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Chihuly Art Museum

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Chihuly Garden and Glass Museum

I visited the Chihuly Garden and Glass Museum located on the grounds of the Seattle Center on July 31, 2012. Having always been an admirer of Chihuly’s work, my anticipation to visit the museum set the bar high as for what I expected to see; and I was not disappointed.
The museum was divided into three main sections, the Exhibition Hall, the Glass House and a Garden. It is in the Exhibition Hall where the greatest variety of work is displayed.
The Exhibition Hall is divided into eight galleries and three drawing wall. Each shows the different approaches Chihuly used to express his approach to glass art.
The first room you enter is the Glass Forest. It is a installation which was originally done in 1971. These are large stalks of glass that are charged with neon. Of all the sections in the museum I liked this least. The colors were less vibrant and had a feel of South Beach hotel neon, almost pink flamingo like. However the display showed a point in the artist’s evolutionary process.
The next main section was the Northwest Room. It is here we start to see the forms and shapes that we are familiar with. The colors of these pieces are very subdued, having northwest earth tones. It is the shapes of the pieces that are intriguing.

1 Northwest Room

The next area is the Sealife Room. The glass takes the shapes and colors of the ocean. The artist takes you to the sea with his interpretation of starfish, rays, urchins and such.
Upon exit of the Sealife area you enter the Persian Ceiling and are hit with intense colors. In this installation the vibrant colorful forms are suspended above a clear glass ceiling. Having to look upward at the art gives a different view of the work allowing you to look through it, not at it.
2 Persian Ceiling

The next section of the museum is the Mille Fiori or “a thousand flowers”. When entering this room the intensity of the colors literally takes your breath away. The installation is in the form of a garden with many plant like pieces united as one.

3 Mille Fiori

The color celebration continues when entering Ikebana and Float Boat room. This is a series of glass floats placed in two row boats that give it the desired nautical effect. The reflective mirror like floor enhances the intensity of color.

4 Ikebana and Float Boat
The next section is a room with massive chandeliers. These large scale architectural installations were vibrant but did not feature the multi -color dimension of the three previous sections. Having seen this work in different setting outside the museum, these pieces felt a little awkward without being part of a larger building. As a focal point in a larger setting the pieces are amazing, by themselves in a large room you could appreciate the work but something felt missing.
The Macchia Forest is the last installation of glass work in the Exhibition Hall. Rich in color with the wavy shapes, each piece can stand alone but is enhanced when surrounded by the other pieces.

6 Macchia Forest

The Glass House is the next section of the museum and features a 100 foot long sculpture pressed upon the sky. The natural light from the glass ceiling filters through the art making for amazing effects. I viewed the installation in the harsh light of mid-afternoon. The sculpture would take on a different look throughout the day and night.

7Glass House

The final section of the museum is an outdoor garden. The glass pieces mesh well with the plants and make for a serene setting. All of this occurs underneath the shadow of the Space Needle.

8 Glass Tree
In conclusion, the museum is a celebration of Chihuly’s life work. It successfully shows the different periods and artist approaches to working with the glass. If there was one area that was lacking would be an area describing the process. Given that it is billed as a permanent display I feel a section dedicated to the process and biographical background of the artist would be beneficial to the patron in becoming one with the work.

All photos by Jerry Hughes

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