...Holsclaw English IV James Byrd November, 10, 2013 The Witch Trio’s Infamous Chant “Fair is foul, and foul is fair” and its Relevance to Shakespeare’s The Tragedy of Macbeth One of the most important lines in the drama The Tragedy of Macbeth by William Shakespeare originates from one of the last lines in Act I, Scene I. The three witches speak the simple line “Fair is foul, and foul is fair,” (I: i, 10) shortly before they disperse. This quotation becomes a prophecy as well as an underlying warning foreshadowing the rest of the drama. “Fair is foul, and foul is fair” (I: i, 10) can be interpreted as saying good is bad and bad is good. The quotation leads the reader to question their standpoint on the good and bad depicted in the drama. This quotation is a major line in the drama because it implies that some of the characters are not who they claim to be. This quotation affects the Witches because although they speak of the future, they do not seem to affect its course. In Macbeth's case, the prophecies serve only to suggest the future, not to affect it. They do not predict that he will commit murder to become king but simply that he will become king. For example, they hail Macbeth as king by saying, "All hail, Macbeth, that shalt be king hereafter!" (I: iii, 50). So furthermore, even if the witches did not exist, Macbeth would still have taken the throne due to fate. When the line comes from the witches, the reader assumes at first that they are speaking plainly. That the line means...
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...“Lead me, follow me, or get out of my way.” Quoted by General George Patton for a description of a strong leader similarly to Machiavelli’s definition of a leader. Niccoló Machiavelli was an Italian politician who wrote The prince. Making Machiavelli the father of modern political theory. Influenced the term “Machiavellian.” “Look like the innocent flower, but be the serpent under’t.” (1.5.62) Quoted in Macbeth written by Shakespeare relevant to Machiavelli’s definition of leader. According to Machiavelli’s definition of a leader comparing Macbeth from Shakespeare's Macbeth a leader in the eyes of Machiavelli’s? “People have to be afraid of you.” However “he must endeavor only to avoid hatred.” (Machiavelli XXII) Macbeth’s personality is...
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...fate of Macbeth and his companion, Banquo. Macbeth is currently the Thane of Glamis. The strange witches announce to him that he will become Thane of Cawdor and later King of Scotland. Lady Macbeth seeks this as an opportunity and advises Macbeth to murder King Duncan so he can take over the throne. At first, Macbeth is hesitant and fears the consequences of the action of murder. Macduff discovers King Duncan’s corpse and thereafter conveys the news to Ross. King Duncan’s sons, Malcolm and Donalbain, flee to England. The realization that Duncan’s sons and thereafter, Banquo and Fleance becoming heirs to the throne is a threat to Macbeth. He understands that as long as they are alive, the fear of his power will remain insecure. He succeeds in the murder of Banquo, however, Fleance is still alive. Macbeth begins to start hallucinating fatal images of daggers and blood stains after the ghost of Banquo visits him. Macduff...
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...text 'Macbeth' and in the film 'Gladiator' directed by Ridley Scott and how it can lead to one's downfall. Macbeth is shown as the "noble" hero by the King after slaying the Thane of Cawdor and claiming victory in the war for Scotland, while Ridley Scott's 'Gladiator' portrays Maximus as the "noble" hero but still not comparing to Macbeth like Commodus does in the film. Shakespeare effectively focuses on the cynical repercussions of ambition in 'Macbeth' and how it can lead to one's failure. Macbeth is shown as a wellborn protagonist after being regarded as "Noble Macbeth" by the King of Scotland, King Duncan after slaying the Thane of Cawdor and winning the war for his country. This starts to show the effects of Shakespeare's Aristotelian Tragedy where the tragic hero is established. Macbeth's ambition begins after he and Banquo are told their fates by prophesising witches. "All hail, Macbeth, that shall be king hereafter". This quote is indicated by one of the witches that starts to show the beginning of the end for Macbeth. The behaviour and attitudes of Macbeth and Lady Macbeth leading up to the murder of King Duncan are completely contrasted. Macbeth expresses great reluctance to act, convincing himself that the murder is unjustified, and will bring him great troubles, grief and negative consequences. "I have no spur to prick the sides of my intent, but only vaulting ambition". Macbeth says this to Lady Macbeth to show his hesitancy towards this act. Lady Macbeth on...
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...Lady Macbeth found via Google - not my own work In typical Shakespearean tragedies, female main characters aren't always treated brilliantly. In Hamlet, Ophelia goes down the "I shall obey, my lord" route. In Othello, Desdemona goes down the "To you I am bound" route. Yet in Macbeth, this isn't quite the case. The most important female figure is Lady Macbeth, a cunning and manipulative woman who is associated with the supernatural. Instantly it can be argued that Lady Macbeth fits in with the later idea of certain Gothic women being 'sinister predators', or 'femme fatales'. | Dame Ellen Terry as Lady Macbeth | Lady Macbeth has been the subject of much debate for hundreds of years. Her role in the play is incredibly important and she is the subject of various interpretations. Her first appearance in the play is in act one, scene five. She opens by reading Macbeth's letter; instantly this seems to present her as a typical Shakespearean woman (when I say typical, I mean typical in terms of main female characters in tragedies being passive), since her first words are that of her husband's, as though she is bound to him. Then she stops reading the letter, and we start to realise that she isn't at all typical. She instantly states that Macbeth will be "what thou art promised", which shows a determination and strength of will that we may not have been expecting. She goes on to criticise her husband's nature, since he is "too full o'th'milk of human kindness". A wife...
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...male warrior that “Odysseus the great soldier” is, he, like many of the female characters, weaves his way through conversations to solve his problems. For instance, in book five, Kalypso the nymph, who is keeping Odysseus captive, says: “’though you wanted her forever, that bride for whom you pine each day… can I be less desirable than she? Less interested? Can mortals compare with goddesses in grace and form’ To this the strategist Odysseus answered: ‘My lady goddess, here is no cause for anger. My quiet Penelope… would seem a shade before your majesty.’” (Bk. 5 ln 218-226)...
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...A TEACHER’S GUIDE TO THE SIGNET CLASSIC EDITION OF WILLIAM SHAKESPEARE’S MACBETH LINDA NEAL UNDERWOOD S E R I E S E D I T O R S : W. GEIGER ELLIS, ED.D., ARTHEA J. S. REED, PH.D., UNIVERSITY OF GEORGIA, EMERITUS and UNIVERSITY OF NORTH CAROLINA, RETIRED A Teacher’s Guide to the Signet Classic Edition of William Shakespeare’s Macbeth 2 INTRODUCTION William Shakespeare developed many stories into excellent dramatizations for the Elizabethan stage. Shakespeare knew how to entertain and involve an audience with fast-paced plots, creative imagery, and multi-faceted characters. Macbeth is an action-packed, psychological thriller that has not lost its impact in nearly four hundred years. The politically ambitious character of Macbeth is as timely today as he was to Shakespeare's audience. Mary McCarthy says in her essay about Macbeth, "It is a troubling thought that Macbeth, of all Shakespeare's characters, should seem the most 'modern,' the only one you could transpose into contemporary battle dress or a sport shirt and slacks." (Signet Classic Macbeth) Audiences today quickly become interested in the plot of a blindly ambitious general with a strong-willed wife who must try to cope with the guilt engendered by their murder of an innocent king in order to further their power. The elements of superstition, ghosts, and witchcraft, though more readily a part of everyday life for the Renaissance audience, remain intriguing to modern teenagers. The action-packed...
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...Comparing Ambitions Macbeth and Rob Hall are both very ambitious characters within their storyline. While they both have the same theoretical goal, their approaches differed. Macbeth’s ambition led him to the path of take the life of his infamous king and his best friend to conquer glory, while Rob had no intention of becoming a king or desiring fame. Ultimately their fates were sealed; Macbeth was killed with everyone in Scotland knowing that he was a horrible king, while Rob passes with everyone knowing him as a true hero. Ambition can come in the form of pure or evil, but the ambition’s true intention will reveal itself in the end. Macbeth was a warrior of high regards; he fought for the noble King Duncan, and won many battles. According to Lady Macbeth, Macbeth was “too full o’ th’ milk of human kindness,” (1.5) but this was not enough for Macbeth. He...
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...Macbeth is a play written for James I after the death of Queen Elizabeth. James was intrigued with witchcraft and the love of Scotland. In order to understand Shakespeare's Macbeth you have to understand the time and historical period which it is set. This is the Elizabethan period which is the late sixteenth and early seventeenth century when there was an authoritarian government. In this era the monarchy ruled the governments, they needed to raise strong and loyal armies to protect and rule their counties. Shakespeare chose legends and events in Scottish history to dramatise Macbeth, which he uses from the "Holinshed's chronicles around 1050 AD", that he alters and manipulates these freely to portray Macbeth's loyalty and then his destruction...
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...In different periods of time, the lives of humans and nature were thought to have a connection, and this is emphasized in William Shakespeare's play MacBeth. In this play, unnatural events in nature foreshadow bad or unnatural occurrences in the lives of humans. Through out the play, Shakespeare continuously proves this point. When Ross said "As sparrows eagles or the hare the lion" (I.ii.35), it proves this theory. Common knowledge says that sparrows do not classify as eagles does a hare classify as a lion. They may have similarities, such as they are both birds or mammals, but they are opposites. After the quote is spoken, Ross reveals that the Thane of Cawdor has betrayed his country and Macbeth shall take his place. Macbeth becoming the Thane of Cawdor was an unusual event and not expected. When Macbeth finds the dagger in front of him, it alludes to this point even more. The foreshadowing of Macbeth's choice becomes evident when he says, "Nature seems dead" (II.i.50) For nature to seem dead would be the complete opposite of living because nature is thought to be continuously growing and changing, not dying. This is an unnatural event, that again foreshadows something bad, which is Duncan's death. Other unnatural occurrences happened prior to Duncan's death but were not explained until afterwards. When the old man says "'Tis unnatural / Even like the deed that's done. On Tuesday last A falcon tow'ring in her pride of place, was by a mousing hawk killed"...
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...Bloom’s Classic Critical Views W i l l ia m Sha k e Sp e a r e Bloom's Classic Critical Views alfred, lord Tennyson Benjamin Franklin The Brontës Charles Dickens edgar allan poe Geoffrey Chaucer George eliot George Gordon, lord Byron henry David Thoreau herman melville Jane austen John Donne and the metaphysical poets John milton Jonathan Swift mark Twain mary Shelley Nathaniel hawthorne Oscar Wilde percy Shelley ralph Waldo emerson robert Browning Samuel Taylor Coleridge Stephen Crane Walt Whitman William Blake William Shakespeare William Wordsworth Bloom’s Classic Critical Views W i l l ia m Sha k e Sp e a r e Edited and with an Introduction by Sterling professor of the humanities Yale University harold Bloom Bloom’s Classic Critical Views: William Shakespeare Copyright © 2010 Infobase Publishing Introduction © 2010 by Harold Bloom All rights reserved. No part of this publication may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For more information contact: Bloom’s Literary Criticism An imprint of Infobase Publishing 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data William Shakespeare / edited and with an introduction by Harold Bloom : Neil Heims, volume editor. p. cm. — (Bloom’s classic critical views) Includes bibliographical references...
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