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Composition Reflection

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NOTICE TO CANDIDATE

The work you submit for assessment must be your own. If you copy from someone else, allow another candidate to copy from you, or if you cheat in any other way, you may be disqualified from at least the subject concerned.
Declaration by candidate - I have read and understood the Notice to Candidate (above). I have produced the attached work without assistance other than that which my teacher has explained is acceptable within the specification.

Candidate’s signature: …………………………………………………………… Date: ………………………… Composition 1 (Western Classical Tradition) – Title: Stimulus (to be completed by candidate). | General details of composing (to be completed by candidate). Include exact details of how composing software was used (samples/loops/use of arrangement facility, etc). For live performances candidates must provide exact details of their individual contribution during the recording process. |

SUPERVISION AND MONITORING: Composition 1 (Western Classical Tradition).The following three sections are to be completed by the candidate and countersigned by the teacher during the composition process to show development and progress. | CHECK 1Describe the planning and opening draft, including any advice received during the initial stages of the composition. | Teacher signature: Date: | CHECK 2Explain the process of composition during the developmental stages of the piece, including the nature of any help or advice received. | Teacher signature: Date: | CHECK 3Describe the final stages of the compositional process, including details of presentation and advice received. | Teacher signature: Date: |

Composition 2 (Free Composition) - Title: Chamber music for the soul Stimulus (to be completed by candidate). When first starting my composition I was given 4 instruments to compose for these were; flute, oboe, violin and cello. This was my first time ever writing for these instruments and I begun by creating a melody line for my oboe in the time signature of 4/4, however it was only till later on in the piece that I decided to change my structure from ABA to themes and variations. | General details of composing(to be completed by candidate). Include exact details of how composing software was used (samples/loops/use of arrangement facility, etc). For live performances candidates must provide exact details of their individual contribution during the recording process. I used Sibelius 7 to create my free composition only to be sent to the exam board no loops or samples were involved during this process, everything was written using Sibelius. This includes the addition of notations, performance directions, dynamics and various articulation throughout the piece, this was needed to give the piece a lot more feeling and liveliness when being played live. I am not able to play any of the instruments I wrote for which made it much more challenging on my behalf. Throughout the academic year Everyone was working the same way in terms of keeping to many deadlines, my contribution during the live performance was that I was present when my composition was being played so that I was able to point out any mistakes if necessary. Overall I was very happy with the way my piece was performed it really did bring my piece to life being completed and played with the live instruments. I got my inspiration mostly from Mozart - 12 variations on ‘Ah, vous dirai-je maman’, K.265/300e, I was intrigued by how he used themes and variations and wanted to implement these techniques into my free composition I started composing by coming up with melodies on the keyboard first of and accompanying this melody with a chordal structure. |

SUPERVISION AND MONITORING: Composition 2 (Free Composition).The following three sections are to be completed by the candidate and countersigned by the teacher during the composition process to show development and progress. | CHECK 1Describe the planning and opening draft, including any advice received during the initial stages of the composition. The opening draft of my composition was very different to others in a sense that I had changed my whole piece being half done to then starting another but using the main melody from my old piece as a waypoint to creating a new piece. My first piece of advice prior to changing my composition was that my piece had no sense of melody, it felt all over the place and always felt that the piece was coming to an end very early although there was a sense of different themes in the slightest part and that is what spurred the idea of creating a whole piece based on themes and variations. | Teacher signature: Date: | CHECK 2Explain the process of composition during the developmental stages of the piece, including the nature of any help or advice received.By this point I had come up with 2 variations of which worked well together but that was literally only the start of my piece. I had still to do the key change, change of time signature, and different variations within those components. I had been told to make sure I think about the golden list when doing my variations still basing it around the original melody and chords and that if I stuck by this then my variations would be a lot better also it would help greatly when modulating and when it came to changing my time signature | Teacher signature: Date: | CHECK 3Describe the final stages of the compositional process, including details of presentation and advice received.It had got to the point where I had now finished all sections of my themes and variations including the input of my new key and new time signature. There had been issues with my 6/8 section where certain parts where written in 3/4 to create a hemiola with a syncopated feel but it just wasn’t easy to play so I then adjusted this so that it was easier to play but it still wasn’t working so I completely removed the hemiola and also changed the way I had written the beginning parts of all sections in my 6/8 variation. After this I had to make sure all my slurs, ornamentation and dynamic markings where up to scratch which although was an ongoing process throughout my developmental stages of my free composition it still needed some final adjustments in the final stages so I made sure I had completed it all. | Teacher signature: Date: |

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