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Christ by Design

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Christ by Design:
The Typology of Christ’s Redemptive Work in the Tabernacle
Throughout Scripture, God’s love for his people is demonstrated in many different ways. He desires to have communion with his people, a dwelling place with man. God walked with Adam in the Garden in the “cool of the day” to have fellowship with him (McGee 9), but Adam would disrupt that fellowship through disobedience. This in turn inaugurated sin into the world and created a lapse between Creator and creation. The sinful nature of man placed a hindrance in fellowship. However, God the Creator did not give up on his creation, but instead unfolded a redemptive design that gave man a way to redeem that fellowship once again. “But God shows his love for us in that while we were still sinners, Christ died for us,” (Romans 5:8). This design of God’s redemptive work through his Son, Jesus Christ, also known as the Gospel, was displayed typologically through the tabernacle and it’s first three visible furnishings: the gate, the brazen altar, and the brazen laver. While Moses spent forty days and forty nights on Mount Sinai to receive the ten commandments, the Lord also delivered to him very important blueprinted designs on how to construct the tabernacle. He explained in great detail which materials, which colors, and which dimensions needed to be used for each segment. The tabernacle was to be enclosed by four sides and three of those sides would be very similar, which were the north, the south, and the west. However, the east side was very unique in the fact that it contained the one and only entrance to the tabernacle and included more significant colors than the others. “For the gate of the court there shall be a screen twenty cubits long, woven of blue, purple, and scarlet thread, and fine woven linen, made by a weaver,” (Exodus 27:16). The Lord instructed Moses to build the

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