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FILM CRITIQUE: THE COLOR PURPLE

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The Color Purple Devon Murraine ENG225: Introduction to Film Instructor: Kayla Ward October 20, 2012

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The Color Purple “The Color Purple” is a 1985 American drama film directed by Steven Spielberg. It is the eighth film directed by Spielberg and based on the Pulitzer Prize-winning novel of the same name by Alice Walker (Walker, 1996). The film tells the story of a young African American girl named Celie and shows the problems faced by African American women during the early 1900s; including poverty, racism, and sexism. The character Celie transform as she finds her self-worth through the help of two strong female companions.
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1. “The Color Purple” (italics) [Angela Trodello (TA)]

This movie has a great representation of characters where mentioning the talented Whoopi Goldberg and the famous Oprah Winfrey. These characters represent in the movie oppressed women who have surmised by their husbands and society. Whoopi Goldberg as Celie, Is more of the quiet type, a woman who lives under the pressure and demands of the man but Oprah Winfrey as Sofia, is more of a strong type, she believes in equal rights with the men.
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2. companions. The intro needs a thesis statement. Introduce the elements of film-making that you will analyze. How do they affect your critique? [Angela Trodello (TA)] 3. men. How does their acting contribute to the mise-enscene? [Angela Trodello (TA)] 4. The events presented in chronological... Good observation. [Angela Trodello (TA)]

The events presented in chronological order, because the film starts when the main character, Celie, is 14 years old and it follows her through life showing the actual events in her life as they arise. The director could decide to put films in chronological order so the viewer may keep up with the story of the film better, but may decide to put them out of chronological order to maintain suspense in the film.
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The Color Purple represents Personification Symbolism. At the beginning of the book, you could say that Celie has no sense of the color purple. She has such a horrible life, she is not stopping to smell the roses, and she is just surviving. By surviving, we mean, she is practically dead emotionally, but is physically alive. Shug is the person who points out the concept of the color purple to Celie. Shug says that God does little things for people, like creating the color

5. film. Can you elaborate? For example, how does chronological order affect your impression of the storytelling of this film? [Angela Trodello (TA)]

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purple, just to make people happy and give them pleasure in their lives. God wants people to notice the beauty of his/her creation. According to Shug, enjoying the beauty of creation means all of God’s creation, including sex. Shug teaches Celie that enjoying life is exactly what God wants us to do; it is a way of expressing our love for God. As Celie does learn to love life, she decorates her bedroom in her own home as all purple and red. In The Color Purple, Steven Spielberg illustrates the mental and physical hardships that African American women faced in the 1930s (Preston, 2002). The film is very emotional as it represents various themes of violence, race, love, family, sexuality, marriage, and femininity through vivid imagery. This inspirational movie based on Celie as she struggles with being torn apart from her baby and sister to being married off to an abuser, where she later finds freedom and comes into womanhood. The entire cast is African American with the exception of the mayor’s family, who Sophia forced for as their house cleaner. The props and costumes represent poor African American people during that period. Throughout the film, the camera zooms in on a character’s face to reveal the intensity of the scene and character’s expression. One scene in particular occurs when Celie is leaving Mister; she points at him and says, "Until you do right by me, everything you even dream about will fail.” In this scene, the camera gradually moves in from the entire shot showing Celie’s fingers pointed at him to a close-up of her eyes that draws attention to the seriousness in her tone and approach. Spielberg’s adaptation wonderfully represents each character and captures the audience’s interest as the film describes their relationships. The cast of The Color Purple represent character actors because they all seem to adapt to the needs of the script and Spielberg’s interpretation of The Color Purple (Walker, 1996). Celie is the protagonist in the film and portrayed as a victim that is
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1. fail.” (in-text citation) [Angela Trodello (TA)]

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isolated, uneducated, and longing for love. Mister is Celie’s abusive husband who marries her only to take care of his children and household. After Celie leaves him, he reassesses his life and eventually becomes friends with her. Sophia is a strong, assertive, and sassy woman who befriends Celie and marries Harpo. Harpo is Mister’s son who is nothing like his father; he’s family-oriented, enjoys cooking and cleaning, and marries an independent woman. Shug Avery is a sexy and independent blues singer who introduced as Mister’s mistress. She later forms a sexual relationship with Celie and helps her leave Mister. Nettie is Celie’s younger sister and is the most educated and self-sufficient character in the film. She loves Celie unconditionally throughout the film and even after being separated from her for several years, she comes back to reunite with Celie. There is a great deal of mise-en-scene throughout the film as it entails several visual and dramatic scenes (The Color Purple, 2001). One scene is particular is when Mister calls upon Celie to shave his face. Unlike the other times that she has shaved him, this time after finding out that he has been, hiding Nettie’s letters over the years there is obviously some built up animosity towards him. There are various close-up frames, which reveals Celie’s numbness to him screaming her name and shows that she is terribly upset. The scene becomes very melodramatic as music plays and then shown in parallel to a scene where two kids in a village in Africa where Nettie stays are undergoing an African scarification and circumcision ritual. The music intensifies as the chief takes the knife and begins to cut the boy’s face, while it shows Shug taking the knife from Celie to stop her from hurting Mister. Mister then realizes that Celie has defied him and is no longer afraid of him or willing to be his slave. In this moment, the colors in the movie become dark and gloomy as Shug holds Celie back. While Shug is restraining

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Film Critique: The Color Purple Celie, the rest of the scene is dark and there is a bit of light shining Celie’s face that signifies that

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she is no longer willing to live in the shadows of Mister or Shug and has stepped into her own idea womanhood. Throughout the film, Spielberg uses a great deal of shadows that draws on the audience’s imagination and allows them to determine who the figure is and what it signifies. There is a shadow in the beginning, that takes the baby away from Celie and when Nettie was handclapping with Celie. With all of these different elements displayed, it demonstrates how much thought goes into the director’s script and film. Each element is like a piece to a puzzle that tells a story simply through its use of sound, colors, and amazing acting which captures the essence of the film. With the use of cinematography Spielberg enables the viewer to sympathize with Celie by filming Mr. She was able to voice opinions on various parts of the story and casting. Celie’s development from innocence to awareness is a common theme. She was both delighted and disappointed in the screen rendering of her story. Spielberg faced the challenge of transferring a story that been written by Walker in an epistolary format, in which written letters through the perspective of one central character develop characters (SparkNotes Editors, 2003). He accomplishes this by eliminating the first person perspective, shifting the emphasis of the script away from being by only one person. After college, she continued her service and began work in the Welfare Department in New York City. Growing up in a generation where minorities were constantly fighting for equality created the background from which Walker drew her inspiration. She struggles to find her identity. Similar to views and opinions of recent times, Celie depicts a woman that placed in the background of a male dominated world.

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From beginning to end, The Color Purple employs a wide variety of continuity editing techniques that help to move the movie’s story along without a verbal explanation of events needed. The opening sequence shows two girls playing and frolicking in an open field of purple flowers. It is an idyllic image of youth and innocence that is suddenly interrupted as one of the girls waddles from out of the tall grass to reveal she is pregnant (The Color Purple, 2001). This quickly followed by the demeaning comments of their father and the realization that he is responsible for her current state. Upon the end, scene we later revisit at the end with beautiful poignancy. As she turns for him, the camera moves up to emulate his point of view while on horseback, looking down upon her like an object. When in her perspective, we are looking upwards at Mister, clearly insinuating the unbalance and inequality of the relationship. Audio quality also seemed to be good for its age, though a few concerns existed. Dialogue showed occasional signs of edginess, but most of the speech sounded rather warm and natural, with no problems related to intelligibility. Music appeared bright and vivid; I thought the soundtrack could have provided greater depth, but the clarity seemed fine for the most part. Effects were also a little thin, but they came across as reasonably accurate and distinct, and I heard no signs of distortion or other issues. In the end, the audio of The Color Purple worked well despite some minor concerns.
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1. This quickly (is) [Angela Trodello (TA)]

2. Upon the end, scene we later revisit... How can this be restated for clarity? [Angela Trodello (TA)]

3. concerns. Can you give specific examples from the film in order to fully illustrate your points? [Angela Trodello (TA)] 4. written Make sure to keep your critique focused on the film, not the book. [Angela Trodello (TA)]

The Color Purple is in “Point of View” style, written in the first person, and the voice is predominately Celie's, but her sister Nettie writes some of the letters that comprise the book to Celie. The story covers thirty years of Celie's life from childhood to her maturity as an independent woman. By having Celie write in black folk English, Walker brings the reader close to the quality and rhythms of life that her characters experience. Celie's dialect also reflects her lack of formal education. Nettie, who was formally educated, writes her letters in Standard English. They are full

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Film Critique: The Color Purple of information that becomes a source of knowledge for Celie outside the world of her own small community.
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1. community. How can you revise the conclusion to focus more on your critique of the filmmaking? [Angela Trodello (TA)]

References Preston, L (2002). "Tell Nobody But God: The Theme of Transformation in The Color Purple".

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1. SparkNotes Editors. Make sure that your work includes your own critique. Refer to the textbook and incorporate the technical terms that you've been learning in class. [Angela Trodello (TA)] 2. Walker, A. (1996). The Color Purple.... The film should be referenced. [Angela Trodello (TA)]

SparkNotes Editors. (2003). SparkNote on The Color Purple. Retrieved October 17, 2012, from http://www.sparknotes.com/lit/purple/ The Color Purple. (2001). In WriteWork.com. Retrieved October 22, 2012, from http://www.writework.com/essay/color-purple-3 Walker, A. (1996). The Color Purple. New York: New Publishers. Retrieved from October 21, 2012
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