of civilians in encounters with the police or other authorities. 04. What factors would lead prisoners to attribute guard brutality to the their disposition or character, rather than to the situation? 05. How and why did #8612, #819, and #416 break down emotionally? Do you think young adults from an urban class environment would have reacted in similar fashion as middle-class prisoners? Why or why not? Do you think women would have broken down emotionally in the same way as the middle-class prisoners? Why or why not? 06. What prevented “good” from objecting to the orders from the “bad” guards? 07. What were the dangers of the principal investigator assuming the role of prison superintendent? the former convict as head of the Parole Board? 08. Explain why it was and why it was not ethical to conduct this study. Was it worth to trade the suffering experienced by participants for the knowledge gained by the research? 09. In...
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...A Witness Tree. Married to Elinor Miriam White, who was his co-valedictorian at high school, he lived in various locations throughout his life, in San Francisco, California for the first ten years of his life, then moved to New England where he lived most of his years; he also lived in Great Britain for three years where he met Edward, T. E. Hulme and Ezra Pound. Pound would become the first American to write a review of Frost's work; it was also in England that Frost wrote some of his best work. Robert Frost attended Dartmouth College, where he stayed for a little over a semester, and also Harvard University for two years. Robert Frost grew up in a state of turmoil. From his tumultuous childhood right up until his death, Frost was a character who could speak at Harvard and live on a farm in New Hampshire. He could dazzle the brightest students with poetic ingenious, but boil life down to, “It’s hard to get into this world and hard to get out of it. And what’s in between doesn’t make much sense. If that sounds pessimistic, let it stand”. Robert Frost’s poems “Mending Wall” and “The Road Not Taken” both exemplify the struggle between individual autonomy and the confines that society puts on it through deceivingly simple speech. Frost specifically deals with the idea that life is no more than a series of relationships and choices, which are never simple to discern. Frost’s collections of work have not always been considered groundbreaking, for his first book of poems was published...
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