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Creative Destruction and Copyright Protection

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media policy brief 1

Creative Destruction and Copyright Protection
Regulatory Responses to File-sharing

Bart Cammaerts and Bingchun Meng
London School of Economics and Political Science Department of Media and Communications

LSE Media Policy Project: Media policy brief 1 Creative destruction and copyright protection

Acknowledgements
The authors would like to thank Professors Robin Mansell and Sonia Livingstone for their insightful editorial contributions on earlier drafts of this media policy brief. We are also grateful for the research and organizational assistance of our resourceful and talented interns: Dorota Kazcuba, Nate Vaagen, Ben Murray, Davide Morisi and Liam O’Neill. In addition, Jim Killock and Mark Margarattan contributed to stimulating discussion during the project’s expert meeting on ‘File-sharing, the DEA and its implementation’. The LSE Media Policy Project is funded by the Higher Education Innovation Fund 4.

LSE Media Policy Project Series Editors Zoetanya Sujon and Damian Tambini

Creative Commons copyright licence, Attribution-NonCommercial. This license lets others remix, tweak, and build upon your work non-commercially, and although their new works must also acknowledge you and be non-commercial, they don’t have to license their derivative works on the same terms.

March 2011. LSE Media Policy Project. http://blogs.lse.ac.uk/mediapolicyproject/

1

LSE Media Policy Project: Media policy brief 1 Creative destruction and copyright protection

Key Messages o The DEA gets the balance between copyright enforcement and innovation wrong. The use of peer-to-peer technology should be encouraged to promote innovative applications. Focusing on efforts to suppress the use of technological advances and to protect out-of-date business models will stifle innovation in this industry. o Providing user-friendly, hassle-free

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