...will be looking to determine whether or not it can be classified as a Gothic novel. Initially, I will present a short story of the Gothic and dwell briefly on the era of its publication. The paper will also examine the various characteristics that are common amongst gothic literature so as to run a comparison with this work. Several aspects like the surroundings, natural environment, the role of females in the Gothic novel, atmosphere, as well as the story’s Villain, will be compared with the elements that can be seen in the publication Dracula (Frank, 1988). I will attempt to find out the reasons why Gothic novels are normally so attractive. It is essential to break certain taboos so as to develop an atmosphere of fear and danger. I will examine Dracula to determine whether or not it contains similar elements. Meaning of Gothic novel According to the Oxford dictionary, Gothic refers to the architectural style that was common in Western Europe in the period that span between the 12th and 16th Century. It was mainly characterized by a ribbed vault, pointed arch as well as pillars that are clustered (Bernstein, 1991). This term was mostly used in connection with an individual that behaved like a barbarian. This was because of the destructive and primitive German tribe that was called the Goths. The Goths used to invade Western and Eastern empires from the 3rd to the 5th centuries (Le Tellier, 1980).The Gothic genre has a flexible register that was able to be employed under every...
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...she in heaven? He hears a tapping on the window and opens it to acknowledge a raven, obviously someone’s domesticated bird that has escaped its owner, looking for protection from the raging storm. The raven can only say one word, “nevermore.” When the man, interested by this happening, asks the raven questions, its reply of “nevermore” strikes a sorrowful echo in his heart. I also like the gothic side of the poem by showing a victim being tortured. When you start you might think tortured? But the torturer is the narrator. The gothic horror is also shown by the setting “Once upon a midnight dreary,” however he cannot escape, he chooses not to. The best theme of the story is the spooky atmosphere. Lastly the power of the raven he was over powering the narrator with the word “nevermore.” This depicted that the mans mind was over powering him and more and more depression. In comparison with “Coroline” the plot wasn’t simple. It was confusing and she was going back and forth and you lose track. Also the ‘gothic horror’ isn’t gothic horror it doesn’t show the 5 characteristics a gothic literature should...
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...Top Ten Assignment The Enlightenment and Romanic Ages produced numerous masterpieces in art, music, architecture, and literature which people still enjoy today. These opus magnums along with the philosophies during the two periods are reflections of the developments in world events and cultural patterns. This paper will present two pieces of art, music, architecture, literature, and philosophy from the Enlightenment and Romanic Ages that best represents the developments patterns from that time. Philosophy in the Enlightenment Age focused on an individual’s right to life and liberty. One example of a philosopher from this age is Thomas Jefferson. He famously wrote the Declaration of Independence (1776) that the Continental Congress signed declaring the United States free from the oppression of England. The document begins with, “We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty, and the pursuit of Happiness” (us history, 2013). Another such example of philosophy during the Enlightenment Age are the works of Thomas Paine. He wrote two of the most highly influential pamphlets at the start of the American Revolution. One such pamphlet is Common Sense (1776) (us history, 2011) the all-time bestselling book that advocates America’s independence from Great Britain. Thomas Jefferson and Thomas Paine were chosen as examples because we believe the Declaration...
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...and how it has managed to reinvent itself inside and against mainstream society since it emerged during the 1980's. I have chosen to pick Goths for this essay as they have managed to last as a subculture in many countries worldwide and in my view have successfully distinguished themselves from the dominant culture in society. This essay will try to define what the group is, it will explain what a subculture is and how Goths are a part of that subculture, and it will outline and explain the concept of values with respect to the Goth group while differentiating those values between the gothic subculture and the dominant culture in society. Through norms, dress, language and artifacts it will also show why Goths should indeed be classed as a subculture, separate to that of mainstream society, as they have identified themselves as a subculture through symbols and nineteenth century gothic literature influences as well as contemporary imagery and style through horror films (Hodkinson 2002). The concept of subcultures can be traced back to Frederic Thrashers work on Chicago gangs, when he identified that the gang had its own distinct traditions, morals and their own structure as a group which largely contributed to separating members of that gang from the dominant culture of society (Thrasher 1927). There are many different definitions surrounding the concept of subcultures, Kamarovsky and Sargent, said that subcultures refer to certain cultural variants which are shown by certain...
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...Ages Architecture In this paper we will compare and contrast the temple/cathedral architecture from classic and Middle Ages art periods. The Classical art period covered a time frame of approximately 480 BC to 300 AD. We will focus on Greek Architecture during the Golden Era of Athens 460-429 BC (Sakoulas, n.d.). The Middle Ages began after the fall of the Roman Empire around 310 AD and lasted approximately 1000 years; therefore we shall concentrate on the architecture of the 10th and 11th centuries. In order to conduct period architecture comparisons we will select the elegant Parthenon to represent the Classical era and the Notre Dame Cathedral Paris to represent the Middle Ages. Let us examine what was going in Athens, Greece during the Golden Era. The Greek people of this period were cultured, religious, thinkers, and industrious in their expression. The democratic citizenry of Athens, in particular, were fond of literature, philosophy, theater, arts and above all their gods. Athens was a democracy lead by a senior politician named Pericles, workers were mostly freeman, slaves were few, craftsmen and wealth abounded (Durant, 1939, p. 110). The people of Athens worshiped all of the gods of Olympus, but none more than Athena the Goddess of Wisdom. Athena was the patron goddess and defender of Athens. Worship and prayers for protection were a strong part of the culture as the populace was in constant peril from wars within Greece and without. Wars with city states...
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...Literature Creation Methods of Poe’s Gothic Tales ——Review of The Fall of the House of Usher 英81 高云君 2008012742 As one of the most famous works by Edgar Allan Poe, The Fall of the House of Usher is the a masterpiece in American gothic literature. The prose is full with of elements and details which are unsettling and macabre. It was slightly revised in 1840 for the collection Tales of the Grotesque and Arabesque. Poe’s gothic novels have always been my readings before bed since I was younga child. In my childhood, following the unnamed narrator and walking towards that old and creepy house, I was immersed in the horrible storyline and experience the fantastic feeling of nightmare. Today when I look back on this literature work, I get some deeper understanding and . Ⅰ. Hellish environment setting ：Use of double space The whole environment and different scenes in the story are so hellish that the reader feels a kind of inexplicable asphyxia. I summarize some typical elements Poe uses to build a gothic atmosphere. Day: a dull, dark, and soundless day in the autumn. Location: a singularly dreary tract of country. House and surrounding: upon the mere house, and the simple landscape features of the domain - upon the bleak walls - upon the vacant eye-like windows - upon a few rank sedges - and upon a few white trunks of decayed trees. The precipitous brink of a black and lurid tarn. If that can be called the exterior space, then the internal...
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...“Although terrifying, many of the stories are also darkly comic.” Consider at least two of the stories from The Bloody Chamber in the light of this comment. * candidates must consider at least two stories here – they may consider more * exploration of the ways in which the stories may be considered terrifying, an aspect of the gothic – likely reference to the numerous instances of horrific violence, sexual depravity, supernatural powers, psychological fear etc * exploration of the ways in which some of the stories may be considered comic – “Puss-in-Boots” is obviously comic – other stories have moments of sardonic humour, often created by surprise or defiance of our expectations * Response to the word “darkly” in the question and its implications of black comedy – laughing at things which are not normally considered funny – expect some personal response here – sense of humour is very individual! * some candidates may discuss Carter’s language – her intermingling of the poetic and literary with the bluntly crude may be seen as a source of dark humour, equally her choice of structure may make her writing darkly comic – her use of juxtaposition – some readers have seen the absurd brevity of “The Snow Child” as comic and it is unquestionably “dark” Carter’s ‘The Bloody Chamber’ certainly embeds an element of terror within the collection. However, despite claims of horror apparent in the Marquis from the very start, it is also reasonable to argue that...
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...which dealt more to The Cask of Amontillado” than to “The Masque of the Red Death” Regardless of this, the stories are similar in many ways. For instance, both belong to the literacy of the gothic genre, it shared a small theme, and the characters shared a lot of the same characteristics. Poe known as a great writer how was his overall literary style determined for these two short stories? The similarities of both tales belong to the gothic genre. This is true from large number of features presented in either one or both of the stories. The most prominent were the dreary, damp, and decaying catacombs of the “The Cask of Amontillado” and the dark themes such as death and insanity, which was a consistent presence in both stories, in the forms of madness of Montresor and Prince Prospero and death of Fortunato and Prince Prospero, along with his guest who took shelter from the Red Death in Prospero’s palace. Other features common to the gothic literature of the narratives were mysteries in the shape of the mysterious shrouded figure in “The Masques of the Red Death” and how Montresor would avenge himself against Fortunato in “The Mask of Amontillado” and the fact the setting was in a palace; just like the setting in “The Masque of the Red Death, which were normally used frequently to set gothic ideas. The stories are alike which shared a minor theme, even though the main subject matter differed greatly. Reprimanding those who indulged excessively in luxuries at the expense of others...
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...PREFACE This major project examines the indispensable desiderata of Transcendentalism in comparison to the Dark Romantics background and how these technicalities prepare this work of art as an influential synthesis of human imagination incorporated with mystic facts. Transcendentalism and Dark Romanticism were two literary movements that occurred in America during roughly the same time period (1840—1860). Although the two had surface similarities, such as their reverence for Nature, their founding beliefs were quite different, enough to make one seem almost the antithesis of each other. Moreover one’s genesis is ventured out from other; i.e. Dark Romanticism from the roots of Transcendentalism or precisely the lacunae are best determined for raising up the term called Dark Romanticism. Contents S. No. Page no. Chapter 1.........................................................................................................4-14 Chapter 2.........................................................................................................15-23. Chapter 3..........................................................................................................24-27 Resolution.........................................................................................................28-29 Work Cited................................................................
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...Renaissance Comparison Essay Candyce Kettler Hum/205 Jill Hunt August 29, 2010 We top Italian society's rebirth from the medieval period with the changes that occurred during the Italian Renaissance. Civilization was changing and what we consider the modern world was about to begin. The renaissance doings that happened in Europe outside of Italy is called the Northern European Renaissance. Italy's humanist ideas and values moved out of Italy and throughout Europe, which spurred on the Northern European Renaissance. The Renaissance period began in the early 14th Century and lasted until the late 16th Century. “Renaissance” comes from the French word that means “rebirth.” This time period is named and studied because of its unique art, literature, and music. It is also known as society's modern age. Early in the 14th Century, Italian scholars started to study the ancient cultures that preceded them, like those of Greece and the Roman Empire. This scholarly interest would lead to the Italian Renaissance. Italy and Europe was ready for change after the harrowing destruction of the Black Plague in the Middle Ages. Florence, Italy, was the home of the start of the Renaissance. After the collapse of the Roman Empire, culture, politics, and the arts had only been in decline. Petrarch advocated learning about Italy's Latin and Roman history. The Pope and the royalty liked this idea, so other scholars begun to study in the same vein. These scholars valued the accomplishments...
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...LITR211 16 February 2014 Heart of Darkness Criticism Joseph Conrad’s Heart of Darkness is a novella that despite its short length constructs a tale that is as dense and complex as the undergrowth of the jungle through which the main character travels. The tale, which begins as a frame narrative on the Thames in London, chronicles Charlie Marlow’s descent from Belgium into the heart of Africa in search of Kurtz, the infamous chief of the inner station. As Marlow travels through Africa, we are treated to a wildly different view of Africa then we typically see in popular culture, with the book portraying the harsh realities of Colonialism while also creating an atmosphere of dread and horror. This atmosphere is incredibly critical to the way in which we view the story, which has been criticized both as a racist text and as the first truly critical account of Imperialism. The journey culminates at the inner station where Marlow meets the legendary Kurtz, a character so complex that critics are still analyzing his purpose in the story. Heart of Darkness, is certainly one of the most polarizing novels of the last few centuries, with critical essays singing its praises and damning its aesthetics being almost equal in sheer volume. The watershed of criticisms towards Conrad’s visionary novella burst with Chinua Achebe’s scathing write up of the story, with its famous defaming of Conrad as a “bloody racist” (Achebe 343), that ends with the suggestion that it be banned from student...
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...It has often been said that death is a new type of life. People have debated on whether there is life after death, the nature of death, human emotion towards death, and what death exactly is for centuries. Throughout all known history, individuals have used literature, art, philosophy, and media to portray and justify a true view and accurate representation of the nature of death and all that it entails. This is no less true in southern gothic writing and in the writings of William Faulkner. Published on April 30, 1930 in a major magazine at the time, Faulkner’s “A Rose for Emily” showcases the life of Ms. Emily Grierson, a local townswoman, and is captured in a mysterious and eventually horrific context that allows the reader to understand the sadness and morbid side of death. The story is a set in a southern context that Faulkner knew all too well and contains implications of contrasts between northern and southern society. Faulkner uses many different elements in this work to portray death in its entire grotesque and horrifying splendor. Particularly, Faulkner uses two certain elements to accomplish this task. Faulkner successfully conveys the theme of the power of death in “A Rose for Emily” by incorporating the use of the literary elements of foreshadowing and narrative voice. Faulkner’s use of foreshadowing works to reveal the theme of death in this work rather well. The story is divided into five different passages, each detailing a progression towards death – the...
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...Culture Terms: Trojan War, anthropomorphism, polytheism, monotheism, Archaic Age, Classical Age, Hellenistic Age Art & Artworks: Sculpture: relief sculpture, free-standing sculpture, idealism, naturalism; characteristics of Archaic sculpture, kouros, kore; characteristics of Classical sculpture, Myron, Discus Thrower, Polycleitus, Spear-Bearer, Canon, unknown sculptors, Zeus, Three Goddesses,, Praxiteles, Aphrodite of Knidos; characteristics of Hellenistic sculpture, Laocoon and his Sons, Old Shepherdess ; Architecture, frieze, pediment, entablature, capital, metope, triglyph,; Characteristics of Doric, Ionic, and Corinthian styles, Parthenon, Temple of Athena Nike, Erectheion (with Porch of the Maidens), Propylaia Literature & Drama: epic poetry, Epic of Gilgamesh, Homer, Iliad, Odyssey; Hesiod, Theogony; Theater of Dionysus, tragedy, comedy, Oresteia of Aeschylus, Antigone & Oedipus the King by Sophocles, Medea by Euripides, Lysistrata by Aristophanes, characteristics of tragedy, hubris, hamartia, catharsis Thought: Pre-Socratic Philosophers, Thales, water, Xenophanes, Democritus, atoms; Socrates, Plato & theory of forms, Allegory of the Cave, Republic, Aristotle, criticisms of Plato, soma, psuche, excerpt from Aristotle Roman Culture Terms: Octavian=Augustus, Roman Republic, Roman Empire Art & Artworks: Sculpture: Augustus of Primaporta, Victory Column of Trajan, Aristocrat with Portrait Busts,...
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...a time when women were considered social embellishments, and nothing more than offspring bearers for that matter. She defied these beliefs by doing something no women did in that time, write. This book was revolutionary, especially since the release of Jane Austen’s works, which had a lot more of a happy ending feel that were published a century before. Charlotte Brontë and her sisters Emily and Anne, wrote novels that were much more dark and mysterious. Jane Eyre became one of the most successful novels of its era. This novel is set in the early decades of the nineteenth century, and depicts themes such as social class, religion, and gender relations. The novel is a hybrid of three genres: a romantic novel, a bildungsroman novel, and a gothic novel. Each of these genres are used in Jane Eyre, and rightfully so. They help to tell the story of Jane Eyre’s life in the most mysterious, sometimes supernatural, and retrospective way. I believe that Charlotte Brontë depicted her life through the novel of Jane Eyre, she did this by using her own experiences in life, namely through some key developments from her life translated into Jane Eyre’s life. Jane Eyre and Charlotte Brontë embody each others lives. This is clear through all the similarities between the novel and real life. Some examples of these are: both Jane and Charlotte being orphans, both living with an aunt, Jane attending Lowood and Charlotte attending Cowan Bridge, a school for clergymen’s daughters, Charlotte losing...
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...describe, in differing ways, states of mind on ‘the Edge’. When they were first published, the contemporary reception to Keats’s poems and to Wuthering Heights was remarkably similar. Keats was described as writing ‘the most incongruous ideas in the most uncouth language’ , while Bronte’s novel (published under the male pseudonym Ellis Bell) was called ‘too coarse and disagreeable to be attractive’, and described as ‘wild, confused, disjointed, and improbable’ with characters who are ‘savages ruder than those who lived before the days of Homer.’ These accusations of ‘uncouth’, ‘coarse’ and ‘disjointed’ writing suggest that both authors had already crossed one edge with their writing: the edge of what was considered acceptable or respectable literature. One Flew Over the Cuckoo’s Nest, wrote Time magazine, is ‘A roar of protest against middlebrow society’s Rules and the Rulers who enforce them’, and could therefore be seen to cross a similar edge, represented here by defying the ‘Rules’ of ‘middlebrow society’. Pushing and breaking this boundary edge is a factor that unites these...
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