...“Forgive yourself for your faults and your mistakes and move on.”-Les Brown. There is a popular belief that the Greek King of Ithaca, Odysseus, returns from the Trojan War a hero. However, is Odysseus really considered the definition of a true hero? Les Brown’s quote relates to Odysseus’ journey because throughout Odysseus’ quest he makes many mistakes which he forgives himself for so he is able to continue on his way home to Ithaca. His journey can be looked at closely, as well as his flaws, lessons, and steps to becoming a hero, when looked at through the twelve stages of Joseph Campbell’s The Hero’s Journey. A hero’s journey is the trip an individual takes in order to complete an important task which may contain dangerous adventures and life-threatening experiences. The hero’s journey is a series of...
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...The Hero’s Journey is a philosophy by professor, author, and philosopher Joseph Campbell stating that all hero’s go through this common cycle consisting of three stages, the Separation, the death and rebirth, and the return. In Campbell’s philosophy, he believes there are two types of deeds a hero can go through, a psychological and a physical. And in the Joy Luck Club Jing-mei goes through a psychological transformation to make a psychological deed. Campbell introduces this idea of a psychological deed in one of his interviews on PBS, “ The other kind is the spiritual deed, in which the hero learns to experience the supernormal range of human spiritual life and then comes back with a message.” After reading the Joy Luck Club by Amy Tan, it...
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...Another character who has a fragmented hero’s journey is Odysseus from The Odyssey. Odysseus is the hero in this story despite his flaws, and his hero’s journey is his road back home where “home” is the elixir. His hero’s journey follows the guidelines well, missing steps or ghosting over some. The first steps starting with Ordinary world and ending with crossing the threshold are substituted for Odysseus’s fight in the Trojan war that lasts ten years. Because he was taken from his ordinary world to fight without protest, the story glances over these few steps, picking up at step 6. In other words, his journey starts with an Ordinary world but doesn’t engage with steps two through 5; therefore, his journey follows only part of the guidelines...
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...The Hero’s Journey was a concept created by Joseph Campbell. This concept was displayed in The Odyssey by Homer and in O, Brother, Where Art Thou? created by the Coen brothers. In O Brother Where Art Thou? and The Odyssey the many elements of the Hero’s Journey are evident in the two tales. Three elements are Meeting the Mentor; Allies, Tests, and Enemies; and Resurrection. The mentor between both of the tales are different, but they both hold the element of the Hero’s Journey. Meeting the Mentor is the 4th step in The Hero’s Journey, if you follow the original order. In O, Brother the mentor is the blind man they encounter at the beginning of the movie. The blind man is a mentor to Everett, the main character, because he gives him a prophecy to guide him. He says this prophecy while on the pump car when the trio gets onto it to escape. In The Odyssey the mentor is Athena. She appears a lot...
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...whose actions create progress for the plot (Morrow et al, 1997). Pearson (2001, p. 101) defines hero’s as “fearless protagonists who realise their own special power and go on to take great personal risks in order to change their reality. In day-to-day life, these powerful archetypes provide a structure that can release the ability of ordinary people to rise to challenges, take risks, break rules, and transform their lives”. There are many ways of defining what a hero is and what a protagonist is. A hero is usually the protagonist but this is not always the case and vice versa. For clarification purposes within this analysis a protagonist or hero is a character who drives the narrative and plot and who embarks upon a learning journey that changes them. A writer’s construction of the hero will Is this Essay helpful? Join OPPapers to read more and access more than 325,000 just like it! get better grades be analysed using examples from Kate Grenville’s Lilian’s Story, Dan Brown’s The Da Vinci Code and Stephen King’s Carrie in comparison to Joseph Campbell’s (1949, p. 36) “destiny of Everyman” by firstly illuminating who the hero’s and protagonist’s are, how the character of the hero has been portrayed and how their journey’s compare. Dan Brown’s The Da Vinci Code construction of the hero is by no means a clear one as Lilian’s Story is. There are three main characters, Jacques Saunière, Robert Langdon and Sophie Neveu. Jacques is a protagonist, despite the fact...
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...radi An analysis of storytelling and Joseph Campbell’s universal themes and their role in animated films. Theodore Hicks Word count: 1,711 Feedback: quite broad terms. Where there is some analysis it is very short and this needs developing further. Much of this is down to Analysis, Argument There is some analysis here but it is very limited. ON the whole you are describing events and stories in animation in quite broad terms. Where there is some analysis it is very short and this needs developing further. Much of this is down to your choice of question. If you had picked a couple of Disney/Pixar films and analysed them in more detail in relation to Campbell, your essay would have been more focused. Outlining this narrowing in the question will help with this, as reading the essay, this is where the topic really lies. You need to be able to show Campbell’s theories working across more than one film for it to be a successful piece of analysis at this stage, and in doing so, it will help you reach a central argument about the use of Campbell’s theories in discussing these films – at the moment this doesn’t happen. This is the section you need to work on the most, to increase your word count and extend the overall discussion. Structure, communication, referencing/bibliography The structure is generally ok, with an introduction, and a conclusion. You need to work on some of the in between sections as the essay jumps between ideas of outlining theories, linking some...
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...A Jungian analysis of the warrior woman in popular culture and a brief look at what the archetype means culturally and psychologically. The 1990s and the new millennium saw an influx of female action heroes on television from Xena to Scully, Buffy to Sidney Bristow. Countless girls and boys eagerly jumped to their television set each evening to absorb the warrior energy of their new role models. Adults, too, were intrigued by the possibility of a new gender role for women – fighters. These women were not only stereotypically beautiful characters, but, untypically, they were also highly intellectual, courageous and strong – stronger indeed than the men portrayed alongside them, if not their equals. These fighting women usually depended on themselves for rescue and did not always wait around for their men. Some women warriors had martial arts expertise (Xena, Buffy, Sidney, Nikita), some wielded weapons (Dana Scully from The X Files, Samantha Carter from Stargate SG1), while others used magic (Willow from Buffy the Vampire Slayer, the three sisters in Charmed), and then there was the cyborg (Seven of Nine from Voyager and Max from Dark Angel). All nevertheless embodied the warrior archetype: a fighting spirit evoking a new female consciousness, one that reflected a shift of values in Western society's gender norms. C. G. Jung Research Online books, journals for academic research, plus bibliography tools. www.Questia.com/C._G._Jung Jungian Philosophy Analytical psychology...
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...INT 201: NARRATIVE AND CHARACTER DEVELOPMENT ASSESSMENT 01 AVATAR (2009) is a science fiction epic directed by James Cameron centred around a growing conflict between a human corporation and an alien species Known as the Na’vi, on the latter’s native planet of Pandora. Like most blockbusters a third person shooter tie-in was also released by developer Ubisoft. The video game, James’ Cameron’s AVATAR: The Game, is set two years prior in the form of a prequel. Despite this it does little to expand on the films cannon and instead offers up a similarly tailored adventure that adheres to the basic parameters of the movie, utilising many of the same key moments across a clear and discernible 3 act structure. A cross comparative analysis of the two mediums, utilising Volger’s 12 steps Hero’s Journey demonstrates however how the games at first honours this time honoured journey, being plotted along Volger’s step before discarding them to its own detriment. The similarities in the narrative structure of both the film and the game differ little, particularly across their first act structures. Much like the films protagonist Jake Scully your character avatar, Able Ryder, will similarly find him/herself awakening from cryo after a prolonged journey from earth, leaving the ‘ordinay world’ and answering the ‘call to adventure’ within the exotic forests of Pandora. The hero archetype Jake is a fully realised character from the films introduction, who during the...
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...Theme Analysis Little Women is a coming of age story of four sisters in Civil War New England. Together they face hardships and poverty all the while trying to reach their Castles in the Air. More than that however, Little Women is a morality tale. Each chapter not only contains the lives and adventures of the four sisters, but lessons on how to be a good person, and how to achieve happiness in life. These values are centered upon God, family, and love. Though money, people, hair, and childhood dreams come and go, Marmee's wisdom about happiness never seems to falter. The dreams of the writer, artist, and pianist in the family all fall behind the happiness they find in their respective households. In some respects, Little Women is also a child-rearing guidebook. When Marmee's harvesting time came, she had three happy well-rounded children and a fourth with God. Each lesson she taught was not just told to them, but demonstrated, and enforced with kindness and with love. She inspired her girls to be the best they could be, and did not try to change them even if they were as awkward and tomboyish as Jo. Most importantly, she let them make the choices for their life and did not sway their decisions once the girls made them. Little Women today remains a classic because it shows that every young person goes through trials and decision points. Death's of loved ones, family crisis's, and the mending of broken hearts are something all young people go through and are acturatly...
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...Comparative analysis Gilgamesh and Odysseus Nikki Porter Hum Cultures 111 (world cultures 1) Professor Monique Baucham Strayer University Comparative Analysis: Gilgamesh and Odysseus This is a comparative analysis between two hero’s Gilgamesh and Odysseus who are two heroes from two different time periods that were both in search of the meaning of life. The epics that the two characters are featured in Gilgamesh, was developed from early Mesopotamia and the Odyssey in early Greece. Gilgamesh was a very popular and it was very valuable to the historian of Mesopotamian culture because it reveals much about the religious world, such as their attitudes toward the gods, how a hero was defined and regarded, views about death and friendship. Comparative analysis Gilgamesh and Odysseus This comparative analysis is that of Gilgamesh and Odysseus who were both historical hero’s. Gilgamesh who lived from 2700 BC-2620 BC he died in uruk. Gilgamesh compared to Odysseus Gilgamesh, the hero from the epic Gilgamesh, was the historical king of Uruk in Babylonia, on the river Euphrates in modern Iraq: he lived about 2700B.C. Odysseus, the hero from the epic the Odysseus, was the ruler of the island kingdom of Ithaca. He was one of the most prominent Greek leaders of the Trojan War. Both of these men were equipped with certain strengths, the difference in their strengths were Gilgamesh had physical, while Odysseus had mental strengths. Gilgamesh was a very self-confident and at times...
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...,July 21st 2009 ENC 1102 M,W, 7:45am Term Paper “The Theme of Human Struggle in the Works of Ernest Hemingway” In my research paper I will show how elements of life and death, folklore/fables, myths, and rites of passage support the theme of human struggle against nature in the stories "The Old Man and the Sea," "Indian Camp," "The Short Happy Life of Francis Macomber" and "The Snows of Kilimanjaro” by Ernest Hemingway. Through comparative analysis of these stories' underlying themes I will address the initiation experiences of his heroes. Human dignity, morality, and the formation of human individuality through mental strife and the struggle against nature are often themes of Hemingway. Humans cope with the complexity of the world by developing simple mental models based on opposite parts. Life and death are together, two extremes of one energy. Life is the active force and death is the inactive force, but they cannot be separated. Thus, they are two aspects of one reality. When people are reading about living beings and mythological beings or those who are dead, they view the word of the dead as a living world. The dead eat, sleep and move. In the book “The Hero in Hemingway's short stories”, J. DeFalco points out that: " in the Myth there are usually three dominant movements which are cyclic in pattern. They are the departure of the hero, the initiation, and the return from heroic adventure." (17). The movements of the hero to the world where...
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...Hero's Journey Analysis of Matrix: Name: Dominick Robinson Date:5/15/2000 For Thomas A. Anderson, his ordinary world is ironically, a computer-simulated world, known as The Matrix. The real world is only a fake but the adventure world is real. By day, Thomas Anderson works as a computer programmer for a software company called Metacortex. By night, he is a computer hacker for hire known as Neo. In the simulated world, Thomas seems very bored and he doesn't care much about his job. He is always late for work and almost risks losing his job. The only thing that seems to be on his mind is his search for the truth. The answer of the question: "What is the matrix?" Ironically, when Thomas is in the unreal, simulated world, he uses mostly his real name, Thomas Anderson. Only as a hacker is he known as Neo. When he exits the matrix and enters the real world, he is known as Neo. There are more than one calls to the quest in this film. There is a minor call and a major call. The minor call would be when Neo receives a message on his computer stating: "Matrix has you follow the white rabbit". Later, when some customers Neo has worked for come to pick up hacked goods, he is invited to join them. At first, he is reluctant but when he sees a white rabbit on one of them, he decides to go. When he gets the bar where they were headed, he meets with Trinity, a woman who later becomes an ally. She warns him that "they" are watching him. She tells him that there is a man who has the answer to...
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...usually identified by their looks and treated based on how their physical appearance is, and whether they have power over any men. She makes it clear that throughout Odysseus’ journey to the underworld, he spots and gets a glimpse of different variety of women. She says that throughout the Odyssey, they do not state anything about the women’s accomplishments in their lifetime, but only about their important son's, good looks and pleasingness, and their affairs with gods. She also talks about how women are known for their action and activity towards their sons and husbands, but never for the action and deeds of their own, or how they are, nor what accomplishments they did for themselves. Helene states that it seems in the book Odyssey, the only achievements women could achieve was being pretty and attractive to they eyes of the men. She proves throughout her paper that even Homer made it sound as...
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...The Ritual Use of Ayahuasca: The Healing Effects of Symbolic and Mythological Participation Biography Justin Panneck is a faculty member for Colorado Technical University and holds a PhD in Health Psychology from Walden University. He conducted a recent case study on the spiritual experience of practitioners in the Santo Daime Church. Based on his ayahuasca visions, Justin wrote and published a fictional book entitled The Knight of Dark Wood: The Last Tree Whisperer, which includes themes related to mythology and consciousness. He has spoken at several conferences in San Francisco on a topics related to Jungian psychology, archetypes, mythology and plant-based visionary states. He lives in Portland, OR. The Ritual Use of Ayahuasca: The Healing Effects of Symbolic and Mythological Participation Mythology and alchemy are significant aspects of humanity that have been lost in the modern world but carry important messages and tools for integrating various levels of the unconscious as well as engendering purpose and enhancing creativity and spirituality. Ayahuasca, and other entheogens (e.g., psilocybin, LSD, salvia divinorum, etc.) may serve as psycho-enrichment technologies (PETs) that enhance cognition, boost creativity and spirituality, and create harmonious relationships with others. The use of ayahuasca in a ritual setting has been found to stimulate optimal living through the integration of mythological, alchemical, and archetypal motifs into daily life. Ritual...
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...Hui-Fen Hsu The Heroic Pattern in Life of Pi 95 The Heroic Pattern in Life of Pi Hui-Fen Hsu Applied English Department National Taichung University of Science and Technology Lecturer Abstract This paper examines the universal structure of a mythological hero’s adventure in Life of Pi. The theory is based on Joseph Campbell’s The Hero with a Thousand Faces, which illustrated and distilled heroic patterns from various cultures. The hero’s journey has three stages: separation, initiation, and return. Answering a call to adventure, the hero departs from his familiar world and ventures into a region of supernatural wonder. Miraculous forces are encountered there and a decisive victory is won. He then returns from this mysterious land, bringing an elixir to bene¿t his fellow men. Through this journey of trials, the hero transforms his former self and achieves spiritual growth. Such heroes range from monster slayers to spiritual leaders such as the Buddha and Christ. Life of Pi is a fantasy adventure novel about an Indian boy who survives a shipwreck by drifting on a lifeboat with a tiger. His adventure ¿ts Joseph Campbell’s hero archetype. Similar to the mythological hero, Pi departs from his familiar land of India, answering the call for adventure to a new country. Protected by the supernatural powers of Hinduism, Catholicism, and Islam, he penetrates the dangerous and mysterious realm of the Pacific Ocean. After experiencing harsh ordeals, he returns...
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