...Christo and Jeanne-Claude Origins • Christo (born Christo Vladimirov Javacheff, Bulgarian: Христо Явашев, June 13, 1935) and Jeanne-Claude (born Jeanne-Claude Denat de Guillebon, June 13, 1935 – November 18, 2009) were a married couple who created massive and environmental works of art. • They married over objections from Jeanne Claude’s family(they became their supporters later), forming one of the most durable and creative partnerships in the history of art. • Christo studied art at the Sofia Academy from 1953 to 1956, and went to Prague, Czechoslovakia (now Czech Republic) until 1957, when he left for the West by bribing a railway official and stowing away with several other individuals on-board a train transporting medicine and medical supplies to Austria. • She was described as "extroverted" and with natural organizational abilities. Her hair was dyed red and she smoked cigarettes, and tried to quit many times until her weight would balloon. She did not enjoy cooking.[5] She took responsibility for overseeing work crews and for raising funds.[2] She said she became an artist out of love for Christo (if he'd been a dentist, she said she'd have become a dentist • Their works were credited to just "Christo" until 1994 when the outdoor works and large indoor installations were retroactively credited to "Christo and Jeanne-Claude • They flew in separate planes: in case one crashed, the other could continue their work. Concerns/About Work • A trademark of the work is...
Words: 3888 - Pages: 16
...The Eight Types of Art Carita Dauer Art Appreciation HUMA 205-1202B Unit 1 IP Abstract In this paper I will explain the difference between eight types of art. These forms of art include: painting, sculpture, architecture, photography, printmaking, conceptual art, installation art, and performance art. I will then give a specific example of each form of art type to better explain each of them. The Eight Types of Art When a person tries to look up the word “Art” in the dictionary, it can be very difficult to find a clear definition of the word. There are many definitions for art, but these include various areas of art such as pop art, or modern art and not just art by itself. So with that being said the best definitions I found are as follows. Art is a visual form of human expression that can be applied to many subjects which engenders, by intent or otherwise, aesthetic and/or intellectual appreciation (Clarke, 2012). Art can also be classified as all of the processes and products of human skill, imagination, and invention. When the term is referring to a contemporary piece of art, the definitions of art usually reflect art theory and include music, drama, painting, and sculpture types (Art, 2010). Performance Art is defined as a dramatic presentation given by visual artists, such as actors or dancers. They generally perform in front of audiences, but not in a formal theatrical setting (Frank, 2011). The example I found of this type of art would be the ballet...
Words: 1471 - Pages: 6
...religiously or politically inappropriate. Artists used subject matters that were a taboo in social situations. This could be a matter relating to one human being or nudity or addressing a complicated moral issue. The artworks I’ve chosen are all paintings, sculptures, or performance pieces from history that were considered controversial, and by artists who weren’t afraid to stand out. The first piece of art I chose for my exhibit is by Georgia O'Keeffe. It is titled “Blue and Green Music”, 1919/21, and she chose to use Oil on canvas. It measures at 58.4 x 48.3 cm (23 x 18 in.) Although she had not yet visited Europe, Georgia O’Keeffe was exposed to Modernism through exhibitions at Alfred Stieglitz’s gallery 291 in New York and her studies at the University of Virginia and Columbia University Teacher’s College. She was drawn to the theories of the Russian Expressionist painter Vasily Kandinsky, who, argued that visual artists should emulate music in order to achieve pure expression free of literary references. O’Keeffe painted a number of oils exploring, as she later recalled, “the idea that music could be translated into something for the eye.” “Blue and Green Music” was meant to suggest the natural world and bring up the experience of sound. However, In the...
Words: 1789 - Pages: 8
...ARTS TEACHERS’ GUIDE Grade 9 ARTS Teacher’s Guide Unit I WESTERN CLASSICAL ART TRADITIONS GRADE 9 Unit 1 ARTS TEACHERS’ GUIDE GRADE 9 Unit 1 WESTERN CLASSICAL ART TRADITIONS LEARNING AREA STANDARD The learner demonstrates an understanding of basic concepts and processes in music and art through appreciation, analysis and performance for his/her self-development, celebration of his/her Filipino cultural identity and diversity, and expansion of his/her world vision. key - stage STANDARD The learner demonstrates understanding of salient features of music and arts of the Philippines and the world, through appreciation, analysis, and performance, for self-development, the celebration of Filipino cultural identity and diversity, and the expansion of one’s world vision. grade level STANDARD The learner demonstrates understanding of salient features of Western music and the arts from different historical periods, through appreciation, analysis, and performance for self-development, the celebration of Filipino cultural identity and diversity, and the expansion of one’s world vision. CONTENT STANDARDs The Learner: demonstrates understanding of art elements and processes by synthesizing and applying prior knowledge and skills demonstrates understanding that the arts are integral to the development of organizations, spiritual belief, historical events, scientific discoveries, natural disasters/ occurrences and other external phenomenon ...
Words: 32535 - Pages: 131
...has an established audience that is currently being overlooked by other apps and the app objectives are researched and explained in detail. Overall, there is a void in the photo-sharing market that XPRSSN successfully fills. Position Statement We are a community of creative professionals, created by creative professionals; driven to share our work and help others like us to collectively push the limits of our artistic capability. Our users are the movers and shakers of the creative industries, as well as the aspiring up and comers who will be the next generation of creative visionaries. Our users come from a myriad of creative backgrounds and their artistic paths may vary in direction. Our community seeks to align these different creative paths and merge them into one massive stream of creative consciousness and the platform will be used to foster intellectual discussion and artistic evolution based on the experience and vision of our users. Target Audience The target audience for our photo-sharing application is between the ages of 18 and 40, male or female, and is an artist and/or designer, or is an aspiring to an artist and/or designer. The target artist/designer includes but is not limited to: painters, sculptures,...
Words: 3126 - Pages: 13
...From Wikipedia, the free encyclopedia For other uses, see Plagiarism (disambiguation). For Wikipedia policies concerning plagiarism, see Wikipedia:Plagiarism and Wikipedia:Copyright violations. Plagiarism is the "wrongful appropriation" and "purloining and publication" of another author's "language, thoughts, ideas, or expressions," and the representation of them as one's own original work.[1][2] The idea remains problematic with unclear definitions and unclear rules.[3][4][5] The modern concept of plagiarism as immoral and originality as anideal emerged in Europe only in the 18th century, particularly with the Romantic movement. Plagiarism is considered academic dishonesty and a breach of journalistic ethics. It is subject to sanctions like expulsion. Plagiarism is not a crime per se but in academia and industry it is a serious ethical offense,[6][7] and cases of plagiarism can constitute copyright infringement. Contents [hide] * 1 Etymology * 2 Legal aspects * 3 In academia and journalism * 3.1 Academia * 3.2 Journalism * 3.3 Sanctions for student plagiarism * 3.4 Self-plagiarism * 3.4.1 The concept of self-plagiarism * 3.4.2 Self-plagiarism and codes of ethics * 3.4.3 Factors that justify reuse * 3.5 Organizational publications * 4 In the arts * 4.1 Plagiarism and the history of art * 4.2 Praisings of artistic plagiarism * 5 In other contexts * 5.1 Plagiarism on...
Words: 4690 - Pages: 19
...ASSESSMENT – A Culture of Inquiry Please work with your department faculty to develop a graduate profile that reflects common goals among all departments and in relationship to our mission statement. This graduate profile should be ready prior to our next Program Chairs meeting on October 7th, when we will discuss and come to agreement about what we believe is our “ultimate” graduate profile. Following program chairs’ agreement, the material will go to the full faculty for discussion and vote. I will also gather input from Student Affairs so that we understand their contribution to the success of our students. Readings about assessment and what it is are attached.* As I mentioned earlier, we will be working our way through this process together, and developing our assessment program in relationship to the goals and values unique (and/or integral) to this institution. Additional readings are on reserve in the library, and an enormous amount of information is available on the web. *Distributed at the Program Chairs meeting on 9.9.2008 MISSION Maine College of Art delivers a demanding and enlivening education in visual art and design within an intimate learning community. We teach each student how to transform aspirations and values into a creative practice that serves as the foundation for a lifelong pursuit of personal and professional goals. VALUES o Maine College of Art’s educational philosophy is built on the premise that focused individual attention and meaningful...
Words: 6365 - Pages: 26
...THE ART OF PERFORMANCE A CRITICAL ANTHOLOGY edited by GREGORY BATTCOCK AND ROBERT NICKAS /ubu editions 2010 The Art of Performance A Critical Anthology 1984 Edited By: Gregory Battcock and Robert Nickas /ubueditions ubu.com/ubu This UbuWeb Edition edited by Lucia della Paolera 2010 2 The original edition was published by E.P. DUTTON, INC. NEW YORK For G. B. Copyright @ 1984 by the Estate of Gregory Battcock and Robert Nickas All rights reserved. Printed in the U.S.A. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system now known or to be invented, without permission in writing from the publisher, except by a reviewer who wishes to quote brief passages in connection with a review written for inclusion in a magazine, newspaper or broadcast. Published in the United States by E. P. Dutton, Inc., 2 Park Avenue, New York, N.Y. 10016 Library of Congress Catalog Card Number: 79-53323 ISBN: 0-525-48039-0 Published simultaneously in Canada by Fitzhenry & Whiteside Limited, Toronto 10 9 8 7 6 5 4 3 2 1 First Edition Vito Acconci: "Notebook: On Activity and Performance." Reprinted from Art and Artists 6, no. 2 (May l97l), pp. 68-69, by permission of Art and Artists and the author. Russell Baker: "Observer: Seated One Day At the Cello." Reprinted from The New York Times, May 14, 1967, p. lOE, by permission of The New York Times...
Words: 38936 - Pages: 156
...from a linear programming formulation, then it is an integer programming (IP) problem. (The more complete name is integer linear programming, but the adjective linear normally is dropped except when this problem is contrasted with the more esoteric integer nonlinear programming problem, which is beyond the scope of this book.) The mathematical model for integer programming is the linear programming model (see Sec. 3.2) with the one additional restriction that the variables must have integer values. If only some of the variables are required to have integer values (so the divisibility assumption holds for the rest), this model is referred to as mixed integer programming (MIP). When distinguishing the all-integer problem from this mixed case, we call the former pure integer programming. For example, the Wyndor Glass Co. problem presented in Sec. 3.1 actually would have been an IP problem if the two decision variables x1 and x2 had represented the total number of units to be produced of products 1 and 2, respectively, instead of the production rates. Because both products (glass doors and wood-framed windows) necessarily come in whole units, x1 and x2 would have to be restricted to integer values. Another example of an IP problem is provided by the prize-winning OR study...
Words: 36302 - Pages: 146
...relationship with God, Mom, and Dad through ways that are so much fun. The roof over Adventurer Ministry is supported by several strong pillars. You hold in your hands one of them: the latest updated manual covering all 83 currently accepted Awards for use around the world. There is of course, one small problem: This area of Adventurer fun is not a static field of possibilities, it is a constantly growing—maybe almost exploding—source of activity. Therefore even at the time of this edition’s printing, there are already more Awards being created, piloted, and introduced. You will want to check out the General Conference Youth Ministry website periodically to see what new fun, eye opening, mind expanding, energizing Awards are coming out next. We recommend that you carefully review all of the Awards herein published and select for your program a variety that will provide each of your Adventurers with a well-rounded program to...
Words: 30599 - Pages: 123
...Marketing and Branding Plan for Maharashtra Tourism K. J. Somaiya Institute of Management Studies & Research Team Name: Maratha Mawlas Vaibhav Palaye (vaibhav.palaye@gmail.com/9766325136) Rahul Shukla (Shukla.d.rahul@gmail.com/9423085776) Prateek Wadhwa (prateek2709@gmail.com/9920712410) Tagline: Scintillating Maharashtra- Serene Land of Brave warriors Facebook Page URL: http://www.facebook.com/pages/Scintillating-Maharashtra/153635334669863 Table of Contents Sr. No | Topic name | Page No. | 1. | Introduction to tourism in Maharashtra | 3 | 2. | Statics about tourism in the country | 4 | 3. | Business model for Maharashtra tourism department | 5 | 4. | Tour Packages | 6 | 5. | Selection of Brand Ambassador | 8 | 6. | Selection of Tagline | 8 | 7. | Detailed description of television Advertisement | 9 | 8. | Detailed description of Print media | 9 | 9. | Detailed description of Internet media | 11 | 10. | Maharashtra Mahotsav | 14 | 11. | Phase wise implementation of Marketing plan | 15 | 12. | Estimated budget of our Marketing and Branding Strategies | 17 | 13. | Projected Return on Investment through our Revenue generation model | 18 | INTRODUCTION TO TOURISM IN MAHARASHTRA Maharashtra ranks second in India when it comes to attraction of foreign tourists. More than two million tourists visit the state of Maharashtra annually. The three UNESCO world heritage sites in Maharashtra, Ajanta caves, Ellora caves and Chatrapati...
Words: 5085 - Pages: 21
...burlesque/cheap entertainment • Create a form of entertainment that could be viewed by all, no vulgarity • Movies: five cents o Films mixed with live acts, broadened nighttime environment (attended by unescorted women, creating unsupervised encounters b/w men and women) • Started consumer culture- break down Victorian gender • Mixed audience represented experience of urban life (black/white, men/women) Exciting, instability, city new visual experience • Lone Tenement (George Bellows) o Wanted to facec the ugly in city as well as beautiful o Worked against Whistler (avoided aesheticism) • Rawness of city, depicted vaudeville (which is like mixture of acts such as burlesque, comedians, music, etc) o Liked to show economic conditions of urban poor • Ash Can painting style: thick and messy, meant to look like it was applied slap-dash manner, jittery o Ash can artists started as illustrationalists o Borrowed from manet but were more interested in giving subjects agency • Called insufficiently modern • Whistler’s work is about distancing us, Bellows is about confronting the difficult world, the real world, gritty grimy The Stieglitz Circle & Transatlantic Modernism General: Cubism, Italian Futurists, Fauvism,...
Words: 3722 - Pages: 15
...Visualizing Research This page intentionally left blank Visualizing Research A Guide to the Research Process in Art and Design Carole Gray and Julian Malins © Carole Gray and Julian Malins 2004 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publisher. Carole Gray and Julian Malins have asserted their right under the Copyright, Designs and Patents Act, 1988, to be identified as the authors of this work. Published by Ashgate Publishing Limited Gower House Croft Road Aldershot Hants GU11 3HR England Ashgate website: http://www.ashgate.com British Library Cataloguing in Publication Data Gray, Carole Visualizing research : a guide to the research process in art and design 1.Art – Research 2.Design – Research 3.Universities and colleges – Graduate work I.Title II.Malins, Julian 707.2 Library of Congress Cataloging-in-Publication Data Gray, Carole, 1957Visualizing research : a guide to the research process in art and design / by Carole Gray and Julian Malins. p. cm. Includes index. ISBN 0-7546-3577-5 1. Design--Research--Methodology--Handbooks, manuals, etc. 2. Art--Research--Methodology-Handbooks, manuals, etc. 3. Research--Methodology--Handbooks, manuals, etc. I. Malins, Julian. II. Title. NK1170.G68 2004 707’.2--dc22 ISBN 0 7546 3577 5 Typeset by Wileman Design Printed and bound...
Words: 81106 - Pages: 325
...Delhi — we can't be seen. Dilip Kapur and I meet and exchange passwords, read pleasantries. Dressed casually in a linen shirt and loose jeans, the only thing that are a secret-mission giveaway are his sunglasses. True to his brand, the man carries a Hidesign casual leather bag. This is Hidesign's newest outlet and Kapur is keen to find out how it is doing. He also wants to figure out if its intensive six-month training programme for the shop floor assistants is working. "We do this regularly. Our mystery shoppers go to all our outlets to adjudge the stores on stock, store layout, assistants' knowledge levels and ability to handle a customer," he says. Soon, we take the escalator down to the store. After five minutes of looking around, the shop assistant finally approaches us. "I like the approach. She didn't hound us immediately," he notes later. Hidesign started with a small factory in Puducherry and is present in 12 cities through 60 outlets. Five more are in the works this year. It employs more than 1,800 people on the shop floors and has a turnover of more than Rs 100 crore. It was one of the early entrants to launch branded bags and accessories at a time when the category was dominated by the unorganised sector. Later this year, the company plans to enter a joint venture with Italy's casual leather bag major Braccalini. "Hidesign has always stuck to its core. We don't change our products or marketing strategy depending on the competition," says Kapur. "In five years we have...
Words: 6407 - Pages: 26
...Proceeding for the School of Visual Arts Eighteenth Annual National Conference on Liberal Arts and the Education of Artists: Art and Story CONTENTS SECTION ONE: Marcel’s Studio Visit with Elstir……………………………………………………….. David Carrier SECTION TWO: Film and Video Narrative Brief Narrative on Film-The Case of John Updike……………………………………. Thomas P. Adler With a Pen of Light …………………………………………………………………… Michael Fink Media and the Message: Does Media Shape or Serve the Story: Visual Storytelling and New Media ……………………………………………………. June Bisantz Evans Visual Literacy: The Language of Cultural Signifiers…………………………………. Tammy Knipp SECTION THREE: Narrative and Fine Art Beyond Illustration: Visual Narrative Strategies in Picasso’s Celestina Prints………… Susan J. Baker and William Novak Narrative, Allegory, and Commentary in Emil Nolde’s Legend: St. Mary of Egypt…… William B. Sieger A Narrative of Belonging: The Art of Beauford Delaney and Glenn Ligon…………… Catherine St. John Art and Narrative Under the Third Reich ……………………………………………… Ashley Labrie 28 15 1 22 25 27 36 43 51 Hopper Stories in an Imaginary Museum……………………………………………. Joseph Stanton SECTION FOUR: Photography and Narrative Black & White: Two Worlds/Two Distinct Stories……………………………………….. Elaine A. King Relinquishing His Own Story: Abandonment and Appropriation in the Edward Weston Narrative………………………………………………………………………….. David Peeler Narrative Stretegies in the Worlds of Jean Le Gac and Sophe Calle…………………….. Stefanie Rentsch...
Words: 117240 - Pages: 469