...and wasn’t afraid. Her actions, and ideas contrast with Creon’s character to the point of these two characters having conflicting motivations. These conflicting motivations cause the characteristics of her sister, Ismene, Creon’s guard, and Creon’s son, Haemon. This all started when the guard found Antigone breaking laws, he took her to Creon, then the conflict started. It all started with Ismene, she tried defending her sister, Antigone. She tried telling Creon that Antigone did it for good reasons and not to just break laws. Creon tried to sentence Antigone to punishment but Ismene wouldn’t allow that to happen. She kept conflicting with Creon to not sentence Antigone to anything. She wanted to save her sister. Creon wasn’t listening to Ismene though, he completely...
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...The Tragic Character of Antigone In any type of literature, there will always be a hero who experiences the stages of a tragic hero and fall into their depths of misery. In the play of “Antigone,” Creon and Antigone or two of the two tragic characters mentioned in the play met similar tragic fates and endings. Both of the characters also similar caused their own downfall and tragic endings by their ignorance (harmania), flaw (hubris), and mistakes earlier in the story. But as any tragic hero, Antigone did meet her tragic fate as any character would, she isn’t the tragic character in “Antigone”. Although she met a similar fate she’s just another main character to help push Creon into becoming a tragic hero. One of Creon’s flaw that led him...
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...Maintaining or practicing resistance in a developing fascist country populated by nationalist sure is difficult. Thomas Carter’s film, Swing Kids, shows teenager Peter attempt to maintain internal battle of resistance of the Nazi regime. In Sophocles Greek tragedy, Antigone, Antigone shows her resistance by defiling the ruling of the developing dictator of Thebes Creon. Although the two’s situations differed in many ways, their common actions in rebelling from dictatorship while surrounded by pressuring nationalists, in the end proved a positive outcome. Antigone and Peter both have many differences in their situations. Antigone is conflicted with the king of Thebes, Creon’s, decision to ban the burial of one of Antigone’s brothers, Polyneices....
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...NAME: EMMANUEL ALICE LAMBAJO COURSE: STUDIES IN DRAMA QUESTION: ATTEMPT A DRAMATIC ANALYSIS OF THE PLAY ANTIGONE BY JEAN ANOUILH Dramatic analysis is the process of identifying the elements of the structure of a dramatic work such as a play, or film. There are six elements used when analyzing a drama which includes: exposition, inciting incidence, rising action, climax, falling action and the resolution. The exposition provides the background information needed to properly understand the story, such as the problem in the beginning of the story. It introduces the characters and the basic conflict in a play. Inciting incidence is an incidence which comes after the introduction of the characters and the basic conflicts. The rising action is when the basic internal conflict is complicated being the introduction of related secondary conflicts including various obstacles that frustrate the protagonist attempt to reach his goal. Climax, also referred to as turning point marks a change for the better or the worse in the protagonist affairs. Falling action therefore, is a moment of reversal after the climax. The conflict between the protagonists unravels with the protagonist winning or losing against the antagonist. Denouement, resolution or catastrophe comprises the event between the falling action and the actual ending scene of the drama. It serves as a conclusion of the story where the conflicts are resolved. Jean Anouilh’s Antigone is an adaptation of Sophocles’...
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...MEDEA Part 1 Analysis The first purpose of this section is to offer background information for the action about to unfold. It's important to note that at the time the play was first produced, most people in the audience would have known the story of Medea and Jason when they came into the theatre. The myth was part of Greece's cultural and societal heritage. The interest in coming to the theatre, for the Greeks, was to see how the playwright illuminated larger questions of human existence by telling the story in his particular way. This particular playwright's viewpoint appears in the conversation between the Tutor and the Nurse, specifically the Tutor's reference to selfishness ("everyone loves himself more than his neighbor"). The two main characters in this play, Medea and Jason, are models of selfishness. Both of them are concerned with meeting their own needs, acting on their own desires and doing what they think is right without any consideration for anyone else. They both take their selfishness to extremes. Jason leaves his wife for a younger, prettier and richer woman just because he wants to, and the excuses he gives for doing so in Part 2 are just that - excuses. Medea sacrifices four innocent lives because she so desperately wants to cause Jason pain. The question of whether she's justified in that desire will be examined later. Note that this is a different question from whether she's justified in killing her children. The Chorus functions in a similar...
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...Name Class Professor Date Oedipus Character Analysis Oedipus’s is a character of confidence and instantaneous action throughout the play. In just the few short pages of the play we see him interrogate Creon and threaten to banish both him and the oracle Tiresias, bring forth both the survivor from his confrontation with Laius and the shepherd who delivered him from the mountain to Corinth as an infant, and gouge out his own eyes and requesting Creon to banish himself as a form of punishment for killing his own father and sleeping with his mother. Throughout the story, Oedipus is always making swift decisions and action in an attempt to keep his head above water as his own fate tries to swallow all that he holds dear. As his fate rapidly begins to suffocate him, it is easily apparent that some of his swift, confident decisions are becoming more dangerous and rash. His attempt to banish both Creon and Tiresias off of pure accusation due to Tiresias’ unwillingness to inform him of Laius’s killer is a perfect example of how his anger and frustration can get the best of him. In the end however, Oedipus makes up for his crimes in a noble form of punishment to his own self. In order to save both his city and his family he begs forgiveness from the gods by cutting out his own eyes and requesting that Creon banish him from the city. This final act of noble sacrifice shows that even till the end, Oedipus was a man of swift action and always had a plan. Oedipus would have been a great...
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...Creon and Haemon; Conflict of Antigone Creon and Haemon have dissimilar points of views when it comes to Antigone because Haemon has affection for Antigone while Creon feels animosity towards her. In the play, “Antigone” Sophocles tells the story of King Creon who rules Thebes the town. Haemon who is the son of the king falls in love with Antigone. Antigone is the niece of Creon and sister of Polynices. She plays a stubborn character. When her family is involved with the situation her attitude becomes aggressive. Polynices who is a traitor takes his last breath fighting against Thebes. The King announces anyone to honor or bury the body of Polynices would suffer a death due to the fact that he was a traitor of Thebes. The conflict of the play involves Antigone who disobeys Creon’s authority. In the speech between Haemon and Creon an Antigone is revealed between the two that exhibits Creon’s misogyny and Haemon’s analysis of his father’s discriminating attitude toward women in general. Note the tone in the following quotation: Creon: “Oh Haemon, Never lose your sense of judgment over a woman. The warmth, the rush of pleasure, it all goes cold in your arms, I warn you…a worthless woman in your house, a misery in your bed. What wound cuts deeper than a loved one turned against you? Spit her out, like a mortal enemy- let the girl go. Let her find a husband down among the dead” (1328). Creon expresses misogyny in this quote. He consults with his...
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...Literary Analysis of Antigone Sandra Peppers South University Antigone is an epic Greek tragedy written, by Sophocles, around 442 B.C.E. The women of ancient Greek were considered to be less significant than were the males of the same time period. As with this tragedy, gender roles play a pivotal part in understanding why Antigone, the female heroine, did what she did and graciously accepted the punishment that she was dealt. During this particular epic, it will be evident that power, wisdom and experience lay with males, while females were subjected to the obedience and dominance of the males. The males of this era were more assertive and demanded respect from females, as well as other males. Antigone, in the play by the same name, is portrayed as a strong willed female who has strong family ties and will do whatever it takes to honor her family. Antigone is not one to stand aside and play the role of victim when, in her heart, she knows what is right. Antigone is the daughter of the late king of Thebes, Oedipus. After the death of Oedipus, Etecoles and Polyneices take turns in ruling Thebes, but ultimately die by each other’s sword. Antigone has just learned that Creon, the new king of Thebes (and her uncle), has just issued a law stating that Eteocles will have a proper burial whereas Polyneices, who was considered a traitor, will not be mourned or wept over. He will be left for the birds to feast upon; ‘ But the hapless corpse of Polyneices-as rumour saith, it...
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...sees expressions of female autonomy and liberty as unfavourable trends. Antigone and Jane Eyre both live in societies where a patriarchal culture dictates how these women should act within society, and what type of behaviour is acceptable, and which isn't. The control and subjugation of women – and the way they express themselves – can be seen as a consequence of discursive formations which aim to define the intrinsic qualities of men and women. It is in this context that the stories of Antigone and Jane Eyre can be seen as challenging conventional notions of gender and gender stereotypes, a highly pervasive discourse which affects a cluster of other ideas. This essay will argue that the characters Antigone in Sophocles' Antigone and Jane Eyre in Charlotte Bronte's Jane Eyre are characters who challenge gender discourses which were very prominent during their time, and subsequently, the ideational influences which structured leadership, the creation of identities, opinions regarding natural attributes, and cultural . While Antigone lives in a pre-modern society dominated by males who take the subservience and submission of women to be a given, Jane Eyre is a young woman within modern society who also challenges residual gender discourses which have normalized the importance of men within society. The following paper will attempt to first understand what a “discourse” truly is, and...
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...familiarity with Greek tragedies. Most people do not take the time to think about the elements that make them tragedies or make the characters in them tragic heroes. In one of the “earliest surviving works of dramatic theory” of the ancient Greek philosopher Aristotle, he laid out his rules for what is the foundation of a tragedy and a tragic hero. In the play by Sophocles, Oedipus stands out as a classic representation of what a tragedy hero is. Oedipus the book has key aspects that Aristotle said to make a tragedy and a tragic hero. One of the requirements for being a tragic hero according to Aristotle is "a [great] man who is neither a paragon of virtue and justice nor undergoes the change to misfortune through any real badness or wickedness but because of some mistake." There must be some mistake made by the character flaw that causes the great man’s fortunes to turn for the worst. Aristotle felt that there were certain plot devices that needed to take place in order for it to qualify as a tragedy and for the character to really be a tragic hero. Without a tragic hero there cannot be a tragedy happening, plot is a very important point. The plot of a true tragedy should be complex and consist of reversal and recognition. Both of these plot elements are contained within the play Oedipus the King. The play starts out highlighting Oedipus’ character by showing him talking to the grieving citizens in front of his palace. They are praying to the gods to stop the plague that is...
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...“…………”). * How to begin your paper: Jump straight to answering the question. Do not summarize the text, but rather write with a reader who is familiar with the text in mind. Also avoid general sayings such as “In human history, women have always been subordinated” or “Leaders tend to be very interesting figures.” One way to start your paper is with a question you will be answering. But don’t use the same wording – try to rephrase it, paraphrase it, or break it up. * Make sure you have a thesis statement that is not a statement of fact, but rather a statement of an argument. You do not need to write “in my opinion” or “I will argue” - this is implied, since it is your paper. Since each paper topic asks you to discuss two works or characters, your thesis may be something like: “Whereas author X depicts subject Y as Z, author A portrays subject B as C. The discrepancy (or...
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...Leaders make or break a population. Over time, people would not have made any evolutionary progress without the guidance of a higher figure over them. From Jesus to Alexander the Great to George Washington to even Adolf Hitler, the world has been filled with surprising… yet amazing leaders. One thing that has been of analysis lately, though, was if nobility plays a role in becoming an effective leader and to what extent does personal responsibility extend to the welfare of others. After analyzing fictional superiors it has become clear that everyone has their own “perfect way” of heading a group. It is known that everyone has done questionable things, but what type of role does it play when it’s while inspiring people that need motivation and...
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...Hamartia in Oedipus the King According to the Aristotelian characteristics of good tragedy, the tragic character should not fall due to either excessive virtue or excessive wickedness, but due to what Aristotle called hamartia. Hamartia may be interpreted as either a flaw in character or an error in judgement. Oedipus, the tragic character in Sophocles’ Oedipus the King, certainly makes several such mistakes; however, the pervasive pattern of his judgemental errors seems to indicate a basic character flaw that precipitates them. Oedipus’ character flaw is ego. This is made evident in the opening lines of the prologue when he states "Here I am myself--you all know me, the world knows my fame: I am Oedipus." (ll. 7-9) His conceit is the root cause of a number of related problems. Among these are recklessness, disrespect, and stubbornness. Oedipus displays an attitude of recklessness and disrespect throughout the play. When he makes his proclamation and no one confesses to the murder of Laius, Oedipus loses patience immediately and rushes into his curse. Later, he displays a short temper to Tiresias: "You, you scum of the earth . . . out with it, once and for all!," (ll. 381, 383) and "Enough! Such filth from him? Insufferable--what, still alive? Get out--faster, back where you came from--vanish!" (ll. 490-492) If an unwillingness to listen may be considered stubbornness, certainly Oedipus would take advice from no one who would tell him to drop the matter of his...
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...his free will diminished at this point letting his destiny control him and not the other way around. With these questions asked upon our own interpretation of the play we ask ourselves what kind of character is being shown by Oedipus from the beginning when he doesn’t know Laius to the confession that he may have killed his own father. Throughout the play the audience can gain a clearer picture of Oedipus as a man by the reactions that he gives toward the murder of Laius. The first question that we should ask is if the punishment that Oedipus received is appropriate for the crime that he has committed. In doing the analysis on this the first thing that should be looked at is how Oedipus felt about his situation, and the second is how Oedipus reacts when he finds out that he is the killer of Laius his father. Oedipus was adamant on finding out who the killer was so that justice could be served and the plaque that engulfs the village can be lifted, he cares about the people of the town and wants to try everything that he can even though he is blind to the fact that the one he killed might have been King Laius. When Oedipus first learns that he is the one that killed Laius his father he somewhat denied his involvement in the crime and accuses Tieresas with being in league with Creon to the throne. On one side Oedipus sympathizes when he learns about the plague being brought on by the murder of Laius but...
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...The Knight's Tale The Knight’s Tale (I) The Knight begins his tale with the story of Theseus, a prince, who married Hippolyta, the queen of Scythia, and brought her and her sister, Emelye, back to Athens with him after conquering her kingdom of Amazons. When Theseus returned home victorious, he became aware of a company of women clad in black who knelt at the side of the highway, shrieking. The oldest of the women asked Theseus for pity. She told him that she was once the wife of King Cappaneus who was destroyed at Thebes, and that all of the other women lost their husbands. Creon, the lord of the town, had simply tossed the dead bodies of the soldiers in a single pile and refused to burn or bury them. Theseus swore vengeance upon Creon, and immediately ordered his armies toward Thebes. Theseus vanquished Creon, and when the soldiers were disposing of the bodies they found two young knights, Arcite and Palamon, two royal cousins, not quite dead. Theseus ordered that they be imprisoned in Athens for life. They passed their time imprisoned in a tower in Athens until they saw Emelye in a nearby garden. Both fell immediately in love with her. Palamon compared her to Venus, and prayed escape from the prison; similarly, Arcite claimed that he would rather be dead than not have Emelye. The two fight over her, each calling the other a traitor. This happened on a day in which Pirithous, a prince and childhood friend of Theseus, had come to Athens. Pirithous had known Arcite at Thebes...
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