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1. Culture: The system of shared beliefs, values, customs, behaviours, and artifacts that the members of society use to cope with their world and with one another, and that are transmitted from generation to generation through learning
The theory of mass society[edit]
Mass society formed during the 19th-century industrialization process through the division of labor, the large-scale industrial organization, the concentration of urban populations, the growing centralization of decision making, the development of a complex and international communication system and the growth of mass political movements. The term "mass society", therefore, was introduced by anticapitalist, aristocratic ideologists and used against the values and practices of industrialized society.
As Alan Swingewood points out in The Myth of Mass Culture,[2] the aristocratic theory of mass society is to be linked to the moral crisis caused by the weakening of traditional centers of authority such as family and religion. The society predicted by José Ortega y Gasset, T. S. Eliot and others would be dominated by philistine masses, without centers or hierarchies of moral or cultural authority. In such a society, art can only survive by cutting its links with the masses, by withdrawing as an asylum for threatened values. Throughout the 20th century, this type of theory has modulated on the opposition between disinterested, pure autonomous art and commercialized mass culture.
The theory of culture industry[edit]
Diametrically opposed to the aristocratic view would be the theory of culture industry developed by Frankfurt School critical theorists such as Theodor W. Adorno, Max Horkheimer and Herbert Marcuse. In their view, the masses are precisely dominated by an all-encompassing culture industry obeying only to the logic of consumer capitalism.[citation needed] Antonio Gramsci's concept of hegemony

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