The film, “We Are All Neighbors”(1993) was a result of videoing by the British Granada Television International unit in their series "Disappearing World". It is part of a sub-series of three films made in villages suffering the effects of war. This film specifically takes place in a Bosnian village northwest of Saravejo. I believe that this 52 minute video does fit the definition of a documentary in numerous ways. Unlike fictional film, the people, places, and scenarios presented in this film are all realistic and un-imaginary. Anthropologist, Tone Bringa spent fifteen months coinciding in (and filming) the Bosnian village before any intercultural tensions subsisted. We can see this at the beginning, how pacific the village and neighbors are with each other despite that they pertain to different religions. The close knit community and respect between them are also apparent in the dialogue between two Slavic women, a Muslim and her Catholic neighbor. Being aware of the war and the inter-ethnic hatred, they reassure that “What ever happens, we’ll drink coffee together…as we did in the past, we’ll do in the future,” and that Bosnia will always remain united and include a mixture of Croats, Serbs, and Muslims. Then as the film develops, we see how this village and these relationships are vigorously shaken. Due to the outbreak of the war and all of the raids in their community, relationships begin to deteriorate. We slowly realize how everyone is sucked into the conflict and how their hope for peace slips away. It’s apparent that suspicion, disbelief and helplessness dwells in the villagers. Rumors about the ongoing brutalities begin to raise tensions, fear, and distrust between people who never considered their differences of any importance. When Bringa returns to the village, she sees that trust no longer remains, and neither does the harmonious village it once was. Villagers were changed to refugees, and Muslim houses were destroyed. Personally, I believe all of these scenes and emotions documented were neither re-enacted nor imaginary. They were real people whose everyday life in areas of the world which were undergoing change for whatever reason (war in this case) were recorded. Since this film was made over a long period of time, it becomes more valuable because it’s history. Bringa allowed us to see the unusual intimacy of sighted Muslim women at prayer. We were able to get a closer look and feel of the distrust between the Bosnian community through the daily depictions of the destruction, the plight of refugees, and aftermath of war. Most importantly, the disastrous effects that the outside pressures played upon a community causing the disintegration of the Bosnian village. I also believe it falls under the category of a narrative because we have Bringa narrating what’s happening in this village. She obviously did not include all the footage she took while she was there for 15 months, but rather chose specific scenes to shape the film in a specific manner. In some way I believe it was an attempt to show Muslims suffering from Croat offenses and give the victims a face and a voice, so they could be understood.