...business school, or currently enrolled in one, these picks serve as a kind of silver-screen curriculum on leadership, ethics, and the exercise of power. By Kiah Haslett Inside Job | 2010 Starring: Matt Damon, William Ackman, Daniel Alpert Recommended by: Judy Olian, dean of the UCLA Anderson School of Management This movie was made when Japan was showing the world how to make better products. The movie is about the clash and eventual reconciliation of cultures. Both cultures are overdrawn a bit, but the movie is thoughtful Joseph Thomas Norma Rae | 1979 Starring: Sally Field, Beau Bridges Recommended by: James W. Dean Jr., dean of the University of North Carolina's Kenan-Flager Business School. Leadership doesn't just come from the top. Norman Rae is a single mother who—despite great personal risk—fights to unionize her textile mill to improve terrible working conditions. —James W. Dean Jr. Patton | 1970 Starring: George C. Scott, Karl Malden, Stephen Young. Recommended by: Robert F. Bruner, dean of the University of Virginia's Darden School of Business A profile of the most aggressive American general in World War II. This movie prompts deep reflections on the emotional intelligence that must underpin true leaders —Robert F. Bruner Moonstruck | 1987 Starring: Cher, Nicolas Cage Recommended by: Paul Danos, dean of Dartmouth College's Tuck School of Business The...
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... from Preston Sturges and Billy Wilder to Alexander Payne. Jason Reitman mined the same territory in "Thank You for Smoking" and his smash hit, "Juno," and it's pleasing to report that he's taken another rewarding journey down this prickly path in his eagerly awaited new film, "Up in the Air." Boasting one of George Clooney's strongest performances, the film seems like a surefire awards contender, and the buzz will attract a sizable audience, even though some viewers might be startled by the uncompromising finale. Reitman and co-writer Sheldon Turner embellishes Walter Kirn's acclaimed novel about a man who spends much of his life in the air, traveling around the country to fire people for executives too gutless to do the dirty job themselves. The character is just about as unsavory as the corporate pimp played by Jack Lemmon in Wilder's "The Apartment." When a character begins as such a sleazeball, you know there must be a moral transformation lurking somewhere in the last reel. That redemption never quite arrives for Clooney's Ryan Bingham, which is one of the things that makes "Air" so bracing. Before the movie plunges into deeper waters, it seduces us with some of the most darkly hilarious moments to grace the screen in years. Clooney's crack comic timing makes the most of Ryan's acrid zingers as he savors a life without the vaguest threat of commitment. Trouble arises when his boss hires a young dynamo, Natalie (Anna Kendrick), who...
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...who will hold your main character back from achieving their goal • A fight (literal or metaphorical) between your main character and their opposition • An ending which answers the questions "Can the main character achieve his goal?" If your script can present such a story, along with a well thought out main character who the audience can relate to then you will all ready have the jump on most scriptwriters. Remember that once you have sold your script how it is presented and portrayed is all in the hands of the director and the actors. If you want the story in your script to shine then your structure must be solid. Think of the story structure as the framework and foundation of your scipt, from which you can create a wonderful piece of architecture. It doesn't matter how good the story idea, if your structure is weak then the story will fall flat. Perfect Plot Structure It doesn’t matter how good of an idea you have if you can’t find a way to tell the story. As a scriptwriter proper structure will give you the ability to convert your idea into a captivating story. The Initial Idea Your initial idea should be able to be explained in only one or two sentences. Talladega Nights: The Ballad of Ricky Bobby was sold purely on the idea “Will Ferrell as a NASCAR driver”, it can be that simple. You need to get your basic concept over with the Hollywood executives, and make it easy enough for them to remember so they...
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...The Presentation Secrets of Steve Jobs Carmine Gallo Columnist, BusinessWeek.com Table of Contents 10 Ways to Sell Your Ideas the Steve Jobs Way! ............................................................................................................................ 1 Plan in Analog .......................................................................................................................................................................................... 2 Create a Twitter-Friendly Description .............................................................................................................................................. 3 Introduce the Antagonist ...................................................................................................................................................................... 4 Focus on the Benefits ............................................................................................................................................................................ 5 Stick to the Rule of Three .................................................................................................................................................................... 6 Sell Dreams, Not Products................................................................................................................................................................... 7 Create Visual Slides .....................................
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........................ 3 Sociological Perspective....................................................................................................... 7 Post-Colonial Perspective.................................................................................................... 9 Conclusion............................................................................................................................... 13 References............................................................................................................................... 14 Introduction Fairytales have become an integral part of children literature. The various tales have been reinvented as picture books, novels, animated and real-life films. The stories have been twisted and shaped by an ever changing society to represent a wide range of the dominant society’s views. Among these they show perspectives on social class, women’s roles, cultural differences, religion, and human behaviour. As time goes on, the original tales are discarded and the altered stories become widely known and read. This can lead to the underlying perspectives of the altered stories become subconsciously engrained in the new generation. The effect of this can have a large impact on the views of individuals and groups. The question asked is do fairy tales actually have that much power to influence people’s viewpoints? Are they really biased towards the dominant culture? This essay will critique...
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...Disney's big animated movie for next summer; he loved the story but complained that some jokes were stale. Today he's holding a four-hour brainstorming session about Mickey Mouse, looking for ways to keep the 71-year-old rodent relevant. (One idea: a skateboarding Mickey.) Later, he'll watch Peter Jennings' newscast on Disney-owned ABC and surf the Internet to see how the company's Websites stack up. Is this any way to run the world's most troubled entertainment giant? After all, as Eisner sweats the details, earnings are dropping, top executives are defecting, and Disney stock is plunging like a ride down Splash Mountain. "Maybe I'm crazy," Eisner says, "but I don't consider this a crisis. I don't think our problems are in the fabric of our company. And I don't have my head in the sand." Sitting down for a two-hour interview, he admits mistakes. He says, for instance, that he should have settled former studio chief Jeffrey Katzenberg's suit against the company earlier to avoid a "parade of horrors" (see box). And he concedes that the company has sustained real damage: "It's like a train wreck, only nobody got killed." But Eisner denies that he has lost his touch. "The criticisms of me and Disney today," says the 57-year-old chief executive, "are as shortsighted as were the praises of me and Disney in the high economic times." Sunday nights on ABC, Michael Eisner--celebrated CEO, business magazine cover boy, and author of his own life story--still hosts The Wonderful World of Disney...
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...Corridors of Transition between 12 Angry Men and 12 “I have always found that mercy bears richer fruits than strict justice”. Abraham Lincoln “The virtue of justice consists in moderation, as regulated by wisdom”. Aristotle ”Nobody gets justice. People only get good luck or bad luck”. Orson Welles Justice = mid-12c., "the exercise of authority in vindication of right by assigning reward or punishment;" also "quality of being fair and just," from Old French justice "justice, legal rights, jurisdiction" (11c.), from Latin iustitia "righteousness, equity," from iustus "upright, just" . The Old French word had widespread senses, including "uprightness, equity, vindication of right, court of justice, judge." The word began to be used in English c.1200 as a title for a judicial officer. Meaning "right order, equity" is late 14c. Justice of the peace first attested early 14c. In the Mercian hymns, Latin iustitia is glossed by Old English rehtwisnisse. To do justice to (someone or something) "render fully and fairly showing due appreciation" is from 1670s. This word, with such a strong connotation, influenced and formed the basis of many philosophical...
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...Tyler Ryan Professor Wheeler English 101 April 22, 2015 Catcher in the Rye Jerome David (J.D.) Salinger was born on New Year’s Day in the year 1919, in New York City, “the second and last child of Sol and Marie (Miriam) Jillich Salinger” (Alexander 1). As a young boy, Salinger was interested in theatre and dramatics. Growing up, he attended a public school on the Upper West Side in Manhattan. He was always a very quiet and polite young man. His parents, Sol and Marie, thought he would fit in perfectly in a private school – seeing how well-mannered that young Salinger was – they “enrolled him in McBurney School in Manhattan in 1932” (Alexander 2), but, just as one of his most famous characters, Holden Caufield, he did not fit in very well in the private school, struggling to keep his grades satisfactory. Concerned, Salinger’s parents sent him to Valley Forge Military Academy when he was just 15 years old. “There he was active in drama and singing clubs. He sometimes wrote fiction by flashlight under his blankets at night and contributed to the school’s magazine” (Alexander 3). Salinger graduated in June of 1936 from Valley Forge, and then went on to pursue a brief, but significant college career. He began his education at New York University, but quickly dropped out “to try performing as an entertainer on a Caribbean cruise ship” (Alexander 4). When he was 20 years old, he worked toward his college career once again. He enrolled in a class at Columbia University to learn...
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...My Maid Invests in the Stock Market… My Maid Invests in the Stock Market Including: 4 Rules of Making Millions in the Stock Market And Why You Should, Too! Because Everyone Ought to Be Rich Bo sanchez 1 2 My Maid Invests in the Stock Market My Maid Invests in the Stock Market… And Why You Should Too! Because Everyone Ought to Be Rich Bo Sanchez 3 My Maid Invests in the Stock Market And Why You Should, Too! ISBN- 978-971-007-020-6 Copyright © 2010 by Eugenio R. Sanchez, Jr. Requests for information should be addressed to: Shepherd’s Voice Publications, Inc. #60 Chicago St., Cubao, Quezon City, Philippines 1109 P.O. Box 1331, Quezon City Central Post Office 1153 Quezon City Tel. No. (+632) 725-9999; Fax. No. (632) 727-5615 e-mail: sales@shepherdsvoice.com.ph All rights reserved. No part of this publication may be reproduced, except for brief quotations, without the prior permission of the publisher. Cover Design and Layout by Rey de Guzman 4 My Maid Invests in the Stock Market Disclaimer: Investing involves substantial risk. Neither the author, the publisher nor any of their respective affiliates make any guarantee or other promise as to any results that may be obtained from using this book. No reader should make any investment decision without first consulting his or her own personal financial advisor and conducting his or her own research and due diligence, including carefully reviewing the prospectus and other public filings of the issuer. To the maximum extent...
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...Present THE STONING OF SORAYA M. Directed by CYRUS NOWRASTEH Starring SHOHREH AGHDASHLOO MOZHAN MARNÒ and JIM CAVIEZEL Written by BETSY GIFFEN NOWRASTEH & CYRUS NOWRASTEH Based on the book “The Stoning of Soraya M.” by FREIDOUNE SAHEBJAM Rated R for a disturbing sequence of cruel and brutal violence, and brief strong language 114 Minutes NY PUBLICITY: Lina Plath/Clare Anne Darragh Frank PR 99 John St., #225 New York, NY 10038 Tel: 646-861-0843 Lina@frankpublicity.com ClareAnne@frankpublicity.com LA PUBLICITY: Fredell Pogodin/Bradley Jones Fredell Pogodin & Associates 7223 Beverly Blvd., Suite 202 Los Angeles, CA 90036 Tel: 323-931-7300 pr@fredellpogodin.com ROADSIDE ATTRACTIONS: Veronica Bufalini/Meghann Burns Roadside Attractions 7920 Sunset Blvd. #402 Los Angeles, CA 90046 Tel: 323-882-8490 VeronicaB@roadsideattractions.com MeghannB@roadsideattractions.com For publicity materials, please visit: www.roadsideattractionspublicity.com Official Website: www.thestoning.com THE STONING OF SORAYA M. ABOUT THE FILM In a world of secrecy, corruption and injustice, a single courageous voice can tell a true story that changes everything. This is what lies at the heart of the emotionally charged experience of THE STONING OF SORAYA M. Based on an incredible true story, this powerful tale of a village’s persecution of an innocent woman becomes both a daring act of witness and a compelling parable about mob rule. Who will join forces with the plot against her, who will...
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...CASE 21 The Not-So-Wonderful World of EuroDisney*—Things Are Better Now at Disneyland Resort Paris BONJOUR, MICKEY! In April 1992, EuroDisney SCA opened its doors to European visitors. Located by the river Marne some 20 miles east of Paris, it was designed to be the biggest and most lavish theme park that Walt Disney Company (Disney) had built to date—bigger than Disneyland in Anaheim, California; Disneyworld in Orlando, Florida; and Tokyo Disneyland in Japan. Much to Disney management’s surprise, Europeans failed to “go goofy” over Mickey, unlike their Japanese counterparts. Between 1990 and early 1992, some 14 million people had visited Tokyo Disneyland, with three-quarters being repeat visitors. A family of four staying overnight at a nearby hotel would easily spend $600 on a visit to the park. In contrast, at EuroDisney, families were reluctant to spend the $280 a day needed to enjoy the attractions of the park, including les hamburgers and les milkshakes. Staying overnight was out of the question for many because hotel rooms were so high priced. For example, prices ranged from $110 to $380 a night at the Newport Bay Club, the largest of EuroDisney’s six new hotels and one of the biggest in Europe. In comparison, a room in a top hotel in Paris cost between $340 and $380 a night. Financial losses became so massive at EuroDisney that the president had to structure a rescue package to put EuroDisney back on firm financial ground. Many French bankers questioned the initial financing...
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...CASE 21 The Not-So-Wonderful World of BONJOUR, MICKEY! In April 1992, EuroDisney SCA opened its doors to European visitors. Located by the river Marne some 20 miles east of Paris, it was designed to be the biggest and most lavish theme park that Walt Disney Company (Disney) had built to date—bigger than Disneyland in Anaheim, California; Disneyworld in Orlando, Florida; and Tokyo Disneyland in Japan. Much to Disney management’s surprise, Europeans failed to “go goofy” over Mickey, unlike their Japanese counterparts. Between 1990 and early 1992, some 14 million people had visited Tokyo Disneyland, with three-quarters being repeat visitors. A family of four staying overnight at a nearby hotel would easily spend $600 on a visit to the park. In contrast, at EuroDisney, families were reluctant to spend the $280 a day needed to enjoy the attractions of the park, including les hamburgers and les milkshakes. Staying overnight was out of the question for many because hotel rooms were so high priced. For example, prices ranged from $110 to $380 a night at the Newport Bay Club, the largest of EuroDisney’s six new hotels and one of the biggest in Europe. In comparison, a room in a top hotel in Paris cost between $340 and $380 a night. Financial losses became so massive at EuroDisney that the president had to structure a rescue package to put EuroDisney back on firm financial ground. Many French bankers questioned the initial financing, but the Disney response was that their views reflected...
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...contributions at The Youth Express, and Lifesourcing (www.shomprakash.com). For Roy, writing has been a necessity driven by experiences; more than anything else. Having struggled for survival for three straight years, he finally has a job that pays so that he can keep writing and stay alive at the same time. He dreams of the times of Hemingway and Bill Shakespeare, and idolizes Gabriel Garcia Marquez, Arundhati Roy and Rabindranath Tagore. The story “This is Friday” was presented via the blog Lifesourcing, and was accepted as a truly contemporary work of romance by thousands of readers. It was also promoted via different social media channels and as made its way to readers across India, the Middle East and the United States of America. It’s about one night that begins as a drunken journey across the protagonist’s favourite shopping mall to his favourite lounge in town. It explores a rhythmic side to the city of Bangalore, where the protagonist dwells upon his desires and deep-rooted values of friendship and “trust”. It also turned out to be the author’s first successful attempt to use the present continuous narrative form. His debut novel “The Pink Smoke” is being published by Grapevine India Publishers, he was signed on by Durjoy Datta and Sachin Garg for the same. You can learn more about the book at http://facebook.com/thisisfriday or check the book trailer on http://tinyurl.com/colorslifevideo Till then, enjoy reading “This Is Friday”! Part I. Detox Reality sucks...
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...CASE 21 The Not-So-Wonderful World of EuroDisney*—Things Are Better Now at Disneyland Resort Paris BONJOUR, MICKEY! In April 1992, EuroDisney SCA opened its doors to European visitors. Located by the river Marne some 20 miles east of Paris, it was designed to be the biggest and most lavish theme park that Walt Disney Company (Disney) had built to date—bigger than Disneyland in Anaheim, California; Disneyworld in Orlando, Florida; and Tokyo Disneyland in Japan. Much to Disney management’s surprise, Europeans failed to “go goofy” over Mickey, unlike their Japanese counterparts. Between 1990 and early 1992, some 14 million people had visited Tokyo Disneyland, with three-quarters being repeat visitors. A family of four staying overnight at a nearby hotel would easily spend $600 on a visit to the park. In contrast, at EuroDisney, families were reluctant to spend the $280 a day needed to enjoy the attractions of the park, including les hamburgers and les milkshakes. Staying overnight was out of the question for many because hotel rooms were so high priced. For example, prices ranged from $110 to $380 a night at the Newport Bay Club, the largest of EuroDisney’s six new hotels and one of the biggest in Europe. In comparison, a room in a top hotel in Paris cost between $340 and $380 a night. Financial losses became so massive at EuroDisney that the president had to structure a rescue package to put EuroDisney back on firm financial ground. Many French bankers questioned ...
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...12-Month Real Estate Millionaire Mark Rolton Part #1: My Million Dollar Profit Story Table of Contents Forward ........................................................................................4 About the Author .........................................................................9 About this Book ..........................................................................11 It All Starts in Your Mind ...........................................................15 You are what you think .......................................................................................15 What questions are you asking? ..........................................................................16 A new approach to wealth ..................................................................................17 What is Money? ..........................................................................20 A case for karma? ................................................................................................22 Cashflow from Control? .............................................................25 Developing short-term cashflow ..........................................................................26 Options give you time .........................................................................................26 12-Month Real Estate Millionaire - Part 1 2 Copyright © 2012 by Mark Rolton All rights reserved. No part of this book may be reproduced...
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