Postmodern artist Del Kathryn Barton reflects her understanding, as a reaction to the contemporary world by incorporating symbolic aspects within her work. Barton showcases various subtle feminist features such as the dominant female sexuality and its worthy value. She embraces the interconnecting bond and love of motherhood and her own identity, being Australian as a part of the Barton additionally uses the fashion industry to portray the model figure and its dynamic designer patterns of clothes. These aspects have embodied Barton’s perception on the world.

The perception of woman in the 21st century has dominantly caught Barton’s attention. In “The whole of everything”, Barton uses the features of the woman that signify subtle strands of feminism and high value women consist of. Barton implements the feature of breasts numerously within the centre to communicate dominance by the woman’s features. The up straight posture of the centred figure in combination with folded vague fingers conveys value and high regarded worth. The various painted woman who fulfil the painting communicate strong messages of the …show more content…
In “I ate the rainbow up”, Barton uses the fashion world today in combination to its models to showcase her contradictory view on this particular aspect. The rainbow covering the figures symbolise the type of clothing and colours influenced by the latest fashion within the world. However the centred portrayed fragile, thin woman provides negative symbolism to modelling where the requirement is strict upon their physique and dietary. The outlay of the painting itself replicates the structure of the cover of a magazine, centring the main figure in the middle however still managing space for the highlights of the world around. By incorporating features of the fashion industry, barton has communicated her interpretation of it particularly within her