...Gutierrez, Jerome Erick A. Synthesis Paper Inferno 4 and Purgatorio 7 (Comparing and Contrasting) Initially, I wanted to see if there was similarity between the Inferno’s first circle or level and the Pugatorio’s first spur, terrace, or level but I could not really find anything. I then decided to write once again about a topic found in my first paper and I noticed that despite the fact that the Valley of the Rulers isn’t the first ledge, or terrace in Dante’s Purgatorio[1] (unlike Limbo which is the first circle of hell) and that it isn’t also technically IN Purgatory but right before it (a.k.a Ante-Purgatory), it does indeed have some similarity/parallelism (but also big differences) to the first circle of the Inferno (Limbo). The key words I noticed was that Dante the wayfarer asks Virgil who are those “separate from the rest” as they approach Limbo[2] (In the Inferno). Then in the Purgatorio, Sordello leads Dante and Virgil to the Valley of the Rulers who are referred to those (spirits) who are “set apart”[3] Now speaking of Limbo in the Inferno, Virgil, who also happens to be from this place (proved by line 39, Inferno 4), refers to the inhabitants of Limbo as “those who live in longing”[4] (manifested by their constant sighing, and not any outcry of pain due to suffering unlike other Cantos in the Inferno). Logically and factually, these souls long for the Beatific Vision or entry into Paradise, but such event will never happen despite these pagans being virtuous[5]...
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...state. (Gerald) The new appointed Secretary of Fine Arts, Edmond Tuquet (1836 – 1914), venerates Rodin’s art pieces and commissioned the sculpture on August 16th 1880 for the Musée des Arts Décoratifs. The original arrangements for the Musée des Arts Décoratifs were discarded three years later. (Musèe) Therefore, Rodin left and focused on experimenting and redesigning the portal for the next 20 years. At that point, the sculpture was still remained at its plaster stage; the gateway was not molded in bronze until Rodin’s death in 1917. Rodin’s Gates of Hell was reputed as a distinct piece considering his unique interpretation of its rough surface texture and shape that demonstrates the illustration of Dante Alighieri’s famous poem, The Divine Comedy (1308 – 1321). A few of Rodin’s most famous sculptures including The Thinker (1880 - 1925), The Kiss (1888 – 1889) and The Three Shades (1902) are inspired by the alto relievo sculptures in The Gates of Hell. This masterpiece was created anon after the Franco- Prussian War (1870 – 1871) during the installation of the French Third Republic (1871 – 1940). Auguste Rodin accepted the commission for The Gates of Hell anon after the Franco- Prussian War between French and German Empires. After France has lost the war, the royalist formerly, Napolcon III surrendered to Germany, which led to the establishment of the Third Republic of France. At the end of the war, the Treaty of Frankfurt (March 1, 1871) was validated in France. The terms involved...
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...had almost passed him when his downcast eyes caught sight of one of her slippers — a slipper that hesitated just in front of him. His heart beat a furious tattoo as he waited, breathless. A soft and gentle voice broke into his remembrances as she spoke to him kindly. His startled eyes flew to hers. For years and years he’d longed for this moment, dreamed of it even, but never had he imagined encountering her in such a serendipitous fashion. And never had he dared hope he would be greeted so sweetly. Caught off balance, he mumbled his pleasantries and allowed himself the indulgence of a smile — a smile that was returned to him tenfold by his muse. His heart swelled within him as the love he held for her multiplied and burned like an inferno in his chest. Alas, their conversation was all too brief before she declared that she must depart. He bowed before her as she swept by, and then straightened to stare at her retreating form. His joy at their reunion was tempered by an emergent...
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...VOLUME EDITOR S. WALLER is an Associate Professor of Philosophy at Montana State University Bozeman. Her areas of research are philosophy of neurology, philosophy of cognitive ethology (especially dolphins, wolves, and coyotes), and philosophy of mind, specifically the parts of the mind we disavow. SERIES EDITOR FRITZ ALLHOFF is an Assistant Professor in the Philosophy Department at Western Michigan University, as well as a Senior Research Fellow at the Australian National University’s Centre for Applied Philosophy and Public Ethics. In addition to editing the Philosophy for Everyone series, Allhoff is the volume editor or co-editor for several titles, including Wine & Philosophy (Wiley-Blackwell, 2007), Whiskey & Philosophy (with Marcus P. Adams, Wiley, 2009), and Food & Philosophy (with Dave Monroe,Wiley-Blackwell, 2007). P H I L O S O P H Y F O R E V E RYO N E Series editor: Fritz Allhoff Not so much a subject matter, philosophy is a way of thinking.Thinking not just about the Big Questions, but about little ones too.This series invites everyone to ponder things they care about, big or small, significant, serious … or just curious. Running & Philosophy: A Marathon for the Mind Edited by Michael W. Austin Wine & Philosophy: A Symposium on Thinking and Drinking Edited by Fritz Allhoff Food & Philosophy: Eat,Think and Be Merry Edited by Fritz Allhoff and Dave Monroe Beer & Philosophy: The Unexamined Beer Isn’t Worth Drinking Edited by Steven D. Hales Whiskey & Philosophy:...
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