... Psychologist Phil McGraw starts his show every day saying, "This is going to be a changing day in your life.’’Dr. Phil wakes up every day at seven in the morning without a alarm. His plan for the day is to help people make their life better than the day before. If he does ever have a bad you would not be able to notice. It’s hard to make Phil mad but it does happen. He would not be where he wanted to be without his good friend Oprah. The professional Phil McGraw was born September 1,1950 in Oklahoma. As a young boy in high school he loved to play football. Phil received a scholarship from the university of Tulsa. He was not big on where he was playing so decided to transfer to the midwestern university. His life in other people’s eyes seemed to be great. Which it was excepted back at home.He went to work early, not to earn spending money, but to help put food on the table. Not always the best kid, at times, Phil says now, he basically raised himself.His dad had a huge alcohol addiction. He would go out every night and get drunk. His excuse was he needed to escape from his problems.Phil did not like his dad being gone every night. He thought that his dad was going to hurt himself. He may not be a practicing doctor, but he is a practicing businessman.McGraw and his father joined Thelma Box, a successful Texas businesswoman, in presenting "Pathways" seminars, "experience-based training which allows individuals to achieve and create their own results.Critics claim that...
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...In Harold Ramis’s film, “Groundhog Day” and Franz Kafka’s story, “The Metamorphosis”, both main characters are faced with a life-changing event because of the way they live their lives. In Groundhog Day the main character Phil is an arrogant, sarcastic weatherman absorbed in his own discomforts, without hope, and cut off from other people. He is forced to relive the same day, groundhogs day, over and over again. In “The Metamorphosis the main character is Gregor Samsa, a man who spends his time working to pay off a debt for his father. Gregor wakes up to find that he has turned into a beetle. Throughout these two works the main characters try to go back to living their life as before not realizing that this is their second chance at life to make things right. Phil manages to do so only by breaking through and becoming a person of intimacy, creativity and compassion which sets him free from his exile of living in the same day over and over again. As for Gregor, going from someone everyone depends on to something no one wants to care for, he doesn’t get a chance to have everything go back to normal. He dies and his family, for once, is relieved. Groundhog Day lets us experience what it would be like to make a breakthrough like this in our own lives. The movie shows us a character that is like the worst in ourselves. Like us, he finds himself in an inexplicable situation, something like fate. But, unlike us, he gets the luxury of being stuck in the same day until he gets it right...
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...Finding the Buddha's Light in Groundhog Day “A good movie can take you out of your dull funk and the hopelessness that so often goes with slipping into a theatre; a good movie can make you feel alive again, in contact, not just lost in another city. Good movies make you care, make you believe in possibilities again” (Pauline Kael). What this American film critic said in her book illuminates a fact that a good movie does not just entertain people, but also let people learn some of life’s philosophies and enlightenments. It is easy to find philosophies and enlightenments in Groundhog Day, which caused a sensation in the early 1990s and is still popular today. Groundhog Day’s considerable success is about more than just the performance of the humorous and witty plot, but also demonstrates many of life’s philosophies to the audience. These philosophies shown in the film have an enormous resonance to the Buddhist concept that makes people glad to use this film to spread Buddhist philosophies. The key reason for Groundhog Day being a valuable instrument in the teaching of Buddhism is its relevance to the Buddhist philosophies of reincarnation, love, and self-salvation. One key reason Groundhog Day is a valuable instrument in teaching Buddhism is its relevance to the Buddhist philosophy of reincarnation. One aspect of reincarnation in Buddhism is the endless cycle of life which is normally regarded as being reborn into a new existence after death, called Samsara in Buddhism. And Samsara...
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...Alvaro Sorto Professor Heather MacLean English ESL 100 26 March 2014 Effects of Love Groundhog Day is a movie about a meteorologist who becomes trapped in Punxsutawney, Pennsylvania. Phil Connors, a sarcastic Philadelphia weatherman who is far too full of himself. He travels with the entourage of cameraman Larry, and his lust interest Rita. Phil lives through the same day, Groundhog's day, repeatedly with no consequences. Being trapped in “Groundhog Day” has three significant effects on Phil’s practice of Eros, Agape and Philia. One effect on Phil being trapped on “Groundhog Day” was practice of Eros. Eros is essentially a passion for another, a desire to have them, to own them. In its sexual form, Eros by itself become fixated on the body alone, not on the person and treats the other as an object for use. Eros is basically all about itself. One effect on Phil practice of Eros is egocentric. Phil was a selfish, vain, fool who only cares about himself. All other people are there for him to use for his pleasure and his status. Phil is Eros out of control. The most obvious example is when Phil becomes to eat, drink and smoke every day. Because he notices that there was no consequence the next day. For him there was no worry of having lung cancer or cholesterol problems. We can see in the movie when Phil goes to the “tip top café” to eat lots of sugar, drink coffee, and even smoke at the same time. Another effect on Phil’s practice of Eros is eroticism. At the beginning uses...
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...EFFECTS OF RITA , THE TOWN AND POPS HAVE ON PHIL PERSONALLY AND PROFESSIONALLY ''Transformation is a process and as life happens there are tons of ups and down''(Accrding to Rick Warren). This suggests that transformation bring's change in life. It also happens with TV weatherman Phil Connors. He was assigned a job of covering Punxsutawney Phil's emergence in the Groundhog day movie. He was reluctantly covering Groundhog day from past four years. He makes it through the day in his egoistic manner, incurring the disdain of both his producer Rita and his photographer Larry. When he wakes up next morning, he finds that it is Groundhog day again. Phil finds himself trapped in the same day over and over again. Phil goes through many stages in the movie that effect his life. The town, Rita and pops have serious effect on Phil's life personally and professionally. The town has a distinct effect on Phil's personal life. Firstly , when he get trapped in groundhog day, the town has a negative impact on Phil. Phil thinks that because of this town he is trapped here. Phil was helplessly caught in it alone, for the same people that he meets are unaware of his predicament. They remain as static and unchanging as the surrounding environment. He is aware of the repitation, but everyone else seems to be living Febraury 2 for the first time. This recursion repeats the following morning and the one after that, and...
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...Good Student Dr. Grogan Literary Methodology 17 February 2012 Mistaking Awkwardness for Arrogance: A Reexamination of Gabriel in James Joyce’s “The Dead” A figure as complex and multifaceted as the rich narrative from which he is taken, Gabriel Conroy has long interested readers seeking meaning in James Joyce’s “The Dead.” Initially regarded as “a painfully ordinary man” by Melissa Free, subsequent critics have more harshly accused Gabriel of arrogance and classism, based on his “Three Encounters” with the characters Lily, Molly Ivors, and Gretta (280, 283). However, though many sound arguments can be made in support of Gabriel’s arrogance, one might see this position as a failure to recognize two important factors: First, the nervous insecurity with which he often conducts himself, and second, the disparity between his inner thoughts and outer actions. Indeed, an ethical examination of the story’s “Three Encounters” reveals a highly self-conscious, socially clumsy Gabriel, whose sometimes-condescending thoughts rarely manifest in intentionally hostile behavior. One can first see this display of self-consciousness when examining Gabriel’s discourse with the character Lily, the first in the series of encounters by which he is often judged. For those critics who interpret Gabriel negatively, this might seem a reasonable place to start, for his amusement with the girl’s low accent – “[smiling] at the three syllables she had given his surname,” – is a clear indication that Gabriel...
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...“The Dead” In James Joyce’s short story “The Dead” we notice how not living life to its fullest potential can be detrimental to a persons self esteem. The title contributes to this revelation by setting a strong focus on death and mortality, which serves as a constant reminder throughout the story. Joyce chooses to reveal this to us in forms of motifs of music to structure the story, and with this use of musical references the meaning of the story comes out in so many different ways creating a melody, thereby binding the music, and story together. Joyce uses the main character Gabriel to reveal to us the overall reoccurring theme, and how emotionally dead these characters are which leads up to Gabriel’s epiphany at the end of the story. With a title like “The Dead” we imagine that it is going to take place in some gloomy place, like a graveyard. However, to our surprise the story opens up to a Christmas party in which Mr. & Mrs. Conroy, Gabriel and Gretta, are invited to attend. We do not get the feeling of gloom or death, but more of a warm inviting environment. However, with the progression of the story the focus shifts towards the isolation and insecurities that Gabriel is exemplifying. We first see this taking place when he is questioning himself about his speech that he is planning on giving later on in the night. Gabriel is wondering whether or not to quote Robert Browning because he “fears they would be above the heads of his hearers.” (2174) He feels...
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...Bhagyesh Patel The Dead by James Joyce James Joyce (February 2, 1882 - January 13, 1941) was one of the most preeminent Irish authors of the twentieth century. He is known for his literary innovation such as a strictly focused narrative and indirect style. Although not strictly originally, James Joyce brought the aforementioned writing methods were to an unparalleled height. James Joyce considered being one of the most influential writers in the modernist avant-garde of the early 20th century. The genre of the dead by James Joyce is short story or a novella. The story is Characters * Gabriel Conroy - The main character of the story. (Developed character because he’s the main character of the story and his aunts are Kate and Julia who trust him to keep an eye on things and his thoughts are revealed to the readers.) * Kate Morkan and Julia Morkan - Gabriel's aunts, elderly sisters who throw a party every year during Christmas time. (Developed characters because they through the party so James tell the readers about how they set up the party and stuff.) * Mary Jane Morkan - Niece of Kate and Julia Morkan. (Flat character because the author doesn’t really let us that much about them.) * Lily - Maid. (Flat character because she’s just A young woman who does the housework for the Morkans but lily seems to be acting differently recently because of a problem with her lover.) * Gretta Conroy - Gabriel's wife.(developed character because in the story they...
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...“The Dead” by Joyce was written as a part of his collection, “The Dubliners”. James Joyce was greatly influenced by writing the short story reflecting what was all around him, which was a movement by the Irish in Dublin, Ireland. Ireland greatly influenced Joyce’s inspiration for writing. Consequently, he decided that he wanted to attempt to create an original portrayal of Irish middle class life in and around Dublin at the end of the 19th century and beginning of the 20th century, in his short story, “The Dead.” This short story by James Joyce, the author, is using the main character, Gabriel Conroy, to portray him slightly. This story takes place in the 20th century, in Dublin, Ireland. The main character, Gabriel Conroy, is a part-time book reviewer and a professor. He attended a party that was hosted by two of his aunts. While there he talked to a woman names Mrs. Ivors. Mrs. Ivors is a woman who is involved in a movement dealing with the Irish. Her job is to try to bring awareness and bring back the Irish language and culture. She talked to him about some of the views he had referring to the Irish and the English. This was one topic that they both disagreed on. While she tried to talk to...
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...Example Literary Research Paper Michelle Carerra Professor Krickstein English 1302 October 15, 2004 The Awakening of Gabriel Conroy Like the stories in Dubliners that lead up to it, “The Dead” dramatizes a moment of self-realization. The story portrays the gradual awakening of Gabriel Conroy, whose vision of his wife, Gretta, at the end of the story is at once a frustrating disappointment and a touching movement toward understanding and love. Robert Adams voices the view of more than one critic when he writes of “The Dead” that this “greatest of the stories in Dubliners stands apart from the rest, being warmer in tonality, richer in the writing, and more intimate in its subject matter” (83). Florence Walzl agrees when she writes that “’The Dead’ is markedly different from the earlier stories. . . .It is not only a longer, more fully developed narrative, but it presents a more kindly view of Ireland” (428). In one sense the “dead” of the title are all those who have lived and died, those who have gone before the festive inhabitants of Dublin who celebrate the Christmas season, Gabriel Conroy and Gretta among them. In another sense the dead are all those who, though alive and breathing, have lost their naturalness, their spontaneity, and most importantly, their passion. Gabriel, one of these, has lost touch with his past and with traditional Irish values. He looks instead toward continental Europe, toward the future, and toward change for an escape...
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...The Dead: A Psychological Perspective James Joyce’s “The Dead” can be interpreted form a psychological perspective that focuses on the impact of the cognitive and subconscious influences that impacted the content of Joyce’s work. In analyzing “The Dead” from this psychological perspective, there are insights that reveal how confused, disturbed, insecure, and troubled Joyce was in his personal life. The first article is by Coen and is entitled “What Will Become of Epiphanies? A Psychoanalytic Reading of James Joyce’s ‘The Dead.’” One of the more interesting points that was made in this article was that Coen describes how there are elements being juxtaposed against one another in Joyce’s story. These contrasting elements represent death and life. One example of this contrast between life and death was where Joyce wrote, “The morning was still dark. A dull yellow light brooded over the houses and the river and the sky seemed to be descending” (Joyce). This description uses all dark and dull matter to symbolize death. The morning sky, which could be described as brilliant specks of color trying to break through the early morning dark sky, were instead simply referred to as dark. Then, right after this description, Joyce’s entire mood and writing style changed. He wrote, “…Gabriel’s eyes were…bright with happiness. The blood went bounding along his veins and the thoughts were rioting through his brain, proud, joyful, tender, valorour…” (Joyce). This excerpt is full of...
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...vignettes by James Joyce, his short story Eveline is the tale of such an unfortunate individual. Anxious, timid, scared, perhaps even terrified -- all these describe Eveline. She is a frightened, indecisive young woman poised between her past and her future. Eveline loves her father but is fearful of him. She tries to hold onto good memories of her father, thinking "sometimes he could be very nice (Joyce 5)," but has seen what her father has done to her siblings when he would "hunt them in out of the field with his blackthorn stick (Joyce 4)." As of late she has begun to feel "herself in danger of her father's violence (Joyce 4)." Ironically, her father has "begun to threaten her and say what he'd do to her only for her dead mother's sake (Joyce 5)." Eveline wants a new life but is afraid to let go of her past. She dreams of a place where "people would treat her with respect (Joyce 4)" and when contemplating her future, hopes "to explore a new life with Frank (Joyce 5)." When, in a moment of terror she realizes that "she must escape (Joyce 6)," it seems to steel her determination to make a new home for herself elsewhere. On the other hand, she is comfortable with the "familiar objects from which she had never dreamed of being divided (Joyce 4)." She rationalizes that: "In her home anyway she had shelter and food; she had those whom she had known all her life about her (Joyce 4)." As she reflects on her past she discovers "now that she ...
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...The story centres on Gabriel Conroy on the night of the Morkan sisters' annual dance and dinner in the first week of January 1904, perhaps the Feast of the Epiphany (January 6). Typical of the stories in Dubliners, "The Dead" develops toward a moment of painful self-awareness; Joyce described this as an epiphany. The narrative generally concentrates on Gabriel's insecurities, his social awkwardness, and the defensive way he copes with his discomfort. The story culminates at the point when Gabriel discovers that, through years of marriage, there was much he never knew of his wife's past. JOYCE HOUSE, the fictional Morkan sisters' home. 15 Usher's Island, Dublin. Upon arriving at the party with his wife, Gabriel makes a joke that is not funny about the maid's marriage prospects; and he fidgets, adjusts his clothing, and offers her money as a holiday present. Not long after that, he gets flustered again when his wife pokes fun at him over a conversation they had earlier, in which he had forced her to wear galoshes for the bad weather. With such episodes, Gabriel is depicted as particularly pathetic. Similarly, Gabriel is unsure about quoting a poem from the poet Robert Browning when he is giving his dinner address, as he is afraid to be seen as pretentious. But, at the same time, Gabriel considers himself above the others when he speculates that his audience would not understand the words he uses. Later, when giving the traditional holiday toast, Gabriel overcompensates for...
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...It can be said that every story in the collection Dubliners by James Joyce has a tale of its own where “paralysis” is a central theme in all the stories. The idea of “paralysis” can mean a number of different things to different people depending upon their interpretation of a certain text. In general, what “paralysis” does is inhibit a character from doing what they want to do or know they should do, as if there is a kind of shadow in their life, just lurking and haunting them in the darkness. These shadows especially play an important role in two stories from the collection, “The Sisters” and “The Dead”; they act as a sort of imprisonment for the main character. In “The Sisters”, the narrator and main character is a nameless boy. The boy says at the beginning of the story, “Every night as I gazed up at the window I said softly to myself the word paralysis. It had always sounded strangely in my ears…like the name of some maleficent and sinful being. It filled me with fear” (“The Sisters”, 2). From this, the reader sees that the boy does not really know how to respond to the priest’s inevitable death. What kind of relationship exists between the boy and Father Flynn is hard to determine because the reader only sees their relationship through the eyes of the boy. As the reader is introduced to other characters in the story, they start to learn bits of information about the nature of their relationship, but the reader is still somewhat left in the dark. Throughout the story...
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...Natasha Nayo Lit.411 Yeats, Joyce and Woolf Presentation Review 2: Gabriel’s Alienation in “The Dead” by James Joyce Talking about James Joyce throughout this class and papers, it was only fitting to conclude by discussing about his last chapter in Dubliners (1914) ‘The Dead’. As the final installment [and the longest story in the collection] it had enough pages to describe the events that portrayed life in Dublin; at its peak of political revolution and colonization. The deceased and people described in this chapter hints the historical events of Joyce’s time. ‘The Dead’ takes place at a grand feast organized by the owners of the house, Aunt Julia and Kate Morkan and their talented niece, Mary Jane. In a cold January to celebrate the feast of Epiphany [which celebrates the manifestation of Christ’s divinity to the Magi] every relative and friend arrived to the party, including the most anticipated favorite nephew, Gabriel Conroy and his wife Gretta, whom will be the main focus of the story. “Of course, they had good reason to be fussy on such a night. And then it was long after ten o'clock and yet there was no sign of Gabriel and his wife. Besides they were dreadfully afraid that Freddy Malins might turn up screwed. They would not wish for worlds that any of Mary Jane's pupils should see him under the influence; and when he was like that it was sometimes very hard to manage him. Freddy Malins always came late, but they wondered what could be keeping Gabriel: and that...
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