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Comparison of Streetcar Named Desire the Play and the Movie

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Janet Ng
Professor Faunce
WRT 102
7 March 2012 Textual Analysis of A Streetcar Named Desire

Based on Tennessee William’s A Streetcar Named Desire, Elia Kazan creates an award winning movie that helps readers visualize Stanley’s primal masculinity, the inner torments of the Kowalski women and the clash of the other characters’ problems which create a chaotic mess. Using stage directions in the play, William hints that Blanche is not who she appears to be while the movie subtly sheds light on Blanche’s strange little habits that suggests a bigger issue. The movie also censors many of the main themes in Williams’ play but makes up for it by having its actors flawlessly portray the characters’ emotions, allowing the readers to see the conflict at its full magnitude. Both the movie and the play sympathize with the powerless women by underlining the important theme of women’s dependence on men. Blanche is an insecure, miserable older woman who masks herself as a rich, upper class lady. She continues to shy from reality and seduce men as she cannot comprehend that her reliance on men will ultimately lead to her downfall. “Now run along, now, quickly! It would be nice to keep you, but I’ve got to be good-and keep my hands off children.” (Williams, pg 99) This isn’t the first time that Blanche has put moves on a kid as made evident when she states “I’ve got to be good and keep my hands off children.” She clearly hasn’t learned her lesson after losing her job. The scene is even more ironic when Mitch comes running in right after the boy leaves, with a bouquet of flowers. Perhaps she’s learned that if she is to get in trouble, at least she should get in trouble for indulging herself with multiple men. Stella like Blanche is also reliant on men and continues to go back to Stanley despite the fact that he is abusive. Ultimately Blanche is sent to a mental asylum and

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